Going After Cacciato: A Novel
Going After Cacciato: A Novel book cover

Going After Cacciato: A Novel

Paperback – September 1, 1999

Price
$8.26
Format
Paperback
Pages
352
Publisher
Crown
Publication Date
ISBN-13
978-0767904421
Dimensions
5.16 x 0.77 x 7.99 inches
Weight
1 pounds

Description

NATIONAL BOOK AWARD WINNER "Simply put, the best novel written about the war. I do not know . . . any writer, journalist, or novelist who does not concede that position to O'Brien's Going After Cacciato ." — Miami Herald "A novel of great beauty and importance." — Boston Globe "Stark . . . rhapsodic. . . . It is a canvas painted vividly, hauntingly, disturbingly by Tim O'Brien." — Los Angeles Times "As a fictional portrait of this war, Going After Cacciato is hard to fault, and will be hard to better." — John Updike, The New Yorker From the Inside Flap "To call Going After Cacciato a novel about war is like calling Moby-Dick a novel about whales."So wrote the New York Times of Tim O'Brien's now classic novel of Vietnam. Winner of the 1979 National Book Award, Going After Cacciato captures the peculiar mixture of horror and hallucination that marked this strangest of wars.In a blend of reality and fantasy, this novel tells the story of a young soldier who one day lays down his rifle and sets off on a quixotic journey from the jungles of Indochina to the streets of Paris. In its memorable evocation of men both fleeing from and meeting the demands of battle, Going After Cacciato stands as much more than just a great war novel. Ultimately it's about the forces of fear and heroism that do battle in the hearts of us all. Tim O’Brien received the 1979 National Book Award in fiction for Going After Cacciato . His other works include the Pulitzer finalist and a New York Times Book of the Century, The Things They Carried ; the acclaimed novels Tomcat in Love and Northern Lights ; and the national bestselling memoir If I Die in a Combat Zone . His novel In the Lake of the Woods received the James Fenimore Cooper Prize from the Society of American Historians and was named the best novel of 1994 by Time . In 2010 he received the Katherine Anne Porter Award for a distinguished lifetime body of work and in 2012 he received the Richard C. Holbrooke Distinguished Achievement Award from the Dayton Literary Peace Prize Foundation. He was awarded the Pritzker Literature Award for Lifetime Achievement in Military Writing in 2013. Excerpt. © Reprinted by permission. All rights reserved. It was a bad time. Billy Boy Watkins was dead, and so was Frenchie Tucker. Billy Boy had died of fright, scared to death on the field of battle, and Frenchie Tucker had been shot through the nose. Bernie Lynn and Lieutenant Sidney Martin had died in tunnels. Pederson was dead and Rudy Chassler was dead. Buff was dead. Ready Mix was dead. They were all among the dead. The rain fed fungus that grew in the men's boots and socks, and their socks rotted, and their feet turned white and soft so that the skin could be scraped off with a fingernail, and Stink Harris woke up screaming one night with a leech on his tongue. When it was not raining, a low mist moved across the paddies, blending the elements into a single gray element, and the war was cold and pasty and rotten. Lieutenant Corson, who came to replace Lieutenant Sidney Martin, contracted the dysentery. The tripflares were useless. The ammunition corroded and the foxholes filled with mud and water during the nights, and in the mornings there was always the next village, and the war was always the same. The monsoons were part of the war. In early September Vaught caught an infection. He'd been showing Oscar Johnson the sharp edge on his bayonet, drawing it swiftly along his forearm to peel off a layer of mushy skin. "Like a Gillette Blue Blade," Vaught had said proudly. There was no blood, but in two days the bacteria soaked in and the arm turned yellow, so they bundled him up and called in a dustoff, and Vaught left the war. He never came back. Later they had a letter from him that described Japan as smoky and full of slopes, but in the enclosed snapshot Vaught looked happy enough, posing with two sightly nurses, a wine bottle rising from between his thighs. It was a shock to learn he'd lost the arm. Soon afterward Ben Nystrom shot himself through the foot, but he did not die, and he wrote no letters. These were all things to joke about. The rain, too. And the cold. Oscar Johnson said it made him think of Detroit in the month of May. "Lootin' weather," he liked to say. "The dark an' gloom, just right for rape an' lootin'." Then someone would say that Oscar had a swell imagination for a darkie.That was one of the jokes. There was a joke about Oscar. There were many jokes about Billy Boy Watkins, the way he'd collapsed of fright on the field of battle. Another joke was about the lieutenant's dysentery, and another was about Paul Berlin's purple biles. There were jokes about the postcard pictures of Christ that Jim Pederson used to carry, and Stink's ringworm, and the way Buff's helmet filled with life after death. Some of the jokes were about Cacciato. Dumb as a bullet, Stink said. Dumb as a month-old oyster fart, said Harold Murphy.In October, near the end of the month, Cacciato left the war."He's gone away," said Doc Peret. "Split, departed."Lieutenant Corson did not seem to hear. He was too old to be a lieutenant. The veins in his nose and cheeks were broken. His back was weak. Once he had been a captain on the way to becoming a major, but whiskey and the fourteen dull years between Korea and Vietnam had ended all that, and now he was just an old lieutenant with the dysentery.He lay on his back in the pagoda, naked except for green socks and green undershorts."Cacciato," Doc repeated. "The kid's left us. Split for parts unknown."The lieutenant did not sit up. With one hand he cupped his belly, with the other he guarded a red glow. The surfaces of his eyes were moist."Gone to Paris," Doc said.The lieutenant put the glow to his lips. Inhaling, his chest did not move. There were no vital signs in the wrists or thick stomach."Paris," Doc Peret repeated. "That's what he tells Paul Berlin, and that's what Berlin tells me, and that's what I'm telling you. The chain of command, a truly splendid instrument. Anyhow, the guy's definitely gone. Packed up and retired."The lieutenant exhaled. Blue gunpowder haze produced musical sighs in the gloom, a stirring at the base of Buddha's clay feet. "Lovely," a voice said. Someone else sighed. The lieutenant blinked, coughed, and handed the spent roach to Oscar Johnson, who extinguished it against his toenail."Paree?" the lieutenant said softly. "Gay Paree?"Doc nodded. "That's what he told Paul Berlin and that's what I'm telling you. Ought to cover up, sir."Sighing, swallowing hard, Lieutenant Corson pushed himself up and sat stiffly before a can of Sterno. He lit the Sterno and placed his hands behind the flame and bent forward to draw in heat. Outside, the rain was steady. "So," the old man said. "Let's figure this out." He gazed at the flame. "Trick is to think things clear. Step by step. You said Paree?""Affirm, sir. That's what he told Paul Berlin, and that's--""Berlin?""Right here, sir. This one."The lieutenant looked up. His eyes were bright blue and wet. Paul Berlin pretended to smile."Jeez.""Sir?""Jeez," the old man said, shaking his head. "I thought you were Vaught.""No.""I thought he was you. How . . . how do you like that? Mixed up, I guess. How do you like that?""Fine, sir."The lieutenant shook his head sadly. He held a boot to dry over the burning Sterno. Behind him in shadows was the crosslegged Buddha, smiling from its elevated stone perch. The pagoda was cold. Dank from a month of rain, the place smelled of clays and silicates and dope and old incense. It was a single square room built like a pillbox with stone walls and a flat ceiling that forced the men to stoop or kneel. Once it might have been a fine house of worship, neatly tiled and painted, but now it was junk. Sandbags blocked the windows. Bits of broken pottery lay under chipped pedestals. The Buddha's right arm was missing but the smile was intact. Head cocked, the statue seemed interested in the lieutenant's long sigh. "So. Cacciato, he's gone. Is that it?""There it is," Doc said. "You've got it."Paul Berlin nodded."Gone to gay Paree. Am I right? Cacciato's left us in favor of Paree in France." The lieutenant seemed to consider this gravely. Then he giggled. "Still raining?""A bitch, sir.""I never seen rain like this. You ever? I mean, ever?""No," Paul Berlin said. "Not since yesterday.""And I guess you're Cacciato's buddy. Is that the story?""No, sir," Paul Berlin said. "Sometimes he'd tag along. Not really.""Who's his buddy?""Nobody. Maybe Vaught. I guess Vaught was, sometimes.""Well," the lieutenant murmured. He paused, dropping his nose inside the boot to sniff the sweating leather. "Well, I reckon we better get Mister Vaught in here. Maybe he can straighten this shit out.""Vaught's gone, sir. He's the one--""Mother of Mercy."Doc draped a poncho over Lieutenant Corson's shoulders. The rain was steady and thunderless and undramatic. It was mid-morning, but the feeling was of endless dusk.The lieutenant picked up the second boot and began drying it. For a time he did not speak. Then, as if amused by something he saw in the flame, he giggled again and blinked. "Paree," he said. "So Cacciato's gone off to gay Paree--bare ass and Frogs everywhere, the Follies Brassiere." He glanced up at Doc Peret. "What's wrong with him?""Just dumb. He's just awful dumb, that's all.""And he's walking. You say he's walking to gay Paree?""That's what he claims, sir, but you can't trust--""Paree! Jesus Christ, does he know how far it is? I mean, does he know?"Paul Berlin tried not to smile. "Eight thousand six hundred statute miles, sir. That's what he told me--eight thousand six hundred on the nose. He had it down pretty good. Rations, fresh water, a compass, and maps and stuff.""Maps," the lieutenant said. "Maps, flaps, schnaps." He coughed and spat, then grinned. "And I guess he'll just float himself across the ocean on his maps, right? Am I right?""Well, not exactly," said Paul Berlin. He looked at Doc Peret, who shrugged. "No, sir. He showed me how . . . See, he says he's going up through Laos, then into Burma, and then some other country, I forget, and then India and Iran and Turkey, and then Greece, and the rest is easy. That's what he said. The rest is easy, he said. He had it all doped out.""In other words," the lieutenant said, and hesitated. "In other words, fuckin AWOL." Read more

Features & Highlights

  • A CLASSIC FROM THE
  • NEW YORK TIMES
  • BESTSELLING AUTHOR OF
  • THE THINGS THEY CARRIED
  • "To call
  • Going After Cacciato
  • a novel about war is like calling
  • Moby-Dick
  • a novel about whales."So wrote
  • The
  • New York Times
  • of Tim O'Brien's now classic novel of Vietnam. Winner of the 1979 National Book Award,
  • Going After Cacciato
  • captures the peculiar mixture of horror and hallucination that marked this strangest of wars.In a blend of reality and fantasy, this novel tells the story of a young soldier who one day lays down his rifle and sets off on a quixotic journey from the jungles of Indochina to the streets of Paris. In its memorable evocation of men both fleeing from and meeting the demands of battle,
  • Going After Cacciato
  • stands as much more than just a great war novel. Ultimately it's about the forces of fear and heroism that do battle in the hearts of us all.Now with Extra Libris material, including a reader’s guide and bonus content

Customer Reviews

Rating Breakdown

★★★★★
30%
(213)
★★★★
25%
(178)
★★★
15%
(107)
★★
7%
(50)
23%
(163)

Most Helpful Reviews

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The Second - Best Vietnam Novel

I really don't want to short-change this novel. It is definitely a true-to-life, highly-charged account of what it was like to be a part of the lunacy that was Vietnam. I like the way that it starts out in the real world and descends into the undergrowth of the subconscious, similarly to Coppola's "Apocalypse Now" and Kubrick's "Full Metal Jacket." The allusions to The Naked and the Dead and to Catch 22 are also on-the-mark. An even more contemporaneous comparison would be to "Saving Private Ryan," obviously, though the motives of the reconaissance teams would not be comparable, morally speaking.
What prevents the five star award is that I've read another Vietnam War book that is so far superior to this account, that I can't in good conscience award them equal status. Meditations in Green, by Stephen Wright is so superior in terms of scope and artistry that I have to reserve my full endorsement for that novel. O'Brien is a highly competent author. On the other hand, Wright just might make it to the highest rungs of the literary ladder, breathing the same air as Faulkner, Fitzgerald, and Hemingway as far as American mountaineers are concerned. O'Brien may have to be content with breathing the slightly thinner oxygen of Mailer and James Jones. Which might not be so bad, since most of us mere mortals are down here taking in corbon monoxide.
29 people found this helpful
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Vietnam Dreamscape

Going After Cacciato is Tim O'Brien's National Book Award winning novel. It is told in a dreamscape from the point of view of a young "Spec-Four". I found this novel to be an engaging and entertaining depiction of the Vietnam War, but I enjoyed The Things They Carried more for its minimalism and brutality. Going After Cacciato is part war, part young man's fantasy - a daydream of a deployed soldier. If you are looking for realism, read The Things They Carried.
21 people found this helpful
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Lives up to the hype - close to a masterpiece

This book is the perfect blend of fiction based on a very-real factual setting for the Vietnam War and a form of 'magic realism' akin to Gabriel Garcia Marquez to tell a powerful story and make a powerful condemnation of the war. What's most impressive is that this book was written before O'Brien had cut his teeth on later more successful books like 'Things They Carried.'
Some reviewers have complained about the distortion caused by the intertwining storylines and shifts in time and focus, but they are not muddled at all and the book is very easy to maintain. This is what elevates the book beyond mere storytelling or fictionalized factual accounts. You can read other reviews for a synopsis of the story - my two-cents is that this book lives up to the hype and works to perfection. O'Brien is one of only two fiction writers still in their 'prime' so to speak and putting out books somewhat regularly that I will look for and buy (other being Phillip Roth).
19 people found this helpful
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Hallucinatory, Surreal, Brilliant

Of all the books that I have read on the Vietnam War, this is the only one that truly captures the mindset of insanity that makes it a worthy Vietnam testament. Going After Cacciato is an incredible novel, Tim O'Brien artfully interweaves fact and fiction, fantasy and reality, past and present, appearance and truth all so seamlessly that it seems only natural. It is a totally unique novel.
The novel is about an idealistic soldier, Cacciato, who one day decides to leave the war. He abandons his post and heads off to Paris. Then the story becomes more surreal as his squad pursues him through the streets of Mandalay and Delhi and through Kabul and Tehran as they all get closer to deliverance. Meanwhile, the protagonist, Paul Berlin, recalls how things used to be when a young lieutenant was in charge of the brigade, as well as everything from childhood to one particular night on the observation post. The plot begins to play with reality to an increasing extent, but the story remains engaging to the end.
One wonderful thing about this book is its absolute recollection of the life of a soldier. In a book like this that exposes the reader to the true life of a soldier, the details must be present and plausible, and being as O'Brien was a veteran, it is safe to assume that they are, in fact, realistic. However, his insight leads to an intense examination of the life and mindset of a soldier. The soldiers in the story talk like soldiers, but they just seem like real people with a horrible burden thrust upon their shoulders. Also, O'Brien's writing is delightful. Speaking from a purely syntactical standpoint, the way he crafts his sentences is a pleasure to read, even if it describes something horrible in Paul's life.
Although it is not strictly a war novel, the essence of the war is conveyed throughout. Required reading for anyone wanting to understand the war, or see the perfection of the craft of writing.
17 people found this helpful
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Catch-22 for Vietnam

Although 'Going After Cacciato' owes greatly to Heller's classic WWII novel 'Catch-22,' it is a very worthwhile read in its own right. 'Cacciato' describes, simultaneously, the pursuit of an AWOL soldier interwoven with the musings of a common solider (Spec-4 Paul Berlin) during a full-night watch. Berlin imagines how the war could be escaped (by fleeing 8600 miles across Asia and Europe to Paris) as he relieves the traumas associated with casualties in his unit. O'Brien brilliantly captures the empty, purposeless fumbling of Vietnam with vignettes such as "world's greatest lake country" (crater holes filled with monsoonal rain). The sardonic and cynical humor of the men and the remorseless meaninglessness of the war are sharply contrasted with the occasionally ethereal and drug-like escape that is conducted only in possibility.
Overall, a very worthwhile read.
14 people found this helpful
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One of O'Brien's Best

Tim O'Brien shows why he is one of the truly great writers of the 20th century. Going After Cacciato is a masterfully written novel that works on so many different levels. O'Brien reveals the mental strain and the incredible toll of war by showing how Paul Berlin uses the imaginary journey after Cacciato to escape the day-to-day horrors that he experiences in Vietnam and come to terms with his feelings about them. O'Brien's use of psuedo-flashbacks gives the story a decidedly surreal feel. He flawlessly weaves detailed, eloquent descriptions of the land and actions with "grunt-speak" and harsh depictions of everyday horrors. The resulting mix is quintissential O'Brien and will keep you enthralled to the end. Not just a novel for war story fans, Going After Cacciato should be read by anybody who enjoys literature.
13 people found this helpful
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O'Brien's best

This is one of my favorite novels of all time. I first read it in college, nearly fifteen years ago, and recently picked it up again. It can be read on many levels: a Vietnam story, a discourse on the absurdity of war, a study of human nature, etc.. O'Brien is a gifted writer, and while I also enjoyed The Things They Carried and In the Lake of the Woods, this book remains my favorite.
12 people found this helpful
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still don't get it.....

Cacciato is a member of a U S Army platoon in Vietnam and he goes AWOL.

His platoon take off after him and once this starts the reader is taken on a mystical walk where the platoon walks to Paris to get him back.

So, the book is divided into two parts, there is vignettes of real combat scene's that the platoon is involved in and then there is the ' magic' scenes where they walk through countries and experience lots of things that are metaphors for whats happening in the world.

The writing is brilliant, but I still don't ' get it' anymore this time than when I read it 30 years ago.

To me its very dated and is a real 'child of its time' written in the late 70's, when everyone was still clinging to the 60's.

As a war novel its a bust ,as a novel to me it's the type of novel that would go down well with the literary set for book awards, for that type of reader its probably gold, but its not for me and even if I'm still around in 30 years I won't pick it up again.
9 people found this helpful
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War Fiction turns Magic Realism, and loses me

I hadn't heard of the book or the author before I picked it. I read its first few pages and
Was hooked. The main character, Cacciato [how do you pronounce this name?], decides to walk away from the Vietnam war and hike overland to Paris. His platoon follows him.
The book describes their adventures.
The first quarter of the book contains some of the best combat narrative I have read, it describes the trauma, the randomness, the banality, the irritation of involuntarily living cheek-by-jowl with others. This part for me flowed along. I was able to suspend disbelief about the fact that they were on a mission to track down one of their comrades who was walking into enemy territory.
Without giving the story away, there was a point where they came into contact with the Vietnamese enemy, where I gave up entirely. The fiction had become magic realism, there was no going back to credibility and I'm afraid I lost the plot.
I did however persevere and finish, but I cannot recommend it based on my initial impressions. The writing overall is excellent, the characters well-documented, but I cannot follow when the plot doesn't have the pretence of credibility. I would have liked to have liked this book more.
8 people found this helpful
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A SURREAL PERSPECTIVE ON AMERICA AND VIETNAM

As an author with my first novel in its initial release, I am a great admirer of Tim O'Brien's GOING AFTER CACCIATO. While I have never been any closer to Vietnam than Honolulu, GOING AFTER CACCIATO captures the insanity of America's Vietnam experience for me. Good men fought the Vietnam War for what they thought were the correct values, and good people opposed the war because of what they thought were the correct values. Tim O'Brien brings these contradictory values to life in this work. Cacciato deserts his jungle post in-country with the intention of walking over 8,000 miles of land to Paris to get those infamous peace talks moving forward. The men of his squad pursue him, soon beyond the world of factual reality. They go on a surreal journey across Asia, Middle East, and Europe, raising more questions than they answer. GOING AFTER CACCIATO is Tim O'Brien's masterpiece, a landmark in contemporary American literature.
6 people found this helpful