" Life and Fate . . . has been widely hailed as one of the greatest books of the 20th century. Forxa0my money, Life and Fate is one of the greatest books, period.” —Becca Rothfeld, Jewish Currents "Vasily Grossman is the Tolstoy of the USSR." —Martin Amis“What better time to read Life and Fate , Vasily Grossman’s epic novel about the second world war, to put our current troubles into perspective? Grossman’s book, which traces the fate of the family of the brilliant physicist Viktor Shtrum at the time of the Battle of Stalingrad, records how humanity endured the monstrous evils of Nazism and Stalinism, surviving like weeds in the cracks of concrete slabs.”—John Thornhill, Financial Times #1 on Antony Beevor's 2009xa0 "Five Best of World War II Fiction" list ( The Wall Street Journal ) “One of the greatest works of literature to come out of Russia during the 20th century, Life and Fate could be looked at as the closest thing the Second World War had to a War and Peace . An absolute sprawling and haunting masterpiece that should be on every list.” — Flavorwire “A delightfully readable 2006 translation by Robert Chandler, this edition preserves nearly all the color of Russian sayings and dark humor while remaining a devastating portrait of Stalin's Russia. Grossman shows how Russian communism was a moral and ideological dead end, an almost exact counterpart to Hitler's Nazism that was preordained from the moment Lenin began killing his opponents instead of talking to them. . . . In the end, he leads the reader to the inescapable conclusion that Communism, like Nazism, had only one goal: power. Coming from a man who once sat in on the privileged inner circles of this government, as an acclaimed journalist and author, this is a devastating message indeed.” — Forbes "A chronicle of the past century's two evil engines of destruction-Soviet communism and German fascism—the novel is dark yet earns its right to depression. But it depresses in the way that all genuinely great art does—through an unflinching view of the truth, which includes all the awfulness of which human beings are capable and also the splendor to which in crises they can attain. A great book, a masterpiece, Life and Fate is a book only a Russian could write." —Joseph Epstein, The Wall Street Journal “The greatest Russian novel of the 20th century. . . . Life and Fate will continue to dazzle and inspire—as unerring a moral guide today as it was 50 years ago.” — Foreign Polic y "It's a masterpiece." —Frederic Raphael "Grossman's depiction of Soviet citizens as they struggle to survive is magnificent. Life and Fate has been called the greatest Russian novel of the 20th Century. I agree." — Daytona Beach News "World War II’s War and Peace . Written (mainly) from the vantage point of a Soviet Jew, this masterpiece was judged far too ambivalent in its treatment of the 'Great Patriotic War' to be published in the author’s lifetime." —Niall Ferguson, The New York Times " Life and Fate is not only a brave and wise book; it is also written with Chekhovian subtlety." — Prospect Magazine “[A] classic of 20th century Russian literature.” — The New York Times “Grossman’s account of Soviet life—penal, military and civilian—is encyclopedic and unblinkered . . . enormously impressive . . . A significant addition to the great library of smuggled Russian works.” — The New York Times Book Review “Takes its place beside The First Circle and Doctor Zhivago as a masterful evocation of the fate of Russia as it is expressed through the lives of its people.” — USA Today “Among the most damning indictments of the Soviet system ever written.” — The Wall Street Journal “To read Life and Fate is, among other things, to have some sense of how it feels not to be free. . . . In more ways than one, Life and Fate is a testament to the strength of character that terrorized human souls are capable of attaining. It is a noble book.” — The Wall Street Journal “Read it, and rejoice that the 20th century has produced so thoughtful and so profound a literary humanist. The sufferings and self-revelations of these characters provide us with some of the most troubling and occasionally uplifting examinations of the human heart to be found in contemporary literature. A novel for all time.” — Washington Post Book World “[An] extraordinarily dark portrait of Soviet society.” —David Remnick, The Washington Post “Fascinating and powerful . . . Life and Fate does something that, as far as I know, no other novel has tried to do fully—and that is to portray believing Soviet Communists as ordinary characters, rather than as predictable embodiments of evil.” — Vogue “ Life and Fate has no equals in contemporary Russian literature . . . I would go so far as to say that Grossman in Life and Fate is the first free voice of the Soviet nation.” — Commentary “Vasily Grossman's novel ostensibly concerns World War II, which he covered as a Soviet war correspondent. But his true subject is the power of kindness—random, banal or heroic—to counter the numbing dehumanization of totalitarianism. . . . By the novel's end, both communism and fascism are reduced to ephemera; instinctive kindness, whatever the consequences, is what makes us human.” —Linda Grant, The Wall Street Journal blog Suppressed by the KGB, Life and Fate is a rich and vivid account of what the Second World War meant to the Soviet Union. On its completion in 1960, Life and Fate was suppressed by the KGB. Twenty years later, the novel was smuggled out of the Soviet Union on microfilm. At the centre of this epic novel looms the battle of Stalingrad. Within a world torn apart by ideological tyranny and war, Grossman's characters must work out their destinies. Chief among these are the members of the Shaposhnikov family - Lyudmila, a mother destroyed by grief for her dead son; Viktor, her scientist-husband who falls victim to anti-semitism; and Yevgenia, forced to choose between her love for the courageous tank-commander Novikov and her duty to her former husband. Life and Fate is one of the great Russian novels of the 20th century, and the richest and most vivid account there is of what the Second World War meant to the Soviet Union. Vasily Grossman (1905—1964) was born in Berdichev in present-day Ukraine, the home of one of the largest Jewish communities in Eastern Europe. After studying chemistry and working as a mining engineer, he was discovered by Maxim Gorky, whose support enabled him to begin publishing his writing. Grossman was a combat correspondent during World War II, covering the defense of Stalingrad, the fall of Berlin, and writing the first account in any language of a German death camp. Although the manuscript for Life and Fate was initially seized and suppressed by the KGB in 1960, and Grossman did not live to see it published, it was smuggled out of the USSR a decade later with the help of Andrei Sakharov and Vladimir Voinovich. The novel was eventually published throughout Europe and North America in the early 1980s; it appeared in Russia in 1988. A Writer at War: Vasily Grossman with the Red Army, 1941—1945, a collection of Grossman’s journalistic writings and notebook entries, was published in 2006. Robert Chandler is the translator of selections of Sappho and Apollinaire, as well as of Pushkin’s Dubrovsky and Leskov’s Lady Macbeth of Mtsensk . His co-translations of Andrey Platonov have won several prizes in both the UK and the US. He is the editor of Russian Short Stories from Pushkin to Buida ; his most recent translation is of Hamid Ismailov’s The Railway . Read more
Features & Highlights
A book judged so dangerous in the Soviet Union that not only the manuscript but the ribbons on which it had been typed were confiscated by the state,
Life and Fate
is an epic tale of World War II and a profound reckoning with the dark forces that dominated the twentieth century. Interweaving a transfixing account of the battle of Stalingrad with the story of a single middle-class family, the Shaposhnikovs, scattered by fortune from Germany to Siberia, Vasily Grossman fashions an immense, intricately detailed tapestry depicting a time of almost unimaginable horror and even stranger hope.
Life and Fate
juxtaposes bedrooms and snipers’ nests, scientific laboratories and the Gulag, taking us deep into the hearts and minds of characters ranging from a boy on his way to the gas chambers to Hitler and Stalin themselves. This novel of unsparing realism and visionary moral intensity is one of the supreme achievements of modern Russian literature.
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Most Helpful Reviews
★★★★★
5.0
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Vastly Rewarding - Grossman's Epic Exceeds Five Stars
Vasily Grossman's Life and Fate, the classic epic novel of WWII Russia, centers on the Shaposhnikova family and their life in totalitarian Stalinist Soviet Russia, and in particular on the Battle of Stalingrad, but there are literally dozens of characters in a multitude of settings.
The tale is unrelentingly grim. Nearly every character dies, is betrayed to the Soviet authorities, or simply suffers - and no ordinary suffering, but genuine Slavic deprivation. With a few temporary exceptions, universal hunger and material deprivation prevail. Hunger ranges from ever-present to starvation. Political betrayal runs rampant across every class of Stalinist Soviet society with mind-boggling inefficiency. Grossman also describes the very beginnings of the Nazi Holocaust at Treblinka and other extermination camps, including a blood-chilling scene with Eichmann having dinner at the camp to celebrate its opening.
Grossman's characters engage in extensive internal dialogue about their suffering and especially about their political punishments. Grossman recreates the frustration of not knowing why one has been accused of infidelity to the Revolution. Often the victim doesn't know by whom or of what they have been accused.
Grossman was a decorated Soviet military journalist who moved gradually toward the dissidence that flowers in his epic novel. What is remarkable, and a matter of some debate today, is how Grossman ever imagined that his book would be published in the Soviet Union - as he proposed during the thaw under Nikita Khrushchev. Instead, while Grossman was not molested, his book was taken "under arrest" by the KGB in 1961. Fortunately, Grossman kept two undeclared copies that were smuggled out to the West in 1980 and published in 1985.
Life and Fate is not an easy book to read on several levels. It is long - some 871 pages. It is ceaselessly grim and gritty. Keeping track of the characters and various plot lines is a challenge (The book contains a handy listing of the main characters in an 8-page appendix. For the Western reader, the Russian surnames are hard to keep straight. I recommend keeping an extra bookmark in place at the Appendix). Grossman's characters engage in lengthy intellectual dialogue.
For some of these same reasons, the book is also vastly rewarding. As the excellent introduction to the New York Review of Books edition puts it, Life and Fate is "almost an encyclopedia of the complexities of life under totalitarianism" and the pressures brought to bear on the individual. Absolutely the highest recommendation. Five stars don't do it justice.
101 people found this helpful
★★★★★
5.0
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Breathtaking, an instant classic, good in so many ways
The preeminent Soviet war correspondent of World War II wrote this sweeping novel, modelled on "War and Peace", about the epic battle of Stalingrad and the Russian war experience. He finds Nazism and Communism to be essentially the same thing, which is why this book was banned by the Soviets and had to be smuggled out to the West. (They actually "arrested" the book itself, one of only two books ever accorded that honor in the USSR, and tried to destroy every manuscript.) Grossman describes every walk of Soviet life and how it was affected by both the war against the Germans and by the terror at home. He finds some bitter ironies, including Russians being motivated to fight the Germans not by internationalist Communism but by Russian nationalism. And while the turning of the war's tide was a positive outcome, the nationalism was bad for all the non-Russians - Jews and other minorities - who were turned on as a result. The war briefly unleashes a sense of liberty in soldiers at the front and civilians living in makeshift circumstances after being evacuated, but that liberty is squelched as the Russians turn the tide and Stalin regains control. Scenes among Soviet POWs in German concentration camps, Jews being taken to death camps and political prisoners in Russian gulags, are vivid and powerful. Grossman was the first journalist to cover Treblinka when the Russian advance overtook the site, his journalistic dispatches were the first things written about it and his death camp scenes here among the best things ever written about it. Also stunning is the surreal interrogation of an old Bolshevik, now a POW in a concentration camp, by an SS leader who argues adroitly that war between fascism and communism is a tragedy - each being, in his mind, the closest natural ally of the other.
Grossman writes about every aspect of Russian life; his characters - most of them linked somehow to the middle-class Shaposhnikov family - developed with subtlety. This may be the best book ever on what life under Stalin felt like. Solzhenitsyn's books are focused strongly on the experience of political prisoners, because prison and internal exile were all he knew, but Grossman, having avoided that fate, is able to write about the lives of peasants, soldiers, civilians, workers, commissars and scientists with a detail that is utterly convincing. He is strongest in unsparingly penetrating the compromises nearly every citizen, including himself, made to avoid arrest and death.
Rarely is a new classic born overnight, but that's what happened here. You may have never heard of this book; only now is the reading public becoming aware of it. Go read it now.
40 people found this helpful
★★★★★
5.0
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Epic Work On Scale of War and Peace
This is one of the mightiest books I've ever read -- mighty in the sense that it truly covers life and fate from a myriad of aspects and a depth of authenticity. The book focuses mainly on one family during a fateful time in the history of the Soviet Union -- World War II, with a heavy emphasis on the Battle of Stalingrad. This book reveals the Soviet Union in all its perfidy, and the sheer danger of being a Soviet citizen under Communism. The cruelty and madness of the Communist institution is laid bare; but so is the patriotism and bravery of the common Russian citizen. Also revealed in searing detail is the insanity and inhumanity of the Nazis. No book I've ever read so achingly illustrates the terror of Jews as they enter the ovens. Few books I've ever read have so vividly described the daily horror of war, to both the warrior and the civilian. The book is so profound on so many fronts over its 800-plus pages that one feels it should be required reading around the world. Vasily Grossman has written one of the best books of the Twentieth Century. You'll never forget it: you'll never view the Soviet Union, Communism, the war in Russia the same again. The title, Life and Fate, says it all.
28 people found this helpful
★★★★★
5.0
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A Suppressed Russian Masterpiece
Vasily Grossman was a scientist, a respected novelist during the Stalin era, a Jew, a widely admired war correspondent for the Soviet army newspaper, and, in the later years of his life, a dissident writer whose works were banned by the Soviet state. He brings all of his experiences to bear in this monumental novel of Russian society under siege during World War II. The book has a sweep and power and humanity that make most other novels seem trivial by comparison.
The book's episodic, multi-layered structure deliberately evokes Tolstoy's War and Peace. The plot revolves around the members, relatives and friends of the Shaposhnikov family. The main action centers on the battle for Stalingrad during the winter of 1942. Other locales include a Ukrainian village where thousands of Jews were slaughtered, a Russian labor camp housing the victims of Stalin's purges, a German prisoner of war camp, a Nazi concentration camp, and a Soviet institute for advanced physics.
Theoretical physicist Viktor Shtrum is the character Grossman uses to explore the ethical and emotional difficulties of living in a totalitarian state. Viktor is devoted to the ideal of scientific truth, and understands that intellectual freedom is a necessary prerequisite for scientific discovery. Viktor resists bureaucratic control over his thought processes with a heedless egoism that is heroic on one hand, but damaging to his family, colleagues and research on the other. For Viktor, the most enervating aspect of Stalin's Russia is the fog of moral ambiguity that blankets everything: independence equals disloyalty; integrity means selfishness; courage implies anti-social recklessness. Fear of state punishment leads to a mass form of voluntary censorship. What freedoms the secret police don't crush, citizens crush within themselves.
Grossman tried to publish this book in the early sixties during the political thaw of the Khrushchev regime. The manuscript was confiscated by the KGB, down to the carbons used to make copies. Its revelations that the USSR was complicit in the slaughter of Jews during World War II, and that Stalin's political commissars hindered the officers in charge of the Soviet armed forces subverted commonly held myths about the Great Patriotic War. The novel's ultimate heresy may have been its assertion that Stalinism and Nazism were mirror images of each other, totalitarian empires organized to suppress individual freedom in order to ensure their own perpetuation. Fortunately two copies of the novel survived, and one was smuggled to the west. Life and Fate was finally published in the 1980s, long after Grossman's death.
This book puts Grossman in the pantheon of Russia's greatest novelists. The scenes of women and children confronting their deaths in the concentration camps rival Dostoievsky at the peak of his powers. Although Grossman was not as polished a writer as Chekhov, he writes with a humanity and fine-grained particularity Chekhov would have admired. The texture of the battle scenes is astonishing, down to the feel and smell of hunkering down in bunkers during an aerial bombardment. Life and Fate can stand up to a comparison with War and Peace. Grossman may not have Tolstoy's magical ability to make words stand in for real life, but he's a deeper social thinker. The novel's only structural flaw is in the chapters where Viktor is working out the moral implications of his work and his love life. They go on too long, probably because the author was struggling to work out his own attitudes towards these issues. To be fair, Grossman never got to do a final edit on the galleys.
Grossman had a ringside seat during the climatic struggle between the twentieth century's most malign political monsters. He had the courage and the skill to see the story clearly, to bring back reports from the living, and to bear witness for the dead. In its explorations of suffering, understanding of history, and affirmation of the human spirit, Love and Fate has to be ranked as one of the twentieth century's greatest novels. Seldom in world literature have words been used to such powerful effect.
26 people found this helpful
★★★★★
5.0
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This is one of the best books I've ever read.
I've read many of the comments here and I can't quibble with the positive comments too much, but I do think that some reemphasis is appropriate. It seems that many of the readers of this novel have read a slew of other Russian novels, sometimes in Russian, and some are putting this novel in context with other novels and stories that are unfamiliar to me. That may be how to limit the readership of this novel to devotees of Russian novels, and I think that would be a mistake.
I enjoy Russian novels, but I've read a limited number (War & Peace, Anna Karenina, Brothers Karamazov, A Day in the Life, and a few others). Up until now, I'd have said that Anna Karenina is one of my two or three favorite novels. Life & Fate is nearly the equal of Anna Karenina and, in my mind at least, comparable to (and reflective of) War & Peace.
The complexity of this novel is staggering; for the first 50 pages or so, I was referring to the very helpful list of characters at the end of the book with every new chapter. That can be a drawback or it can be a strength, depending upon the reader. It's almost like living another life, at least briefly; there are as many characters in the novel as there are in some peoples' lives, the difference being that you don't have a lifetime to learn about the novels' characters. My sense is that Grossman created so many characters because he was concerned with having each story point advanced by a character. In short, he wanted to show us, rather than tell us, about the events of wartime Russia.
Some of the characters are not that strong, which is inevitable with such a large cast. But the strong characters can do what few characters in literature do. They live and breathe, they have a dense backstory that explains their thoughts and feelings, yet they are still capable of surprising the reader. In almost every case in which I was surprised, it was by an unexpected act of empathy, which is very much the way Tolstoy wrote.
I believe the book to be historically accurate, to a level comparable to War & Peace. I know a reasonable amount of WWII history, including the Russian role in that war, and I found nothing which struck an implausible note. In fact, many of the war scenes had the immediacy and tone one would expect of a war correspondent.
I have no patience for flowery writing and this novel did not try my patience. The writing was clear and compelling, with rather minimal description. At points the writing lagged, but it is true that this novel was only a first draft. Given time, I believe the digressions and slower passages would have been streamlined or excised.
What this novel lacks is the uplift at the end of Anna Karenina, but it was written in a much less hopeful time and it would have been totally inappropriate to tack a sentimental ending on such an unsparing portrait of life in wartime Stalingrad. What this novel offers is an insight into the Russian soul and into what was probably the single most important battle of the Second World War.
17 people found this helpful
★★★★★
5.0
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A Mighty Classic
Vasily Grossman's "Life and Fate" not only documents the battle of Stalingrad, but also Stalin's crimes against humanity in the nineteen thirties and forties, the tortured and ruined lives of his victims, the oppression of Communism and Fascism, the horrors of the Holocaust and anti-Semitism, and the nightmares of war. Grossman is such a wonderfully gifted writer. One cannot help but feel the depth of the scenes he portrays, the viciousness of Europe's anti-Semitism, the helplessness of anyone resisting the STATE, and the never-ending oppression invading everyone's lives. This is a very long book, filled with a few hundred Russian and German characters, so the timid or impatient reader will be challenged. Yet the book grabs you by the throat and doesn't let go. It's too bad that Grossman, a journalist first and foremost, didn't have the luxury of editing and polishing the text before his death or even seeing it published! But it is an amazing work. The scenes in the concentration camps and gas chambers are almost too much to bear. I don't know how Grossman was able to write them without breaking down himself, but, like Elie Weisel's "Night," this masterpiece gives the world something it should never ever forget.
New York Review Books should be highly commended for bringing this work back into publication.
13 people found this helpful
★★★★★
3.0
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Hollow victory
I was left with somewhat of an empty feeling after completing this novel. Perhaps that was as it should be considering the tragic fate of many Soviet citizens that both preceeded and followed the country's grueling struggle against the Nazi war machine. This book does do a terrific job of conveying the internal evils of Stalinist Russia. Anyone still deluded enough to think that Communist totalitarianism was much better than Hitler's Germany would do well to read this book. I primarily read history but was drawn to this title having read and much appreciated Grossman's "A Writer at War". The latter book recounts his first-hand experiences as a Red Army journalist during the second world war.
11 people found this helpful
★★★★★
5.0
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Genius of the highest order
This masterpiece published by New York Review of Books Classics enters my Top 5 among novels by James Joyce (Ulysses), Proust (La Recherche du Temps Perdu), Tolstoy (War and Peace) and Gaddis (JR): it is pure genius in its epic scope. Inspired by Tolstoy's War and Peace and the siege of Russia by Napoleon, Grossman depicts the siege of Stalingrad by Hitler. Grossman narrates the epic from the perspectives of diverse players into whose lives the reader becomes immersed. The cast is vast and the Russian names are daunting to track but Grossman enables us to understand what it was like to experience the fate of Russians in World War II. The catastrophe was overwhelming as millions of people's lives were adversely impacted by the power of two great warring states on the front lines of Stalingrad. Yet somehow the resourcefulness, courage, strength, faith and every virtue of her people, tested under the worst human conditions, Russia was able to withstand the siege of Hitler only to suffer subsequently the immense cruelty of Stalin. The writing in this novel is nothing short of magnificent: it is great literature and profound philosophy by a novelist who knew his subject thoroughly. It's no wonder that Stalin wanted not only the manuscript but its carbon copies because the truth evident in this novel was certainly starkly and baldly critical of the State. At the end of the novel an old woman, Alexandra Vladmirovna, who to me symbolized Mother Russia, returns to the ruins of her home in Stalingrad and admires the spring sky wondering: "why the future of those she loved was so obscure and the past so full of mistakes, not realizing that this very obscurity and unhappiness concealed a strange hope and clarity, not realizing that in the depths of her soul she already knew the meaning of both her life and the lives of her nearest and dearest, not realizing that even though neither she herself nor any of them could tell what was in store, even though they all knew too well that at times like these no man can forge his own happiness and that fate alone has the power to pardon and chastise, to raise up to glory and to plunge into need, to reduce a man to labour camp dust, nevertheless neither fate, nor history, nor the anger of the State, nor the glory or infamy of battle has any power to affect those who call themselves human beings. No, whatever life holds in store -- hard won glory, poverty and despair, or death in a labour camp --they live as human beings and die as human beings, the same as those who have already perished: and in this alone lies man's eternal and bitter victory over all the grandiose and inhuman forces that ever have been or ever will be..." The translation by Robert Chandler was as masterful as the original writing itself: Chandler was articulate, true to the text and humble in bringing to light without affectation or coyness or ego the profundity of this master work. I wish there had been maps of the front lines, which I found on the Internet to help me gain my bearings with unfamiliar geography at [...] map 7.htm. Having read War and Peace, Grossman gives the master, Tolstoy, a real run for his money in this epic: don't let this masterpiece pass you by! It's a novel fated to change your life.
11 people found this helpful
★★★★★
5.0
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The War and Peace of the Twentieth Century
Anyone who likes long,langorous Russian novels will find Life and Fate deeply involving. Like Pushkin, Tolstoy, Chekhov, and Pasternak, Grossman evokes the tragic soulfulness of the Russian people in a way that can only make the reader sad to have been born someplace else. Set around the battle of Stalingrad, which Grossman viewed first-hand as a correspondent for the Russian army newspaper Red Star, the novel takes one from Moscow to the steppe, from battle to homefront, and from forest to the wastelands of Siberia, along the way revealing the conflicts of a Jewish physicist as he tries to reconcile the great promise of the Revolution and the terryifying realities of the Stalinst state.
10 people found this helpful
★★★★★
5.0
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A magnificent book by a truly great writer
If you are familiar with Tolstoy and Dostoevsky and Solzhenitsyn, I think you'll find yourself right at home with Vasily Grossman's masterwork Life and Fate. If you've never read a Russian novel but enjoy sensitivity and descriptive gifts, you will love this book.
Grossman was a war correspondent for Krasnaya Zvezda in World War II and was close to some of the most violent and bloody action of the war. He had a gift for understanding soldiers and renders the events of the war with a realism that is haunting. Many of the events in the novel are taken from his notebooks and experiences in the war. His moving description of what it was like to die in a German gas chamber is unforgettable. The writing is as beautiful as the story is dreadfully sad.
There are many characters and their struggles and suffering are described with often touching intimacy. The descriptions of life among the favored in wartime Soviet society are as far as I know unique in literature. Almost every page has brilliant descriptions and evocative character sketches. Once begun it is very difficult to put down.
This a world treasure and a book that is truly a classic.