Legend of a Suicide: Stories
Legend of a Suicide: Stories book cover

Legend of a Suicide: Stories

Paperback – March 16, 2010

Price
$11.19
Format
Paperback
Pages
272
Publisher
Harper Perennial
Publication Date
ISBN-13
978-0061875847
Dimensions
5.31 x 0.61 x 8 inches
Weight
7.4 ounces

Description

“The reportorial relentlessness of Vann’s imagination often makes his fiction seem less written than chiseled. A small, lovely book has been written out of his large and evident pain. — Tom Bissell, New York Times Book Review “With Legend of a Suicide , Vann looks into the dark and isolated heart of the American soul. It is a devastating journey that is difficult to read but impossible to put down and equally impossible to forget.” — June Sawyers, San Francisco Chronicle “The stories in Legend of a Suicide approach a private mythos, revisiting, reinvestigating, and reinventing one family’s broken past. They also transport us to wild, uncharted places on the Alaskan coast and in the American soul. Throughout, David Vann is a generous, sure-handed guide in some very dangerous territory.” — Stewart O'Nan, author of Songs for the Missing “Headlong narrative pacing, a memorable train-wreck father who gives Richard Russo’s characters a run for their money, and a sure, sharp, inviting voice. So hard to put down that I am thinking of suing David Vann for several hours of lost sleep.” — Lionel Shriver, author of So Much For That and The Post-Birthday World “His legend is at once the truest memoir and the purest fiction. . . . Nothing quite like this book has been written before.” — Alexander Linklater, London Observer “The writing in these stories, informed by both the empirical and the lyrical, is heart-wrenching and gorgeous.” — Lorrie Moore “Brilliant . . . Vann’s prose follows the sinews of Cormac McCarthy and Hemingway, yet has its own nimble flex.” — The Times (London) “Vengeful yet sorrowing and empathetic, plausible yet dreamlike, and completely absorbing.” — Christopher Tayler, The Guardian “As primal and unforgiving as the Alaskan wilds where it’s set.” — Bret Anthony Johnston, Men's Journal “David Vann’s extraordinary and inventive set of fictional variations on his father’s death will surely become an American classic.” — The Times Literary Supplement (London) “A reckoning. . . . A message of profound sympathy and sadness, anger and regret, Legend of a Suicide is the melting away of one man’s past and the reshaping of tragedy into art. . . . [It] journeys unflinchingly into darkness.” — Greg Schutz, Fiction Writers Review “A powerful new voice has emerged in fiction.” — Sunday Times (London) “A piece of relentless, heartbreaking brilliance that bears comparison with Cormac McCarthy’s The Road.” — The Weekend Australian “In his portrayal of a young son’s love for his lost father David Vann has created a stunning work of fiction: surprising, beautiful, and intensely moving.” — Nadeem Aslam, author of Maps for Lost Lovers and The Wasted Vigil “The most powerful, and pure, piece of writing I have read for a very long time. This book squeezes more life out of the first 100 pages than most books could manage in 1,000, which is pretty impressive, considering it’s a book about death.” — Ross Raisin, author of Out Backward ‘This is my ‘One to watch’. . . . It’s stunning, beautifully written, with genuine surprises and a complexity which makes you retrace your steps, wonder what really happened and ponder over the whole scenario for days. I loved it. It’s Richard Yates, Annie Proulx territory, and highly recommended.” — Sarah Broadhurst, The Bookseller (UK) “David Vann’s dark and strange book twists through natural forces and compressed emotions towards an extraordinary and dreamlike conclusion. One of the most gripping debuts I’ve ever read.” — Philip Hoare, author Leviathan, winner of the BBC Samuel Johnson Prize “For the imagery alone and for the sentences, the book would be a treasure.” — Colm Tóibín, London Observer “A truly great writer.” — Irish Sunday Independent “Extraordinary. . . . Reminiscent of Tobias Wolff, Vann’s prose is as pure as a gulp of water from an Alaskan stream.” — Financial Times “The book is as dark, stormy, and beautiful as the ragged Aleutian coast.” — National Geographic Adventure In semiautobiographical stories set largely in David Vann's native Alaska, Legend of a Suicide follows Roy Fenn from his birth on an island at the edge of the Bering Sea to his return thirty years later to confront the turbulent emotions and complex legacy of his father's suicide. Published in twenty languages, David Vann's internationally bestselling books have won fifteen prizes, including best foreign novel in France and Spain, and have appeared on seventy-five Best Books of the Year lists in a dozen countries. He's written for the New York Times , Atlantic , Esquire , Outside , Sunset , Men's Journal , McSweeney's , and many other publications, and he has been a Guggenheim, Stegner, and NEA fellow. Read more

Features & Highlights

  • “The reportorial relentlessness of [David] Vann’s imagination often makes his fiction seem less written than chiseled. A small, lovely book has been written out of his large and evident pain.”—
  • New York Times Book Review
  • In
  • Legend of a Suicide
  • , his heartbreaking semi-autobiographical debut story-collection, David Vann relates the story of a young man trying to come to terms with the guilt and pain of his father’s suicide. The wild outback of the author’s native Alaska acts as the ideal backdrop for this collage of six stories—a novella and five shorts—and mirrors the author’s own psychological wilderness. From “an important new voice in American literature” (
  • Robert Olen Butler
  • , Pulitzer Prize-winning author of
  • A Good Scent from a Strange Mountain
  • ) comes an unforgettable exploration of the tragic gaps between one boy and his father.

Customer Reviews

Rating Breakdown

★★★★★
30%
(65)
★★★★
25%
(54)
★★★
15%
(32)
★★
7%
(15)
23%
(50)

Most Helpful Reviews

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A masterpiece

This is a savage, gutsy probe of suicide and its aftermath. These allegorically linked stories, notably the middle novellas, bring the reader to a naked immediacy, a place where there is no escape and no room to sit on the perimeter. David Vann has re-imagined his father's suicide (thirty years ago, when Vann was 13) and mythologized it in this semi-autobiographical memoir, and he has done this with a graphic, naked brawn and authenticity that I have rarely encountered in other stories of suicide, real or imagined. There is a place beyond the threshold, a place where gifted writers access with the reader in the subconscious strata, a sort of "it" place, for lack of a signifier. And Vann meets the reader here with a staggering intensity. It produced a chemical reaction, and I was fully in that submerged dimension.

Vann's influences are present, such as Cormac McCarthy (who also produces that chemical reaction in me), Elizabeth Bishop, and Chaucer, among others. But this is uniquely Vann's voice, an echo of his personal history, his education and beloved authors, with his own original stamp. Every passage is nuanced and muscular. There are also acrid scenes of Kafkaesque absurdity and graveyard insanity that blew me away.

I read his later [[ASIN:0061875724 Caribou Island: A Novel]] before this one. There is a linked sensibility in both stories, and even some of the character's names are used in both books. They are fused or clipped or reinvented altogether, but it is evident that names are critical and symbolic to Vann. This book, in my humble opinion, is the best of the two, a legitimate masterpiece. (Although, now that I have read this, it gives more heft to the later work.) I was deeply moved and impressed by CARIBOU ISLAND and wanted to go back to this earlier work. LEGEND OF A SUICIDE is now one of my favorite books of the year, and would be on any list of mine of best books of a lifetime.

Excuse my gushing and just read the book. I can tell you that the Alaskan wilderness will emerge as a character, that the eyes of the fish will both tyrannize and seduce you, that the barren coldness will incarcerate you. You will be hunted down and haunted.

"He dreamed he was chopping up bits of fish and every piece had a small pair of eyes and as he chopped, there was a moaning sound that was getting louder. It wasn't coming from the pieces of fish or their eyes exactly, but they were watching him and waiting to see what he would do."

I recommend this to anyone who wants a sublime reading experience.
10 people found this helpful
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Emotionally Gripping Father and Son Story

This is a powerful set of semi-autobiographical stories dealing with the relationship of a father and his son, Roy. The stories are predominantly set in Alaska and Vann powerfully establishes such a stark and deep sense of place, evoking the vast and foreboding area of Alaska. Sukkwan Island is the longest story in this book and left me with mixed feelings. The first part of the story was remarkable and delivered a level of intensity and emotion that is as good as any writing I've recently read. Having come from a divorced family and a strained relationship with my father, this particular story hit home hard, especially the lack of communication and utterly strained interactions between Roy and his father. While not divulging any spoilers, the second part of Sukkwan Island was a letdown for me, mostly because I don't think the surprise Vann delivered was fully clear and even after rereading it several times, I felt it powerful writing but too much of a fork in the road of the overall story. Additionally, the first half of the book/stories worked a lot harder for me than the second half. I don't want to diminish the totality of this work since it is a fine piece of work, but the first half of the book works a lot harder than the second half.

I really liked "Legend of a Suicide" quite a bit. In spite of my minor faults, this book delivers a tense and emotional rollercoaster ride of a dysfunctional father and the strained relationship with his son. Vann is a fresh literary face on the scene and well worth the investment of time.
1 people found this helpful
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powerful and moving

Roy Fenn is the autobiographical version of David Vann as he explores his father's suicide. Legend of a Suicide is made up of five short stories and one novella. Most of the stories take place in Alaska, except one with Roy as an angry teen in California, watching his mother date a myriad of men. The novella, Sukkwan Island, is in two parts and takes place on a remote island off Alaska, reachable only by small plane, where Roy, age thirteen, and his father are to live for one year.

my review:
I thought these stories and the writing was very powerful. I was moved by Roy and felt his pain. Sukkawan Island was a fascinating look at time spent in a remote wilderness. Roy's dad, Jim, dumps his emotional baggage on Roy and I felt him crushed by the weight of it. Just two people unequipped to deal with their surroundings, one man unequipped to deal with himself, and a thirteen year old boy unequipped to deal with his father's issues.
The novella didn't seem to go with the other stories, so I don't think they were meant to tell just one story but several different ones. This did not detract from the experience of this book though.
These are not sentimental stories, but stark, truthful words to make a powerful reading experience that I highly recommend.

my rating 5/5
1 people found this helpful
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Unusual structure

This book consists of a novella framed by shorter pieces, all linked, making for a rather unusual architecture. The setting--SW Alaska--is extremely well portrayed. The novella is unputdownable, with an unexpected twist. Fiction doesn't come much better than this.