Long Time Coming: A Novel
Long Time Coming: A Novel book cover

Long Time Coming: A Novel

Paperback – March 2, 2010

Price
$13.05
Format
Paperback
Pages
420
Publisher
Bantam Books
Publication Date
ISBN-13
978-0385343619
Dimensions
5.18 x 0.86 x 8 inches
Weight
10.9 ounces

Description

From Publishers Weekly Starred Review. In this irresistible thriller full of deceit, duplicity, and vengeance, British author Goddard ( Name to a Face ) shifts effortlessly between 1976, when 68-year-old Eldritch Swan, thought killed in the Blitz, resurfaces from 36 years in an Irish prison, and 1940, when Eldritch, a cocksure secretary for an unscrupulous Antwerp diamond merchant, Isaac Meridor, prepares to leave for America. The older Eldritch, who appears as weird as his given name implies, assures his nephew, Stephen, he'd been framed in Dublin for unspecified offenses against the state, though he admits to helping steal Meridor's Picasso collection. Eldritch needs Stephen's help to prove the collection rightfully belongs to Meridor's wife, daughter, and granddaughter, Rachel Banner. Bit by tantalizing bit the convoluted tale of Eldritch's unknowing involvement in high wartime crimes and misdemeanors during Britain's finest hour emerges, deftly counterpointed by Stephen's growing attachment to Rachel. (Mar.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Booklist An ill-gotten family fortune culled from Congolese diamond mines, a forged Picasso, and a hellish Irish prison form the nexus of this eccentric thriller. There are two narrators: the first, speaking of events in 1976, is Stephen Swan, a geologist who has long worked in the booming Texas oil fields. On his return to England, he finds that an uncle, who he was told had lost his life during the Blitz, is alive but not well, having been just released from an extended stay in an Irish prison under suspicion of spying. The second narrator is the uncle himself, who tells his nephew about criminal plots hatched during the war that have taken on strength and danger through the decades. Goddard shuttles between 1976, when the forged Picasso and other stolen works are on public display and must be recovered for the wronged owners, and 1940, when the whole conspiracy began. Although the plot is complex, Goddard’s gift for suspense never flags. --Connie Fletcher "When it comes to duplicity and intrigue, Goddard is second to none." —Daily Mail “[Robert Goddard’s novels are] too good to gulp.”—Stephen Kingxa0“[Robert] Goddard is a master of the sly double and triple cross.” — Seattle Times Robert Goddard's first novel, Past Caring , was an instant bestseller. His first Harry Barnett novel, Into the Blue , was winner of the first WHSmith Thumping Good Read Award.xa0 He lives in Truro, Cornwall.xa0 Delta will publish the next Goddard novel, Found Wanting , in 2011. Excerpt. © Reprinted by permission. All rights reserved. Chapter One My mother surprised me when she announced that my uncle was staying with her. It was the first of many surprises that were shortly to come my way. But of all of them it was probably the biggest. Because I’d only ever had one uncle. And I’d always been told he’d died in the Blitz.I’d phoned her from Heathrow, to give her an idea of when I’d be arriving. I didn’t have the change for a long call. “We’ll have to make this quick,” I said. Maybe that was what prompted her to spring it on me. We’d spoken a couple of times over the previous week, while I was still in Houston. She’d said nothing about Uncle Eldritch then. Maybe her nerve had failed her. Maybe she’d doubted if I really was abandoning what she regarded as my glamorous existence in Texas. If not, I could be spared the revelation, at least for a while, that the old man wasn’t dead after all. But I’d gone ahead and left. So now I had to be told. And the lack of immediate opportunity for cross-questioning was a bonus.“I ought to have mentioned it sooner, dear. Your uncle’s come to stay.”“My uncle?”“Eldritch. Your father’s elder brother.”“But . . . he’s dead.”“No, dear. That’s what your father always insisted we should pretend. But Eldritch is very much alive.”“How can he be? Where the hell’s he been all my life?”“In prison. In Ireland.”“What?”“I’ll explain when you get here.”“Hold on.” But already I was talking over the pips. “Let’s just—”“See you soon, dear,” my mother shouted. And then she put the phone down.Perhaps I should have been grateful. But for Mum’s bombshell, I’d probably have spent the journey down to Paignton, as I had the overnight flight from Houston, wondering just how I’d allowed a disagreement with the corporate finance director at Sanderstead Oil to become a resigning issue, with disastrous consequences for my engagement to his daughter. “Because I’d wanted to” would have been the honest answer. Because the job and the engagement were both too good to be true and I was young enough to find worthier versions of both. But naturally I had my doubts about that. Part of me was gung ho and optimistic. Another part reckoned I’d been a damn fool.I was pretty confident, nonetheless, that I’d be able to get back into the oil business whenever I chose. With the North Sea fields coming on-stream, there were plenty of openings for a geologist with my qualifications. First, though, I planned to spend a few weeks in Paignton, unwinding and taking stock. I hadn’t seen as much of my mother as I should have in the two years since my father’s death. The guesthouse kept her busy, at least in summer, but I wanted to reassure myself that she was coping as well as she claimed.After the news of my uncle, all such thoughts went out of my head, of course. My mother’s matter-of-fact tone couldn’t disguise the enormity of what she’d actually said. Eldritch Swan of the exotic Christian name and raffish reputation had not been among the thousands of Londoners killed by the Luftwaffe in 1940. His death was a lie. And it soon occurred to me that his life might be a lie too. Nothing I’d been told about him accounted for several decades of imprisonment in Ireland. Evidently my father had decided I was better off not knowing the truth about his brother.Or maybe he’d decided he was better off by my not knowing. A dead relative is more socially acceptable than an imprisoned one. I might have shot my mouth off to the neighbours about dear old banged-up Uncle Eldritch. And that would never have done. Grandad might have insisted on blanking his son out of the family, of course. That was a distinct possibility. But he’d been dead for more than twenty years. And the record had never been set straight. Until now.My paternal grandfather, George Swan, was an engineer who rose to the higher echelons of management with the East African Railways and Harbours Administration, first in Kenya, then Tanganyika. His eldest son was christened Eldritch on account of his mother’s maiden name. His second son, my father, received the more conventional Neville as his label in life. The difference turned out to be prophetic, since Eldritch “racketed around Europe,” according to Dad, until the outbreak of war forced him to return to his homeland, only for a German bomb to score a direct hit on the Mayfair gambling den where he happened to be hunched over the baccarat table one night in the autumn of 1940. Meanwhile, my father, favoured, he’d often point out, with a less expensive education than his brother, worked for a shipping agent in Dar es Salaam and fought for his country with the Eighth Army in North Africa and Italy. At the end of the war, he transferred to the agent’s London office, where my mother was working as a typist. Courtship, marriage, parenthood, and suburbia duly followed.My earliest memories are of our house in Stoneleigh. It backed onto the railway line, and on fine mornings Mum would take me into the garden after Dad had left for the station so we could wave to him as the Waterloo train rumbled past. The scene changed for good when Grandma and Grandad died within a few months of each other the summer I was eight. Dad inherited what he’d never describe more specifically than “a tidy sum.” It was enough for him to quit the shipping business and buy a guesthouse in Paignton, the seaside resort where we’d spent several summer holidays. He needed a lot of persuading by Mum to take the plunge, though. She was always the more enterprising of the two. My father was a cautious man, fretful with the slightest encouragement. But deceitful? I’d never have said so. Until now.Paignton was a wonderful place to be a child. Zanzibar, as Dad named the guesthouse, was only a few minutes from the beach. Sun, sea, and sand were my summer-long companions. The sideshows on the pier; travelling fairs on the green; open-top bus rides to Torquay; rock-pooling at low tide: The real winner from the move to Devon was me.Ordinarily, I’d have needed to fix that thought firmly in my mind when I got off the train in the middle of a chill grey March afternoon. Torbay Road, running between the station and the Esplanade, is a depressing drag to the adult eye of bucket-and-spade shops and slot machine joints. A walk along it, rucksack on back, suitcase in hand, had promised to test my spirits. Never were the oily charms of Houston likely to seem more bountiful.As it was, though, I barely noticed my surroundings as I made my way towards the seafront. A dead uncle was waiting for me at Zanzibar. And a mother with a lot of explaining to do.Zanzibar started life as one of a terrace of Victorian houses in a cul-de-sac off the Esplanade. Like most of its neighbours, it subsequently acquired the standard trappings of the local tourist trade: dormer window in the roof, striped awnings over the other windows and porch, palm tree out front (supplemented in the season with pot plants and hanging baskets), AA and other accreditations prominently displayed, illuminated Vacancies sign suspended in the ground-floor bay. It had been my home from the age of eight to eighteen and in many ways still was. It was stuffed full of memories. It held a part of me, however far or long I strayed.The awnings were currently retracted. The palm wore a weatherbeaten look. And the fully lit Vacancies sign did not signal brisk business. But it did have one guest, of course—one very special guest. Unless you regarded him as a member of the family, which I wasn’t sure I did.My mother must have been looking out for me. The front door opened as I approached and she appeared, pinnied and permed as ever, smiling her wide, toothy smile at the sight of her only child. “There you are, dear,” she called. “Come along in.”We hugged in the hallway, the lingering fragrance of her lily-of-the-valley soap summoning the past with instant ease. How had the journey been? Was I hungry? What could she get me? It was the usual homecoming litany, recited with no reference to the news she’d broken over the phone. I opted for tea and a slice of Dundee cake and followed her into the kitchen, which Bramble, the waste-of-space cat she’d acquired since my father’s death, vacated as we entered, with the hint of a glare in my direction.“Where is he, then?” I asked as she switched the kettle on, sensing she might launch blithely off into a series of questions about my career and the former fiancée she’d never met (and now never would) if I didn’t set the agenda.“You mean Eldritch?”“No, Mum. I mean the other ex-con you’ve taken in.”“There’s no need to be sarcastic.” She spooned tea into the pot. “And don’t call him an ex-con.”“But that’s what he is, isn’t it?”“He’s not here at the moment. He goes to Torquay most days. I think he finds it more . . . sophisticated . . . than Paignton.”“I suppose he has a lot of sophistication to catch up on.”Mum sighed. “I’m sorry it had to come out of the blue, Stephen. I really am. It’s not my fault. Your father was adamant. So was your grandfather. They were ashamed of Eldritch. And what was I to do? I’d never even met him. I had no idea what it was all about.” The kettle had come to the boil as she spoke. She poured water into the teapot and rattled the lid back into place. “They said he’d never be let out. So, it was better to pretend he was dead.”“But now he has been let out. Unless you’re going to tell me he’s on the run.”“Don’t be ridiculous, dear. He’s an old man.”“How did he wind up here?”“He had nowhere else to go. I wrote to the Irish Prison Service when your father passed away, asking them to let Eldritch know. That’s how he was able to contact me. He wrote just before Christmas, saying they were going to release him and could he come and stay here until he’d found his feet. Well, I couldn’t turn him down, could I?”“That depends.”“What on?”“What he was in for, to start with.” Read more

Features & Highlights

  • Stephen Swan is amazed when he hears that the uncle he thought had been killed in the Blitz is actually alive. For nearly four decades, Eldritch Swan has been locked away in an Irish prison and now, at last, has been released. Shocked and suspicious, Stephen listens to the old man’s story and is caught up in a tale that begins at the dawn of World War II, when Eldritch worked for an Antwerp diamond dealer with a trove of Picassos—highly valuable paintings that later disappeared. Stephen, who finds his uncle by turns devious, charming, and brazen, then meets Rachel Banner, a beautiful American who may have inherited the Picassos—and is determined to see justice done for her family. But in this tale of revenge and redemption, justice is the ultimate illusion. Eldritch, Stephen, and the woman Stephen has fallen in love with soon find themselves fighting for their lives—against sinister forces still guarding a secret that must never be revealed.

Customer Reviews

Rating Breakdown

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Most Helpful Reviews

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Good but not his best

I look forward to each new book by this remarkable author. And I haven't read a Robert Goddard book I didn't like but I have read others I enjoyed more than this one. Don't get me wrong, it's still streets ahead of most other novels I have read but it didn't capture me the way "Past Caring" and "In Pale Battalions" did. I couldn't put them down. Still worth reading.
6 people found this helpful
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A Trove of Picasso's...

What could be better than a stolen trove of Picasso paintings and a bit of Irish history? Robert Goddard's latest book LONG TIME COMING has both. It's a spellbinding novel!

The time is 1976. Eldrich Swan is released from a Irish prison after 36 years imprisonment. He returns to England and is recruited to recover the Picasso's, currently the property of an American tycoon and in exhibition at the Royal Academy of London. His nephew Stephen and the granddaughter of a Jewish diamond merchant, his former employer and owner of the art, help in the recovery. The paintings had been stolen from a vault of a London art dealer in the early days of World War II.

At the heart of the novel is another story. It's about the dawn of World War II and the neutrality of Ireland featuring real-life characters. Eamon de Valera, a hero of the Easter Uprising of 1916, is Tsoiseach of the Irish Republic having served as early President of the Irish Free State. One Malcolm MacDonald of the British Legation is in Dublin to persuade de Valera and Ireland to join the war effort. It is June 1940.

Also in Dublin in 1940 is one fictional Eldrich Swan searching for a master forger named Desmond Quilligan.

Goddard cleverly takes his readers back-and-forth from 1940 Dublin to 1976. And finally to Belgium to resolve the matter of the stolen art. It's a rewarding and fascinating tale!

Postscript: How many paintings are in a trove? Goddard's trove is eighteen Picasso's---painted between 1907 and the early 1930's. By the time his fictional protagonist searches for provenance in 1976, the paintings would be priceless!
5 people found this helpful
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return to form

Goddard's early novels are absolutely superb, especially "Past Caring" and "In Pale Battalions." His more recent fiction has been relatively disappointing, with rather random plots and thinly characterized progatonists. "Long Time Coming" is a return to his earlier form - certainly the best of his novels since "Caught in the Light."
5 people found this helpful
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Goddard gets (some) of his groove back

Thank goodness, to have a reasonable tale by Robert Goddard again after the inferior material he has produced in recent years, particularly "Found Wanting".

Having said that, this book is not in the same league as some of Goddard's earlier works.

It is basically the same format - one generation trying to solve a mystery left behind by a previous generation.

The mystery revolves around a Englishman just released from 36 years in an Irish prison, a Jewish diamond merchant from Antwerp, fake and genuine Picassos, a vengeful American woman, an unscrupulous upper class English diplomat etc.

We have the usual soft-hearted hero, a one-dimensional female to add a love element, various bad guys, trips abroad and plenty of historical references and figures.

This time the story begins in 1976 and has flash backs to the start of the Second World War when the UK was trying to persuade - or coerce - the newly-founded Irish Free State to join the allied camp rather than opt for neutrality.

These scenes are pretty good and the mystery of the hero's uncle's long imprisonment would have made a good story on its own.

However, the more modern parts are dull and the reader has to endure side trips to Belgium where the story just falls apart and gets over complicated.

The ending - which I won't reveal - is just a bit too easy and you wonder why Goddard took nearly 400 pages to get there when he should have put it on the first page and then followed the trail backwards to explain why it came about.

A final point. I wish writers would stop using smoking breaks in an attempt to give dramatic pauses or break up dialogue. I lost count of the number of times characters stopped to light, smoke or stub out cigarettes. I estimate these padded the book out by about five pages.

Julian Barnes makes a reference to this in one his books, I recall.
4 people found this helpful
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Extraordinarily well written

No point in repeating a summary of the plot or characters here, well covered elsewhere. Notwithstanding, it is fair to say that Goddard is an exceptional writer who captures places and characters with painterly touches. At points, he approaches the deftness and skill of Salter.

Goddard's stories are fully engaging on several levels - not least, the suspense necessary for any good mystery.

I've now read two of his books and look forward to reading more. You'll have some difficulty finding another writer of this talent.
4 people found this helpful
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Pleasing Mix of Past and Present

My favorite Robert Goddard novel is "In Pale Batallions," and nothing he's written since compares to the power of that book -- which isn't to say that he hasn't written good novels, just that they aren't as gripping. This one is near the top, I think, because the author manages to weave the World War II past into the 1976 present. This means that the story is told from two points of view, that of Eldritch Swan and that of his nephew, Stephen Swan. The telling of the story in this manner adds tension to the plot and keeps one turning the pages to see what happens to whom. I found the story and the telling of it gripping, but I thought the tension dissipated a bit toward the end.
4 people found this helpful
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Intelligent, literate, and difficult

"Long Time Coming" by Robert Goddard is difficult in several ways.

Granted, Goddard is as intelligent and literate as ever. His writing is charming, elegant, and . . . simple when it needs to be. Reading him is just a joy.

His plotting is confoundingly clever. His suspense is strong to the end. His characterizations are well done. Yet the book is quite complicated.

Two men, an uncle and a nephew look remarkably alike, and in their time are equally attractive to the ladies. Goddard jumps between presenting one in the 1940s and the other in the 1970s.

A diamond merchant has been ruthless in acquiring his fortune. He leaves Germany to escape what he sees coming from the Germans. His art collections, especially his Picassos, are valuable.

A dealer he entrusted with the Picassos has them copied by a master forger, with the desire to deceive the merchant's family. Early on, the uncle is instrumental in persuading the forger to do the work.

Eventually the Picassos appear on display at the Royal Academy in London. Presently, the nephew works to prove who owns the originals.

Can the merchant's family prove the real Picassos are rightfully theirs and should be returned? With two and three generations involved, proofs are difficult to establish.

Several bad guys meet suitable ends. This is a thriller after all.

An extensive love relationship and a much shorter one keep our interest.

There was a time, not too many years ago, when a Goddard book was hard to find in the U.S. Happily those days are over.
2 people found this helpful
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Goddard strikes again

Robert Goddard is at the top of his form in this book, and remains at the top of the list of writers in this genre. His placing his stories in historical/situational context is unrivalled in today's thrillers, and his interconnections of people and events would make Dickens smile!
2 people found this helpful
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Complex and satisfying

British mysteries are not usually my novels of choice (normally too many characters for my aged brain to keep track of) but I saw this on the library shelf and was intrigued. I had never read any of Goddard's books previously.

"Long Time Coming" has a complex plot, great characters (good guys and bad), enough twists and turns to make me dizzy, and a satisfying ending. What more could you want? I enjoyed the "time travel" between 1940 and 1976 and thought Goddard handled the transitions very well.

Some reviewers say this isn't his best work. If that is true, I will definitely look up other books by him because I definitely was entertained by this one and recommend it to anyone who likes British mysteries, suspense, thrillers, or historical novels - it was a mix of all of these.
2 people found this helpful
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Fast- moving, complex Eire Historical Fiction

This is the first book I've read by Robert Goddard and I really enjoyed it. Reading about Ireland, England and WWII was interesting and insightful. The story was well-paced and very entertaining. If you enjoy reading Historical Fiction and a good plot, you will find "Long Tme Coming" a very satisfying novel.
1 people found this helpful