Low Town: A novel
Low Town: A novel book cover

Low Town: A novel

Kindle Edition

Price
$5.99
Publisher
Anchor
Publication Date

Description

“For a first-time author, Polansky has managed to craft an assured, roaring, and rollicking hybrid, a cross-genre free-for-all that relishes its tropes while spitting out their bones. And he does it all while spinning one hell of a gripping mystery. Much like its grim, perversely charismatic antihero, Low Town stakes a narrow turf—then completely owns every inch of it.” The A.V. Club ( The Onion )“Festooned with sorcerers and demons in a pre-industrial otherworld setting, Low Town …is a fantasy-crime hybrid with serious noir chops…Gritty, cryptically funny and relentlessly inventive.” – Winnipeg Free Press “ Low Town is a strong, confident debut that should go down well with readers who enjoy their fantasy on the noir side. It’s a novel you can enjoy for its atmosphere as well as its story, full as it is of well-drawn scenes from the city’s underbelly.… Low Town delivers a fast, entertaining story in less pages than it takes some major epics to get out of the realm of basic exposition. I had a blast with Low Town , and I’m definitely keeping an eye out for whatever Daniel Polansky comes up with next.”--Tor.com“If you like noir and hard-boiled mysteries, you might want to give Low Town a chance. You’ll definitely find it darkly rewarding.” New York Journal of Books "Polansky hits all the right notes in his intelligent first novel, a blend of dystopian fantasy and hard-boiled crime....Sharp, noir-tinged dialogue and astute insights into class struggle mark Polansky as a writer with a future." -- Publishers Weekly" A strong debut novel with a hero who doesn’t waste time worrying about the moral implications of cutting someone’s throat." -- Kirkus "Polansky's writing is confident and punchy from the offset. The action rips along at a brilliant pace allowing us to experience this gritty world through the eyes of a thrilling, dangerous, flawed, yet strangely endearing protagonist. This is modern, dark fantasy at its best and a debut to be envied." -- British Fantasy Society"Quite brilliant...[ Low Town ] is as good a debut as I've read in along time.xa0[It]xa0has it all - and as the name suggests, it is sharp, steely and viciously bloody. Highly recommended." --John Berlyne, SF Revu --This text refers to an alternate kindle_edition edition. Excerpt. © Reprinted by permission. All rights reserved. Chapter 1 In the opening days of the Great War, on the battle- fields of Apres and Ives, I acquired the ability to abandon slumber with the flutter of an eyelid. It was a necessary adaptation, as heavy sleepers were likely to come to greeted by the sight of a Dren commando with a trench blade. It’s a vestige of my past I’d rather lose, all things considered. Rare is the situation that requires the full range of one’s perceptions, and in general the world is improved by being only dimly visible. xa0 Case in point—my room was the sort of place best viewed half asleep or in a drunken stupor. Late autumn light filtered through my dusty window and made the interior, already only a few small steps from squalor, look still less prepossessing. Even by my standards the place was a dump, and my standards are low. A worn dresser and a chipped table set were the only furnishings that accompanied the bed, and a veneer of grime covered the floor and walls. I passed water in the bedpan and threw the waste into the alley below. xa0 Low Town was in full stream, the streets echoing with the screech of fish hags advertising the day’s catch to porters carrying crates north into the Old City. At the market a few blocks east merchants sold underweight goods to middlemen for clipped copper, while down Light Street guttersnipes kept drawn-dagger eyes out for an unwary vendor or a blue blood too far from home. In the corners and the alleys the working boys kept up the same cries as the fish hags, though they spoke lower and charged more. Worn streetwalkers pulling the early shift waved tepid come-ons at passersby, hoping to pad their faded charms into one more day’s worth of liquor or choke. The dangerous men were mostly still asleep, their blades sheathed next to their beds. The really dangerous men had been up for hours, and their quills and ledgers were getting hard use. xa0 I grabbed a hand mirror off the floor and held it at arm’s length. Under the best of circumstances, perfumed and manicured, I am an ugly man. A lumpen nose dripped below overlarge eyes, a mouth like a knife wound set off center. Enhancing my natural charms are an accumulation of scars that would shame a masochist, an off-color line running up my cheek from where an artillery shard had come a few inches from laying me out, the torn flesh of my left ear testifying to a street brawl where I’d taken second place. xa0 A vial of pixie’s breath winked good morning from the worn wood of my table. I uncorked it and took a whiff. Cloyingly sweet vapors filled my nostrils, followed closely by a familiar buzzing in my ears. I shook the bottle—half empty, it had gone quick. Pulling on my shirt and boots, I grabbed my satchel from beneath the bed and walked downstairs to greet the late morn. xa0 The Staggering Earl was quiet this time of day, and the main room was dominated by the mammoth figure behind the bar, Adolphus the grand, co-owner and publican. Despite his height—he was a full head taller than my own six feet—his casklike torso was so wide as to give the impression of corpulence, though a closer examination would reveal the balance of his bulk as muscle. Adolphus had been an ugly man before a Dren bolt claimed his left eye, but the black cloth he wore across the socket and the scar that tore down his pockmarked cheek hadn’t improved things. Between that and his slow stare he seemed a thug and a dullard, and though he was neither of those things this impression tended to keep folk civil in his presence. xa0 He was cleaning the bar and pontificating on the injustices of the day to one of our more sober patrons. It was a popular pastime. I sidled over and took the cleanest seat. xa0 Adolphus was too dedicated to solving the problems of the nation to allow common courtesy to intrude on his monologue, so by way of greeting he offered me a perfunctory nod. “And no doubt you’d agree with me, having seen what a failure his lordship has been as High Chancellor. Let him go back to stringing up rebels as Executor of the Throne’s Justice—at least that was a task he was fit for.” xa0 “I’m not really sure what you’re talking about, Adolphus. Everyone knows our leaders are as wise as they are honest. Now is it too late for a plate of eggs?” xa0 He turned his head toward the kitchen and growled, “Woman! Eggs!” Aside completed, he circled back on his captive drunk. “Five years I gave the Crown, five years and my eye.” Adolphus liked to slip his injury into casual conversation, apparently operating under the impression that it was inconspicuous. “Five years neck deep in shit and filth, five years while the bankers and nobles back home got rich on my blood. A half ochre a month ain’t much for five years of that, but it’s mine and I’ll be damned if I let ’em forget it.” He dropped his rag on the counter and pointed a sausage-sized finger at me in hopes of encouragement. “It’s your half ochre too, my friend. You’re awfully quiet for a man forgotten by his Queen and country.” xa0 What was there to say? The High Chancellor would do what he wished, and the rantings of a one-eyed ex-pikeman were unlikely to do much to persuade him. I grunted noncommittally. Adeline, as quiet and small as her husband was the opposite, came out of the kitchen and offered me a plate with a tiny smile. I took the first and returned the second. Adolphus kept up his rambling, but I ignored him and turned to the eggs. We’d been friends for a decade and a half because I forgave him his garrulousness and he forgave me my taciturnity. xa0 The breath was kicking in. I could feel my nerves getting steadier, my eyesight sharper. I shoveled the baked black bread into my mouth and considered the day’s work. I needed to visit my man in the customs office—he’d promised me clean passes a fortnight ago but had yet to make good. Beyond that there were the usual rounds to the distributors who bought from me, shady bartenders and small-time dealers, pimps and pushers. Come evening, I needed to stop by a party up toward Kor’s Heights—I had told Yancey the Rhymer I’d check in before his evening set. xa0 Back on the main stage the drunk found a chance to interrupt Adolphus’s torrent of quasi-coherent civic slander. “You hear any- thing about the little one?” xa0 The giant and I exchanged unhappy glances. “The hoax are useless,” Adolphus said, and went back to cleaning. Three days earlier the child of a dockworker had gone missing from an alley outside her house. Since then “Little Tara” had become something of a cause célèbre for the people of Low Town. The fishermen’s guild had put out a reward, the Church of Prachetas had offered a service in her honor, even the guard had set aside their lethargy for a few hours to bang on doors and look down wells. Nothing had been found, and seventy-two hours was a long time for a child to stay lost in the most crowded square mile in the Empire. Sakra willing, the girl was fine, but I wouldn’t bet my unpaid half ochre on it. xa0 The reminder of the child provoked the minor miracle of shut- ting Adolphus’s mouth. I finished my breakfast in silence, then pushed my plate aside and rose to my feet. “Hold any messages—I’ll be back after dark.” xa0 Adolphus waved me out. xa0 I exited into the chaos of Low Town at midday and began my walk east toward the docks. Leaning against the wall a block past the Earl, rolling a cigarette and glowering, I spotted all five and a half feet of Kid Mac, pimp and bravo extraordinaire. His dark eyes stared out over faded dueling scars, and as always his clothes were uniformly perfect, from the wide brim of his hat to the silver handle of his rapier. He strung himself up against the bricks with an expression that combined the threat of violence with a rather profound indolence. xa0 In the years since he had come to the neighborhood, Mac had managed to carve out a small territory by virtue of his skill with a blade and the unreserved dedication of his whores, who, to a woman, were as enamored of him as a mother is her firstborn. I often thought that Mac had the easiest job in Low Town, seeming to consist mostly of ensuring that his streetwalkers didn’t kill one another in competition for his attentions, but you wouldn’t know it from the scowl etched across his face. We’d been friendly ever since he’d set up shop, passing each other information and the occasional favor. xa0 “Mac.” xa0 “Warden.” He offered me his cigarette. xa0 I lit it with a match from my belt. “How’re the girls?” xa0 He shook some tobacco from his pouch and started on another smoke. “That lost child has them worked up worse than a clutch of hens. Red Annie kept everyone up half the night weeping, till Euphemia went after her with a switch.” xa0 “They’re a sensitive bunch.” I reached into my purse and surreptitiously handed him his shipment. “Any word on Eddie the Quim?” I asked, referring to a rival of his who had been chased out of Low Town earlier in the week. xa0 “He works a stone’s throw from headquarters and doesn’t think he needs to pay off the hoax? Eddie’s too stupid to live. He won’t see the other side of winter—I’d go an argent on it.” Mac finished rolling his cigarette with one hand and slipped the package into his back pocket with the other. xa0 “I wouldn’t take it,” I said. xa0 Mac tucked the tab loosely into his sneer. We watched the ebb of traffic from our post. “You get those passes yet?” he asked. xa0 “Going to see my man today. Should have something for you soon.” xa0 He grunted what might have been assent and I turned to leave. “You oughta know that Harelip’s boys have been peddling east of the canal.” He took a drag and exhaled perfect circles of smoke, one following the other into the clement sky. “The girls have seen his crew off and on for the last week or so.” xa0 “I heard. Stay slick, Mac.” xa0 He went back to looking menacing. xa0 I spent the rest of the afternoon dropping off product and running errands. My customs officer finally came through with the passes, though at the rate his addiction to pixie’s breath was progressing, it might well be the last favor he’d be able to do for me. xa0 It was early evening by the time I was finished, and I stopped off at my favorite street stand for a pot of beef in chili sauce. I still needed to see Yancey before his set—he was performing for some toffee-nosed aristocrats near the Old City, and it would be a walk. I was cutting through an alleyway to save time when I saw something that clipped my progress so abruptly that I nearly toppled over. xa0 The Rhymer would have to wait. Ahead of me was the body of a child, contorted horribly and wrapped in a sheet soaked through with blood. xa0 It seemed I had found Little Tara. xa0 I tossed my dinner into a sewer grate. Suddenly I didn’t have much of an appetite. --This text refers to an alternate kindle_edition edition. DANIEL POLANSKY is from Baltimore, Maryland. Low Town is his first novel. --This text refers to an alternate kindle_edition edition. Read more

Features & Highlights

  • Drug dealers, hustlers, brothels, dirty politics, corrupt cops . . . and sorcery. Welcome to Low Town.
  • In the forgotten back alleys and flophouses that lie in the shadows of Rigus, the finest city of the Thirteen Lands, you will find Low Town. It is an ugly place, and its cham­pion is an ugly man. Disgraced intelligence agent. Forgotten war hero. Independent drug dealer. After a fall from grace five years ago, a man known as the Warden leads a life of crime, addicted to cheap violence and expensive drugs. Every day is a constant hustle to find new customers and protect his turf from low-life competition like Tancred the Harelip and Ling Chi, the enigmatic crime lord of the heathens. The Warden’s life of drugged iniquity is shaken by his dis­covery of a murdered child down a dead-end street . . . set­ting him on a collision course with the life he left behind. As a former agent with Black House—the secret police—he knows better than anyone that murder in Low Town is an everyday thing, the kind of crime that doesn’t get investi­gated. To protect his home, he will take part in a dangerous game of deception between underworld bosses and the psy­chotic head of Black House, but the truth is far darker than he imagines. In Low Town, no one can be trusted. Daniel Polansky has crafted a thrilling novel steeped in noir sensibilities and relentless action, and set in an original world of stunning imagination, leading to a gut-wrenching, unforeseeable conclusion.
  • Low Town
  • is an attention-grabbing debut that will leave readers riveted . . . and hun­gry for more.

Customer Reviews

Rating Breakdown

★★★★★
30%
(306)
★★★★
25%
(255)
★★★
15%
(153)
★★
7%
(71)
23%
(235)

Most Helpful Reviews

✓ Verified Purchase

I’m continually amazed how books that were written specifically for me often ...

I’m continually amazed how books that were written specifically for me often slip beneath my notice. It happened with Glen Cook’s ‘Black Company’ series. The entire series. Which I rectified last year. And it happened again with Daniel Polansky’s ‘Low Town.’ With ‘Low Town’ it wasn’t so egregious an offense. It was published in 2011. So, I only missed out on it for seven years as opposed to twenty-five for ‘The Black Company.’
Probably, there is some magnum opus of grimdark fantasy being written even as I type that I will discover in 2030. If I’m lucky. But I digress.
So, ‘Low Town’ by Daniel Polansky is awesome. It’s everything I love in a detective noir book. And this one just happens to be set in a fantasy realm as well, and for me, that’s just icing on the cake.
I compare every detective novel I read to my favorite of the genre, Dashiell Hammett’s ‘The Maltese Falcon.’ ‘Low Town’ compares favorably.
First off, the main character, the Warden, we don’t ever know his name, is tough, smart, resourceful, and slashes off dialogue with a razor wit. Not unlike MF’s Sam Spade. The Warden is a hard man, a cruel man, a man who makes his living by hocking drugs to survive, but he also has a code. There are things he won’t sink to, and he protects his own. He reminds me of Mal from Firefly in this regard, as if someone is part of his crew, then they are family to him. His list crew members may be short, but it grounds the Warden. It makes him someone you want on your side. It makes him someone you root for.
The story? Good solid detective noir stuff. Someone is murdering children in the Warden’s section of town, Low Town, the dregs, basically, and he enlists to stop it. Why he does so is only hinted at. His story is that he’s an ex-cop and was relieved from duty for some nebulous reason. There also seems to be some loss in his life associated with a young girl that particularly hits home for him enough that he interrupts his usual business of pushing drugs.
Now, I figured out the identity of who the bad guy was before the end. I’m thinking about halfway or so, and I’m not the sharpest knife in the drawer, but this didn’t detract at all from the pleasure of the story. I had the broad strokes in mind but learning the minutia at the reveal was fun, too.
So, should you read it? ‘Low Town’ is a thrilling odyssey through the dregs of a fantasy metropolis. The city is dark and dangerous and has opium dens and ‘heathens’ and gangsters. It has duel-fighting nobleman douchebags and wizards and labyrinths and canals to drown in. It has plague and monsters and sorcerers who summon them. So the answer is obviously ‘YES.’ You should read it.
I will say that it galls me to pay $11.99 for an eBook. Even an awesome one. I bought it simply because I didn’t want to wait two days for shipping. I was weak. I still am. The hard copy, on the other hand, is $16.95 which is reasonable. So, if you can wait, and it’s been seven years so what’s a few more days, I’d say buy the hard copy. Either way, I think if you’re a fan of detective, fantasy, grimdark, or any amalgam of the three, read ‘Low Town.’ Now. Go.
9 people found this helpful
✓ Verified Purchase

PART GRIM, PART GRIT BUT ALL GOOD!!!

If I spent the next year with a dictionary and a thesarus, only focusing on writing. I would still be unable to craft a single page the meets the quality of Ponalsky's writing.
If Jean Paul Sartre and Dashiell Hammet had a child it would be Daniel Polansky.
This novel was superb. I was hooked from page 1.
Low Town is hard-boiled crime served with a side of dark fantasy. Polansky masterfully weaves the plot juxtaposing beautiful prose with paragraphs of brutal and vivid savagery.
However, there is zero gratuitous violence. Only the cold reality of a difficult life in an inner city.
The worldbuilding is excellent and, although magic plays a pivotal role in the storyline, he never bogs you down with the minutae of a magic system.
This is a book that easily crosses genre lines and anyone, fantasy lover or not will find it very difficult to put down.
I am now a fervent fan of Daniel Polansky.
7 people found this helpful
✓ Verified Purchase

Dark with a AntiHero I Couldn't Connect To

This is the hardest book that I’ve had to rate in a long time.

Actual Writing = 4.5 Stars
Story = sometimes 5 Stars, sometimes 1 Star
Characters = again sometimes 5 Stars, sometimes 1 Star
World = A solid 4 Stars
Pacing = 3 Stars
Me reading this = 2 Stars.

I have no idea what that adds up to really. So for now I’m going to go with 2 Stars since I couldn’t even remember the main characters name.

I honestly feel a little bad that I didn’t like this. I mean the writing is there. It is really the type of writing style that I generally enjoy with some real depth to it.

“The dangerous men were still asleep, their blades sheathed next to their beds. The really dangerous men had been up for hours, and their quills and ledgers were getting hard use.”

And

“There are some things a man can’t fake, and lethality is one of them—a lapdog might learn to howl, even bare its teeth on occasion, but that don’t make it a wolf.”

But I can’t exactly put my finger on what was missing for me. Maybe it is as simple as missing a bit of humor to lighten the very dark tone of the book. I can root for just about anybody if they also make me laugh here and there. But the main character, The Warden (I’m not actually sure we ever learn his real name), is a dark and depressing kind of guy. He was once on the side of law and order but has since fallen to the wayside and now he is a drug dealer who has to use his own products just to get through the day.

I found him really hard to connect to. Sometime you have characters like that and they are made more human by those that surround them. Sometimes that worked out and other time he seemed more of a jerk because of those surrounding him.

I think my main issues were:

- I never connected to the Warden. He is so broken and I should love him as a have a penchant for broken characters that need to be saved. But I never wanted to save him.

- There is 0% romance in this. It is completely absent except for the crush of a girl from The Wardens past that was unrequited there wasn’t even a glimmer of hope for a smidge of romance even in the future. I don’t have to have much but I like to have a ‘ship’ of some sort in almost everything I read.

- The secondary characters aren’t fleshed out very well. There is this instant going into the end and I’m trying to buy into why someone is taking children to sacrifice them and I didn’t have enough there to just go with it.

- The characters I liked the most are a bar owner and his wife and they got very little page time in this book.

Overall I’m going to say that this just isn’t my particular cup-o-tea. Maybe I’d like The Warden more if he was an addict trying to survive and crawl his way out of the gutter. Or maybe I’d like him more if he was just a drug dealer that didn’t use his own product but for some reason the combination of the two just didn’t work for me and at no point in the story did he even try to give up the drugs. He lived off them and needed them to get through the day. It really interrupted my attempt to care about him.

This is one of the few series that I think at book 1 I’ve decided it isn’t for me and I won’t be continuing. But I do want to say that the writing is very well done and if these things don’t bother you in you reading it might still work for you.

Audio Note: The voice of Rob Shapiro was melodic and hypnotizing. He did a great job with the narration of the story.
4 people found this helpful
✓ Verified Purchase

Great Voice. True Fantasy Noir.

What caught me right away, even before the book was published, was the idea of a seedy drug dealer in a fantasy world as the main character of a novel. The premise was strong enough for me download the sample chapter onto my Kindle shortly after its release.

Once I started reading, the premise took a second seat to the voice which jumped off the first couple pages like nothing I had ever read before. And even though Polansky (no relation to the director) used a
couple cheap tricks, such as the character describing what they see when looking into a mirror, the voice prompted me to purchase the book even before I got to the end of the sample chapter.

From that point on though, the voice did soften a little bit, but not to the point where it wasn't good, just not as good. Also, the plot, which as you know revolved around the deaths of kids around Low Town, seemed to string out a little bit and it felt like at the end of each day, the main character was `reset' and it had hints of feeling almost like a series of short stores linked together by the main plot point.

I also felt like there were a number of characters that didn't really do enough to justify how much space they took up, and consequently they were completely left out of the conclusion and left to dangle.

But that is about the end of what I was able to find distracting about the book. And some things, like the `dangling characters,' I only noticed when looking back on the book once I was finished.

Aside from the voice, which I'll try to limit my raving on, I was impressed how this drug dealing (and strung out user as well) was able to garner as much sympathy form me as he did. (I suppose trying to find the murderer of an innocent child does that.) I found myself rooting for The Warden when he got into his skirmishes with the hoax, (Low Town slang for the cops) and I didn't even mind so much when he loaded up on pixie dust (Low Town cocaine I think.)

The Warden was also a very mortal person; he didn't win every fight. Even when he did win, he had wounds that would hinder him the next day. I found this very refreshing versus some other characters I've read where they might jump off a building and their ankle hurts for a couple minutes. The Warden feels his wounds throughout the book..

I also mentioned some of the slang, like hoax and pixie dust, but this book is full of this very colorful language that really pulls you into the world. What's quite impressive about it is that it feels organic to the story and not just slapped together and placed in there like other fantasy books I've read.

The best part of this noir/fantasy mashup is that I feel that this is not just a noir book with fantasy furniture or vice versa. Both the elements of noir and the elements of fantasy are essential to the story. For instance, the voice and the concept of the story would fail miserably without the noir part, and the plot would be impossible without the fantasy elements.

"Low Town" by Daniel Polansky is a true noir fantasy with spectacular voice and an incredibly rich world that more than makes up for its few flaws. I highly recommend this book to fans of noir, fantasy, and those who want to read something different from what normally ends up on the shelves.

I give this book 4.5/5 stars.
3 people found this helpful
✓ Verified Purchase

Excellent. Absolutely Worth Your Time.

I believe there are 3 main questions one should ask when it comes to critiquing media

Question 1: What is the piece's goal, and was the goal achieved?

Is the piece good or bad? Forget objectivity, taste plays too big of a role to determine the objective value of a piece. Instead, assessing a piece's goal is more valuable; every piece has a goal/intent no matter how small. These goals are often the promises made in a book's synopsis or movie's trailer, but other times a goal can be the successful conveyance of metaphor as well.

Low Town's goal isn't too complicated: to be a gritty, noir story told from the streets of a dour fantasy city. In pursuit of this goal, Low Town makes every effort to pull all the bells and whistles. Drug dealers, gang violence, lost loves, grizzled veterans. The protagonist, the nameless "Warden", and his bleak outlook on life, combined with all of the aforementioned tropes, succeed in ensuring that the noir feel is both palpable and fully realized.

Question 2: Was the piece well executed?

A goal can be established and pursued but does it sound like a 2nd grader wrote it? Is the prose too verbose? Is the pacing too fast or too slow? These questions often have more subjective answers, but so long as they align with the piece's goals, then the artist has made good decisions.

With Low Town's goal established and met, this question now takes a closer look at Polansky's prose, pacing, and word choice. I think this is where Low Town really shines. Polansky is a fantastic writer and the way he writes such insightful observations of often mundane circumstances really amazed me. Polansky's vocabulary is definitely more varied than the average author, which some readers might not enjoy, but I think the particularly archaic words made the prose all the more powerful (once I had looked up the words in the dictionary, of course). As for the pacing, Low Town runs at a near-perfect tempo. Just as one puzzle piece locks into place, another piece shakes loose and causes new problems. Overall, I'd say Polansky's execution is what makes Low Town as strong as it is.

Question 3: Did the piece do anything new or particularly noteworthy?

It is one thing for a story to make good on its promises, another for a story to be well told, but perhaps both the least and most important factor is whether or not the story is fresh or nuanced. A new tv show about people surviving a zombie apocalypse had better have something unique about it when compared to The Walking Dead, or else the new show will come across as bland or uninspired.

With this in mind, I'm a little torn about how Low Town answers this third question. On the one hand, the genre fusion of fantasy and noir is superb, and certainly uncommon enough to warrant being considered fresh. But in my mind, genre isn't enough. The story that was told, regardless of setting, follows the tropes of just about any other noir story almost to the T, including the plot. Without spoiling anything, I'll just say that nearly every prediction I made was accurate, and some of my guesses were made very early on. Does a story always need to subvert one's expectations? Of course not. But the highest rating should be reserved for pieces that are truly transcendent; something that innovates and pushes boundaries in new directions.

In conclusion, we're left with a very well-executed fantasy-noir story that achieves all of its goals. Despite the inspired genre choice and setting, noir fans will likely not be getting anything else new out of this story. And there's absolutely nothing wrong with that.
2 people found this helpful
✓ Verified Purchase

Not worth time and money

Protagonist: Your average bad boy turned savior of children
Antagonist: cliched evil
World and the rest of characters: most secondary characters one-dimensional, world not very gripping or well thought out and lacking vivid details on top of this. Some hints at history here and there, like eighty years war, which the author failed to develop. Magic unispiring.
Plot: more or less straightforward. Needless romance line. I found myself working through the second half of the book just to find out if I was right about the ending. Unfortunately, I was right.
Language: average, forced humor detected
Misc: some really hilarious mistakes like java coffee from earth.

Verdict: your average lackluster. If you want good plot, gritty and detailed world, believable caracters in a low-to-mid magic universe grab First law trilogy by Abercrombie. I read this one after it and the difference was stunning.
2 people found this helpful
✓ Verified Purchase

Great Debut Novel

Meet the Warden of Low Town, a pure survivor in this post-apocalyptic world where plague decimated the population, likely setting the stage for a war that took even more lives on both sides. From a struggling street orphan to battlefield leader, he ascends to the top in a special operations investigative unit charged with maintaining order by any means necessary. Eventually the laws of gravity and women initiate the Warden's fall from grace, leaving him back on the streets of Low Town, where he reinvents his identity using the tools he has learned as a survivor.

The Warden is a self-made man in the local drug trade after dethroning a syndicate to carve out his territory. He's not a thug but there is clearly a very dark side to this man, as he maintains a delicate balance between criminal entrepreneur and neighborhood guardian angel. It's that last aspect of the Warden that pulls him back into his former investigator roll where multiple factions look to either manipulate or destroy him before he can unmask a sinister killer who leverages dark magic to murder children and cover the trail.

This is Daniel Polansky's debut novel that takes you to the dregs of a society trying to redefine itself after plague and war. There are no `good guys versus bad guys' in this read; only varying degrees of bad guys who exist in this world after anarchy where the unwritten laws of the street are still based on individual survival due to a disinterested ruling class.

From the outset you can feel the grime littering the streets come off the pages and see the grey-cast gloom in the sky. There is a building tension throughout the book that parallels the detailed actions as the Warden hunts the anonymous child killer. It's uncovering this society through the Warden's interpersonal relationships with the variety racial and social backgrounds that I found most intriguing and most enlightening from a personal standpoint.

There is plenty of action and entertainment as well and you'll fly through the pages as this fallen hero closes in on his nemesis. The Warden faces death at multiple turns in a novel where the good guy may not necessarily win but he'll go down hacking with blade in hand if it comes to that.

It's also a story of choices and consequences, which leads back to varying degrees of bad in everyone. You're exposed to interpersonal moral dilemmas where doing evil to serve the greater good is overlooked, but also accrues a debt that must eventually be paid by the laws of karma or nature if not men.

Because of his obvious character flaws, I find it's easy to root for the Warden. He's a hard man who also loves those in his inner circle in his own hard way. Honor does not hinder him to do what he must and it is duty to his people in Low Town that drives him. His back story is revealed a spoonful at a time and by the end there are still more questions about what drove this man to the life he leads.

There are plenty of other questions, and a few characters left at the end to set up what should be a great sequel to Polansky's incredible debut sci-fi, mystery, action-adventure novel. Having just come off a five-book high-fantasy series, this was the perfect change of venue; top notch.
2 people found this helpful
✓ Verified Purchase

The Best of Fantasy

I'm not exaggerating when I say this is one of my favorite fantasy books of all time. Not just because of the compelling voice or seamless prose, but because of the character of the Warden himself.

Fans of Priest of Bomes and Acts of Caine will fall in love with this work.

The full trilogy reminds me of the arc of Christopher Nolan's BATMAN. Hard to describe it, so you'll need to read it to see for yourself!
.
1 people found this helpful
✓ Verified Purchase

Just as good the second time...

I've recommended this title on several occasions after my first time reading it, and having had some difficulty finding a good series in recent weeks decided to read it again. And in no way disappointed with my decision. A great novel, pulling in just enough of the arcane without tipping into fantasy. Dark pragmatism and cunning humor, I'm only saddened that Daniel does not have more literature yet available.
1 people found this helpful
✓ Verified Purchase

Hard Boiled Detective - With a sword

Polanski has created a story that is almost impossible to categorize. Part "Game of Thrones," with heavy doses of Damon Runyon, "Chinatown," H.P. Lovecraft and historic dystopia. The world he created is completely believable and often bleak, but humanized enough that we relate and can react to the various forces involved. His protagonist and narrator is wholly despicable but sympathetic all at once. Because of the world building that has taken place, it takes several pages to understand the dynamics in play and that is part of the enjoyment of discovery occurring within the narrative. Low Town is a place I'd only want to visit in a book, but I want to visit very often. Looking forward to reading other books in the series.
1 people found this helpful