Harbor
Harbor book cover

Harbor

Hardcover – Bargain Price, October 11, 2011

Price
$56.37
Format
Hardcover
Pages
512
Publisher
Thomas Dunne Books
Publication Date
Dimensions
6.46 x 1.65 x 9.52 inches
Weight
1.55 pounds

Description

"Like Stephen King, Lindqvist makes deft use of contemporary pop culture.... Like King, Lindqvist is a master at evoking the claustrophobic atmosphere of a small, self-contained community whose denizens are as cursed by their own history as by the uncanny, terrifying events of the present."-- The Washington Post "John Ajvide Lindqvist is rightly seen as one of the most exciting writers working in the horror genre at the moment – a rival, indeed, to Stephen King."-- The Scotsman "A spooky pleasure, expertly told." --Kirkus Reviews "Enthralling dark fantasy."-- Publishers Weekly JOHN AJVIDE LINDQVIST is the author of Handling the Undead and international sensation Let the Right One In, which has been made into critically acclaimed films in both Sweden and the United States (as Let Me In ).xa0The Swedish film based on the book, for which Lindqvist wrote the screenplay,xa0won top honors at the Tribeca Film Festival, as well as at film festivals around the globe. Of the American film, Stephen King commented, " Let Me In is a genre-busting triumph. Not just a horror film, but the best American horror film in the last twenty years...Rush to it now. You can thank me later." Lindqvist became an author after careers as a magician and as a stand-up comic. He has also written for television. His books are published in twenty-nine countries; he lives in Sweden. Excerpt. © Reprinted by permission. All rights reserved. Harbour I Banished Where the waves thunder and the storms cry. Where the breakers crash and the salt water whirls, that is where the place that is ours rises from the sea. The legacy that passes from father to son.xa0LENNART ALBINSSON--RÅDMANSÖ The sea has given and the sea has taken away Who flies there in the feather-harbour, who climbs up there out of the black, shining waters?xa0GUNNAR EKELÖF--TJÄRVEN Sea buckthorn Three thousand years ago, Domarö was nothing but a large, flat rock sticking up out of the water, crowned by an erratic boulder the ice had left behind. One nautical mile to the east it was possible to glimpse the round shape that would later rise out of the sea and be given the name Gåvasten. Apart from that, there was nothing. It would be another thousand years before the surrounding islets and islands dared to poke their heads above the water, beginning the formation of the archipelago that goes under the name of Domarö archipelago today. By that time the sea buckthorn had already arrived on Domarö. Down below the enormous block left by the ice, a shoreline had formed. There in the scree the sea buckthorn worked its way along with its creeping roots, the hardy shrub finding nourishment in the rotting seaweed, growing where there was nothing to grow in, clinging to the rocks. Sea buckthorn. Toughest of the tough. And the sea buckthorn produced new roots, crept up over thewater's edge and grew on the slopes until a metallic-green border surrounded the uninhabited shores of Domarö like a fringe. Birds snatched the fiery yellow berries that tasted of bitter oranges and flew with them to other islands, spreading the gospel of the sea buckthorn to new shores, and within a few hundred years the green fringe could be seen in all directions. But the sea buckthorn was preparing its own destruction. The humus formed by its rotting leaves was richer than anything the stony shores could offer, and the alder saw its chance. It set its seeds in the mulch left by the sea buckthorn, and it grew stronger and stronger. The sea buckthorn was unable to tolerate either the nitrogen-rich soil produced by the alder, or the shade from its leaves, and it withdrew down towards the water. With the alder came other plants that needed a higher level of nutrition, competing for the available space. The sea buckthorn was relegated to a shoreline that grew far too slowly, just half a metre in a hundred years. Despite the fact that it had given birth to the other plants, the sea buckthorn was displaced and set aside. And so it sits there at the edge of the shore, biding its time. Beneath the slender, silky green leaves there are thorns. Big thorns. Two small people and a large rock (July 1984) They were holding hands.He was thirteen and she was twelve. If anyone in the gang caught sight of them, they would just die right there on the spot. They crept through the fir trees, alert to every sound and every movement as if they were on some secret mission. In a way they were: they were going to be together, but they didn't know that yet.It was almost ten o'clock at night, but there was still enough light in the sky for them to see each other's arms and legs as pale movements over the carpet of grass and earth still holding the warmthof the day. They didn't dare look at each other's faces. If they did, something would have to be said, and there were no words.They had decided to go up to the rock. A little way along the track between the fir trees their hands had brushed against each other's, and one of them had taken hold, and that was it. Now they were holding hands. If anything was said, something straightforward would become difficult.Anders' skin felt as if he had been out in the sun all day. It was hot and painful all over, and he felt dizzy, as if he had sunstroke; he was afraid of tripping over a root, afraid of his hand becoming sweaty, afraid that what he was doing was out of order in some way.There were couples in the gang. Martin and Malin were together now. Malin had gone out with Joel for a while. It was OK for them to lie there kissing when everybody could see them, and Martin said he and Malin had got as far as petting down by the boathouses. Whether or not it was true, it was OK for them to say--and do--that kind of thing. Partly because they were a year older, partly because they were good-looking. Cool. It gave them licence to do a lot of things, and to use a different language too. There was no point in trying to keep up, that would be embarrassing. You just had to sit there staring, trying to laugh in the right places. That's just how it was.Neither Anders nor Cecilia was a loser. They weren't outsiders like Henrik and Björn--Hubba and Bubba--but they weren't part of the clique that made the rules and decided which jokes were funny, either.For Anders and Cecilia to be walking along holding hands was utterly ridiculous. They knew this. Anders was short and borderline spindly, his brown hair too thin for him to give it any kind of style. He didn't understand how Martin and Joel did it. He'd tried slicking his hair back with gel once, but it looked weird and he'd rinsed it out before anyone saw it.There was something flat about Cecilia. Her body was angular and her shoulders were broad, despite the fact that she was slim. Virtually no hips or breasts. Her face looked small between thosebroad shoulders. She had medium-length fair hair and an unusually small nose dusted with freckles. When she put her hair up in a ponytail, Anders thought she looked really pretty. Her blue eyes always looked just a little bit sad, and Anders liked that. She looked as if she knew.Martin and Joel didn't know. Malin and Elin didn't know. They had the feeling, said the right things and were able to wear sandals without looking stupid. But they didn't know. They just did things. Sandra read books and was clever, but there was nothing in her eyes to indicate that she knew.Cecilia knew, and Anders could see that she knew, which proved that he knew as well. They recognised one another. He couldn't explain what it was that they knew, but it was something. Something about life, about how things really were.The terrain grew steeper, and as they made their way up towards the rock the trees thinned out. In a minute or two they would have to let go of one another's hands so they'd be able to climb.Anders stole a glance at Cecilia. She was wearing a yellow and white striped T-shirt with a wide neckline that revealed her collarbone. It was just unbelievable that she had been linked to him for what must be five minutes, that her skin had been touching his. That she'd been his. She had been his for five minutes. Soon they would let go, move apart and become ordinary people again. What would they say then?Anders looked down. The ground was starting to become stony, he had to watch where he was putting his feet. Every second he was expecting Cecilia to let go, but she didn't. He thought perhaps he was holding on so tightly that she couldn't let go. It was an embarrassing thought, so he loosened his grip slightly. Then she let go.He spent the two minutes it took to climb up the rock analysing whether he had, in fact, been holding her hand too tightly, or whether loosening his grip had made her think he was about to let go, and so she let go first.Regardless of what he knew or did not know, he was convincedthat Joel and Martin never had this kind of problem. He wiped his hand furtively on his trousers. It was slightly stiff and sweaty.When they reached the top of the rock, his head felt bigger than usual. The blood was humming in his ears and he was sure his face was bright red. He stared down at his chest where a little ghost looked out from a circle with a red line through it. Ghostbusters . It was his favourite top, and it had been washed so many times that the outline of the ghost was becoming blurred.'It's so beautiful.'Cecilia was standing at the edge of the rock looking out over the sea. They were up above the tops of the trees. Far below they could see the holiday village where almost all their friends lived. Out at sea the ferry to Finland was sailing along, a cluster of lights moving across the water. Further away and further out there were other archipelagos whose names Anders didn't know.He stood as close to her as he dared and said, 'I think it's the most beautiful thing in the world,' and regretted it as soon as the words were out of his mouth. It was a stupid thing to say, and he tried to improve matters by adding, 'That's one way of looking at it', but that wasn't right either. He moved away from her, following the edge of the rock.When he had walked all the way round, a distance of perhaps thirty metres, and was almost back with her, she said, 'It's odd, isn't it? This rock, I mean?'He had an answer to that. 'It's an erratic boulder. According to my dad, anyway.''What's that?'He gazed out across the sea, fixed his eyes on the Gåvasten lighthouse and tried to remember what his father had told him. Anders made a sweeping movement with his arm, taking in the surrounding area. The old village, the mission, the alarm bell next to the shop.'Well...when there was ice. Covering everything here. The ice age. The ice picked up rocks. And when it melted, these rocks ended up all over the place.''So where did they come from? Originally?'His father had told him that as well, but he couldn't remember what he'd said. Where could the stones hav... Read more

Features & Highlights

  • John Ajvide Lindqvist has taken the horror world by storm. His first novel,
  • Let the Right One In
  • , has been made into critically acclaimed films in both Sweden and in the U.S (as Let Me In). His second novel,
  • Handling the Undead
  • , is beloved by horror lovers everywhere. Now, with
  • Harbor
  • , a stunning and chilling masterpiece, Lindqvist firmly cements his place as the heir apparent to Stephen King.
  • One ordinary winter afternoon on a snowy island, Anders and Cecilia take their six-year-old daughter Maja across the ice to visit the lighthouse in the middle of the frozen channel. While they are exploring the lighthouse, Maja disappears – either into thin air or under thin ice -- leaving not even a footprint in the snow.
  • Two years later, Anders, a broken man, moves back to his family’s abandoned home on the island. He soon realizes that Maja's disappearance is only one of many strange occurrences, and that his fellow islanders, including his own grandmother, know a lot more than they’re telling. As he digs deeper, Anders begins to unearth a dark and deadly secret at the heart of this small, seemingly placid town.
  • As he did with
  • Let the Right One In
  • and
  • Handling the Undead
  • , John Ajvide Lindqvist serves up a blockbuster cocktail of high-tension suspense in a narrative that barely pauses for breath.

Customer Reviews

Rating Breakdown

★★★★★
30%
(87)
★★★★
20%
(58)
★★★
15%
(44)
★★
7%
(20)
28%
(81)

Most Helpful Reviews

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A dozen characters in search of a horror

"Harbor" opens with gut-wrenching immediacy -- the bewildered grief of parents who have lost a child -- then slows to a crawl as the author introduces the many odd and ambiguous personalities living on the island where the disappearance occurred, and then -- gets even slower. The author is neither a hack nor a Stephen King wannabe: as "Let the Right One In" demonstrated, he's his own man, and a writer whose talent breaks through even the occasional eccentricities of translation. But the menace here, revealed halfway through the narrative, is too abstract and unfocused to be threatening, and the jumble of other supernatural elements -- notably a centipede-like familiar called Spiritus -- only adds to the problem. The overwriting that was a minor nuisance in the earlier novel is a major problem here: there simply isn't enough going on to sustain 400-plus pages, and "Harbor" would have been twice as effective at half the length.
8 people found this helpful
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A Deeply Personal Novel

Like the aftermath of a wave upon a shore, I had to allow this novel to retreat from my immediate perceptions in order to discover what it left behind. The reason for this was that I felt initially underwhelmed, but, like Lindqvists previous novels, I thought I might be provoked by its themes and characters for days afterwards.
The main theme of this novel is the reconstruction of the self after loss so it has some common ground with `Handling the Undead' but because this book is so intimate and obviously personal it sometimes reads like a diary as opposed to a novel.

The main character, Anders, is the father of a 6 year old girl, Maya, who disappeared some years previously.
He is drawn back to his old island home and the place where Maya vanished and begins to believe that she may be trying to communicate with him although his alcoholism and fragile mental state initially leave the reader guessing as to whether or not Anders might be deluding himself and on the verge of a complete breakdown.

As the novel draws in the perspective of other characters we learn that the island has a history of disappearances and that some of the older residents have always been aware of the almost sacrificial nature of the relationship between it and the surrounding sea.
For me, the novel comes most alive when we are reading about the older island residents whose stories and lives are much more interesting than Anders.

The novel moves backwards and forwards in time as we learn about the inhabitants and Anders childhood. The book is clearly a meditation upon death and how we rebuild our life afterwards as someone left behind but also a reflection upon how we are shaped and influenced by those we grow up with and how their successes and failures as human beings stay with us and manifest as fears, insecurities or, hopefully, optimism.

I felt that the supernatural element was the weakest part of this novel; it's fine to be vague and mysterious but when there is no explanation of any kind it also means that the writer can become detatched from the mechanics of how the novels universe might leave the reader feeling cheated.
Lindqvist chooses to walk away from any objective answers, which is his prerogative, but the consequences of not at least expressing a subjective resolution within the thoughts of the characters after all they go through disappointed me, ultimately.

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2 people found this helpful
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Hubba, Bubba,Toil and...

John Ajvide Lindqvist was born in Blackeberg, in the suburbs of Stockholm, in 1968. Before writing, he spent twelve years working as a magician and as a stand-up comedian. His debut novel, Let the Right One In, was first publsihed in 2004 and became a global success. (It's been adapted for the big screen twice - once in Sweden, with the American version following in 2010). "Harbour" was originally publsihed in Sweden in 2008, and was translated into English in 2010.

"Harbour" is set on Domaro, a small island off the coast of Stockholm and follows Anders - more or less, a native of the island. Anders' father had been an islander, though his mother had come from Stockholm. Their marraige hadn't lasted and Anders had grown up in between the two : holidays and some weekends were spent on the island, while the rest of his time was spent in the city. He met his childhood sweetheart, Cecilia, on the island; they grew up together, married and had a daughter. The family had settled in Stockholm, and regularly returned to the ancestral homestead - known widely as "The Shack" - for holidays. On one winter trip, with the sea frozen solid, the family decide to take a walk to the lighthouse on Galvasten. Disastrously, impossibly, Maja goes missing.

Two years later, and everything has changed. Anders has been unable to get over Maja's disappearance. He and Cecilia have split up, while Anders is struggling with a drink problem. He has now retuned 'home' to the island, and has moved back into the Shack - barely touched since the day Maja went missing. As time passes, Anders starts feeling a little uneasy - little things, strange thing lead him him to suspect that Maja may still be close by.

At over 600 pages, "Harbour" isn't exactly a short book - but it didn't drag at all, and I enjoyed it thoroughly. The characters - especially Anders and Simon, his step-grandfather - were very well established, a likeable pair you wanted the best for. Things all started off quite 'normally' too - the 'spookiness' and tension were slowlyly introduced and then gradually increased. Very enjoyable, certainly recommended.
1 people found this helpful
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Only John Ajvide Lindqvist could make a magical worm work for a horror novel.

This is an absolutely well written novel. Once starting to read this novel I had a hard time putting it down until I was finished. This is a story about a desperate father trying to find his lost child, with a supernatural twist. Read this book.
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Pretty good read

Stuck between 3 and 4 stars. There was a lot I liked and some not so much. I have to give the author credit for creating a pretty creepy story that encompasses a lot of time and a lot of characters. Some of the plot didn't seem smooth (the original dried up spiritus and the musical quotes from the Smiths). The book was a little slow but still kept my interest. Everything that was put out there by the author was eventually explained which I liked. There is a passage on page 170 that I found put the book in perspective: "Who can really say how decisions are made, how emotions change, how ideas arise? We talk about inspiration; about a bolt of lightening from a clear sky, but perhaps everything is just as simple and just as infinitely complex as the processes that make a particular leaf fall at a particular moment"

I can see how some people may not consider this a Horror story. The horror was subtle and near the end of the book when the protagonist would say he was extremely terrified, I found I had to go back a page to figure out why I wasn't terrified as well. Could have been tighter but I enjoyed it. This is my first book by this author. I plan to read Let The Right One In.
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Interesting Read

I found this book in the horror section in an independent bookstore. Touted as the next Stephen King (whose books I love) I picked it up. However, after reading this book, I found that it wasn't particularly scary. But it was a good book. More suspense or thriller, and less horror I would think. But then again, maybe my "fear-bone" is located in a different place, and this didn't grab hold of it. I ordered another book by this author, hoping it will be a little scarier, but even if it isn't, I know it will still be a good book anyway.