Lost Souls
Lost Souls book cover

Lost Souls

Mass Market Paperback – September 10, 1993

Price
$7.99
Publisher
Dell
Publication Date
ISBN-13
978-0440212812
Dimensions
4.2 x 1 x 6.7 inches
Weight
6.8 ounces

Description

“A major new voice in horror fiction . . . an electric style and no shortage of nerve.” — Booklist “An important and original work . . . a gritty, highly literate blend of brutality and sentiment, hope and despair.” — Science Fiction Chronicle “Big talent gives off thermonuclear vibes. I can feel them. The last time I said it, I was talking about Dan Simmons. Now I'm saying it about Poppy Z. Brite” —Harlan Ellison Poppy Z. Brite ’s first novel, Lost Souls , was nominated for Best First Novel of 1992 by the Horror Writers Association and for a Lambda Literary Award. Her second book, Drawing Blood , was also nominated for a Lambda Literary Award and the Bram Stoker Award. Her short stories have appeared in numerous anthologies. She lives and writes in New Orleans. Excerpt. © Reprinted by permission. All rights reserved. 1 xa0 The night wind felt wonderful in Steve’s hair. xa0 The Thunderbird was huge. It always drove like a fucking monster, but tonight Steve felt as if he were piloting some great steamboat down a magic river, a river of shimmering asphalt banked by pine forest and thick, rioting expanses of kudzu. They were somewhere far outside Missing Mile, somewhere on the highway that led up to the Roxboro electric power plant and, beyond that, the North Carolina-Virginia border. xa0 Ghost was asleep beside him, his head hung out the window on the passenger side, his pale hair whipping in the wind, his face washed in moonlight. The bottle of whiskey was propped between Ghost’s legs, three-quarters empty, in danger of tipping despite the limp hand that curled around it. xa0 Steve leaned over and grabbed the bottle, took a healthy swig. “The T-bird has been drinking,” he sang into the wind, “yes, the T-bird has been drinkingxa0…xa0not me.” xa0 “Um,” said Ghost. “What? What?” xa0 “Forget it,” Steve told him. “Go back to sleep. Have another drink.” He drove faster. He’d wake Ghost on the drive home, to keep him company. Now he wanted Ghost to stay asleep awhile longer; there was bad business ahead. Dangerous business. Or so Steve liked to think of it. xa0 Ghost took the bottle back and stared at the label, trying to focus on it. His pale blue eyes swam, narrowed, sharpened only slightly. “White Horse,” he read. “Look, Steve, it’s White Horse whiskey. Did you know Dylan Thomas was drinking at a pub called the White Horse the night he died?” xa0 “You told me. That’s why we bought it.” Steve crossed his fingers and tried to will Ghost back to sleep. xa0 “He drank eighteen straight whiskeys,” Ghost said, awed. xa0 “You drank eighteen straight whiskeys.” xa0 “No wonder my brain is sailing with the moon. Sing to me, Steve. Sing me back to sleep.” xa0 Just at that moment they crossed a bridge that seemed to bow under the weight of the old brown T-bird, and Steve saw moonlight shimmering on black waters, so he raised his voice in the first song that came to mind: “Silver southern moonxa0…xa0for ten years I thought I was born of you.… Silver moon, I’ll be back someday.…” xa0 “That’s not the way it goes. I should know, I wrote it.” Ghost’s voice was fading. “Oh, silver southern moonxa0…xa0tell me your sweet lies, then let me drown deep in your eyes.…” xa0 “Somedaaay,” Steve joined in. He and the whiskey sang Ghost to sleep, the whiskey with its somnolent amber song, Steve with a voice that cracked when he tried to hit the high notes. Behind them the river passed in silence; the lowest-hanging branches brushed the water, and the leaves rotted on the bough. The moon spread like butter on the black river, and Ghost’s eyes closed; with his head pillowed on the hump between the seats, he began to dream. xa0 They bypassed Roxboro, but Steve saw the power plant on Lake Hyco, lit up all glowing green and white like a weird birthday cake, its million pipes and wires and glass insulators and metal gewgaws reflected in the lake. On the way back, if Ghost was awake, they’d drive up there to a hill Steve knew and look out over the pastures and the lake and all the glittering Milky Way. An hour or so after passing out Ghost was usually raring to go again. His dreams gave him new strength. Or made him laugh or cry, or sometimes scared the shit out of him. xa0 Steve put his hand on Ghost’s head, smoothed back wisps of hair from flickering closed eyes. He wondered what was unfolding beneath his hand, beneath the thin bone, inside the orb of ivory that cradled Ghost’s weird brain. Who was born and murdered and resurrected inside that skull? What walked behind Ghost’s eyelids, what lithe secret phantoms tapped Ghost’s shoulder and made him whimper deep in his throat? xa0 Ghost often dreamed of things that were going to happen, or of things that had already happened that he couldn’t possibly know about. These premonitions could come when he was awake too, but the ones that came to him in dreams seemed to be the most potent. More often than not they were also the most cryptic. He had known when his grandmother was going to die, but then so had she. Though surely painful, the knowledge had given them the time they needed to say goodbye. xa0 Goodbye for a while, anyway. Ghost had inherited his grandmother’s house in Missing Mile, where he and Steve lived now. Steve had spent plenty of time in that house as a kid, watching Miz Deliverance mix herbs or cut out cookies with her heart-shaped cutters, building forts in the backyard, sleeping over in Ghost’s room. Even now, five years after her death, Steve sometimes thought he felt the familiar presence of Miz Deliverance in a room, or just around a corner. He imagined this was something Ghost took for granted. xa0 Suddenly unnerved by the prospect of touching Ghost’s dreams, Steve put his hand back on the wheel. xa0 They drove past a graveyard full of softly rotting monuments and flowers, an abandoned railyard, a barbecue shack whose sign advertised GRAND OPENING EVERY FRI AND SAT NITE. A rabbit darted across the road. Steve braked, and Ghost’s head rolled back and forth on his thin neck—so fragile, so fragile. These days Steve was paranoid about something happening to Ghost. Ghost was spacy, sure, but he could take care of himself. Still, Steve couldn’t help watching out for him, especially now that Ghost was the only person he felt like spending time with. xa0 They had other friends, sure, but those guys mostly wanted to go out drinking and smoke weed and talk about Wolfpack football at the state university over in Raleigh. All of which was okay, even though the Wolfpack was always pretty shitty, but Ghost was different. Ghost didn’t give a flying fuck about football, Ghost could drink everybody else under the table and not get a damn bit weirder, and Ghost understood all the shit that had gone down over the past few months. The shit with Ann. Ghost never asked Steve why he didn’t forget about Ann and get himself a new girlfriend; Ghost understood why Steve didn’t want to see Ann or any other girl, not for months and months, maybe not ever. xa0 Not until he could trust himself, anyway. Right now he did not deserve the company of women. However lonely or horny he got, he had it coming to him for what he had done to Ann. xa0 He played with strands of Ghost’s hair as he drove, winding them around his fingers, marvelling at their fineness, their silvery-gold luster. Just to feel the difference, he ran his hand through his own coarse hair, hair the color of a crow’s wing, hair that stood up in wild loops and cowlicks. His hair was dirty, and he noticed that Ghost’s was too. Steve hadn’t been taking care of himself—he’d gone days without a shower and over a month without washing his clothes; he’d been late for his job at the record store three times last week; he was putting away a twelve-pack of Bud every day or two—but he hoped it wasn’t rubbing off on Ghost. There was such a thing as being too damn sympathetic. Steve’s hand felt greasy. He wiped it on his T-shirt. xa0 They were here. Steve had no idea where, but he saw what he wanted: the faded light of an ancient Pepsi machine sitting outside a fishin’ -and-huntin’ store, casting dim red and blue shadows in the dirt of the parking lot. Steve swung the T-bird in and killed the ignition. Ghost’s head had slipped onto Steve’s knee, and he eased out from under it. There was a little dark spot on the knee of Steve’s jeans. Ghost’s spit, Ghost’s drunken sleeping spit. Steve rubbed it into the cloth, then absently put his finger in his mouth. A faint taste of whiskey and molassesxa0…xa0and what was he doing sucking someone else’s spit off his finger? Didn’t matter. Ghost was lost deep in dreams. Time to go to work. xa0 Steve fished in the backseat. Cassette cases—so that was where Ann’s damn Cocteau Twins tape had ended up. Steve had always hated it anyway, the girl’s feathery voice that was supposed to be so angelic and the ethereal-seasick wall of sound. Empty food bags and a veritable sea of beer cans. Finally he dug out his special tool, a length of coat hanger bent into a hook at one end. He wondered if he ought to pull the T-bird up so it was hiding the front of the Pepsi machine. No, he decided; anybody out driving this time of night is probably on business just as shady as mine. xa0 With a last glance at Ghost, Steve knelt, fed the wire into the coin-return slot of the machine, and wiggled it around until he felt it catch. He tugged gently and seconds later was blessed by a shower of silver. Steve scooped the quarters, dimes, and nickels out of the dirt, shoved them into his pockets, hustled back to the car, and got the hell out of the parking lot. Read more

Features & Highlights

  • Vampires . . . they ache, they love, they thirst for the forbidden. They are your friends and lovers, and your worst fears.“A major new voice in horror fiction . . . an electric style and no shortage of nerve.”—
  • Booklist
  • At a club in Missing Mile, N.C., the children of the night gather, dressed in black, look for acceptance. Among them are Ghost, who sees what others do not; Ann, longing for love; and Jason, whose real name is Nothing, newly awakened to an ancient, deathless truth about his father, and himself.Others are coming to Missing Mile tonight. Three beautiful, hip vagabonds—Molochai, Twig, and the seductive Zillah, whose eyes are as green as limes—are on their own lost journey, slaking their ancient thirst for blood, looking for supple young flesh.They find it in Nothing and Ann, leading them on a mad, illicit road trip south to New Orleans. Over miles of dark highway, Ghost pursues, his powers guiding him on a journey to reach his destiny, to save Ann from her new companions, to save Nothing from himself. . . .
  • “An important and original work . . . a gritty, highly literate blend of brutality and sentiment, hope and despair.”—
  • Science Fiction Chronicle

Customer Reviews

Rating Breakdown

★★★★★
30%
(177)
★★★★
25%
(148)
★★★
15%
(89)
★★
7%
(41)
23%
(135)

Most Helpful Reviews

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I expected more.

Spoiler Alert!
I had heard several rave reviews about this novel so I read it and was disappointed. What you must keep in mind I am 29. I think had I read this book at 14 or so, I would have been enthralled with it.
It borrows liberally from superior works, most notably Anne Rice's Vampire Chronicles. There was a lot of extraneous expository writing that felt like a waste of time reading, overused adjectives (apparently everyone in Poppy Brite's world has "spidery" hands, smokes clove cigarettes, lives in proximity to kudzu trees). And of course it had the typical "let's kick some vampire ass" ending.
Lost Souls is almost entirely a landscape of young, beautiful, skinny, white males, mostly making out with each other or killing people in graphic detail. It just comes across more as titillation rather than trying to say something about the human condition or go beyond being entertainment in the same vein as rock videos. One reviewer mentioned it as being like fan-fiction, and I got that vibe as well. It also makes the fatal mistake of trying to make vampire rock stars, which is tantamount to trying to run a car on water instead of gas. It's a great idea if it could work, but alas, it never does.
The book also takes "Goth culture," for lack of a better term, a bit too seriously for it's own good. Besides the occasional sarcastic quip from Steve, the book doesn't acknowledge any of the complete absurdity of some of the situations described, the way a good "Buffy the Vampire Slayer" episode would. It is very much written for the serious, Marilyn Manson-listening, dressed-in-black set. It doesn't really try to transcend it's genre, so it's difficult to recommend such a book to anyone who doesn't fall into that category. Even then, I'm sure many self-proclaimed "Goths" would cringe at the thought of reading this.
That said, I will grudgingly give Brite some points for her additions/twists to the vampire myth (Mostly the pregnancy- vampire hybrid ideas - I can only hope they were of her own invention and I'm giving her credit justly) Ghost, I thought was particularly nicely rendered as a character. There were some interesting visual ideas (Christian as a roadside rose stand vendor comes to mind). I managed to make it to the end at least, and take the time to think enough about the book to give it a review, so I think that shows that I have a least a modicum of respect for it.
Bottom line- I wouldn't recommend it to readers older than 20-25, and who aren't already interested in vampire fiction.
18 people found this helpful
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A Lovely and Sensual Horror

Lost Souls is my favorite vampire horror. It is more terrifying than Salem's Lot and definitely more alluring and bewitching than Anne Rice's Vampire Series. Lost Souls was written in 1992 but till today still transcends most contemporary horros in terms of plot and characters. Lost Souls shines with its own unique emotional intensity that most contemporary horrors sadly lack. Brite's Vampires are unique personalities and she did such a brilliant job describing and justifying their lusts that I sympathize with them - haunted Christian, amoral Zillah, mindless Molochai and Twig and of course Nothing who has to learn to live with his aloneness among his kind. I was hoping for a better ending for Nothing but I guess Brite knows best. Ghost is of course my favorite character and I seldom have any in horrors. I will remember Ghost because of his love for Steve, his care for Nothing and Anne and his genuine goodness and vulnerability. I only with there is more of Lost Souls but one is always wistful when a book is as great as Lost Souls... Lost Souls will remain my favorite as long as I continue to read...
14 people found this helpful
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Beautiful novel

Lost Souls is not only the best vampire book I've ever read, (sorry Anne Rice, but yours just can't cut it anymore) it is the most beautiful and haunting novel I've ever come across. I feel particualrly drawn to the character of Nothing, the vampire child fathered by the mad Zillah. I identify with Nothing's cold world, and his desire to find acceptance. He finds it with a group of punk subculture vampires, Zillah, Molochai, Twig, and the enigmatic Christian. Along the way we meet Steve and the psychic Ghost, who follows these lost souls to their destinies. I am almost finished reading this book, and will immediately go on to Poppy Z. Brite's other works. "Lost Souls" captures the underground world of the punk vampire. Lonely, loving, and constantly dangerous. Reading this book is like being drunk on a good bottle of whiskey tinged with blood, until you realize its only Poppy's beautiful words that haunt you. You won't be able to put this down. I know I can't!
13 people found this helpful
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A Pleasant Surprise

When I was in middle school I worshiped this book. I had an old paper back copy that my friends and I traded around in an ever increasing circle where we wrote our own personal commentaries in the margins and highlighted parts we thought were particularly exciting or naughty. I thought Nothing was the voice of my gothed out alter ego, Zillah the hottest thing to hit vampire fiction since Lestat and I searched pages over and over again for irrefutable proof that might side on my argument that I bet Steve and Ghost had Done It. In short - I read the book but never really read it.

Then awhile ago I splurged and bought the 10th anniversary issue that came at quite a hefty price tag and promptly sat it on my shelf without so much as a glance at what was inside. Gradually I came to realize that I was afraid of this book - I was afraid that in opening it I would come face to face with my teenage self and realize just how much we had grown apart. I was afraid that the book that I had treasured so long might in fact not be any good. And then a few days ago, for apparently no real reason at all, I decided to go ahead and face my fears and reread the damnable, questionable and formidable Lost Souls again.

Much to my surprise . . . I liked it. Lost Souls is not a towering example of literary merit, but it doesn't have to be. It's got pizazz and it's got heart and that takes it a hell of a long way in my book. Yes, there were a few minutes where I found myself rolling my eyes and the prose but they were so few and far between that I found myself rereading chapters, convinced I must be missing something guffaw worthy somewhere.

The plot is at times both simple and refreshingly different - if you were secretly born a monster and given up for adoption would you be able to find a way to avoid the fate genetically encoded into since birth? And if you did decide to be a monster where would it take you? Could someone really come to accept being a psychopath and a serial killer? What had so fascinated me as a teenager with its slick, hypnotically shiny descriptions of people and places gradually grew into something that now terrifies me as an adult as I made my way through it's pages.

So what do I think all these years later? Has Lost Souls really always been this well crafted book, quietly waiting by the way side for someone other than mall goths to discover it? I think perhaps this book's greatest tragedy is that it's only found its niche in one demographic and that it's appeal as a solid piece of horror fiction is great enough that if most were willing to take the character's flowery prose with the grain of salt it deserves they would see that this really is a very fine, entertaining addition to the horror shelf in any collection.
12 people found this helpful
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Blah

The only people who might like this book are young teens who haven't read anything better. The characters are seemingly interesting at first, but as you read further into this book you realise that these characters are pathetic beings and being pathetic might work for other characters in other books they don't work here. There's not much of a plot, which is a blessing because the screwed up characters are enough of a headache without tossing in some overly complicated and overly boring story. Sorry Poppy, but you just seem to be an even more twisted version of Anne Rice (you've obviously drawn a lot of inspiration from her). You'd be better leaving this book alone and picking up something more worthwhile that doesn't include grotesque events just for shock value.
12 people found this helpful
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Repetitive and Shallow

I had pretty high hopes for this book based on the Amazon reviews, but I was sadly disappointed.
By the time I finished it, I felt like I'd read large snatches of the novel 3 or more times as Poppy Z. Brite repeated descriptive section after section while the plot crawled. I grew tired of kudzu, weak Bauhaus references, sticky wine, and the many flavors of spit.
And that would lead to the other fault with the novel: goth lifestlye. To put it succinctly, dyed hair, thin bodies, Bauhaus and The Cure, razor wrist scars, liberal bisexuality, and eyeliner do not a goth make. It felt like the author had dabbled in the culture and picked up only the most superficial, banal aspects for the readership to connect with. The result? Shallow and stereotypical backdrops, which is a shame since the magical history of New Orleans and the gothic subculture deserves a richer treatment.
The novel is not all bad, but it required perseverance to finish it. She does a nice job touching on the wonderment of herbal magick and the childlike vulnerability of Ghost's personality. But the novel's few small heights are not worth the long flat plateau of the read.
Looking for a well-written, intelligent novel about the gothic underworld and their fascination with the underworld? I'm still looking too.
11 people found this helpful
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Garbage that defies description.

I cannot communicate in words how truly horrid I find this novel. That so many people praise it to high heaven makes me feel even worse, obviously they are children that have not read anything of true quality yet.
11 people found this helpful
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Extremely disappointing

I found this story to be too confused and busy. It meanders between characters until it brings them all together later on in the book, but it just seems like the brief moments of actual "action" are just huge build-ups of anticipation with an anti-climatic little *pop* of dénouement. In short, nothing's happening to keep me interested! The characters are fantastic, the author's descriptive powers are beyond compare, but there's just no story there.

I tend to like a good vampire fic to keep me shivering for a night or two. This one has kept me groaning night after night trying to finish it for almost three weeks (an exhaustively long time for me to finish a book). Ghost, Steve, Nothing, Christian, and Brite's version of the Stygian triplets are all rich, wonderful characters. Now if only she'd done something with them....

Disappointing, especially after all the good I'd heard about this author.
10 people found this helpful
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No action, no mystery, boring characters

This book is certainly dark, which is usually a good thing, but it did nothing for this book at all. There's a boy named Nothing that has sex with any and all of his friends and does drugs. Also, an abuser character that beats up his woman, a psychic boring character named Ghost, and 3 vampires that aren't very interesting. People do drugs, kill each other, kill their best friends, sleep with their fathers, some people get pregnant, some run away from home...yawn. If this book is supposed to be interesting because it's dark and shocking, I say that isn't enough, there still has to be an entertaining plot. I didn't care who killed who in this book, the characters were all so unlikable and one dimensional. I couldn't finish it. I like dark fantasy and horror, but only if there is a plot. I'm not interested in reading about people's screwed up lives, even if their are vampires involved.
8 people found this helpful
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Gratuitous, indulgent, and wholly enjoyable to the right kind of reader. Strongly recommended

Fifteen-year-old Nothing runs away from his adoptive home and falls in with three vampires, one of whom is his unwitting father. In a haze of drugs, sex, and blood drinking, Nothing is drawn closer to New Orleans and the climactic events that will reveal his past and determine his future. Lost Souls is indulgent and gratuitous to the extreme, which will either delight or disgust the reader. Personally, I loved it--and though I preferred the concept to the actual plot, I found Lost Souls visceral, darkly intriguing, and difficult to put down. It's a bit over the top and perhaps not a piece of "great" literature, but I heartily recommend it.

To be quite honest, Lost Souls feels like a combination of the self-indulgent, gratuitous content of fan fiction and the skill and editing of a published book. It is an playground of sin: lush sexuality and frequent homosexual relationships, incest, teenage sexuality, unapologetic amorality, angst, plentiful violence and blood drinking, drug use, goth kids, punk kids, rock bands, vampires, and New Orleans, all of it so gratuitous that it nearly become an art form. It's over the top and hardly subtle, yet Brite writes well. Her prose is sometimes florid, but it is evocative, visceral, and as lush as the content. She creates a cast of vivid, intriguing characters and weaves their disparate lives into a single story. Sadly, the plot veers away at the end of the book, doing a disservice to one character and straying too far from Nothing and his family--but the story is often intriguing and always competent, and it will keep the reader interested and engaged until the end.

Brite is not the most subtle or most gifted author, but she writes rich prose and a strong story. As a result, her book revels in gratuitous content rather than being dragged down by it. That may not appeal to everyone, and perhaps it prevents the book from being truly "great," but the reader who enjoys it will find Lost Souls a gleefully indulgent bit of wish fulfillment. Personally, I loved the combination of content and style, and I throughly enjoyed the book. I fell in love with the characters (especially Zillah), enjoyed the glut of blood and sex and angst, and found the prose so visceral that it triggered physical reactions. I did enjoy the premise more than the actual plot, and so I preferred the first half of the book. Nonetheless: Lost Souls is a wholly immoderate, indulgent vampire story, and my inner hedonist adored it. I recommend it to anyone attracted to the premise--pick it up and read the first couple of pages, and it will soon be apparent if this is the sort of book you'll love or hate.
8 people found this helpful