Footsteps in the Dark (Country House Mysteries, 1)
Footsteps in the Dark (Country House Mysteries, 1) book cover

Footsteps in the Dark (Country House Mysteries, 1)

Paperback – November 1, 2010

Price
$12.97
Format
Paperback
Pages
352
Publisher
Sourcebooks Landmark
Publication Date
ISBN-13
978-1402217944
Dimensions
5 x 0.88 x 7 inches
Weight
12.5 ounces

Description

Georgette Heyer's novels have charmed and delighted millions of readers for decades. English Heritage has awarded Georgette Heyer one of their prestigious Blue Plaques, designating her Wimbledon home as the residence of an important figure in British history. She was born in Wimbledon in August 1902. She wrote her first novel, The Black Moth, at the age of seventeen to amuse her convalescent brother; it was published in 1921 and became an instant success. Heyer published 56 books over the next 53 years, until her death from lung cancer in 1974. Her last book, My Lord John, was published posthumously in 1975. A very private woman, she rarely reached out to the public to discuss her works or personal life. Her work included Regency romances, mysteries and historical fiction. Known as the Queen of Regency romance, Heyer was legendary for her research, historical accuracy and her extraordinary plots and characterizations. She was married to George Ronald Rougier, a barrister, and they had one son, Richard. Excerpt. © Reprinted by permission. All rights reserved. From One 'And I suppose this is the approach-course,' said Charles Malcolm. 'Full of natural hazards.' His wife, Celia, replied with dignity: 'That is the tennis court.' Charles made a derisive noise. 'All it needs,' she said, eyeing him, 'is a little levelling.' 'All it needs,' said Charles rudely, 'is a hay-cutter and a steam-roller. And this is the place you wouldn't sell!' His sister-in-law took up the cudgels. 'It's perfectly lovely, and you know it. As soon as Celia and I set eyes on it we fell for it.' 'That I can believe,' said Charles. 'A mullioned window or two, and a ruined chapel, and I'd expect you two to go over at the knees. But Peter was with you. What did he fall for? Beer at the local pub?' 'There's a trout-stream at the bottom of the garden,' Margaret pointed out. 'So there is,' Charles agreed. 'And another in the servants' hall for wet days. Bowers showed it to me.' 'Simply because there was a pane of glass out of one of the windows!' Celia said hotly. 'Of course the rain came in!' Margaret tucked her hand in Charles' arm. 'Wait till you've seen your bedroom. It's got linen-fold panelling, and there's a cupboard which is all part of it, and which takes you ages to find.' 'That really is jolly,' Charles said. 'Then if anyone burgles our room he won't be able to find my dress-coat. I suppose I can mark the place with a cross.' 'No, you have a compass, and take bearings,' retorted his wife. 'Come on in, and we'll show you.' They turned away from the tennis-court and began to walk back towards the house down one of the neglected paths that wound between flower-beds to the terrace on the south side of the building. 'Chas, can you look at it with the sun on that heavenly grey stone, and blame us for refusing to part with it?' Margaret exclaimed. 'I'll wait till I've seen my room,' Charles replied. But he had to admit that this house, which had been left to his wife and her brother and sister, was artistically all that could be desired. Built originally many hundreds of years before of grey stone, much of it was now ruined, and much had been added at different periods, so that the present house was a rambling structure, set in wooded grounds where oaks, which had been there when the Conqueror landed, reared up huge gnarled trunks from out of a tangle of undergrowth. A drive of about a quarter of a mile in length twisted through the trees to the gates that opened on to the road which led to the village of Framley, a mile away if you went by road, but much less if you walked across the fields at the back of the house. Down the road towards the village, but set back inside the Priory grounds, were the ruins of the chapel which had so captivated Celia's fancy. Dismantled during the Reformation, and later battered by Cromwell's cannon, not much of it now remained, but fragments of the walls rose up crumbling out of the grass. Here and there part of the walls remained to show the Gothic windows, but for the most part they were no more than a few feet in height. The Priory itself had been restored so that the many rebuildings and additions had left little outward appearance of the old home of the monks. Celia, who had acquired a book on Old Abbeys, declared that the library, a big room giving on to the terrace, was the original refectory, but she admitted that the panelling was probably of later date. The place had come to her quite unexpectedly. An uncle whom she, in company with Peter and Margaret, had visited at dutiful intervals during his lifetime, had bequeathed the Priory to his nephew and his two nieces. No lover of rural solitudes, he himself had never occupied the house. In his turn he had inherited it some five years before from his sister, who had lived there through marriage and widowhood. As she left it so it now stood, and no sooner had Celia Malcolm, and Peter and Margaret Fortescue seen it, than they declared it was just the place they had dreamed of for years. At least, the two sisters said so. Peter was less enthusiastic, but agreed it would be a pity to sell it. It had been to let for quite a long time, but ever since the first tenants who rented the house two years after the death of its original owner, had left, no one had made even the smallest offer for it. 'Your uncle had a good deal of trouble over the house,' had said Mr Milbank, the solicitor. 'When she lived in it his sister never made any complaint, but she was an eccentric old lady, and it's conceivable she wouldn't have cared. But the fact of the matter is, Mrs Malcolm, the house has got rather a bad name. The people your uncle let it to took it for three years x96 and they left at the end of one. They said the place was haunted.' 'Oo!' said Margaret. 'What a thrill for us!' The lawyer smiled. 'I shouldn't build on it, Miss Fortescue. I think you'll find that it's nothing more thrilling than rats. But I thought I'd warn you. So that if you feel you'd rather not take possession of a reputedly haunted house you might like me to follow up this offer.' He lifted up a sheet of notepaper that lay on his desk, and looked inquiringly at Peter. 'Is that the offer you wrote to us about?' Peter asked. 'Some fellow who saw the board up when he was motoring in that part of the world, and wanted to know particulars?' Mr Milbank nodded. Celia and Margaret turned anxiously to their brother, and began to urge the desirability of owning a country house so near to town, and yet so ideal in situation and character. The trout stream won Peter over. Charles, a young barrister with a growing practice, had no time to waste, so he said, in going to look at a house which his wife was apparently set on inhabiting whether he liked it or not. He placed his trust in Peter. 'And nicely you've abused it,' he said, over tea in the library. 'For two months you three have dashed to and fro, doing what you called "getting it ready to live in." Incidentally you lulled my suspicions with lying stories about the house, till I almost believed it was something like your description. You' x96 he pointed an accusing finger at Margaret x96 'said it was the ideal home. The fact that there was only one bathroom and a system of heating water that won't do more than one hot bath at a time, you carefully concealed.' 'Do you good to have a few cold baths,' remarked Peter, spreading jam on a slice of bread and butter. 'It isn't as though we propose to live here through the winter. Moreover, I don't see why we shouldn't convert one of the bedrooms into a second bathroom, and put in a better heating arrangement. Not immediately, of course, but at some future date.' Charles eyed him coldly. 'And what about light? Oh, and a telephone! I suppose we can wire the house while we're about it. This must be what Celia called "getting a countryhouse for nothing." I might have known.'

Features & Highlights

  • "Bright and effervescent."―The Time s Literary Supplement
  • What begins as an adventure soon becomes a nightmare...
  • Locals claim it is haunted and refuse to put a single toe past the front door, but to siblings Peter, Celia, and Margaret, the Priory is nothing more than a rundown estate inherited from their late uncle-and the perfect setting for a much-needed holiday. But when a murder victim is discovered in the drafty Priory halls, the once unconcerned trio begins to fear that the ghostly rumors are true and they are not alone after all! With a killer on the loose, will they find themselves the next victims of a supernatural predator, or will they uncover a far more corporeal culprit?

Customer Reviews

Rating Breakdown

★★★★★
30%
(548)
★★★★
25%
(457)
★★★
15%
(274)
★★
7%
(128)
23%
(419)

Most Helpful Reviews

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Not my favorite Heyer mystery, but . . .

Lots of fun just the same! I'm an avid mystery fan (not much for "cozies", more a fan of the British and American Golden Age mysteries and historical mysteries), and was thrilled to discover Heyer's dry, witty, character-driven mysteries. I love her Regencies, as well, for her humor, brilliant characters and plotting, and dialogue. "Footprints in the Dark" had it all, I admit; haunted house, secret passages, questionable characters - but it took a while to get going for me. I felt like this was one of her first attempts at mystery, and I could tell, if you know what I mean; as a mystery buff, you're used to certain plot devices, character types, etc., and it's just a matter of how creatively the author uses them. The writer's level of mastery adds or detracts from my enjoyment accordingly - how much I as the reader "saw that coming". Anyway, because this was one of her first efforts, before the Inspectors Hemingway and Hannasyde mysteries, it felt more obvious in places; but for all that, Heyer's signature wit and style carried it through the slower bits until it really started hopping in the last quarter or so of the book. So, since Heyer's slowest-going effort is still better than 90% of what's available today for mystery fans, I'd still give this book four stars!
15 people found this helpful
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Definitely not my favorite Heyer...

This is one of the very few Georgette Heyer novels I hadn't read before, and also one of the two I didn't enjoy. The characters are very generic, the 2 younger women in particular having no particular traits at all. The police have no method, the officer also seems to have no real personality except an occasional feeling of annoyance. The love interest for the unmarried sister is completely inexplicable, odd considering the author's expertise in romance. I like some of Ms. Heyer's other mysteries, love most of her romances, and enjoy mysteries like the Peter Wimseys, older Agatha Christies and Ngaio Marshes, but I definitely do NOT recommend Footsteps in the Dark.
7 people found this helpful
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Secret Passages and Stairs, oh my!

I am an avowed Heyer fan, but this is probably my favorite mystery of all (yes, I've read every single Heyer book, many multiple times). This one is chock full of interesting characters, secret sliding panels in an old castle-like manor, suspicious men at the local pub, and an undercover agent. Heyer wrote most of her novels between 1918 and 1960, and this comes across in some of the language, car issues, and technology employed. She wrote during the era as opposed to one of us writing about the era. That said, she must be one of the first 20th Century authors to employ the various devices she uses to move this story along. Her writing style is good and the characters interesting (I have to admit I don't like the faint-hearted damsel, so one of them got on my nerves). But, if you've never read Heyer, start here.
5 people found this helpful
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Things that go bump in the night in an English country home

This mystery is set in 1930's England and revolves around an inherited country home of Peter, Celia, and Margaret. They decide to make a stay there to see if the country life suits them. There is a rumored ghost on the property, "The Monk", strange sounds in the night and a mysterious stranger who may have darker motives. While the characterization was not particularly strong, the story has some charm, even though the mystery is less difficult to solve with a modern perspective. Some of the character's behavior is sterotypical (the slightly inept country policeman, for example) and some of actions of the characters, while probably fitting with the time period, are a bit jarring to modern sensibilities. It was an enjoyable, if not overly involving story.
4 people found this helpful
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Well written.

Great story and flows well. Good characterization and wonderful humor. Not many of her murder-mysteries intrigue me, but this does, as well as Why Shoot a Butler.
2 people found this helpful
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Silly, funny mystery

"Footsteps in the Dark" is a historical mystery set in England. It was first published in 1932 and was set in the late 1920's, so it was written as a contemporary mystery. Of the Heyer mysteries I've read so far, this is my favorite. It's very funny, especially since the group (3 siblings, a spouse, and an aunt) get spooked despite their determination not to believe in ghosts. Though there wasn't a lot of depth to the characters, they were engaging and likable.

The whodunit was well done. About halfway through, I predicted who were "bad guys" and who were "good guys." Closer to the end, I was certain who the Monk was. Yet I still felt elated to discover that I'd guessed correctly. I think I was elated because the clues were subtle things that were "off" more than evidence directly linked to the crime, so I knew my guess about the Monk was not a sure thing even though I felt certain.

The suspense was created by wondering what was causing the moans and groans (it does come across as spooky) and by the potential physical danger to the main characters. There was no sex. There was some explicit bad language. Overall, I'd recommend this novel to those who enjoy humorous mysteries.
2 people found this helpful
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What fun!

Oh, I thoroughly enjoyed this book! It is a highly mannered mystery novel, full of wit and humor. Admittedly, it is as stylized as an old Claudette Colbert movie and, if you're in the mood for it, just as much fun. There are some moments filled with atmosphere and suspense; others that make you laugh out loud. I don't feel that it's a novel to be taken too seriously, but if you're willing to join the author in having a good time, you're in for a charming and fun read.
2 people found this helpful
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Murderous Monk

Has the Priory really been empty all these years?

Peter, Celia and Margaret inherit the old house after the death of an absent uncle who was afraid of the resident ghost...the Monk. The old house with its overgrown garden harbors a old abbey cemetery and an ancient inn as a neighbor in the forgotten village nearby. Strange tales are told about a shrouded figure who haunts the old house, yet no records of the building's dark history can be found. A skull rolls out of the wall and a system of passages is discovered...but where do they lead and what skulduggery do they conceal?

Why does Michael Strange act so...strange? Why does the vacuum cleaner salesman insist on cleaning huge portions of the house for free? Is he looking for something or someone? Duval the weird french artist is found hanging from a crossbeam... is it murder? A dark detecive novel indeed!

This mystery novel written in 1932, the Golden Age of Mystery, has much interesting dated language "planchette" or a "quiet rubber in the evenings"(card game)that could have been footnoted for inhabitants of the twenty first century who like archaic English.

Detective fans love facts and there are many here that, unfortunately, let the "cat out of the bag" rather quickly. The supernatural rather quickly becomes merely suspenseful as the skull rolls out after one of the characters opines that there must be skeletons in the wall. Other facts carelessly reveal the Monk well before the plot progresses. The plot is filled with excessive detail that slows the book down, much like the old movies that never edited out redundant intermediate scenes. Maybe the detail is meant to derail us from predicting the final destination of the story!

This book passed my rail commute test. It kept me occupied from looking at the dreary snow covered villages of Hessen- one chapter at a time.
2 people found this helpful
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Ghostbusters (1932 : Heyer)

Celia Malcolm and her siblings have unexpectedly inherited a country estate from an uncle. The Priory is an ancient, dilapidated house that began as a medieval abbey, with its own chapel ruins and almost equally ruinous tennis court. Celia and sister Margaret are charmed by the gothic windows, linen-fold paneling, and stately oaks, while brother Peter has his eye on the trout stream. Celia's husband Charles hasn't even seen the place, but doesn't look forward to living anywhere with little plumbing or heat, and no electricity or, even worse, telephone (for Celia that's a plus). The last family member to live there was an eccentric aunt. The tenants who moved in after her death fled in terror claiming the place was haunted. Surprisingly, now, someone has offered to buy it, but the siblings won't sell, believing it will provide them the perfect refuge from London summers.

It doesn't help when Charles, on his first visit, hears the local publican's account of the horrible night when he himself saw the Priory ghost known as The Monk. Sure enough, as soon as they start spending nights in the house, the new owners start hearing noises. At first, rustles that might be attributed to rats, then ... footsteps, groans, and a loud crash. A picture hanging in the stairwell has fallen off the wall, bringing down a piece of paneling with it. A human skull falls out on the floor, and inside the hole left in the wall they find the rest of a skeleton. A long ago priest who died in his priesthole? No, says skeptical Charles. Someone has arranged this to frighten us away. Nobody is going to scare me out of my own house!

Celia and company begin to meet some of their new neighbors, the Vicar and Mrs. Pennythorne (she's a gossip), Dr. and Mrs. Roote (he drinks), lonely bachelor Colonel Ackerley, and nocturnal entomologist Mr. Titmarsh, plus a highly suspicious stranger whose very name is Strange. Things go bump in the night, and in the daytime too. A mystery is solved, creating a new one. Is it an exorcist they need, or a policeman? Placid, pragmatic Mrs. Bosanquet, Celia's aunt, experiences a fright. The young people, not expecting to encounter evil in a quiet village, are slow to recognize it even looking it in the face. Only after coming upon the body of a murdered man do Charles and Peter realize the danger they're in. Is it too late?

Early mystery writers tried, it seems, to balance light and darkness in their stories, hoping to entertain, not cause despair. This, the author's first mystery, is definitely on the bright side, almost, though not quite, farcical. Of the four Heyer mysteries I've read, "A Blunt Instrument" and "Envious Casca" are toasted just about dark enough, but the bleak, pessimistic "Penhallow" is burnt (for me) beyond salvation. Celia, Margaret, Peter, even lawyer Charles may all be a bit affected by "bright young things" syndrome, showing more exuberance than sense, though endearing in their innocence.
1 people found this helpful
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Five Stars

Excellent
1 people found this helpful