No Graves As Yet: A Novel (World War I)
No Graves As Yet: A Novel (World War I) book cover

No Graves As Yet: A Novel (World War I)

Paperback – July 26, 2005

Price
$17.00
Format
Paperback
Pages
384
Publisher
Ballantine Books
Publication Date
ISBN-13
978-0345484239
Dimensions
5.15 x 0.8 x 8 inches
Weight
12 ounces

Description

PRAISE FOR ANNE PERRY AND HER VICTORIAN NOVELS “Intelligently written and historically fascinating.” —The Wall Street Journal “You can count on a Perry tale to be superior.” —The San Diego Union-Tribune “[A] master of crime fiction who rarely fails to deliver a strong story and a colorful cast of characters.”— The Baltimore Sun The Reavley Chronicles Through Anne Perry's magnificent Victorian novels, millions of readers have enjoyed the pleasures and intrigue of a bygone age. Now, with the debut of an extraordinary new series, this "New York Times bestselling author sweeps us into the golden summer of 1914, a time of brief enchantment when English men and women basked in the security of wealth and power, even as the last weeks of their privileged world were swiftly passing. Theirs was a peace that led to war. On a sunny afternoon in late June, Cambridge professor Joseph Reavley is summoned from a student cricket match to learn that his parents have died in an automobile crash. Joseph's brother, Matthew, as officer in the Intelligence Service, reveals that their father had been en route to London to turn over to him a mysterious secret document--allegedly with the power to disgrace England forever and destroy the civilized world. A paper so damning that Joseph and Matthew dared mention it only to their restless younger sister. Now it has vanished. What has happened to this explosive document, if indeed it ever existed? How had it fallen into the hands of their father, a quiet countryman? Not even Matthew, with his Intelligence connections, can answer these questions. And Joseph is soon burdened with a second tragedy: the shocking murder of his most gifted student, beautiful Sebastian Allard, loved and admired by everyone. Or so it appeared. Meanwhile, England's seamless peace is cracking--as the distance between the murder of an Austrian archduke by a Serbian anarchist and the death of a brilliant university student by a bullet to the head of grows shorter by the day. Anne Perry is a sublime master of suspense. In"No Graves As Yet, her latest haunting masterpiece, she reminds us that love and hate, cowardice and courage, good and evil are always a part of life, in our own time as well as on the eve of the greatest war the world has ever known. "From the Hardcover edition. Anne Perry was the bestselling author of two acclaimed series set in Victorian England: the William Monk novels and the Charlotte and Thomas Pitt novels. She was also the author of a series featuring Charlotte and Thomas Pitt's son, Daniel, as well as the Elena Standish series; a series of five World War I novels; twenty-one holiday novels; and a historical novel, The Sheen on the Silk, set in the Byzantine Empire. Anne Perry died in 2023. Excerpt. © Reprinted by permission. All rights reserved. CHAPTER 1It was a golden afternoon in late June, a perfect day for cricket. The sun burned in a cloudless sky, and the breeze was barely sufficient to stir the slender, pale skirts of the women as they stood on the grass at Fenner’s Field, para- sols in hand. The men, in white flannels, were relaxed and smiling.St. John’s were batting and Gonville and Caius were fielding. The bowler pounded up to the crease and sent the ball down fast, but a bit short and wide. Elwyn Allard leaned forward, and with an elegant cover drive, dispatched the ball to the boundary for four runs.Joseph Reavley joined in the applause. Elwyn was one of his students, rather more graceful with the bat than with the pen. He had little of the scholastic brilliance of his brother, Sebastian, but he had a manner that was easy to like, and a sense of honor that drove him like a spur.St. John’s still had four more batsmen to play, young men from all over England who had come to Cambridge and, for one reason or another, remained at college through the long summer vacation.Elwyn hit a modest two. The heat was stirred by a faint breath of wind from across the fenlands with their dykes and marshes, flat under the vast skies stretching eastward to the sea. It was old land, quiet, cut by secret waterways, Saxon churches marking each village. It had been the last stronghold of resistance against the Norman invasion eight and a half centuries ago.On the field one of the boys just missed a catch. There was a gasp and then a letting out of breath. All this mattered. Such things could win or lose a match, and they would be playing against Oxford again soon. To be beaten would be catastrophic.Across the town behind them, the clock on the north tower at Trinity struck three, each chime on the large A-flat bell, then followed the instant after on the smaller E-flat. Joseph thought how out of place it seemed, to think of time on an eternal afternoon like this. A few feet away, Harry Beecher caught his eye and smiled. Beecher had been a Trinity man in his own years as a student, and it was a long-standing joke that the Trinity clock struck once for itself and once for St. John’s.A cheer went up as the ball hit the stumps and Elwyn was bowled out with a very respectable score of eighty-three. He walked off with a little wave of acknowledgment and was replaced at the crease by Lucian Foubister, who was a little too bony, but Joseph knew his awkwardness was deceiving. He was more tenacious than many gave him credit for, and he had flashes of extraordinary grace.Play resumed with the sharp crack of a strike and the momentary cheers under the burning blue of the sky.Aidan Thyer, master of St. John’s, stood motionless a few yards from Joseph, his hair flaxen in the sun, his thoughts apparently far away. His wife Connie, standing next to him, glanced across and gave a little shrug. Her dress was white broderie anglaise, falling loosely in a flare below the hip, and the fashionable slender skirt reached to the ground. She looked as elegant and feminine as a spray of daisies, even though it was the hottest summer in England for years.At the far end of the pitch Foubister struck an awkward shot, elbows in all the wrong places, and sent the ball right to the boundary. There was a shout of approval, and everyone clapped.Joseph was aware of a movement somewhere behind him and half turned, expecting a grounds official, perhaps to say it was time for lemonade and cucumber sandwiches. But it was his own brother, Matthew, who was walking toward him, his shoulders tight, no grace in his movement. He was wearing a light gray city suit, as if he had newly arrived from London.Joseph started across the green, anxiety rising quickly. Why was his brother here in Cambridge, interrupting a match on a Sunday afternoon?“Matthew! What is it?” he said as he reached him.Matthew stopped. His face was so pale it seemed almost bloodless. He was twenty-eight, seven years the younger, broader-shouldered, and fair where Joseph was dark. He was steadying himself with difficulty, and he gulped before he found his voice. “It’s . . .” He cleared his throat. There was a kind of desperation in his eyes. “It’s Mother and Father,” he said hoarsely. “There’s been an accident.”Joseph refused to grasp what he had said. “An accident?”Matthew nodded, struggling to govern his ragged breathing. “In the car. They are both . . . dead.”For a moment the words had no meaning for Joseph. Instantly his father’s face came to his mind, lean and gentle, blue eyes steady. It was impossible that he could be dead.“The car went off the road,” Matthew was saying. “Just before the Hauxton Mill Bridge.” His voice sounded strange and far away.Behind Joseph they were still playing cricket. He heard the sound of the ball and another burst of applause.“Joseph . . .” Matthew’s hand was on his arm, the grip tight.Joseph nodded and tried to speak, but his throat was dry.“I’m sorry,” Matthew said quietly. “I wish I hadn’t had to tell you like this. I . . .”“It’s all right, Matthew. I’m . . .” He changed his mind, still trying to grasp the reality. “The Hauxton Road? Where were they going?”Matthew’s fingers tightened on his arm. They began to walk slowly, close together, over the sun-baked grass. There was a curious dizziness in the heat. The sweat trickled down Joseph’s skin, and inside he was cold.Matthew stopped again.“Father telephoned me late yesterday evening,” he replied huskily, as if the words were almost unbearable for him. “He said someone had given him a document outlining a conspiracy so hideous it would change the world we know—that it would ruin England and everything we stand for. Forever.” He sounded defiant now, the muscles of his neck and jaw clenched as if he barely had mastery of himself.Joseph’s mind whirled. What should he do? The words hardly made sense. John Reavley had been a member of Parliament until 1912, two years ago. He had resigned for reasons he had not discussed, but he had never lost his interest in political affairs, nor his care for honesty in government. Perhaps he had simply been ready to spend more time reading, indulging his love of philosophy, poking around in antique and secondhand shops looking for a bargain. More often he was just talking with people, listening to stories, swapping eccentric jokes, and adding to his collection of limericks.“A conspiracy to ruin England and everything we stand for?” Joseph repeated incredulously.“No,” Matthew corrected him with precision. “A conspiracy that would ruin it. That was not the main purpose, simply a side effect.”“What conspiracy? By whom?” Joseph demanded.Matthew’s skin was so white it was almost gray. “I don’t know. He was bringing it to me . . . today.”Joseph started to ask why, and then stopped. The answer was the one thing that made sense. Suddenly at least two facts cohered. John Reavley had wanted Joseph to study medicine, and when his firstborn son had left it for the church, he had then wanted Matthew to become a doctor. But Matthew had read modern history and languages here at Cambridge, and then he joined the Secret Intelligence Service. If there was such a plot, John would understandably have notified his younger son. Not his elder.Joseph swallowed, the air catching in his throat. “I see.”Matthew’s grip eased on him slightly. He had known the news longer and had more time to grasp its truth. He was searching Joseph’s face with anxiety, evidently trying to formulate something to say to help him through the pain.Joseph made an immense effort. “I see,” he repeated. “We must go to them. Where . . . are they?”“At the police station in Great Shelford,” Matthew answered. He made a slight movement with his head. “I’ve got my car.”“Does Judith know?”Matthew’s face tightened. “Yes. They didn’t know where to find you or me, so they called her.”That was reasonable—obvious, really. Judith was their younger sister, still living at home. Hannah, between Joseph and Matthew, was married to a naval officer and lived in Portsmouth. It would be the house in Selborne St. Giles that the police would have called. He thought how Judith would be feeling, alone except for the servants, knowing neither her father nor mother would come home again, not tonight, not any night.His thoughts were interrupted by someone at his elbow. He had not even heard footsteps on the grass. He half turned and saw Harry Beecher standing beside him, his wry, sensitive face puzzled.“Is everything . . . ?” he began. Then, seeing Joseph’s eyes, he stopped. “Can I help?” he said simply.Joseph shook his head a little. “No . . . no, there isn’t anything.” He made an effort to pull his thoughts together. “My parents have had an accident.” He took a deep breath. “They’ve been killed.” How odd and flat the words sounded. They still carried no reality with them.Beecher was appalled. “Oh, God! I’m so sorry!”“Please—” Joseph started.“Of course,” Beecher interrupted. “I’ll tell people. Just go.” He touched Joseph lightly on the arm. “Let me know if I can do anything.”“Yes, of course. Thank you.” Joseph shook his head and started to walk away as Matthew acknowledged Beecher, then turned to cross the wide expanse of grass. Joseph followed him without looking back at the players in their white flannels, bright in the sunlight. They had been the only reality a few moments ago; now there seemed an unbridgeable space between them.Outside the cricket ground Matthew’s Sunbeam Talbot was parked in Gonville Place. In one fluid motion Joseph climbed over the side and into the passenger seat. The car was facing north, as if Matthew had been to St. John’s first and then come all the way through town to the cricket ground looking for Joseph. Now he turned southwest again, back along Gonville Place and finally onto the Trumpington Road.There was nothing to say now; each was cocooned in his own pain, waiting for the moment when they would have to face the physical proof of death. The familiar winding road with its harvest fields shining gold in the heat, the hedgerows, and the motionless trees were like things painted on the other side of a wall that encased the mind. Joseph was aware of them only as a bright blur.Matthew drove as if it demanded his entire concentration, clutching the steering wheel with hands he had to loosen deliberately now and then.South of the village they turned left through St. Giles, skirted the side of the hill over the railway bridge into Great Shelford, and pulled up outside the police station. A somber sergeant met them, his face tired, his body hunched, as if he had had to steel himself for the task.“Oi’m terrible sorry, sir.” He looked from one to the other of them, biting his lower lip. “Wouldn’t ask it if Oi din’t ’ave to.”“I know,” Joseph said quickly. He did not want a conversation. Now that they were here, he needed to proceed as quickly as possible, while his self-control lasted.Matthew made a small gesture forward, and the sergeant turned and led the way the short distance through the streets to the hospital mortuary. It was all very formal, a routine the sergeant must have been through scores of times: sudden death, shocked families moving as if in a dream, murmuring polite words, hardly aware of what they were saying, trying to understand what had happened and at the same time deny it. Read more

Features & Highlights

  • Through Anne Perry’s magnificent Victorian novels, millions of readers have enjoyed the pleasures and intrigue of a bygone age. Now, with the debut of an extraordinary new series, this
  • New York Times
  • bestselling author sweeps us into the golden summer of 1914, a time of brief enchantment when English men and women basked in the security of wealth and power, even as the last weeks of their privileged world were swiftly passing. Theirs was a peace that led to war. On a sunny afternoon in late June, Cambridge professor Joseph Reavley is summoned from a student cricket match to learn that his parents have died in an automobile crash. Joseph’s brother, Matthew, as officer in the Intelligence Service, reveals that their father had been en route to London to turn over to him a mysterious secret document—allegedly with the power to disgrace England forever and destroy the civilized world. A paper so damning that Joseph and Matthew dared mention it only to their restless younger sister. Now it has vanished. What has happened to this explosive document, if indeed it ever existed? How had it fallen into the hands of their father, a quiet countryman? Not even Matthew, with his Intelligence connections, can answer these questions. And Joseph is soon burdened with a second tragedy: the shocking murder of his most gifted student, beautiful Sebastian Allard, loved and admired by everyone. Or so it appeared. Meanwhile, England’s seamless peace is cracking—as the distance between the murder of an Austrian archduke by a Serbian anarchist and the death of a brilliant university student by a bullet to the head of grows shorter by the day. Anne Perry is a sublime master of suspense. In
  • No Graves As Yet
  • , her latest haunting masterpiece, she reminds us that love and hate, cowardice and courage, good and evil are always a part of life, in our own time as well as on the eve of the greatest war the world has ever known.

Customer Reviews

Rating Breakdown

★★★★★
30%
(257)
★★★★
25%
(214)
★★★
15%
(128)
★★
7%
(60)
23%
(196)

Most Helpful Reviews

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It's Obviously Not Everyone's Cup of Tea...

...but I loved this book (& the other four in the series). I've read most of Perry's Monk books & enjoyed them; I've tried the Pitt books & liked them less. Perhaps I like this series so much because WWI is a period of history that I've come to find fascinating; its effects are still being felt in our own time, even though most Americans don't recognize that (to rectify that, Margaret MacMillan's Paris 1919 is superb). Perry does a wonderful job at evoking the last weeks before the declaration of war. While perhaps the starlings swirl against the twilight a few times too many, her writing is so descriptive that it's easy to see in my mind's eye each scene. I disagree w/the reviewer who said it was "too English"...it *is* set in England, after all, & one doesn't need to understand the rules of cricket to understand that it's a game played w/a bat & ball, & not important to the overall plot. The "Oi" accent that another reviewer complained about doesn't indicate lower-class status; that's the dialect spoken in Cambridge & its environs by people who didn't have the opportunity to go to school & learn the accent we associate w/Masterpiece Theatre. This is my fourth time reading the book & I'm actually reading it more for the plot now than before...there are so many thought-provoking ideas in the book that I found myself previously stopping & thinking for minutes at a time. And Perry's quoting of Edward Grey's "The lamps are going out all over Europe--we shall not see them lit again in our lifetime" brings up goosebumps. I'm looking forward to spending the next weeks with the Reavleys as I read through the series again.
7 people found this helpful
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Dull

This was my first (and probably last) Anne Perry novel. Neither the story nor the characters caught me. I forced myself to finish it....
6 people found this helpful
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A bit too much philosophizing for an action novel

This book is the first in the series of five in Perry's WWI mystery/drama. In general I enjoyed them all but felt there were plenty of places where the action gave way to a curious philosophizing on the part of the major players. One of the themes was the ghastly nature of warfare and another one was on whether a good God can exist and still allow such evil to exist. Even the priest, Joseph, has a problem with this. As a Christian, I would have preferred a bit more enthusiasm for God's side of things. Other than this, I would say the series is up to the Perry standards and nothing offensive as far as sex and violence go until the last book which is a bit graphic for my taste. Hope this helps people decide whether to buy the books or not.
5 people found this helpful
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A "Grave" Disappointment

Stilted dialogue, repetitive phrases and utterly boring. I just didn't care what happened to the characters after the first 50 pages. A "grave" disappointment.
3 people found this helpful
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Maudlin history

I used the audio version of this book so may be a bit skewed in my view. Perry writes with wonderful detail and feel for the characters of this era (immediate pre WWI upper class England), yet I found the characters overwrought and hence somewhat unbelievable. While not really convinced of the conspiracy that drives this plot I enjoyed the details surrounding the plot. The "Irish problem", the assination of an Austrian archduke in Serbia, and how gradually WWI came into being. Not everyone's cup of tea.
3 people found this helpful
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This author is very intelligent and researches her subjects and time period well

This author is very intelligent and researches her subjects and time period well. I always enjoy her stories because the crimes evolve due values specific to the Victorian England, that is, some of those crimes might not be committed today as those values have changed. Perry has created two very different detectives in her novels and handles them both with a deep psychological understanding.

The writing is excellent, the vocabulary extensive, the historical bent feels accurate and very immediate, and the action will make your heart want to turn the next page.
2 people found this helpful
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Tedious, cliche-ridden story by an author out of her depth.

The more I read by Anne Perry, the more I realize what a mediocre writer she truly is.

I am somewhat of a WW1 buff, so I thought I'd try this book to see what Perry could do with a different time period.

From the first chapter, she simply rolls out one plot cliche after another, with overwrought dialog and characters from central casting. The central mystery isn't even that compelling, and there are mysterious characters whose significance is never explained. I realize now that the reason for THAT ploy was to drag out this thin plot into an entire series, which is the literary equivalent of watering down the soup.

I will not be returning to this series. If you're looking for some quirky mysteries set in the same general era, try the Charles Todd series about Ian Rutledge. Or read some books that were actually written at the time, rather than Anne Perry's amateurish re-creations.
2 people found this helpful
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Not my favorite, but still Very Good

Conspiracy theories are not my favorite plot device. It is hard for me to identify with the strong feelings expressed by many of the characters in this book, but I do believe people, particularly of the English upper classes, felt them. This is not my favorite Perry, but it is hard to deny that she is a superb writer. Her ability to crease a sense of time and place are unparallel.
2 people found this helpful
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Not my favorite, but still Very Good

Conspiracy theories are not my favorite plot device. It is hard for me to identify with the strong feelings expressed by many of the characters in this book, but I do believe people, particularly of the English upper classes, felt them. This is not my favorite Perry, but it is hard to deny that she is a superb writer. Her ability to crease a sense of time and place are unparallel.
2 people found this helpful
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One of the most boring, pretentious and meandering novels.

I'm sorry but this book is barely readable. It spends pages and pages on Anne Raynde type philosophizing by the two brother. The brothers seem borderline halfwits as they try and solve two separate but temporally related murders. They go down the wrong path again and again and we have to hear their high fluent, but incorrect, thinking process. If you want a mystery or action read Lee Child's Jack Reacher series or the Bosch novels. If you want World War 1 read something like "Poilu" or "Storm of Steel" I can not finish "No Graves as Yet" . It is too boring and pretentious.
1 people found this helpful