No Graves as Yet: A Novel of World War I, 1st Edition
No Graves as Yet: A Novel of World War I, 1st Edition book cover

No Graves as Yet: A Novel of World War I, 1st Edition

Hardcover – August 26, 2003

Price
$14.30
Format
Hardcover
Pages
352
Publisher
Ballantine Books
Publication Date
ISBN-13
978-0345456526
Dimensions
6.25 x 1.25 x 9.5 inches
Weight
1.4 pounds

Description

From Publishers Weekly This absorbing mystery/spy thriller, set in tranquil Cambridge just before the onset of the Great War, marks a powerful start to bestseller Perry's much anticipated new series. In a lush and deceptively peaceful opening scene, college professor and chaplain Joseph Reavley is interrupted while watching a cricket game by his intelligence officer brother, Matthew, who reports the sudden death of their parents in a car crash. This horrifying news sets off a long but compelling investigation by the brothers that takes them across verdant summertime England, looking for a secret document that their father was trying to deliver to Matthew at the time of his death. Against a backdrop of ominous news from the continent, Perry artfully weaves connections between pacifist students at Cambridge, one of whom is also murdered, and German agents who may be planning "a conspiracy to ruin England and everything we stand for." The intrigue is further complicated by jilted lovers and jealous spouses at the university, all with grudges against an alleged blackmailer in their midst who may also be privy to exam cribbing and other illicit goings-on. Perry's title, a quotation from G.K. Chesterton, is a portent of the carnage that soon awaits the youth of England, yet by the final resolution of this gripping case, many graves have regrettably already been filled in Cambridge's serene churchyards.Copyright 2003 Reed Business Information, Inc. PRAISE FOR ANNE PERRY AND HER VICTORIAN NOVELS “Intelligently written and historically fascinating.” —The Wall Street Journal “You can count on a Perry tale to be superior.” —The San Diego Union-Tribune “[A] master of crime fiction who rarely fails to deliver a strong story and a colorful cast of characters.”— The Baltimore Sun The Reavley Chronicles From the Publisher Through Anne Perry’s magnificent Victorian novels, millions of readers have enjoyed the pleasures and intrigue of a bygone age. Now, in the debut of an extraordinary new series, this New York Times bestselling author sweeps us into the golden summer of 1914, a time of brief enchantment when English men and women basked in the security of wealth and power, even as the last weeks of their privileged world were swiftly passing. Theirs was a peace that led to war.On a sunny afternoon in late June, Cambridge professor Joseph Reavley is summoned from a student cricket match to learn that his parents have died in an automobile crash. Joseph’s brother, Matthew, as officer in the Intelligence Service, reveals that their father had been en route to London to turn over to him a mysterious secret document—allegedly with the power to disgrace England forever and destroy the civilized world. A paper so damning that Joseph and Matthew dared mention it only to their restless younger sister. Now it has vanished.What has happened to this explosive document, if indeed it ever existed? How had it fallen into the hands of their father, a quiet countryman? Not even Matthew, with his Intelligence connections, can answer these questions. And Joseph is soon burdened with a second tragedy: the shocking murder of his most gifted student, beautiful Sebastian Allard, loved and admired by everyone. Or so it appeared.Meanwhile, England’s seamless peace is cracking—as the distance between the murder of an Austrian archduke by a Serbian anarchist and a bullet in the head of a brilliant university student grows shorter by the day.Anne Perry is a sublime master of suspense. In No Graves As Yet, her latest haunting masterpiece, she reminds us that love and hate, cowardice and courage, good and evil are always a part of life, in our own time as well as on the eve of the greatest war the world has ever known. From the Inside Flap Through Anne Perryx92s magnificent Victorian novels, millions of readers have enjoyed the pleasures and intrigue of a bygone age. Now, with the debut of an extraordinary new series, this New York Times bestselling author sweeps us into the golden summer of 1914, a time of brief enchantment when English men and women basked in the security of wealth and power, even as the last weeks of their privileged world were swiftly passing. Theirs was a peace that led to war.On a sunny afternoon in late June, Cambridge professor Joseph Reavley is summoned from a student cricket match to learn that his parents have died in an automobile crash. Josephx92s brother, Matthew, as officer in the Intelligence Service, reveals that their father had been en route to London to turn over to him a mysterious secret documentx97allegedly with the power to disgrace England forever and destroy the civilized world. A paper so damning that Joseph and Matthew dared mention it only to their restless younger sister. Now it has vanished.What has happened to this explosive document, if indeed it ever existed? How had it fallen into the hands of their father, a quiet countryman? Not even Matthew, with his Intelligence connections, can answer these questions. And Joseph is soon burdened with a second tragedy: the shocking murder of his most gifted student, beautiful Sebastian Allard, loved and admired by everyone. Or so it appeared.Meanwhile, Englandx92s seamless peace is crackingx97as the distance between the murder of an Austrian archduke by a Serbian anarchist and the death of a brilliant university student by a bullet to the head of grows shorter by the day.Anne Perry is a sublime master of suspense. In No Graves As Yet , her latest haunting masterpiece, she reminds us that love and hate, cowardice and courage, good and evil are always a part of life, in our own time as well as on the eve of the greatest war the world has ever known. PRAISE FOR ANNE PERRY AND HER VICTORIAN NOVELS “Intelligently written and historically fascinating.” —The Wall Street Journal “You can count on a Perry tale to be superior.” —The San Diego Union-Tribune “[A] master of crime fiction who rarely fails to deliver a strong story and a colorful cast of characters.”— The Baltimore Sun The Reavley Chronicles Anne Perry is the bestselling author of two acclaimed series set in Victorian England. Her William Monk novels include Death of a Stranger, Funeral in Blue, Slaves of Obsession, and The Twisted Root. She also writes the popular novels featuring Thomas and Charlotte Pitt, including Seven Dials, Southampton Row, The Whitechapel Conspiracy, and Half Moon Street. Her short story “Heroes” won an Edgar Award. Anne Perry lives in Scotland. Visit her Web site at www.anneperry.net. Excerpt. © Reprinted by permission. All rights reserved. CHAPTER ONE It was a golden afternoon in late June, a perfect day for cricket. The sun burned in a cloudless sky, and the breeze was barely sufficient to stir the slender, pale skirts of the women as they stood on the grass at Fenner’s Field, parasols in hand. The men, in white flannels, were relaxed and smiling.St. John’s were batting and Gonville and Caius were fielding. The bowler pounded up to the crease and sent the ball down fast, but a bit short and wide. Elwyn Allard leaned forward, and with an elegant cover drive, dispatched the ball to the boundary for four runs.Joseph Reavley joined in the applause. Elwyn was one of his students, rather more graceful with the bat than with the pen. He had little of the scholastic brilliance of his brother, Sebastian, but he had a manner that was easy to like, and a sense of honor that drove him like a spur.St. John’s still had four more batsmen to play, young men from all over England who had come to Cambridge and, for one reason or another, remained at college through the long summer vacation.Elwyn hit a modest two. The heat was stirred by a faint breath of wind from across the fenlands with their dykes and marshes, flat under the vast skies stretching eastward to the sea. It was old land, quiet, cut by secret waterways, Saxon churches marking each village. It had been the last stronghold of resistance against the Norman invasion eight and a half centuries ago.On the field one of the boys just missed a catch. There was a gasp and then a letting out of breath. All this mattered. Such things could win or lose a match, and they would be playing against Oxford again soon. To be beaten would be catastrophic.Across the town behind them, the clock on the north tower at Trinity struck three, each chime on the large A-flat bell, then followed the instant after on the smaller E-flat. Joseph thought how out of place it seemed, to think of time on an eternal afternoon like this. A few feet away, Harry Beecher caught his eye and smiled. Beecher had been a Trinity man in his own years as a student, and it was a long-standing joke that the Trinity clock struck once for itself and once for St. John’s.A cheer went up as the ball hit the stumps and Elwyn was bowled out with a very respectable score of eighty-three. He walked off with a little wave of acknowledgment and was replaced at the crease by Lucian Foubister, who was a little too bony, but Joseph knew his awkwardness was deceiving. He was more tenacious than many gave him credit for, and he had flashes of extraordinary grace.Play resumed with the sharp crack of a strike and the momentary cheers under the burning blue of the sky.Aidan Thyer, master of St. John’s, stood motionless a few yards from Joseph, his hair flaxen in the sun, his thoughts apparently far away. His wife Connie, standing next to him, glanced across and gave a little shrug. Her dress was white broderie anglaise, falling loosely in a flare below the hip, and the fashionable slender skirt reached to the ground. She looked as elegant and feminine as a spray of daisies, even though it was the hottest summer in England for years.At the far end of the pitch Foubister struck an awkward shot, elbows in all the wrong places, and sent the ball right to the boundary. There was a shout of approval, and everyone clapped.Joseph was aware of a movement somewhere behind him and half turned, expecting a grounds official, perhaps to say it was time for lemonade and cucumber sandwiches. But it was his own brother, Matthew, who was walking toward him, his shoulders tight, no grace in his movement. He was wearing a light gray city suit, as if he had newly arrived from London.Joseph started across the green, anxiety rising quickly. Why was his brother here in Cambridge, interrupting a match on a Sunday afternoon?“Matthew! What is it?” he said as he reached him.Matthew stopped. His face was so pale it seemed almost bloodless. He was twenty-eight, seven years the younger, broader-shouldered, and fair where Joseph was dark. He was steadying himself with difficulty, and he gulped before he found his voice. “It’s . . .” He cleared his throat. There was a kind of desperation in his eyes. “It’s Mother and Father,” he said hoarsely. “There’s been an accident.”Joseph refused to grasp what he had said. “An accident?”Matthew nodded, struggling to govern his ragged breathing. “In the car. They are both . . . dead.”For a moment the words had no meaning for Joseph. Instantly his father’s face came to his mind, lean and gentle, blue eyes steady. It was impossible that he could be dead.“The car went off the road,” Matthew was saying. “Just before the Hauxton Mill Bridge.” His voice sounded strange and far away.Behind Joseph they were still playing cricket. He heard the sound of the ball and another burst of applause.“Joseph . . .” Matthew’s hand was on his arm, the grip tight.Joseph nodded and tried to speak, but his throat was dry.“I’m sorry,” Matthew said quietly. “I wish I hadn’t had to tell you like this. I . . .”“It’s all right, Matthew. I’m . . .” He changed his mind, still trying to grasp the reality. “The Hauxton Road? Where were they going?”Matthew’s fingers tightened on his arm. They began to walk slowly, close together, over the sun-baked grass. There was a curious dizziness in the heat. The sweat trickled down Joseph’s skin, and inside he was cold.Matthew stopped again.“Father telephoned me late yesterday evening,” he replied huskily, as if the words were almost unbearable for him. “He said someone had given him a document outlining a conspiracy so hideous it would change the world we know—that it would ruin England and everything we stand for. Forever.” He sounded defiant now, the muscles of his neck and jaw clenched as if he barely had mastery of himself.Joseph’s mind whirled. What should he do? The words hardly made sense. John Reavley had been a member of Parliament until 1912, two years ago. He had resigned for reasons he had not discussed, but he had never lost his interest in political affairs, nor his care for honesty in government. Perhaps he had simply been ready to spend more time reading, indulging his love of philosophy, poking around in antique and secondhand shops looking for a bargain. More often he was just talking with people, listening to stories, swapping eccentric jokes, and adding to his collection of limericks.“A conspiracy to ruin England and everything we stand for?” Joseph repeated incredulously.“No,” Matthew corrected him with precision. “A conspiracy that would ruin it. That was not the main purpose, simply a side effect.”“What conspiracy? By whom?” Joseph demanded.Matthew’s skin was so white it was almost gray. “I don’t know. He was bringing it to me . . . today.”Joseph started to ask why, and then stopped. The answer was the one thing that made sense. Suddenly at least two facts cohered. John Reavley had wanted Joseph to study medicine, and when his firstborn son had left it for the church, he had then wanted Matthew to become a doctor. But Matthew had read modern history and languages here at Cambridge, and then he joined the Secret Intelligence Service. If there was such a plot, John would understandably have notified his younger son. Not his elder.Joseph swallowed, the air catching in his throat. “I see.”Matthew’s grip eased on him slightly. He had known the news longer and had more time to grasp its truth. He was searching Joseph’s face with anxiety, evidently trying to formulate something to say to help him through the pain.Joseph made an immense effort. “I see,” he repeated. “We must go to them. Where . . . are they?”“At the police station in Great Shelford,” Matthew answered. He made a slight movement with his head. “I’ve got my car.”“Does Judith know?”Matthew’s face tightened. “Yes. They didn’t know where to find you or me, so they called her.”That was reasonable—obvious, really. Judith was their younger sister, still living at home. Hannah, between Joseph and Matthew, was married to a naval officer and lived in Portsmouth. It would be the house in Selborne St. Giles that the police would have called. He thought how Judith would be feeling, alone except for the servants, knowing neither her father nor mother would come home again, not tonight, not any night.His thoughts were interrupted by someone at his elbow. He had not even heard footsteps on the grass. He half turned and saw Harry Beecher standing beside him, his wry, sensitive face puzzled.“Is everything . . . ?” he began. Then, seeing Joseph’s eyes, he stopped. “Can I help?” he said simply.Joseph shook his head a little. “No . . . no, there isn’t anything.” He made an effort to pull his thoughts together. “My parents have had an accident.” He took a deep breath. “They’ve been killed.” How odd and flat the words sounded. They still carried no reality with them.Beecher was appalled. “Oh, God! I’m so sorry!”“Please—” Joseph started.“Of course,” Beecher interrupted. “I’ll tell people. Just go.” He touched Joseph lightly on the arm. “Let me know if I can do anything.”“Yes, of course. Thank you.” Joseph shook his head and started to walk away as Matthew acknowledged Beecher, then turned to cross the wide expanse of gras... Read more

Features & Highlights

  • Through Anne Perry’s magnificent Victorian novels, millions of readers have enjoyed the pleasures and intrigue of a bygone age. Now, with the debut of an extraordinary new series, this
  • New York Times
  • bestselling author sweeps us into the golden summer of 1914, a time of brief enchantment when English men and women basked in the security of wealth and power, even as the last weeks of their privileged world were swiftly passing. Theirs was a peace that led to war.On a sunny afternoon in late June, Cambridge professor Joseph Reavley is summoned from a student cricket match to learn that his parents have died in an automobile crash. Joseph’s brother, Matthew, as officer in the Intelligence Service, reveals that their father had been en route to London to turn over to him a mysterious secret document—allegedly with the power to disgrace England forever and destroy the civilized world. A paper so damning that Joseph and Matthew dared mention it only to their restless younger sister. Now it has vanished.What has happened to this explosive document, if indeed it ever existed? How had it fallen into the hands of their father, a quiet countryman? Not even Matthew, with his Intelligence connections, can answer these questions. And Joseph is soon burdened with a second tragedy: the shocking murder of his most gifted student, beautiful Sebastian Allard, loved and admired by everyone. Or so it appeared.Meanwhile, England’s seamless peace is cracking—as the distance between the murder of an Austrian archduke by a Serbian anarchist and the death of a brilliant university student by a bullet to the head of grows shorter by the day.Anne Perry is a sublime master of suspense. In
  • No Graves As Yet
  • , her latest haunting masterpiece, she reminds us that love and hate, cowardice and courage, good and evil are always a part of life, in our own time as well as on the eve of the greatest war the world has ever known.

Customer Reviews

Rating Breakdown

★★★★★
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★★★★
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★★★
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★★
7%
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Most Helpful Reviews

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R.I.P.

I trudged through this dull disappointment in disbelief - is this the same Anne Perry whose William Monk and Thomas Pitt novels delivered finely-drawn characters, incisive social commentary and intricate plots?
Here, the characters are cyphers; where personalities exist, they're delivered through overwrought histrionics or dull platitudes. None of Perry's fascinating insight into Victorian mores, gender roles and class issues survives the leap forward into 1914 - in this novel the lower classes are distinguished mostly by their use of "Oi" in referring to themselves, and - in the case of the initially intriguing police inspector dispatched to Cambridge University - witless incomprehension regarding the lofty sphere of British acedemia.
Perry must have been having a bad day when she wrote this - I couldn't help wondering whether she'd pulled this manuscript out from a pile of early attempts at fiction, perhaps to satisfy a contractual obligation.
23 people found this helpful
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Oh, Anne Perry...not again!

What a disappointment! I was so looking forward to Perry's new series. Although her foray into SciFi was horrendous, Perry has had her Victorian mystery series down pat: great plots, wonderful characters, incredibly vivid recreation of the times...
I thought "...Perry's got a new stage to move new characters onto...should be great..." Wrong! The vivid recreation of the times is here: a sleepy, self-satisfied, wonderful, upper middle class England right before the horrors of WWI. All those bright young Oxonions - golden in the British sun - before they go for cannon fodder in the trenches of France. Perry's got it 'spot on' and I gave her two stars for painting a great picture. A novel, however, needs to do more than paint pretty picture (or ugly ones, for that matter.) The plot was plodding - no excitment...no breathless page turning...it was dull. The characters were boring and stupid (especially the ones who were supposed to smart.) The female characters (heretofore a real Perry strength) were particularly lame: stock English countrywomen with no brains or little wit, contrariness for the
whim of it...my skin crawled. And the dialogue! Perry spent PAGES over internal conversations about faith that had little impact on the mystery that lay at the heart of the plot. I have no problems with religion as a central factor of life...I believe that it is underrated as a motivating factor in most lives and in most novels...but not just rambling musings. I don't care if the character was once a minister; a sane character has to muse at least semi-coherently. If the author wants to write a religious tract, let her do so and keep it out of her novels. Is Perry a recently born-again something? I hope this series improves with later releases(which I will purchase used or in paperback)but I don't have much hope.
20 people found this helpful
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Truly Magnificent!

I wasn't going to begin this new series of Anne Perry's since I love the Pitt and Monk series so much. I thought that none could compare and it's a different historical time as well. I read the reviews for this book in Amazon and thought it probably wasn't worth the time. I am very glad that I didn't ignore this book! Ms. Perry weaves her web and draws her readers into the golden summer of 1914 in England as only she can. A much simpler age than now, surely, but underneath the idyllic setting is a very real threat and enormous danger. It is the dawn of the greatest war the world has ever experienced, and we the readers are right there in it. The book shows the fear, darkness and terror experienced by the people when an event occurs in faraway Sarajevo that will alter the world as they know it. English people know that this war will lead to mass destruction and to many thousands of deaths, and they are powerless to stop it. The book is set around a very small area of rural England (around Cambridge), but even in this sleepy little area the danger of the world creeps in. Murders occur that bring the terror to the citizens of Cambridge. We meet a whole new cast of characters that we hope to see in the future. Awesome! And the title is just as haunting as every page in this book - "NO GRAVES AS YET".
15 people found this helpful
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The start of a wonderful series.

This first installment of the 5-book series sets the stage for all that is to come in the subsequent books. The series gives the best descriptions of World War I experiences I have ever read. The series is the story of four adult siblings whose parents are killed in an auto accident while attempting to deliver a document to their son who is a member of the British Secret Service. The contents of that document are so horrifying that its implementation would forever destroy British honor. On the other hand, it might prevent the carnage of the war to come. The overriding theme of each of the books is the search for the author of the document and the attempt to stop him from continuing his efforts to bring about his vision of a world at peace. In addition, each book involves a murder mystery that may or may not be related to the "Peacemaker."

This is Anne Perry, after all, so the reader must be prepared for a lot of words, dense internal dialogues, excruciating soul-searching, and flights of philosophical thought - not bad things, but possibly off-putting to anyone not accustomed to this style of writing. In the end, though, it's all worth it. This is a wonderful series.
14 people found this helpful
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Superb beginning to an Intellectual Saga

I am frankly astonished at the reviews of this fine book appearing on this site. No Graves as Yet is a beautifully crafted and entirely convincing portrayal of the intellectual climate of England at the beginning of the Great War and serves as the entry portal to what promises to be a subtle and evocative examination of the moral issues that faced England in 1914-18. The mystery is secondary to the evaluation of the question of what issues justify war, and the picture drawn of Cambridge in the summer of 1914 is the necessary predicate for the broader picture that will, presumably, be sketched in the remainder of the series.

If the Reavely characters seem a bit callow in this novel, it is because their characters, assumptions and world views have not yet been tested. This story, involving the seemingly accidental death of their parents, begins the process of testing the assumptions by which Edwardian England lived and which were shattered by the experiences of the war.

While I think this novel is beautifully written and the characters a good deal subtler than other reviewers, by all means reading this novel should be followed immediately by reading its sequel Shoulder the Sky, which carries the story into the war through May, 1915 and gives a better feel of the author's overall plan for the series.

I recommend both books most highly.
14 people found this helpful
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Sad letdown for a Perry reader

I'm glad I read this book via my public library and didn't buy it. I'm a long-time reader of Anne Perry's Pitt and Monk series, and usually find her books to be engrossing, solidly plotted, and generally populated with well-drawn characters.
However, I hope this is *not* the beginning of a new Perry series. I hate to think she would be spending any more time on this instead of devoting it to another entry into the Monk or Pitt chronicles! I should have known this book was a bad idea, because the opening scene is a cricket match, yes, complete with details of a game in this complex arcane sport which is a complete mystery to Americans like me. Slogging through the first few pages, splashed liberally as they were with incomprehensible cricket minutiae, I right away learned that the characters are flimsy paper cutouts, the plot is pure dross featuring (yawn!) Top Secret Papers Which Reveal Treason at the Highest National Level, and I could not get interested enough to keep on reading past the first 30 pages. I flipped to the last few pages to find out about the Top Secret Papers and then turned the book back in.
Sorry, Ms. Perry, but this was a sad letdown for a devoted reader of your wonderful Victorian mysteries - and as the holder of a BA in History, I personally find the WWI era more interesting than the Victorian era.
13 people found this helpful
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Consider it on its own terms

It somewhat dismays me that some of the readers' reviews for this book seem to be more concerned with comparing it to the author's Pitt series rather than evaluating it on its own terms. I'm sure the Pitt books were very good, but the fact remains that Anne Perry has chosen to move on. Nostalgia for that series should not cause No Graves As Yet to be treated more harshly than otherwise would be the case.

In any event, I found No Graves As Yet to be a good if not outstanding work. The author's strongest point is her ability to capture a time and place so well with what's usually a fairly brief description. Consider the opening paragraph: "It was a golden afternoon in late June, a perfect day for cricket. The sky burned in a cloudless sky, and the breeze was barely sufficient to stir the slender, pale skirts of the women as they stood on the grass at Fenner's Field, parasols in hand. The men, in white flannels, were relaxed and smiling." I'm not a particularly imaginative sort, yet I had no trouble at all picturing myself at a Cambridge cricket field in 1914, thanks to just three descriptive sentences. Other examples of terse yet vivid descriptions abound throughout the book. Ms. Perry also does a fine job at portraying the atmosphere of fear and suspicion pervading the college where much of the action occurs, as well as the apprehension - often expressed through denial - of upcoming war.

As for the story itself, it was a reasonably interesting mystery with the requisite number of twists and turns, though things were thrown at us very quickly near the end, making for some confusion. I had to re-read the last chapter just to make sure I had it right. Ms. Perry also was able to blend in a little bit of history into the story without making it all seem contrived.

One weakness of the book was that some of the characters were not as well-developed as might be expected, with the singular excepton of Joseph Reavely. We never quite learned as much about his brother Matthew as we would have wanted, though this may be remedied in future books in the series. It also was difficult keeping track of some secondary characters, especially the acquaintances of the deceased John Reavley. But these are minor flaws, and I consider this book to merit a 4 out of 5.
10 people found this helpful
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No thanks

I have always enjoyed Anne Perry's books, the Monk series better than the Pitt series. This was despite the sameness in format. I mean that I was thoroughly tired of every story involving a snooty rich family that made the police use the servants' entrance. Did the police of Victorian England simply not investigate crime among the other/lower classes? Or does Anne Perry not know about how "the other half" lived? I was completely sick of self-important aristocrats.

So I was glad to see that she was beginning a new series. Finally, I thought,a change. Nope, sorry. The same old upper-crust bores. And this time, the book had me yawning and struggling to keep awake. I had to stop and read something else after every chapter.

Give this one a pass. You won't be missing anything.
9 people found this helpful
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Tedious Nonsense

It's difficult to believe that the author who produces the Thomas Pitt series could have written No Graves As Yet. The suspense is supposed to involve a momentous document which can affect the fate of nations about to embark on World War I. A preposterous document of that nature does finally emerge after 300+ pages on which several uninteresting characters engage in a few murders and suicides. Matthew as a British intelligence officer is perhaps the least credible character in this poorly researched story. Periodically a line or two reminds the reader that the nations of Europe are preparing for mass slaughter. Please, Miss Perry, go back to Pitt and Monk.
9 people found this helpful
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Is this how to or how not to write good historical fiction?

Anyone who wants to become a successful novelist must read and learn to analyze the work of writers already popular and held in high regard. Anne Perry, a best-selling author with two successful historical mystery series, certainly qualifies as someone aspiring writers should be able to learn from. I read several of her Thomas and Charlotte Pitt mysteries, but that was some years ago. A new series set during World War I intrigued me, as the historical novel I am currently working on begins in 1924.
Has my study of novel writing made me too analytical, too nitpicky? I don't think so, since anyone wishing to write great fiction must set very high standards for themselves in today's highly competitive publishing world. Historical fiction especially demands that the writer knows her time period backwards and forwards.
The first chapter of "No Graves As Yet" could do with fewer names for readers to begin learning all at once. One has no way of knowing whether all these people will be important to the story, and thus necessary to become familiar with. The vast majority of Americans know nothing of the rules of cricket, and could do with some simple explanation of the game. For heaven's sake, what is a "lych" gate? The word doesn't appear in any of my four American dictionaries, but I'd still like to know. Perhaps I should look it up on the Internet...
Every once in a while, Perry surprises me with some obviously passive sentences, something my writing teacher would have insisted I rewrite. Example: "Perhaps she would have been divorced by Thyer." This clearly should have been written: "Perhaps Thyer would have divorced her."
Perry, in her CBS Early Morning interview, spoke of four Reavley sibings appearing in her story, so it was a disappointment that the two sisters, Hannah and Judith, were such minor characters. They came across as flat. Joseph and Matthew could have been livened up a bit as well.
Being somewhat dubious of Perry's historical accuracy, I was prompted to do a little research on my own when I read of the main character taking "two aspirins." Did they even have aspirin back in those days? It took less than five minutes on the Internet to learn that sure enough, the Bayer company had obtained a patent for it in 1889. Aspirin tablets, however, were not manufactured until 1915. It would have been much more authentic to show Joseph Reavley using some aspirin powder, which is all that would have been available in 1914. Perry was off by only one year, but my point is that historical fiction demands extreme attention to tiny details such as this.
I will leave it to others to express their disappointment in the uninteresting characters, the contrived nature of the mystery's solution, her overuse of phonetic dialogue, repeated use of the adverb "huskily," and her excessive focus on a red herring that had Joseph Reavley jumping to too many conclusions.
Have I learned anything about good historical fiction? Yes. It's never a breeze to write, even for someone of Anne Perry's caliber and reputation.
7 people found this helpful