Hell and Back: A Longmire Mystery
Hell and Back: A Longmire Mystery book cover

Hell and Back: A Longmire Mystery

Hardcover – September 6, 2022

Price
$21.74
Format
Hardcover
Pages
352
Publisher
Viking
Publication Date
ISBN-13
978-0593297285
Dimensions
6.23 x 1.16 x 9.27 inches
Weight
1.26 pounds

Description

Praise for Hell and Back "Solid . . . Longtime fans will relish Johnson’s new insights into Walt’s character . . .” — Publisher's Weekly "A mystical thriller that offers a wild ride through a thoroughly altered reality." — Kirkus Reviews ". . . those happy to bend crime fiction in the direction of horror will find a smorgasbord of supernatural delights." — Booklist "This book will keep Longmire fans coming back for more." — The Spokesman-Review "Johnson has plumbed the past and formed a fascinating, compelling and mythic tale, taking Walt to the edge of his ability to survive. ‘Hell and Back’ is a riveting read." — The Durango Herald "Craig Johnson consistently, intelligently and with customary dry humor, melds literary fiction with western crime fiction… His breadth of knowledge and the meticulous attention to detail adhered to in crafting, rewriting, and polishing his novels and their sheer readability puts him among the great western writers like Wallace Stegner, Ivan Doig, Norman Maclean, and John McPhee… Hell and Back is a stand-out work." —BookTrib Craig Johnson is the New York Times bestselling author of the Longmire mysteries, the basis for the hit Netflix original series Longmire. He is the recipient of the Western Writers of America Spur Award for fiction and the Mountain & Plains Independent Booksellers Association's Reading the West Book Award for fiction. His novella Spirit of Steamboat was the first One Book Wyoming selection. He lives in Ucross, Wyoming, population 25. Excerpt. © Reprinted by permission. All rights reserved. 1 There was the sound of bells and then the silence-the kind of quiet that only comes with snow, capturing the soundwaves of life and smothering them before they can cry out. I couldn't open my eyes, like something was weighing them down, so I brought my hand up to my face and brushed the snow away. My eyes worked now, so I tried to sit up, feeling something strike my chest, something small and metallic, a couple of somethings. Snow, a lot of it, falling in static sheets. Fat flakes covered everything, silenced everything, as they cascaded from the yellowish-black sky. I was lying in the middle of the street. I started to stand but discovered that part of my sheepskin coat was frozen to the ground. Leaning over to one side, I noticed that there were two silver dollars in my lap, so I pulled a glove off with my teeth. I picked up one of the coins that were old ones but looked remarkably unsullied. I glanced around again, couldn't see anybody else on the street, so figured finderskeepers. Scooping up the other one, I deposited them both into my pocket and then pulled the glove back on, tugging the tiny red-beaded ends on the straps to snug it. I reached behind me and pulled my coat loose from the ice-I had at least been lying there long enough for it to freeze to the ground. Raising myself to a kneeling position, I felt something around my neck and pulled the material up to find a red scarf. It didn't particularly look like a man's scarf-silky, with a fringed end-but with current weather conditions I figured I didn't have a lot of options. Momentarily distracted, I saw a lump of snow beside me and reached over to find it was a pinch-front cowboy hat. I slapped it against my knee to knock it clean. Figuring it was also mine, I lifted it and tugged it over my head. It felt a little tight but that was probably from being as frozen as it was. I stood the rest of the way and shook off the accumulated snow from my coat like a dog. I was at the top of a hill, which looked down a winding two-lane road that dropped off into a small town about a mile away. Turning, I could see the top of the hill was covered with tiny crosses encircled by a wrought-iron fence where, a little farther off, the corner of a stone building still stood, shedding rubble into the snow, a large lump of which was centered on some sort of platform. Above a gate I saw an arch with the words Fort Pratt Industrial Indian Boarding School. There was some movement at the apogee of the arch, and I watched as a great horned owl slowly swiveled his head from back to front to look at me, golden eyes shining like twin harvest moons. "Howdy." He continued to observe me with all the patience of the world. "Well, at least you didn't ask who." Sighing, I turned back toward the town, thinking I might get a little more conversation in that direction. Starting off down the two-lane, I lumbered through the snow for a while eventually passing a few of the buildings on the outskirts-a house or two, a library, and what looked to be an old Catholic church. There were buildings on either side of the road, the type of single-story storefronts seen in many small towns scattered across the Rocky Mountain West. Plastic wreathes hung from the dozen or so lampposts with a red electric candle in each that flickered yellow and then, one at a time, slowly dimmed. I couldn't really tell if it was night or day with the skies colored a strange yellowish cast and with the inclement weather, the surrounding distance was darkened to an ocean of obscurity. There were a few lit buildings, a two-story grand vintage structure to my left, the Baker Hotel, and a movie theater down on the corner, with a yellow and green neon marquee that read Support Your Local Sheriff. I had a mild headache and could smell something burning, as if there were a forest fire not too far away, and I felt strangely detached for a guy who had been left lying in the street. With a deep sigh, I took a few more steps, trudging toward the side of the road, amazed that I hadn't been scraped up by a snowplow. My back hurt and my limbs and head felt heavy-I must've been lying out there for a while. There were no cars or trucks parked on the street as far as I could see. I stepped onto the curb and sidewalk. There was a cafŽ at the other end of the block, and I decided to walk in that direction even though it appeared to be leading west and out of town. Booths lined the glass front of the place, and the condensation on the inside of the windows promised warmth. A woman with strawberry blond hair was wiping the counter, but no patrons, and I was worried the tiny restaurant might be closed. I was relieved when I pushed on the wooden bar and the glass door swung open, a bell jingling just above my head. Appearing to be in her early thirties, the blonde was stunningly beautiful. Dressed in a waitress uniform, she looked up at me, and there was something about her that stuck the words in my throat. I swallowed. "I'm sorry, are you closed?" She looked up to a clock on the wall that advertised the Red Lodge Soda Company; it was 8:17 p.m. "Not for another forty-three minutes, but I was thinking of closing with the blizzard and all." She looked back at me. "But can I help you?" I slipped off my hat and stared through the fogged windows back onto the street. "Is it a blizzard?" She laughed; a silvery, melodic sound that made me turn back to her and smile. "Storm of the century. What, you don't read the papers?" "Not recently." I walked over, sat on a stool in front of her, and placed my hat on the one next to me. "You know what? I think I need a cup of coffee." "You got it." She smiled, her hazel eyes sparkling. "The co-op says they aren't going to get the power back on for thirty-one hours." I watched as she plucked a Buffalo China mug from under the counter, walked to the coffee maker, and pulled the pot out by its plastic handle. I glanced around the well-lit space. "How is it you still have electricity?" "Municipal generator system on the hill outside of town near the old boarding school. I guess back in the day the power went out all the time." She rested the mug on the counter. "Are you new around here?" "Yep." I looked back into the street. "At least I think so." She laughed at the absurdity of my response. "You're not sure?" I pulled the red scarf from my neck, stuffing it into my hat, and unbuttoned my heavy coat. "Well, to be honest, I just woke up out there in the road a moment ago." She stared at me as I sat down at the counter. "Are you drunk?" "I don't think so-drunk feels better than this." I pulled off my gloves, tucking them into my pocket, and sipped my coffee as she studied me. "You look familiar." I nodded and smiled. "You know, it's funny, but when I came in here, I was thinking the same thing about you." The coffee tasted hot, rich, and life-affirming. "What's your name?" "Martha." I sat there looking at her and thinking that of all the names in the world I could've chosen for her-but that one was perfect. "Just Martha?" She nodded, stepping back guardedly. "Just Martha, for now." "That's a great name." I started to stick out my hand to shake hers but then stopped. She glanced at my hand as I lowered it but then went back to studying my face. "Something wrong?" "Um . . . I don't want to panic you or anything, but I can't seem to remember my own name." Her eyes sharpened, and she folded her arms. "Your name is Walt Longmire." "So, we do know each other." "No." "Then how do you know my name?" "It's on the liner of your hat." I reached over and picked the thing up, removing the scarf and reading the barely legible gold lettering on the sweatband-this hat belongs to walt longmire: a gift from the grateful people of absaroka county, wyoming. I looked up at her. "Is this Absaroka County?" She moved closer, staring at me, pressing the palms of her hands against the edge of the counter. "Not even Wyoming-welcome to Fort Pratt, Montana, Walt Longmire." I inspected the hat a bit more. "That is, if it's mine." "Where did you get it?" "It was lying on the road there beside me, out at the edge of town, up on the hill to the east." "Does it fit?" I placed it on my head, where, after warming up, it fit, if not like a proverbial glove, at least like a custom-made hat. "Yep." "Honestly?" She looked over my shoulder. "You really were just lying out there in the road?" "Evidently for a while." I turned and looked outside into the darkness, took my hat off again, and resettled it and the scarf beside me. "Has there been any traffic lately?" "No, the plow went through about an hour ago, but since then, nothing-I think they gave up." She smiled the warm smile. "You sure you don't want something to eat?" "Now that you mention it, I am hungry, but I don't want to put you out." "It's your lucky day, the special is a grilled cheese sandwich and a bowl of tomato soup." "Is that 'the usual' too?" She stared at me for a long moment with an unsure expression. "What an odd thing to say . . . Why would you say that?" "I don't know." She looked at me a little uncertainly. "One special, coming up." She swung through the doors into the tiny kitchen, where I could watch her busy herself. Sipping my coffee again, I plucked a menu from the condiment stand to see the name of the place-The Night Owl CafŽ, Fort Pratt. She called through the opening of the pickup window. "I guess when that gust went through a couple of hours ago it took five poles out." A moment passed. "You want fries?" "I don't want to be a bother . . ." "None at all . . . I just need to get them out of the freezer in the back." Another door opened and closed in the depths of the kitchen. I sat there listening to the ticking of the Red Lodge Soda clock on the wall and tried to remember who I was. What the hell? Had I fallen out of a vehicle, been hit by one? Was she right and I had been drunk and was out there sleeping it off? With my hands thawed out, I reached up and probed my head. I found a lot of knots and bumps, with one that felt reasonably new but not so recent as to be responsible for how I felt. If I could just find somebody who knew me. I was about ready to take off my coat when the front door opened behind me and a giant of a man stepped in, strangely dressed, and carrying a long native war staff. Seven feet tall if he was an inch, his hood was pulled up to cover most of his face. He ducked his head to clear the top of the doorway and stepped into the light where I got a better look at him. He wasn't just tall, he was big too. He unbuttoned his great fur coat with its grizzly bear hood, which revealed buckskin clothing indicative of the Mountain Crow tribe. What really unnerved me, though, was that staff in his hand, a wooden lance about six feet in length with a large, chipped obsidian spearhead on one end and red-painted coyote skulls on the other, along with horsehair tails, bells, beads, jawbones, and cloven hooves. He stood there in the doorway and then walked past me with a curt nod, which I returned with a smile, somewhat amused by his seriousness. Sitting at the far end of the counter, he rested the spear against the edge and with little effort straddled a stool, dropping the hood with both hands and staring straight ahead. He had scars on his face and strong Native features. His dark hair was streaked with more than a touch of gray and flowed down over his shoulders as he sat there motionless. "How are you doing?" He said nothing, continuing to look straight ahead. Figuring he was a regular, I thought it best that I explain. "She went into the freezer to get me some fries, but she'll be right back." There was some noise coming from the kitchen, and I unbuttoned my coat the rest of the way before turning back to him. "You're lucky-she was going to close." He still sat there, unmoving. "Excuse me, but are you from around here?" Nothing. Shrugging, I turned forward as the woman, Martha, appeared in the opening. "You say something?" "No, no . . ." I gestured, nodding my head down the counter as she couldn't see the colossus from her perspective. She smiled and disappeared again, finally resting a plate and bowl in the opening and ringing a small bell in comic effect. "Order up." She then appeared through the swinging doors and picked up my meal, turning and placing it before me. "More coffee?" "Please." She pivoted back to the coffee maker and refilled my mug before setting it down. "Anything else?" "No, no I'm fine." I once again nodded my head toward the strangely dressed man at the end of the counter. She stared at me. "What?" I gestured again. She looked in his direction and then back at me. "Is there something wrong?" "No, I just thought you might want to-" I turned my head to look at the man and discovered he was now looking directly at me. My voice caught in my throat as he slowly raised a finger, placing it against his lips. "Shhhhhhhh . . ." His breath fogged the front of his face with the freezing air still in his lungs that he must've brought in with him. "Sometimes . . ." He stared at me for a moment more. "It is better to sleep than to awaken." Read more

Features & Highlights

  • A new novel in the beloved
  • New York Times
  • bestselling Longmire series.
  • What if you woke up lying in the middle of the street in the infamous town of Fort Pratt, Montana, where thirty young Native boys perished in a tragic 1896 boarding-school fire? What if every person you encountered in that endless night was dead? What if you were covered in blood and missing a bullet from the gun holstered on your hip? What if there was something out there in the yellowed skies, along with the deceased and the smell of ash and dust, something the Northern Cheyenne refer to as the Éveohtsé-heómėse, the Wandering Without, the Taker of Souls? What if the only way you know who you are is because your name is printed in the leather sweatband of your cowboy hat, and what if it says your name is Walt Longmire . . . but you don’t remember him?In
  • Hell and Back
  • , the eighteenth installment of the Longmire series, author Craig Johnson takes the beloved sheriff to the very limits of his sanity to do battle with the most dangerous adversary he’s ever faced: himself.

Customer Reviews

Rating Breakdown

★★★★★
30%
(1.6K)
★★★★
25%
(1.3K)
★★★
15%
(793)
★★
7%
(370)
23%
(1.2K)

Most Helpful Reviews

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End of the Line

A disappointing continuation of the previous book, “Daughter of the Morning Star”. Since I found that one confusing and disappointing, the only surprise in this one is that it is even more so. The author seems lost in his quest to explore Native-American cultural spirituality and somehow make amends for the crimes done to those peoples in the past. It doesn’t work.
This is not a Sheriff Walt Longmire book in the mold of the many excellent ones that made the series so memorable and enjoyable. It is not an interesting police saga with the sheriff and his close associates Vic, Henry Standing Bear and the others. It starts out disjointed and scattershot and then gets worse.
If you have read all the previous books and liked them, don’t read this one. It will leave you with a bad taste in your literary mouth. If you are unfamiliar with the characters and the series, don’t even consider reading this one. You won’t understand a single thing that is going on.
For me it’s the end of the line for the Longmire series. It has gone completely off the rails. I won’t be reading any future offerings. In my mind I believe the author is actually telegraphing that this is the end of the Longmire series for him also. If not, in my opinion, it should be.
57 people found this helpful
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Literature in the Truest Sense

Craig Johnson, writing as himself in the Acknowledgements and not placing words in any character's mouth writes, "Memory is the fuel of Haunting... " As I read Hell and Back, I thought that there are many (traditional) Longmire fans who will dislike this tome. These reviews on Amazon bear this out. But throughout this book, words of wisdom enhancing that phrase found in the introduction only enhance just what "haunting" and indeed "horror" is.

I am one who, like Longmire, has fallen upon ice and been found an hour later with my coat (a coat to my suit) and the back of my head frozen to the ground. From the medical standpoint (I am a physician), I closely identify with the effects of concussion that Walt experiences; the descriptions in lay language are perfect. But Hell and Back transcends the world of scientific reality and explores the metaphysical in the form of Native American spirituality. That transcendence will surely offend some who longed for a Summer's read.

Here's my prediction: At some future date, Hell and Back will be used as an example of great Modern American Literature. I respect the opinions of those who would differ, but for me, I only hope that Craig continues on his evolutionary path as a great writer.
29 people found this helpful
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Best Longmire yet!

I loved, Loved, LOVED this book! (You do need to read the other books in the series to understand this story more fully, but that would not be a chore.)

I admit to feeling a little lost in the series when the plot was centering around Walt and his adversary Bidarte, particularly leading up to and during the time he goes to Mexico. With "Next to Last Stand," it felt like the original characters had come back to life -- with the humor and suspense that were always part of the narrative, along with the "Man of Letters" trait that makes Walt such a distinct character. It is Walt's combination of intellect and physical strength that makes him so formidable to his enemies and endears him to us readers.

This book takes off where "Daughter of the Morning Star" (another excellent book!) leaves off. It takes us on a journey that blends genres and leaves us asking questions -- why are we here? what happens when we die? and most compelling, what does it mean to live a life of honor and courage and how do we deal with the fallout of our actions/inactions?

I must say that I don't understand the comments that this novel is out of character for Longmire. While Johnson notes in the Acknowledgements that this is a "different" book," it feels like the natural progression of events in Walt's life combined with his spirituality & his interaction with and understanding of Native American spirituality/beliefs.

A wonderfully-written book that is hard to put down! Thank you, Mr. Johnson!
14 people found this helpful
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A mess of a book

This was one of the worst books I’ve read in a long time. It was nonsensical. A book is supposed to have a plot…….and poor Walt was a lost soul wandering in the past and the present and somewhere in between. Craig Johnson is not Stephen King……NOT EVEN CLOSE. Where is the author I thought I liked and the character I loved…….gone to hell and they didn’t make it back?
8 people found this helpful
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One star because how can you do less?

I’ve read all the Longmire. I pre ordered this weeks ago. I usually gave a copy to a girl friend that had taught Craig Johnson. She died last September. Glad she won’t be disappointed in his latest. Returning tomorrow. It’s one of the DNF I’ve ever read. Awful. No way around it.
8 people found this helpful
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Disappointing

A white male writer writing about Cheyenne culture and entities recognized by the Cheyenne isn’t a good start. Having the White hero confront the Cheyenne dark spirit to save the day was a terrible plot line that in this day and age shouldn’t have been allowed by the publisher. One would think the author who claims deep friendships with various Native American tribes in Wyoming and Montana would be cognizant of how bad it looks/reads that a white male hero was needed in this story. The book is a difficult read, the plot doesn’t hold your interest and many readers find themselves skipping multiple chapters, I certainly did. It’s time to retire these Longmire characters. The last two books have been disappointing. Leave the stories of the Cheyenne to Cheyenne writers who know their own culture far better than an old white guy trying to usurp it to sell books by making his protagonist the white savior. Don’t waste your hard earned money on this book.
7 people found this helpful
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Gave it a chance but gave up.

After about 100 pages, I gave up and just started skimming the parts here walt I in his dream to get to the reality parts with my favorite characters Henry Standing Bear and Vic. Total waste of a purchase for me. I agree with oter reviewers that I hope Johnson goes back to the beloved regular characters and mystery solving.
6 people found this helpful
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Dreadful

This was the sorriest excuse for a Craig Johnson novel. Non-sensical to the max. I realize it’s fiction but seriously! You wake up frozen to the road and you just go roaming around in the snow! First time in a long time IDF!
6 people found this helpful
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Not Your Usual Longmire

It has been a while since I read the Walt Longmire series, but when I had a chance to read Hell and Back, I was pleasantly reminded just a few pages in. Johnson's prose is beautiful, and the character of Walt is one that you just want to spend some time with. This is not quite the Walt I remember since Johnson takes him into mystical territory. He has strayed there in previous novels, but not to this extent.

Hell and Back opens with Walt waking up snow-covered in a street. He is also covered in blood and doesn't know his name or where he is. He sets off for the nearest lights in a diner just beginning to close. Despite an advancing blizzard, the pretty waitress (who looks somewhat familiar) still makes a meal for him. She also helps him with his name on the hatband inside his cowboy hat. He is in Fort Pratt, Montana. Fort Pratt was the home of an Indian Training School that burned to the ground over a hundred years ago, killing thirty boys. The waitress tells him there haven't been any good stories in Fort Pratt since.

The fact that Walt is missing is not lost on Vic Moretti, his under-sheriff, and his longtime friend, Henry Standing Bear. Both, along with Walt's giant indeterminately bred hound "Dog," have set off to find him in the teeth of the blizzard, and the story switches between them and Walt. Walt's wanderings feature meetings with all sorts of characters in the snowy landscape, both natural and possibly imagined. The gates of the training school are still standing. When Walt crosses onto the grounds, he thinks he is back in time to when the school was still operating, to the very day it burned at 8:17pm.

This departure may throw longtime readers of the series, but Johnson gives us the twists in plotting and robust character building that we expect. I am decidedly not a fan of Westerns, probably because I watched too many bad ones on TV in my childhood. Johnson has taken a risk with Hell and Back but succeeds in all ways.

Thanks to NetGalley and Viking for an advance digital copy. The opinions are my own.
6 people found this helpful
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Very disappointed

Very disappointed in the subject. The last three books have not been like Craig Johnson's other Longmire books. I probably won't be buying more, but will re-read the previous ones .
5 people found this helpful