Infernal Devices
Infernal Devices book cover

Infernal Devices

Price
$9.99
Format
Paperback
Pages
304
Publisher
Angry Robot
Publication Date
ISBN-13
978-0857666857
Dimensions
5.12 x 0.91 x 7.72 inches
Weight
9.5 ounces

Description

“This is the real thing – a mad inventor, curious coins, murky London alleys and windblown Scottish isles… a wild and extravagant plot that turns up new mysteries with each succeeding page.” –xa0James P Blaylock, author of Homunculus “What we see in Infernal Devices is not just the presager of what steampunk is, but what it could have been, a marvellously self-aware and inventive attack on the obsessions and degradations of the present.” –xa0Strange Horizons “Goddamn, what a book. This is like H G Wells with H P Lovecraft’s descriptions of darkness run through the mind of Sherlock Holmes writer Arthur Conan Doyle. It’s about as screwy as it gets, complete steampunkery, with a duo who are scamming their way across the land through an entirely different set of devices. Must read… Pure joy. I couldn’t set it down.” –xa0SFBook.com “Suddenly I can see exactly what the whole fascination with Steampunk is all about. Jeter sets the Victorian scene here so skilfully, it’s absolutely perfect. I could easily have been reading a novel written in 1840. He’s impressively deft and accurate in his language of the time, making the novel completely believable, and yet he still writes in a style that is effortlessly readable. His Victorian London is dark, menacing, and compelling.” –xa0Fantasy Nibbles “A delicious and quite insane romp through the gas-lit streets of London. Absolute must-read!” –xa0SFRevu “I’ll save you the trouble of reading this entire review by simply saying that K W Jeter’s Infernal Devices is one of the best executed novels I’ve read in a long time, and I easily expect it to be one of my top reads for the year. I guarantee you will enjoy it.” –xa0The Little Red Reviewer “A truly fantastical journey that requires a suspension of disbelief – but makes you all the happier for it.” –xa0My Shelf Confessions “A skillfully handled, wonderfully inventive, and agreeably witty adventure.” –xa0Kirkus Reviews “ Infernal Devices is a ripsnorting, grandly comical Victorian-era potboiler that is far more entertaining than the most recent Indiana Jones movie; indeed it is more exciting than any big budget Hollywood blockbuster that I have seen in the past five years. It is that rare book that is both literary and cinematic. You can’t help but pine for a movie version even as you realize that it could never be as good as the book. It’s full of crazy, clockwork automatons, cliffhanger chapter endings, sinister conspiracies, and gloriously impossible super-science. It is a book which will transport you to another reality.”–xa0Tetsuo Broker K W JETER attended college at California State University, Fullerton where he became friends with James P Blaylock and Tim Powers, and through them, Philip K Dick. Jeter coined the term “steampunk”, in a letter to Locus in April 1987, to describe the retro-technology, alternate-history works that he published along with his friends, Blaylock and Powers. As well as his own wildly original novels, K W Jeter has written a number of authorized Blade Runner sequels. Website: https://steamwords.wordpress.com/ Social media: https://twitter.com/kwjeter Author hometown: Las Vegas, USA

Features & Highlights

  • The classic Steampunk novel from the creator of the term itself – thirty years ago this month.
  • When George Dower’s father died, he left George his watchmaker’s shop – and more. But George has little talent for watches and other infernal devices. When someone tries to steal an old device from the premises, George finds himself embroiled in a mystery of time travel, music and sexual intrigue.
  • File Under
  • :
  • Steampunk

Customer Reviews

Rating Breakdown

★★★★★
30%
(62)
★★★★
20%
(41)
★★★
15%
(31)
★★
7%
(14)
29%
(59)

Most Helpful Reviews

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A Very Fun Read

"Infernal Devices" is such a fun book to read. Jeter details the adventures of George Dower, a young man in the Victorian era who has inherited his father's mechanical repair shop, but little to none of his father's technical ability, real-world shrewdness, and overall moxie. Of course, he gets sucked into a journey quite against his will and is forced to learn to think on his feet through contact with a wide variety of truly eccentric individuals with competing agendas.

It's tempting to pick apart Jeter's influences (there's a lot of Charles Dickens, Arthur Conan Doyle, Douglas Adams, Jules Verne, and HP Lovecraft) but it's also somewhat academic as the book's vision stands on its own. While it's marketed as steampunk, this is really steampunk before its time and really has nothing to do with steampunk as we know it today. It's best to enjoy this book for what it is - an often very funny adventure - and not try to box Jeter in. On the surface, the book seems old-fashioned but the content is indeed very modern and anticipates a lot of millennial concerns.

The preface and afterword are both well-worth reading, as they place the book and Jeter in an appropriate context and will have you rethinking steampunk beyond a cosplay phenomenon.
2 people found this helpful
✓ Verified Purchase

Well-written light steampunk

Enjoyed it; not an earth-shattering story but more of a romp through steampunk. Would reccomend it.
✓ Verified Purchase

Decent Dark Steampunk

Until April 2017, I was only familiar with K.W. Jeter thorough his Star Wars "Mandalorian Trilogy" books. Then I learned that Jeter was the one who coined the term "Steampunk." That information was linked to this book.

I am so glad I picked this up. The 2010 intro by Jeter is fantastic, and the afterword by Jeff VanderMeer was equally awesome. I find it very interesting that Jeter is not necessarily a Steampunk author, but more of a unique dark Science Fiction one. It makes me want to read even more of his novels.
I will say that this subgenre of Steampunk is not one I was expecting. It wasn't a bad book, but some parts could have been improved, either with editing or with information. The end, for example, just before the epilogue, was quite abrupt and a bit confusing.

The very beginning of the novel was strange, almost whimsical. The writing overall is a testament to the time in which the story takes place. The best word I can think of to describe it is "elegant."

George Dower's father died two years ago. He was an excellent watchmaker and a person who delved into other intricate designs of technology. Some of this is so extreme that George doesn't understand it, which has driven some customers away. These devices are more often seen in science, such as sextants and microscopes, though they seem to push the boundaries of the known and usual topics.

I like his manservant (if that's what he is), Creff.

One day, George receives a series of strangers, people who want his help despite him being an amateur at the work. After an attempted burglary, he takes matters into his own hands. He quickly becomes tangled up in the schemes designed by one Lord Bendray, orchestrated by Scape and Miss McThane. George enters a dark world of deformities, voodoo-like magics (my own description), "green girls," and "bell dogs" (whatever the latter two are). His past is brought up at various times, particularly as it relates to his father's mechanical doings at Saint Mary Alderhythe Church.

Lord Bendray seems mad, but knowing the discoveries made in the 18th and 19th centuries alone make me feel like his words have merit. This is especially true because Scape is a pathological liar. I can't stand him - nor Miss McThane.
But it's also scary. This shows how some want Science to transcend Mankind. That narrow-mindedness is exactly what would destroy the world.

I feel so bad for George. He's constantly confused because he doesn't know anything, yet so many expect him to do so. Many are in on the scheme of London's underground world, and believe George is much more informed than he really is. Hell, he doesn't even know everyone's name! He and the reader learn that there are some quirky tastes among a few different groups, a lot of which relate to machines.

Chapter 11 has fantastic similarities between machines and man. Any creator-be they invisible (like God) or not (a person)-develops remarkable things.
And I love the comparison of a brain to an instrument with regards to acting on a particular wavelength/frequency. The big difference is the individuality and uniqueness of the human brain.

The Brown Leather Man is fascinating. He makes me truly dislike Lord Bendray.

We see problems with fanatic religiosity.

The sexual implications were a bit annoying. They bean subtly, but then the women just became annoying. George keeps telling them he's not interested and yet they all but try to rape him. Not cool.