Fables Vol. 13: The Great Fables Crossover
Fables Vol. 13: The Great Fables Crossover book cover

Fables Vol. 13: The Great Fables Crossover

Paperback – February 9, 2010

Price
$9.27
Format
Paperback
Pages
232
Publisher
Vertigo
Publication Date
ISBN-13
978-1401225728
Dimensions
6.65 x 0.59 x 10.2 inches
Weight
10.5 ounces

Description

From Publishers Weekly The appeal of Fables has always been the reimagining of fairy tale characters as if they were as messy and screwed up as real people; the characters are divorcées, drunks, womanizers, and overall flawed beings. In this crossover of all the Fables characters from various spinoff books, Kevin Thorn, the creator of the world and its stories, is angry such liberties were taken with his characters and is determined to destroy the Fablesverse and start over. The regular Fables cast, Snow White, Bigby Wolf, and Jack (the one with the beanstalk)—with a few additions such as gun-toting embodiments of the library sciences and Thorn's son, Mister Revise—try to stop Thorn before he writes them and the rest of the world out of existence. Unfortunately, most of what could be good ideas becomes burdensome, with zigzagging plot twists that bog down the pace. There are a lot of meanwhiles, and interesting side points and characters, but the overall plot is lacking. (Feb.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Booklist Taking a breather from Fables’ main action, Willingham teams with fellow scripter Matthew Sturges for this story that occupied three monthly installments each of Fables, Jack of Fables, and The Literals, which was created for the occasion. It’s a frayed, comics-medium in-jokey yarn centered on a comics author (one of the Literals) determined to rewrite the Fables’ history, deleting characters he dislikes with a pen that makes what he writes real (at least in the world of comics). His straitjacketed twin, Writer’s Block, prevents him from whole-hog renovation but not from thwarting the posse after him by recasting its leader, Bigby Wolf, as a chimp, a pink elephant, a donkey, and a little girl. Fortunately, Wolf’s personality remains constant and, with the help of the kick-ass librarian Page sisters (from Jack of Fables), prevails. Meanwhile, when Jack drops in on the Fables’ Adirondacks farm, he’s hailed as the messianic second coming of the martyred Boy Blue; as Daffy Duck, whose Duck Amuck is surely one inspiration for this arc, might say—what a revoltin’ development! --Ray Olson Bill Willingham has been writing, and sometimes drawing, comics for more than 20 years. During that time, he's had work published by nearly every comics publisher in the business, and he's created many critically acclaimed comic book series, including Elementals, Coventry, Proposition Players , and of course the seminal Vertigo series Fables , as well as its spin-off series Fairest, Jack of Fables and The Literals . His work has been nominated for many awards, including the Eisner, Harvey, and Ignatz comic industry awards and the International Horror Guild award. He lives somewhere near a good poker room. Matthew Sturges has written a number of comics for DC, including House of Mystery, Justice Society of America, and the Eisner-nominated Jack of Fables (with Bill Willingham). He has also written the novel Midwinter , available from Pyr, and its sequel The Office of Shadow .Born in 1966 in the English seaside town of Clevedon, Mark Buckingham has worked in comics professionally for the past twenty years. In addition to illustrating all of Neil Gaiman's run on the post-Alan Moore Miracleman in the early 1990s, Buckingham contributed inks to The Sandman and its related miniseries Death: The High Cost of Living and Death: The Time of Your Life as well as working on various other titles for Vertigo and Marvel through the end of the decade. In 2002 he took over as the penciller for Bill Willingham's Fables , which has gone on to become one of the most popular and critically acclaimed Vertigo titles of the new millennium. When not in Clevedon, Buckingham can be found with his wife Irma in the Asturias region of northern Spain. Read more

Features & Highlights

  • All nine issues of the long awaited crossover between Vertigo's two popular series Fables and Jack of Fables are collected here.The world of Fables is introduced to a whole new set of characters...The Literals. The Literals are characters that embody, literally, different literary genres such as Mystery, Comedy and Romance. One of The Literals goes by the name The Storymaker, one who can vanquish the world of Fables with one stroke of his pen.When Jack discovers the existence of The Literals and their leader Kevin Thorn aka The Storymaker, Jack must leave his own book and crossover to the world of Fables to warn Fabletown about Kevin Thorn. Does the The Storymaker plan to close the book on the Fables universe once and for all?The Great Fables Crossover features appearances from Fables favorites such as Snow White, Bigby Wolf, Rose Red, Jack Frost,Beauty and The Beast.

Customer Reviews

Rating Breakdown

★★★★★
30%
(84)
★★★★
25%
(70)
★★★
15%
(42)
★★
7%
(20)
23%
(63)

Most Helpful Reviews

✓ Verified Purchase

Weak

I adore the Fables series and love spending time with these characters, with this writer, and with the talented crew of artists.

But...I just barely tolerated this story arc.

This is a long-winded and tiresome series of books. The tone isn't wry. It is leaden. Lots of flat jokes.

The basic idea is that Jack wanders back into the world of the New York fables as things are turned upside down by the Literals. The Literals are characters -- Writer's Block, Pathetic Fallacy, etc. -- that personify the writing process. (There's a character named Humor who looks like Groucho Marx and who runs around holding a rubber chicken. Because that's how you personify the prose genre of Humor. No kidding.)

I'd be fine with the temporary insertion of allegorical characters if that yielded something vital about the nature of the Fables universe. Or if they pushed the stories forward of the Farm Fables or of the ex-Manhattan Fables. Instead, the whole thing struck me as being a hot mess. A very long hot mess. A hot mess with limited character development. A hot mess with a lot of half-baked meta-comics ideas.

The art is still great!

Now if you love the character of Jack of Fables, you'll probably enjoy this. This principally a Jack story (with some nice moments for Rose Red and Stinky.)

I figure you can skip this thing and move on with the Fables series without losing a whole lot. Do you really need another crossover?
64 people found this helpful
✓ Verified Purchase

Disappointing 2009 nine-issue Fables crossover descends into tiresome metafiction

This attractively priced trade paperback collects all nine issues of "The Great Fables Crossover" that was originally published in single comic book form between May and July 2009. The story involved three titles: the acclaimed "Fables" title, its spinoff "Jack of Fables", plus a three-issue miniseries "The Literals". I enjoyed the first four trade paperbacks in this series but started to lose interest by the sixth volume. DC/Vertigo's promotion of this crossover inspired me to revisit this series by buying these individual issues as they were released. Those unfamiliar with the Fables universe should read reviews of these first few TPBs for an introduction.
The crossover centers on Kevin Thorn, an omnipotent writer who can destroy and recreate the universe simply by writing in his special book with his special pen. Besides familiar Fables like Snow White, Bigby Wolf, Jack and Rose Red (plus dozens of anthropomorphic animals and household items), a new race of beings appear - the Literals. These include the Genres, physical manifestations like "Science Fiction", "Western" and "Comedy" that aid Thorn with his re-creation. Jack has learned of Thorn's threat, and returns to the Farm with the news, where he is met by his long lost son. A band of Fables led by Snow White and Bigby then pursue Thorn and his Genres to prevent the imminent apocalypse.
Willingham smashes the fourth wall so much that it becomes tiresome. Much is made of Jack leaving his eponymous spin-off for the original title, and the disappointing narrative is overwhelmed by its self-referential metafiction. At least the artwork is strong as in the rest of the series, and Amazon's price of $12.25 for 224 pages seems like a great deal, less than half of the original $2.99/issue cover price. Hardcore fans of the series will probably enjoy this volume, but as a casual fan I was disappointed.
25 people found this helpful
✓ Verified Purchase

The Series is Great - But not the "Crossover"

I've been a fan of "Fables" since issue #1, but this is a complete waste of time. Go from Volume 12 directly into Volume 14 "Witches". NOTHING in this crossover tale has any impact on the overall Fables storyline, so you won't be missing anything. The "big bad" is a Literal who can erase the universe with a sentence. (Literals are human characterizations of literary terms like "revision", "writer's block", and "deus ex machina" - and yes, its as stupid as it sounds. The Endless they ain't.) With an Adversary so omnipotent, of course you have to make up reasons why he just doesn't destroy everything on the first page - and its all nonsense and explosions from there.
15 people found this helpful
✓ Verified Purchase

More for fans of Jack of Fables than Fables fans

The Great Fables Crossover spans three titles- Fables, Jack of Fables, and The Literals (a mini series released to complete the crossover)- so it is indeed a Crossover. It does star Fables (perennial favorites Bigby and Snow are more at the forefront here than they have been recently). But I'd hesitate to call it Great.

To summarize where we are at the start of this (minor spoilers to follow)- the characters of both ongoing books have been ousted from their homes- Jack and co. from Golden Boughs, destroyed in the battle with Bookburner, and the Fables are up at the Farm following the collapse of the Woodland building by Mr. Dark's evil magics. Kevin Thorne, a longtime background character in the Fables book, was revealed to be one of the Literals- embodiments of literary devises- and an important one at that, the embodiment of storytelling itself. He's decided his creations- the Fables/the universe?- has gotten out of control and he's going to end it all and start over. The crossover begins with Jack calling the Fables for help, and they dispatch Snow and Bigby to head out west and investigate Jack's claims. When they arrive Jack leaves in a huff and heads to the Farm (and the main Fables book), leaving Snow and Bigby (and the Jack of Fables supporting cast) to deal with the Literals.

This swapping is probably my favorite element of the crossover. Snow and Bigby are out of their element in Jack's book, and Jack's been apart from the main Fables for so long that there are a lot of interesting character beats to be found.

I'm not a big fan of the Literals themselves- I've never really loved the idea, and this storyline has been building in Jack of Fables for a really long time (and, in my mind, knocking a lot of the fun out of that book , somewhere around the Americana story, as the Literals came more and more to the forefront of the action). The biggest problem with this crossover is that it's really a Jack of Fables story and not a Fables story at all. It's fun to watch Jack wreck a bit of mayhem at the farm, but there's very little advancement to any of the Fables plot lines or characters- the exceptions being some more development of Stinky the Badger and his obsession with Blue's return and a bit more seeding of Grimble being a more important member of Fabletown- that's it. Everything else remains pretty status quo from the end of the last volume. Conversely, the Jack of Fables book is in a completely different place (one I'm more excited to read about than I have in some time).

A word on the art- all very strong. Mark Buckingham draws four of the nine chapters, and Jack of Fables artists Tony Akins and Russ Braun split the rest. Mark Buckingham remains a genius and the other artists' styles aren't too divergent to be distracting.

All in all, this is a pretty good volume of Jack of Fables and a sub-par volume of Fables. If you've been following Jack of Fables, you'll want to pick this up. If you're a Fables fan who dislikes the Jack book, you may want to consider skipping this.
The 3.5 out of 5 stars it has now is an accurate assessment.
11 people found this helpful
✓ Verified Purchase

Skip this Volume.

I have loved every volume of Fables up to this point. But this volume is one of the worst things I've ever read.

Several times, there is a full page "joke" where the "joke" is "hey look, we spent a whole page doing something completely pointless". The blue ox uttering complete gibberish. The diner fables ordering hundreds of food items. How droll.

I found Jack amusing before, but here? He tries to get a bunch of preteen kids to drink and smoke. He pretends to be a messiah so that he can order people around. He takes advantage of a near-catatonic, depressed woman. If you're into that kind of stuff, maybe you'll enjoy this volume.

I sure didn't.

Its only redeeming quality is that it's more-or-less self-contained. Do yourself a favor and skip this one. I wish I had.
6 people found this helpful
✓ Verified Purchase

Sockingly average

A self indulgent spinning arc from the story that destroyed Jack of Fables.
I love Fables. This is beautifully written, well drawn, but simply has no sbstance to the story. I'd advise anyone to stay away, and we could all pretend the literals part never happened
6 people found this helpful
✓ Verified Purchase

This is a Marketing Stunt - It's 100% Jack of Fables

This book is the continuation and end of the Jack of Fables story thus far. It has nothing at all to do with the Fables universe and is intended to get Fables readers interested in buying another title - one that I think is far below the standards of Fables. There is no mention of Mr. Dark or any of the plot lines you were following in Fables #12. Instead, Bigby and Snow ride along with Jack on the final leg of his story. How disappointing. I had given up on Jack of Fables because I thought the storyline with the literals was weak and actually made the Fables universe less appealing.

The literals are personified literary terms. What terms get personified is totally arbitrary. It would have made sense for The Pathetic Fallacy to have created them all at some point, but the author missed this chance at an explanation. Instead, we have random selected literary personifications walking around, and this random guy, Kevin, basically acting as their god, able to write anything into existence. This power throws the whole Fables universe out of balance, and basically nothing matters anymore because Kevin can just rewrite anything. The authors would have done better to leave the literals out of the story completely and expand on the idea from mystical tradition and used to perfection in the Sandman that it is human's belief in Fables that give them power.

My recommendation - if you're not a big Jack of Fables fan, skip this. Fables fans could go from #12 to #14 without missing a thing.
6 people found this helpful
✓ Verified Purchase

Gah!

So, I'm torn. On the one hand I hope this story plays no role whatsoever in any of the future Fables volumes. At the same time, I'd hate to think I wasted my time reading it.
4 people found this helpful
✓ Verified Purchase

Weakest Fables TPB by A LOT.

I have read all of the books leading up to Vol. 13, and honestly you can probably just skip this whole book. There are *some* important things that happen that might confuse you jumping from vol. 12 to vol. 14 ("witches") but there are pretty concise plot points/story developments.

Anyway, the entire book seems very contrived, and just overall poorly written. I really enjoy the series (otherwise I wouldnt have read through this far - every issue and small side story), but honestly this book is pretty crappy. On a lighter note, I just read the first book of Vol. 13 (which apparently isnt the first chapter) and it has me hooked already and ready to read the rest of that story arc (unfortunately I have work to do following this write up).

Anyway this is a big MISS for the series and it is mostly self-contained so my advice would be do not waste time or money (luckily I borrowed it) on this book.
4 people found this helpful
✓ Verified Purchase

Uncharacteristically weak

Short and sweet: you can skip this one. It's total filler and does little to propel existing story arcs forward; really frustrating from that perspective. It is well written and there are some funny bits, but this book is nothing substantial compared to everything else in the series.
4 people found this helpful