Heaven's Wager (Martyr's Song, Book 1)
Heaven's Wager (Martyr's Song, Book 1) book cover

Heaven's Wager (Martyr's Song, Book 1)

Paperback – October 3, 2000

Price
$9.99
Format
Paperback
Pages
371
Publisher
W Pub Group
Publication Date
ISBN-13
978-0849942419
Dimensions
5.75 x 1 x 8.75 inches
Weight
1.05 pounds

Description

"[Heaven's Wager] is genuinely exciting...fast-paced...spine-tingling..." -- Publishers Weekly Excerpt. © Reprinted by permission. All rights reserved. Chapter One Present Day An overhead fan swished through the afternoon heat above Padre Francis Cadione's head, squeaking once every rotation, but otherwise not a sound disturbed the silence in the small, dimly lit room. A strong smell of lemon oil mixed with pipe smoke lingered in the air. The windows on either side of the ancient desk reached tall and narrow to the ceiling and cast an amber light across the oak floor. Some described the furnishings as gothic. Cadione preferred to think of his office as merely atmospheric. Which was fitting. He was a man of the church, and the church was all about atmosphere. But the visitor sitting with folded hands in the burgundy guest chair had brought his own atmosphere with him. It spread like an aura of heavy perfume that dispensed with the nostrils and made straight for the spine. The man had been sitting there for less than a minute now, smiling like a banshee as though he alone knew some great secret, and already Padre Cadione felt oddly out of balance. One of the visitor's legs swung over the other like a hypnotizing pendulum. His blue eyes held their gaze on the priest's, refusing to release the connection. The padre shifted his eyes, reached for his black pipe, and clicked its stem gently along his teeth. The small gesture of habit brought a familiar easiness. A thin tendril of tobacco smoke rose lazily past his bushy eyebrows before meeting wafts of fan-air and then scattering. He crossed his legs and realized the moment he had done so that he'd inadvertently matched the visitor's posture. Relax, Francis. You're seeing things now. He's just a man sitting there. A man not as easily impressed as others, perhaps, but a mere man nonetheless. "So then, my friend. You seem to be in good spirits." "Good spirits? And what do you mean by good spirits, Padre?" The man's gentle voice seemed to carry that strange aura with it-the one that had tingled the padre's spine. It was as though their roles had become confused. Spun around by that old ceiling fan whacking away up there. Padre Cadione drew at the pipe and released the smoke through his lips. He spoke through the haze. Atmosphere. It was all about atmosphere. "I only meant you seem to be pretty happy with life, despite your . . . adversity. Nothing more." "Adversity?" The man's left brow arched. The smile below his blue eyes broadened slightly. "Adversity is a relative term, isn't it? It seems to me that if someone is happy, as you say, his circumstances cannot be adequately described as adverse. No?" Cadione wasn't sure if the man actually wanted an answer. The question felt more like a reprimand-as if this man had risen above mere happiness and now schooled those foolish mortals who still struggled with the simple pursuit of it. "But you are right. I am in very good spirits," the man said. Cadione cleared his throat and smiled. "Yes, I can see that." Thing of it was, this man was not just happy. He literally seemed thrilled with whatever had gotten under his skin. Not drugs-surely not. The visitor sat there cross-legged, staring at him with those deep blue eyes, wearing an inviting smile. Daring him, it seemed. Come on, Padre, do your thing. Tell me about God. Tell me about goodness and happiness and about how nothing really matters but knowing God. Tell me, tell me, tell me, baby. Tell me. The priest felt a small, nervous grin cross his face. That was the other thing about this man's brand of happiness. It seemed infectious, if a tad presumptuous. Either way, the man was waiting, and Cadione could not just sit there forever contemplating matters. He owed this man something. He was, after all, a man of God, employed to shed light. Or at least to point the way to the light switch. "Being certain of one's place in life does indeed bring one happiness," Cadione said. "I knew you could understand, Padre! You have no idea how good it is to speak to someone who really understands. Sometimes I feel like I'm ready to burst and no one around me understands. You do understand, don't you?" "Yes." Cadione nodded instinctively, grinning, still surprised by the man's passion. "Exactly! People like you and I may have all the wealth in the world, but it's this other thing that is really the magic of life." "Yes." "Nothing compares. Nothing at all. Am I right?" "Yes." A small chuckle escaped Cadione's lips. Goodness, he was starting to feel as though he were being led into a trap with this long string of yeses. There could be no doubting the man's sincerity. Or his passion, for that matter. On the other hand, the man might very well have lost his reason. Become eccentric, even senile. Cadione had seen it happen to plenty of people in the man's social strata. The visitor leaned forward with a sparkle in his eyes. He spoke in a hushed voice now. "Have you ever seen it, Padre?" "Seen what?" He knew he sounded far too much like a young boy sitting wide eyed at the instruction of a wise father, but Cadione was powerless to stop himself. "The great reality behind all things." The man lifted his eyes past Cadione to a painting of God's hand reaching out to a man's on the wall behind. "The hand of God." He nodded at the painting, and the priest twisted in his seat. "God's hand? Yes, I see it every day. Everywhere I look." "Yes, of course. But I mean really see, Padre? Have you actually seen him do things? Not something you believe he might have done. Like, Lookie there, I do believe God has opened up a parking spot near the door for us, Honey. But have you really seen God do something before your eyes?" The man's exuberance reignited the tingle in Cadione's spine. If the man had lost his sensibilities, perhaps he had found something better. Of course, even if God did have his fingers down here on Earth stirring the pot, people couldn't just open their eyes and see it. He pictured a large thumb and forefinger picking up a car and moving it to allow a van easy parking. "Actually, I can't say that I have." "Well, I know someone who has. I know someone who does." A silence settled. The visitor stared at him with those piercing baby blues. But the eyes were not the eyes of a madman. Padre Cadione drew on the pipe, but it had lost its fire and he was rewarded with nothing but stale air. "You do, huh?" "I do." The man leaned back again, smiling softly. "And I have seen. Would you like to see, Padre?" There was a magic in the man's words. A mystery that spoke of truth. He swallowed and leaned back, once again matching the visitor's posture. It occurred to him that he had not actually responded to the man's question. "It might change your world," the man said. "Yes. I'm sorry, I was . . . uh . . ." "Well then." The man drew a deep breath and crossed his legs once again. "Open your mind, my friend. Wide open. Can you do that?" "Yes . . . Yes, I suppose." "Good. I have a story for you." The visitor took another deep breath, thoroughly satisfied with himself, it seemed, and he began.

Features & Highlights

  • The sudden death of his wife and son is bad enough, but when the company he works for steals his idea, Kent Anthony begins to consider a plan for revenge, unless his faithful mother-in-law can stop him. Original.

Customer Reviews

Rating Breakdown

★★★★★
60%
(242)
★★★★
25%
(101)
★★★
15%
(60)
★★
7%
(28)
-7%
(-28)

Most Helpful Reviews

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I'll wager you can't put this down.

Kent Anthony has hit the big-time with his brainchild software that will revolutionize banking, and is about to receive a $20 million payout. Along with his wife Gloria and son Spencer, his life is about to change drastically. And it does. But not in the way that Kent expects. To say anything more would give away too much of the plot, and ruin the story-line for those who haven't read the book. That in itself says a great deal about the power of the story. Alongside Kent and his family is a larger cast of characters, including his old love Lacy, his banking colleagues, and his religious mother in-law Helen and her pastor Bill.

Strengths:

1. Theology: The gripping and suspenseful plot unravels within an important theological framework. Unlike his mother-in-law, Kent is not a Christian, and it is around this that the novel's action is chiefly concerned. Those familiar with the story of Job will not have difficulty in figuring out the significance of the title about Heaven's Wager. But contrary to what some readers think, this is not quite a modern day Job story, as Dekker himself makes clear: In Kent's case Satan's challenge was not that he could make a righteous man curse God, but "that he could keep an unrighteous man from responding to God's love." (p363) The story is essentially a "game", a "war", and the prize is "a man's soul" (p158). Dekker wants the reader to end with self reflection: "The same challenge has been cast over your soul. ... We are all Jobs in one way or another." (p369) "Over every man there is cast a challenge." (p364)

2. Plot: This theology is the framework and basis for the novel, but it does not intrude on the plot, which concerns Kent's struggle with grief, greed and revenge. Kent's story is a sparkling one, and Ted Dekker is an excellent story-teller. The plot began as interesting, quickly moved to exciting, and in the last stages is a fast-moving pageturner that you won't be able to put down easily.

3. Character: Not only does Dekker know how to spin a story, he also develops a sympathetic character. He brings the reader into Kent's mind, allowing us to feel his raw emotions and identify closely with his struggles, joys and pains. These changing emotions are portrayed with vivid colour and conviction.

4. Theme: Kent's experience clearly shows that money and power does not satisfy, and that true peace can only be found with God.

Although the bulk of the novel concerns Kent's story, the underlying spiritual battle never comes to the foreground until the final chapter. However the theological premise behind the events that transpire is evident in the character of Helen, who is assigned the task of God's intermediary and even has visions. She is effectively a "seer" to whom God speaks (p85-86) and for whom the curtain of heaven is occasionally drawn aside: "God was making her see things more clearly these days, just as he'd done with Elisha's servant. Drawing her into this huge drama unfolding behind the eyes of mortals. She played the intercessor - the one mortal allowed to glimpse both worlds so that she could pray." (p105). At times Helen's role becomes somewhat absurd, as God apparently commands her to walk eight hours a day and pray for Kent (p129), which she does in the ridiculous outfit of knee high socks and running shoes. Dekker is careful not to suggest that the outcome is dependent on human prayer, referring to C.S. Lewis' explanation "for why God insists on us having to do things like pray when he already knows the outcome. It is for the expeirence of the thing. The interaction." (p180). Elsewhere Dekker writes: "God certainly did not need an old lady's walking to move his hand. Then again, neither had ne needed old Joshua and his cohorts traipsing around Jericho to tumple the wall, now, did he? And yet he had demanded that. This was not so different." (p145) Further it might be conceded Dekker is not suggesting that direct revelations and visions are normative for today, and this concept can be accepted as a literary device, similar to the men with green eyes who appear to be supernatural beings. Overall the theological framework is fairly sound, although the way Dekker works it out is not always entirely convincing.

Some problematic areas and questions:

1. One does have to wonder if Dekker's theology does result in a man-centered story. He suggests that heaven is holding its breath, to see what Kent will decide. "The heavens have been lined with a million creatures, intent on that man's every move for months." (p363) In heaven, apparently, are "A million beings peering over the railing at the choices of one man. You would find the real game." (p229) But the Bible emphasizes that the real choice is the one God makes before the foundation of the world (Eph 1:3-5), and that the choices of men are the work of His Spirit as an outworking of God's prior choice (John 15:16; Acts 13:48). This appears to be the result of Dekker's Arminian theology.

2. Conversion is presented as the result of God's direct self-revelation (p359-61). While this is conceivably possible (as in the case of the apostle Paul), this is the exception, and the norm is that conversion and faith are worked by the Holy Spirit through the gospel and its preaching. By presenting conversion as occurring in this extraordinary way, Dekker misses an opportunity to display the power of the gospel (Rom 1:16; 10:9-10). God and his angels are not spectators to conversion as a pure decision on man's part, but God Himself is an agent of conversion and sovereignly works that decision by the Word and Spirit.

3. There is the suggestion that experience is to be relied instead of doctrine (p83). When it is suggested to Helen that "You can't just throw out all doctrine for some experience," she replies: "And what if that experience is God, the creator? What is more important to you, an encounter with God or your doctrine?" (p256) This is, however, a false dilemma, because the true experience of God will never contradict his revelation in the Bible or the doctrines of Scripture. The Bible tells us that experience is unreliable because Satan can appear disguised as an angel of light (2 Cor 11:14), that he deceives people by wonderous signs and experiences (Matt 24:24; Rev 13:14), and that we are to hold to the doctrines of Scripture even if an angel tells us otherwise (Gal 1:8).

4. Dekker subscribes to the "God loves you" theology of Arminianism (p54.,96,110).

5. The concept of God suffering (p53-4) is questionable.

6. I find it hard to believe that even someone whose appearance has been altered by plastic surgery wouldn't be recognized through conversation by his voice and vocabulary. But this is a minor quibble.

On the whole it's a gripping story, and the theological questions the novel raised were not sufficient to prevent me from enjoying the story because the theological framework was more in the background, and the focus was on a fast-moving roller-coaster plot, much in the style of John Grisham's "The Partner", although with a more repentant protagonist. Dekker makes mention of tragic events behind Helen's life in connection with a tragic episode during the war that involved the murdering of a priest (p251-3). This is the story of Book 2 in the series, and the quality of Book 1 has certainly convinced me that I won't want to miss any more of Dekker's books! -GODLY GADFLY
12 people found this helpful
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A Disappointment

Life was going well for Kent Anthony. He was happy married with a great son, and he had just finished the project of his career at work, which should earn him a multi-million dollar bonus. Out of the blue, his perfect world is slowly stripped away. While he goes about plotting his revenge, his mother-in-law Helen starts praying for his soul. But will her prayers be enough to reach Heaven?
This book starts out very strong with some great writing, and I was quickly drawn into the story. However, part way through, it lost its way. After page 150, I had the basic plot figured out. Any surprises I figured out pages before they happened. And the climax was incredibly weak; it left me shaking my head instead of emotionally drawn in like I should have been.
This book rates two stars because of it's great beginning. It's unfortunate that the rest of the book couldn't live up to the promise contained in those first pages.
9 people found this helpful