I, Robot (The Robot Series)
I, Robot (The Robot Series) book cover

I, Robot (The Robot Series)

Hardcover – June 1, 2004

Price
$44.90
Format
Hardcover
Pages
240
Publisher
Spectra
Publication Date
ISBN-13
978-0553803709
Dimensions
5.8 x 0.85 x 8.56 inches
Weight
13.4 ounces

Description

From the Inside Flap The three laws of Robotics:1) A robot may not injure a human being or, through inaction, allow a human being to come to harm2) A robot must obey orders givein to it by human beings except where such orders would conflict with the First Law.3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.With these three, simple directives, Isaac Asimov changed our perception of robots forever when he formulated the laws governing their behavior. In I, Robot , Asimov chronicles the development of the robot through a series of interlinked stories: from its primitive origins in the present to its ultimate perfection in the not-so-distant future--a future in which humanity itself may be rendered obsolete.Here are stories of robots gone mad, of mind-read robots, and robots with a sense of humor. Of robot politicians, and robots who secretly run the world--all told with the dramatic blend of science fact and science fiction that has become Asmiov's trademark. Isaac Asimov began his Foundation Series at the age of twenty-one, not realizing that it would one day be considered a cornerstone of science fiction. During his legendary career, Asimov penned over 470 books on subjects ranging from science to Shakespeare to history, though he was most loved for his award-winning science fiction sagas, which include the Robot, Empire, and Foundation series. Named a Grand Master of Science Fiction by the Science Fiction and Fantasy Writers of America, Asimov entertained and educated readers of all ages for close to five decades. He died, at the age of seventy-two, in April 1992. Excerpt. © Reprinted by permission. All rights reserved. ROBBIE"Ninety-eight--ninety-nine--one hundred." Gloria withdrew her chubby little forearm from before her eyes and stood for a moment, wrinkling her nose and blinking in the sunlight. Then, trying to watch in all directions at once, she withdrew a few cautious steps from the tree against which she had been leaning.She craned her neck to investigate the possibilities of a clump of bushes to the right and then withdrew farther to obtain a better angle for viewing its dark recesses. The quiet was profound except for the incessant buzzing of insects and the occasional chirrup of some hardy bird, braving the midday sun.Gloria pouted, "I bet he went inside the house, and I've told him a million times that that's not fair."With tiny lips pressed together tightly and a severe frown crinkling her forehead, she moved determinedly toward the two-story building up past the driveway.Too late she heard the rustling sound behind her, followed by the distinctive and rhythmic clump-clump of Robbie's metal feet. She whirled about to see her triumphing companion emerge from hiding and make for the home-tree at full speed.Gloria shrieked in dismay. "Wait, Robbie! That wasn't fair, Robbie! You promised you wouldn't run until I found you." Her little feet could make no headway at all against Robbie's giant strides. Then, within ten feet of the goal, Robbie's pace slowed suddenly to the merest of crawls, and Gloria, with one final burst of wild speed, dashed pantingly past him to touch the welcome bark of home-tree first.Gleefully, she turned on the faithful Robbie, and with the basest of ingratitude, rewarded him for his sacrifice by taunting him cruelly for a lack of running ability."Robbie can't run," she shouted at the top of her eight-year-old voice. "I can beat him any day. I can beat him any day." She chanted the words in a shrill rhythm.Robbie didn't answer, of course--not in words. He pantomimed running instead, inching away until Gloria found herself running after him as he dodged her narrowly, forcing her to veer in helpless circles, little arms outstretched and fanning at the air."Robbie," she squealed, "stand still!"--And the laughter was forced out of her in breathless jerks.--Until he turned suddenly and caught her up, whirling her round, so that for her the world fell away for a moment with a blue emptiness beneath, and green trees stretching hungrily downward toward the void. Then she was down in the grass again, leaning against Robbie's leg and still holding a hard, metal finger.After a while, her breath returned. She pushed uselessly at her disheveled hair in vague imitation of one of her mother's gestures and twisted to see if her dress were torn.She slapped her hand against Robbie's torso, "Bad boy! I'll spank you!"And Robbie cowered, holding his hands over his face so that she had to add, "No, I won't, Robbie. I won't spank you. But anyway, it's my turn to hide now because you've got longer legs and you promised not to run till I found you."Robbie nodded his head--a small parallelepiped with rounded edges and corners attached to a similar but much larger parallelepiped that served as torso by means of a short, flexible stalk--and obediently faced the tree. A thin, metal film descended over his glowing eyes and from within his body came a steady, resonant ticking."Don't peek now--and don't skip any numbers," warned Gloria, and scurried for cover.With unvarying regularity, seconds were ticked off, and at the hundredth, up went the eyelids, and the glowing red of Robbie's eyes swept the prospect. They rested for a moment on a bit of colorful gingham that protruded from behind a boulder. He advanced a few steps and convinced himself that it was Gloria who squatted behind it.Slowly, remaining always between Gloria and home-tree, he advanced on the hiding place, and when Gloria was plainly in sight and could no longer even theorize to herself that she was not seen, he extended one arm toward her, slapping the other against his leg so that it rang again. Gloria emerged sulkily."You peeked!" she exclaimed, with gross unfairness. "Besides I'm tired of playing hide-and-seek. I want a ride."But Robbie was hurt at the unjust accusation, so he seated himself carefully and shook his head ponderously from side to side.Gloria changed her tone to one of gentle coaxing immediately, "Come on, Robbie. I didn't mean it about the peeking. Give me a ride."Robbie was not to be won over so easily, though. He gazed stubbornly at the sky, and shook his head even more emphatically."Please, Robbie, please give me a ride." She encircled his neck with rosy arms and hugged tightly. Then, changing moods in a moment, she moved away. "If you don't, I'm going to cry," and her face twisted appallingly in preparation.Hard-hearted Robbie paid scant attention to this dreadful possibility, and shook his head a third time. Gloria found it necessary to play her trump card."If you don't," she exclaimed warmly, "I won't tell you any more stories, that's all. Not one--"Robbie gave in immediately and unconditionally before this ultimatum, nodding his head vigorously until the metal of his neck hummed. Carefully, he raised the little girl and placed her on his broad, flat shoulders.Gloria's threatened tears vanished immediately and she crowed with delight. Robbie's metal skin, kept at a constant temperature of seventy by the high resistance coils within, felt nice and comfortable, while the beautifully loud sound her heels made as they bumped rhythmically against his chest was enchanting."You're an air-coaster, Robbie, you're a big, silver air-coaster. Hold out your arms straight. --You got to, Robbie, if you're going to be an air-coaster."The logic was irrefutable. Robbie's arms were wings catching the air currents and he was a silver 'coaster.Gloria twisted the robot's head and leaned to the right. He banked sharply. Gloria equipped the 'coaster with a motor that went "Br-r-r" and then with weapons that went "Powie" and "Sh-sh-shshsh." Pirates were giving chase and the ship's blasters were coming into play. The pirates dropped in a steady rain."Got another one. --Two more," she cried.Then "Faster, men," Gloria said pompously, "we're running out of ammunition." She aimed over her shoulder with undaunted courage and Robbie was a blunt-nosed spaceship zooming through the void at maximum acceleration.Clear across the field he sped, to the patch of tall grass on the other side, where he stopped with a suddenness that evoked a shriek from his flushed rider, and then tumbled her onto the soft, green carpet.Gloria gasped and panted, and gave voice to intermittent whispered exclamations of "That was nice!"Robbie waited until she had caught her breath and then pulled gently at a lock of hair."You want something?" said Gloria, eyes wide in an apparently artless complexity that fooled her huge "nursemaid" not at all. He pulled the curl harder."Oh, I know. You want a story."Robbie nodded rapidly."Which one?"Robbie made a semi-circle in the air with one finger.The little girl protested, "Again? I've told you Cinderella a million times. Aren't you tired of it? --It's for babies."Another semi-circle."Oh, well," Gloria composed herself, ran over the details of the tale in her mind (together with her own elaborations, of which she had several) and began:"Are you ready? Well--once upon a time there was a beautiful little girl whose name was Ella. And she had a terribly cruel step-mother and two very ugly and very cruel step-sisters and--"Gloria was reaching the very climax of the tale--midnight was striking and everything was changing back to the shabby originals lickety-split, while Robbie listened tensely with burning eyes--when the interruption came."Gloria!"It was the high-pitched sound of a woman who has been calling not once, but several times; and had the nervous tone of one in whom anxiety was beginning to overcome impatience."Mamma's calling me," said Gloria, not quite happily. "You'd better carry me back to the house, Robbie."Robbie obeyed with alacrity for somehow there was that in him which judged it best to obey Mrs. Weston, without as much as a scrap of hesitation. Gloria's father was rarely home in the daytime except on Sunday--today, for instance--and when he was, he proved a genial and understanding person. Gloria's mother, however, was a source of uneasiness to Robbie and there was always the impulse to sneak away from her sight.Mrs. Weston caught sight of them the minute they rose above the masking tufts of long grass and retired inside the house to wait."I've shouted myself hoarse, Gloria," she said, severely. "Where were you?""I was with Robbie," quavered Gloria. "I was telling him Cinderella, and I forgot it was dinner-time.""Well, it's a pity Robbie forgot, too." Then, as if that reminded her of the robot's presence, she whirled upon him. "You may go, Robbie. She doesn't need you now." Then, brutally, "And don't come back till I call you."Robbie turned to go, but hesitated as Gloria cried out in his defense, "Wait, Mamma, you got to let him stay. I didn't finish Cinderella for him. I said I would tell him Cinderella and I'm not finished.""Gloria!""Honest and truly, Mamma, he'll stay so quiet, you won't even know he's here. He can sit on the chair in the corner, and he won't say a word,--I mean he won't do anything. Will you, Robbie?"Robbie, appealed to, nodded his massive head up and down once."Gloria, if you don't stop this at once, you shan't see Robbie for a whole week."The girl's eyes fell, "All right! But Cinderella is his favorite story and I didn't finish it. --And he likes it so much."The robot left with a disconsolate step and Gloria choked back a sob.George Weston was comfortable. It was a habit of his to be comfortable on Sunday afternoons. A good, hearty dinner below the hatches; a nice, soft, dilapidated couch on which to sprawl; a copy of the Times; slippered feet and shirtless chest;--how could anyone help but be comfortable?He wasn't pleased, therefore, when his wife walked in. After ten years of married life, he still was so unutterably foolish as to love her, and there was no question that he was always glad to see her--still Sunday afternoons just after dinner were sacred to him and his idea of solid comfort was to be left in utter solitude for two or three hours. Consequently, he fixed his eye firmly upon the latest reports of the Lefebre-Yoshida expedition to Mars (this one was to take off from Lunar Base and might actually succeed) and pretended she wasn't there.Mrs. Weston waited patiently for two minutes, then impatiently for two more, and finally broke the silence."George!""Hmpph?""George, I say! Will you put down that paper and look at me?"The paper rustled to the floor and Weston turned a weary face toward his wife, "What is it, dear?""You know what it is, George. It's Gloria and that terrible machine.""What terrible machine?""Now don't pretend you don't know what I'm talking about. It's that robot Gloria calls Robbie. He doesn't leave her for a moment.""Well, why should he? He's not supposed to. And he certainly isn't a terrible machine. He's the best darn robot money can buy and I'm damned sure he set me back half a year's income. He's worth it, though--darn sight cleverer than half my office staff."He made a move to pick up the paper again, but his wife was quicker and snatched it away."You listen to me, George. I won't have my daughter entrusted to a machine--and I don't care how clever it is. It has no soul, and no one knows what it may be thinking. A child just isn't made to be guarded by a thing of metal."Weston frowned, "When did you decide this? He's been with Gloria two years now and I haven't seen you worry till now.""It was different at first. It was a novelty; it took a load off me, and--and it was a fashionable thing to do. But now I don't know. The neighbors--""Well, what have the neighbors to do with it. Now, look. A robot is infinitely more to be trusted than a human nursemaid. Robbie was constructed for only one purpose really--to be the companion of a little child. His entire 'mentality' has been created for the purpose. He just can't help being faithful and loving and kind. He's a machine--made so. That's more than you can say for humans.""But something might go wrong. Some--some--" Mrs. Weston was a bit hazy about the insides of a robot, "some little jigger will come loose and the awful thing will go berserk and--and--" She couldn't bring herself to complete the quite obvious thought."Nonsense," Weston denied, with an involuntary nervous shiver. "That's completely ridiculous. We had a long discussion at the time we bought Robbie about the First Law of Robotics. You know that it is impossible for a robot to harm a human being; that long before enough can go wrong to alter that First Law, a robot would be completely inoperable. It's a mathematical impossibility. Besides I have an engineer from U.S. Robots here twice a year to give the poor gadget a complete overhaul. Why, there's no more chance of anything at all going wrong with Robbie than there is of you or I suddenly going looney--considerably less, in fact. Besides, how are you going to take him away from Gloria?"He made another futile stab at the paper and his wife tossed it angrily into the next room."That's just it, George! She won't play with anyone else. There are dozens of little boys and girls that she should make friends with, but she won't. She won't go near them unless I make her. That's no way for a little girl to grow up. You want her to be normal, don't you? You want her to be able to take her part in society.""You're jumping at shadows, Grace. Pretend Robbie's a dog. I've seen hundreds of children who would rather have their dog than their father.""A dog is different, George. We must get rid of that horrible thing. You can sell it back to the company. I've asked, and you can.""You've asked? Now look here, Grace, let's not go off the deep end. We're keeping the robot until Gloria is older and I don't want the subject brought up again." And with that he walked out of the room in a huff.Mrs. Weston met her husband at the door two evenings later. "You'll have to listen to this, George. There's bad feeling in the village." Read more

Features & Highlights

  • The three laws of Robotics:1) A robot may not injure a human being or, through inaction, allow a human being to come to harm2) A robot must obey orders givein to it by human beings except where such orders would conflict with the First Law.3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.With these three, simple directives, Isaac Asimov changed our perception of robots forever when he formulated the laws governing their behavior. In
  • I, Robot
  • , Asimov chronicles the development of the robot through a series of interlinked stories: from its primitive origins in the present to its ultimate perfection in the not-so-distant future--a future in which humanity itself may be rendered obsolete.Here are stories of robots gone mad, of mind-read robots, and robots with a sense of humor. Of robot politicians, and robots who secretly run the world--all told with the dramatic blend of science fact and science fiction that has become Asmiov's trademark.

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Most Helpful Reviews

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Solid Background

Isaac Asimov wrote books on a wide variety of subjects, but science fiction was his specialty. He was especially interested in the field of robotics and the questions of what humans could do with robotics and how humans would interact with robots if they were thinking creatures. This book of short stories provides Asimov's answers to many issues regarding robot and human relationships.

How would a robot and a small child interact? Asimov writes a story about a robot programmed to be a nanny for small children. What sorts of things could make a robot insane, and what could be done to fix it? Asimov presents robots in situations in which their programming contradicts itself. The humans involved have to puzzle through how to set them straight again. What if a robot could read minds? Asimov shows how the results would be disastrous. Could a robot ever pass for human? Asimov writes a story of a robot running for political office and trying to deflect accusations that he is a robot.

These stories are highly imaginative and entertaining and they brought up questions I never would have considered. There was a great deal of detail and the explanations were very clear. However, the stories were focused mainly on plot instead of characterization, which sometimes made for pretty dry reading. I never got a good idea of the personalities of the characters, since they weren't as important to Asimov as the explanation of robotic details.
5 people found this helpful
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You May Be Very Dissapointed or Pleasantly Surprised

"I, Robot" was originally the title of a story by Eando Binder (actually two brothers "E"rnest and "O"tto) about their recurring hero robot, Adam Link, in the mid 1930s. Because Adam was treated sympathetically, a teenage Isaac Asimov, who hated stories about robots always turning on their makers, was inspired to write his own stories about sympathetic robots and the people who use them, starting with "Robbie" in 1939 (originally published in a magazine that year as "Strange Playfellow"), and continuing throughout the '40s. In 1950, they were published in book form with a frame story told from the point of view of an unnamed reporter doing a story about the soon-to-retire great scientist, Dr. Susan Calvin, with the stories attributed to said reporter. When it came time to name this book, the unscrupulous original editor, Martin Greenberg of Gnome Press (not to be confused with Asimov's longtime friend and collaborator, Martin H. Greenberg), stole Binder's title. Probably because this book is more famous than Binder's story, it has always had that title. These stories are classics of written science fiction because they are fun to read and they changed readers' perceptions of what robots and stories about them could be. Asimov's Three Laws of Robotics (an almost inextricable part of their programming and hardware) make the scientist ethical and make it impossible to make robots into, or use them as, weapons, but provide alot of endless quirks and bugs that the human characters (one of whom shares my first and last name) have quite a run for their money trying to fix. The stories have also been influencial to real-life computer programmers, engineers, and roboticists. The first mention of the Three Laws is also the first time the word "robotics" appears in print, making Asimov the coiner of the term.

I refuse to see the movie of the same title because I can tell from the promos that it is nothing like the book in either plot or spirit. I am so offended and hurt by the fact that this movie has been made and proven popular, I can't tell you. Why would Asimov's widow and daughter allow this to happen? People who see the movie are mostly going only because of Will Smith and the special effects. It probably wouldn't have been made without Smith or some other major star involved. Yet he probably doesn't care one way or the other that there are people who care deeply about the book. The plot for the movie came, I understand, from another screenplay that had nothing to do with Asimov's stories and had been around for years. The studio simply bought the rights to Asimov's book and shoehorned his character names and Three Laws (which are apparently just a marketing slogan within the movie) into it in a misguided attempt to give the movie gravitas and attract a ready-made audience of Asimov's fans. But why try to attract his fans if you don't intend to follow the book closely? The people who read the book because they think it's going to have the same story as the movie are going to be just as disappointed, and will probably throw it away after reading the first two stories. The movie sounds like it might even be halfway decent without pretending to be based on the real "I, Robot." But I won't sit through it.

Will Smith had to slap Chris Rock to prove he's not a robot, otherwise that would have violated the First Law. Unless Chris Rock is also a robot.
4 people found this helpful
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We'd better learn how to deal with them soon

This great classic of robotics (a term supposedly invented by Asimov himself), establishes for the first time the three laws of robotics, the basis for the subsequent development of the genre: 1)A robot must never harm a human being, or, through inaction, allow a human to suffer harm; 2)A robot must obey the orders given to it by a human, except when those orders oppose the First Law; 3) A robot must protect its own existence, unless doing so conflicts with the First or Second laws.

These three laws define the tension experienced through the following ten chapters, between the world of humans and the world of robots. The unifying thread of each story consists in the memories of several scientists who work or worked for the US Robots $ Mechanical Men, Inc., especially the misanthrope robotpsychologist Dr. Susan Calvin, as well as the experiences of two engineer-astronauts. Asimov analyzes many possible varieties of conflict between the two "species". Robbie, a robot who elicits the love and attachment of her young protege. A robot who panics in conflict between two of the laws. Another one who questions the story he's been told and finds God and his condition as his only prophet. Robots who learn to deceive humans and cause them much pain. A politician-robot. And finally, the economic and geopolitical world of humans and robots.

The dilemmas posed by Asimov are profound, disconcerting, and dangerous. After having read Douglas Hofstadter's "Godel, Escher, Bach" (also reviewed here), it is even clearer to me that the boundary between human and artificial intelligence will blur gradually until entering into conflict. Although not a great literary work, this is an entertaining and important book, full of reflections and ponderings about subjects that will likely come to dominate public debate in the decades to come.
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From the Father of Robotics

I must first say, that dipite its cover, this book has hardly any correlation to the movie I Robot, which seems closer to Caves of Steel. That said, I think This book rocks! I read it before the movie existed, so I had no assumptions. By the wave, it has nothing to do with the movie, other than the "Three Laws". I Robot is brilliantly plotted in its psychological twists, and has a lot of humor and comedy in it too. A great collection of stories, that do not have to be read in order, but it helps a lot if you do.
1 people found this helpful
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Mint

So, I'm not reviewing the book. You know if you like it. But the delivery was immediate, the condition excellent.
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Isaac Asimov, Private Eye

From ISawLightningFall.blogspot.com

I first cracked the cover of Asimov's short-fiction collection I, Robot without much relish. I've never enjoyed hard science fiction, a genre whose proponents often seem more interested with the gravitational pull on Mars or the finer points of quantum physics than in crafting an entertaining narrative. Imagine my surprise when I realized I, Robot isn't SF at all. It's a collection of mysteries.

From police procedurals to cozies, hardboiled detective stories to whodunits, the mystery genre operates on a central convention: the dilemma. Something is wrong, someone doesn't know everything about it that he would like and he (and the reader) spend the bulk of the narrative trying to figure it out. It could be the motivation for a character's strange behavior or an unknown cause of death or the location of a missing perpetrator. No matter the emphasis, though, the pattern of dilemma, investigation and discovery remains constant.

Asimov clings to those conventions like a drowning man to driftwood. He erects three laws to which all robots must hew, introduces an apparently impossible violation and invites the reader to figure it out. (For the uninitiated, the three laws- -in decreasing order of importance- -are that a robot must not directly or indirectly harm a human; a robot must obey humans; and a robot must preserve itself unless doing so conflicts with the other two laws.) One scenario involves a robot becoming convinced he was created by a space station's power converter and refusing to acknowledge his handlers' commands. Another finds a mind-reading robot answering questions conflictingly despite being told to tell the truth. In a third, a flippant order from a frustrated technician to "go lose yourself" gets taken in a very literal manner.

I, Robot proudly wears all the trappings of SF. There are positronic brains and deep-space energy storms, asteroid-mining expeditions and interstellar travel. But you get the odd feeling while reading that Dorothy Sayers could've written it if only she'd studied biochemistry at university. Some might not enjoy having their genre expectations subverted in such a manner, but to me that was exactly when the fun started.