Night Sky with Exit Wounds
Night Sky with Exit Wounds book cover

Night Sky with Exit Wounds

Paperback – April 5, 2016

Price
$14.40
Format
Paperback
Pages
70
Publisher
Copper Canyon Press
Publication Date
ISBN-13
978-1556594953
Dimensions
5.5 x 0.5 x 7.75 inches
Weight
4.5 ounces

Description

WINNER of the 2017 T. S. Eliot Prize WINNER of a 2016 Whiting Award The New York Times Top 10 Books of 2016 Featured on NPR's "All Things Considered" Featured on PBS NewsHour Boston Globe Best Books of Year Huffington Post 's 12 Great Poetry Books to Read Publishers Weekly 2016 Poetry Top 10 Irish Times 2016 Favourite Books of the Year Library Journal 2016 Best Books of the Year Buzzfeed Most Exciting Books of 2016 Bustle Best Poetry Collections of 2016 "[A] masterpiece that captures, with elegance, the raw sorrows and joys of human existence." -- BuzzFeed Books "The poems in Mr. Vuong's new collection, Night Sky With Exit Wounds, possess[es] a tensile precision reminiscent of Emily Dickinson's work, combined with a Gerard Manley Hopkins-like appreciation for the sound and rhythms of words...There is a powerful emotional undertow to these poems that springs from Mr. Vuong's sincerity and candor, and from his ability to capture specific moments in time with both photographic clarity and a sense of the evanescence of all earthly things." --Michiko Kakutani, The New York Times "Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition....His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion." - -The New Yorker "Extraordinary." --Los Angeles Times "Ecstatic, bawdy, haunted, and brilliant with the pressures of its arrival."-- Boston Globe "...[T]errifying, heartbreaking, surreal, and lyrical-I'm not quite sure how a poet can fit so much humanity into so few words. Ocean Vuong creates and poses alternate universes within these poems. He stands at the feet of American poetry and unties the masters' shoelaces. Night Sky With Exit Wounds is a must read and re-read, a book that will be cherished." - -Lambda Literary Review "[A] haunting and fearless debut." --Publishers Weekly " This book, with all of its fears, is probably what you've been hoping for." --Kenyon Review "This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level." --2016 Whiting Award citation "In Vuong's "Night Sky," the entry and exit wounds are real, torn open by gunshot and "misfired" words, but his poems insist we can be made whole by rapture." --Sanxa0Franciscoxa0Chronicle "Vuong's major contribution in Night Sky With Exit Wounds is to push back against the inclination to let fear define the exile's life." --LA Review of Books '[O]ne reason Vuong's debut collectionxa0Night Sky with Exit Woundsxa0feels so exquisite, so necessary, is that he offers another way to hold the present moment.' --Georgia Review "Vuong's powerful voice explores passion, violence, history, identity--all with a tremendous humanity." --Slate "[A] debut that will cement Vuong's status as one of the most important new poets writing today." --Rain Taxi "Vuong's pitch-perfect approach, through the legacy of war and forced displacement, shows us why we can't afford to let him remember them alone." --The London Magazine "At a time when poets are resigned to making boredom a commodity, [Vuong] reminds us that the limits of intimacy are an exhilarating frontier, and that the most urgent communications begin with the overture of letting down one's defenses." --The Rumpus "Night Sky with Exit Woundsxa0is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power." -- LitHub "Occasionally there is a book so exquisitely realized that a reviewer wants simply to point to it and say "read this." Ocean Vuong's Night Sky with Exit Wounds is such a book." --BODY Literature Ocean Vuong is the author of Night Sky with Exit Wounds (Copper Canyon Press, 2016). His poems appear in Kenyon Review, The Nation, New Republic, The New Yorker, The New York Times, Poetry, and The American Poetry Review, which awarded him thexa0Stanleyxa0Kunitz Prize for Younger Poets. Born in Saigon, Vietnam, he lives in New York City.

Features & Highlights

  • WINNER of the 2017 T. S. Eliot Prize
  • A
  • New York Times
  • Top 10 Book of 2016
  • "There is a powerful emotional undertow to these poems that springs from Mr. Vuong's sincerity and candor, and from his ability to capture specific moments in time with both photographic clarity and a sense of the evanescence of all earthly things."
  • --Michiko Kakutani,
  • The New York Times
  • Library Journal
  • 2016 Best Books of the Year
  • WINNER, 2016 Whiting Award
  • WINNER, 2017 Publishing Triangle's Thom Gunn Award
  • FINALIST, 2017 Kate Tufts Discovery Award
  • FINALIST, 2017 Lambda Literary Award
  • In his haunting and fearless debut, Ocean Vuong walks a tightrope of historic and personal violences, creating an interrogation of the American body as a borderless space of both failure and triumph. At once vulnerable and redemptive, dreamlike and visceral, compassionate and unforgiving, these poems seek a myriad existence without forgetting the prerequisite of self-preservation in a world bent on extinguishing its othered voices. Vuong's poems show, through breath, cadence, and unrepentant enthrallment, that a gentle palm on a chest can calm the most necessary of hungers.
  • Praise for Ocean Vuong:
  • "
  • Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition....His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion."
  • --The New Yorker
  • "[A] masterpiece that captures, with elegance, the raw sorrows and joys of human existence."
  • --
  • Buzzfeed Books
  • "An important new voice in American poetry."
  • --
  • Beloit Poetry Journal
  • "What a treasure [Ocean Vuong] is to us. What a perfume he's crushed and rendered of his heart and soul. What a gift this book is."
  • --Li-Young Lee
  • "[Vuong] takes from Pound the ability to eternalize a moment."
  • --
  • POETRY
  • "Even as Vuong leads you through every pleasure a body deserves and all the ensuing grief, these poems restore you with hope, that godforsaken thing--alive, singing along to the radio, suddenly sufficient."
  • --Traci Brimhall
  • "What this poet sees on the street, in a blizzard, or even while studying an apple reminds me of those dreams we have in common: dreams in which we are falling but never touch the ground, dreams in which we are naked in the presence of men suited for our ruin."
  • --Jericho Brown

Customer Reviews

Rating Breakdown

★★★★★
60%
(1.1K)
★★★★
25%
(445)
★★★
15%
(267)
★★
7%
(125)
-7%
(-125)

Most Helpful Reviews

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Sophomoric

This is the first full-length collection by Ocean Vuong, a rather thoughtless writer who is careless with words and who has never crossed a pathos he didn't immediately take. Voung has a second-rate imagination that never goes beyond his favorite subject, which is Vuong (see his New Yorker poem, "Someday I'll Love Ocean Vuong," which is literally addressed to himself, as an example). Page after page exhibits poor writing: in "Prayer for the Newly Damned" he writes "what becomes of the shepherds/ when the sheep are cannibals?" Nothing happens to the shepherds when the sheep are cannibals; the word he meant to use but did not is "carnivorous" or "carnivores." Patterns emerge. He chooses words with as much accuracy as a blindfolded child pinning a tail on a donkey. Take a recent poem of his not in this collection, "Tell Me Something Good," which goes "his bald head ringed with red hair, like a planet on fire." If the planet were on fire, which is impossible of course, but no matter the inane metaphor, the planet would be engulfed in fire, not ringed, which suggests a different, non-engulfing image. Or this trite simile from "Aubade with Burning City": "On the nightstand, a sprig of magnolia expands like a secret heard for the first time." Vuong is almost thirty; that previous example is not what I consider to be worthy of a so-called emerging poet.

Though Vuong is not emerging. This is his third book if we count his two chapbooks, which we should because they are not much slimmer than this collection. I don't think Vuong will ever get better. He has his market--which I imagine overlaps with buyers of Thomas Kinkade paintings or Precious Moments figurines.

Recommended if you like poems that seem like they just peed themselves in the corner of the room.
42 people found this helpful
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Powerful and unforgettable! LOVE!

Mesmerizing, unforgettable, and a heart open in your hand. Vuong holds back nothing. This is one to reread and keep on the desk. To hold tight to the connection of why we write!

"When our lips touched the day closed
into a coffin. In the museum of the heart

there are two headless people building a burning house.
There was always the shotgun above..."

"Depending on where you stand
your name can sound like a full moon
shredded in a dead doe's pelt.
Your name changed when touched
by gravity. Gravity breaking
our kneecaps just to show us
the sky. Why did we
keep saying Yes–
even with all those birds.
Who would believe us
now? My voice cracking
like bones inside the radio.
Silly me. I thought love was real..."

Get this collection! You won't get closer to a heartbeat than this!
25 people found this helpful
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Too much pathos and priggishness in almost all of the ...

Too much pathos and priggishness in almost all of the poems of this book. Ocean Vuong is Danielle Steel of poetry. I should have not bought the book.
20 people found this helpful
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Strength and vulnerability

Ocean Vuong sets a high bar for a debut collection. This dazzling volume displays the breadth of the poet's skill in utilizing form, diction and other poetic devises to express a range of emotions. All the while he remains accessible, never overwrought, and revealing the searing truth of what it's like to live with the echoes of war, displacement, and dangerous loves. Vuong reveals the power of submission. From the opening poem where the speaker says, "I lost it all with eyes wide open" to the closing lines, "Only feel this fully, this entire, the way snow touches bare skin--& is, suddenly, snow no longer," Vuong shows us what it means to be vulnerable, to be wide awake to pain as well as pleasure, beauty as well as ugliness. Identity plays large here. To be an immigrant, refugee, asian american, and homosexual is to live on the edge in multiple dimensions. The largeness of Vuong's poetry is that it eschews sentimentality or nolstagia, it is brutal in its embrace of the facts, and plays with danger despite the threat of being burned. "My mother said I could be anything / I wanted--but I chose to live," he writes. This is a poetry that is deeply affirmative, a voice that rises above the efforts to silence it.
19 people found this helpful
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A monumental achievement and a stunning debut

What Vuong has achieved here in 'Night Sky with Exit Wounds' is nothing short of transcendental. There is a mastery he has instilled over every word and every syllable, and each poem reads and sounds like a gem wrought from the deepest and darkest corners of emotions you'd never would have known existed. I can not praise this work enough! This is a beyond stellar debut, and I wait with baited breath to see what Vuong will produce next.
17 people found this helpful
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Highly romantic, sometimes melodrarmatic lyrical autobiographical memoir,- good writing but also...in its way, generic

Let's not go crazy, folks. Vuong is a good writer, but this is highly romantic,
sometimes melodrarmatic lyrical autobiographical memoir, somewhat in the
mode of larry levis. In other words, this is a fine at times brave first book, but it is also a generic
one. Vuong is not yet a very individual poet (despite the various identity barriers
he has crossed). In it's way, this is a book of privilege too.
16 people found this helpful
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These poems are deeply nuanced, subtle, powerful, ...

These poems are deeply nuanced, subtle, powerful, and wildly innovative. They are exactly what I hope to find when I visit a bookstore looking for a reason to believe in poetry. Vuong, Vietnamese American, is a grandchild of the war who carries the war in his DNA. Here are poems about fathers, lovers, mothers, and an unforgettable country and heritage. Grateful for this book.
13 people found this helpful
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Vuong shocks me to silence

I read a lot of poetry, teach poetry, hear poetry. Ocean Vuong is like nothing I've ever heard. I feel he is one of the great new voices of the 21st century. Hundreds of years from now, people will still be reading Vuong. His work is so powerful that I read one poem and I have to sit in silence for minutes or days till I can even speak again. I don't know how long has gone by but I know that one poem has made me a new person. I had to read a friend's copy, Amazon sold out so fast.
11 people found this helpful
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heartfelt

This was a heartfelt, interesting collection with some experimental styles. Personally I didn't feel like the unique formatting for some of the poems really benefited them and I sometimes had trouble finding Ocean's voice in the poems I hadn't already heard him read aloud. There were some metaphors I could not wrap my head around and I was sometimes confused about the speaker of the poem. However, each poem is beautiful and the story about family and war linked with love and circumstance is powerful. I think I may just prefer listening to Ocean read his own poems than to read them myself after reading this collection.
10 people found this helpful
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Rewarding from the start, I will read over and ...

Rewarding from the start, I will read over and over. Describing his life as a refugee, to a country that might not accept him now was bittersweet. Trying to find my way in his poetry has given me some perspective on that struggle.
10 people found this helpful