Empire's End: Aftermath (Star Wars) (Star Wars: The Aftermath Trilogy)
Empire's End: Aftermath (Star Wars) (Star Wars: The Aftermath Trilogy) book cover

Empire's End: Aftermath (Star Wars) (Star Wars: The Aftermath Trilogy)

Hardcover – February 21, 2017

Price
$15.95
Format
Hardcover
Pages
448
Publisher
Random House Worlds
Publication Date
ISBN-13
978-1101966969
Dimensions
6.3 x 1.4 x 9.6 inches
Weight
1.49 pounds

Description

Praise for Chuck Wendig’s Aftermath “ Star Wars: Aftermath [reveals] what happened after the events of 1983’s Return of the Jedi . It turns out, there’s more than just the Empire for the good guys to worry about.” — The Hollywood Reporter “The Force is strong with Star Wars: Aftermath .” —Alternative Nation “The Star Wars universe is fresh and new again, and just as rich and mysterious as it always was.” — Den of Geek! Aftermath: Life Debt “Compulsively readable, the kind of caramel-corn book you just keep stuffing in your face until it’s gone.” —Tordotcom “Man oh man, this is good stuff. [ Life Debt ] reveals what Han and Chewie were up to after Return of the Jedi .” — io9 “Gripping reading . . . [This novel] hits the ground running.” —New York Daily News Chuck Wendig is a novelist, screenwriter, and game designer. He’s the author of many novels, including Star Wars: Aftermath, Star Wars: Aftermath: Life Debt, Blackbirds, Atlanta Burns, Zer0es, and the YA Heartland series. He is co-writer of the short film Pandemic and the Emmy-nominated digital narrative Collapsus . He currently lives in the forests of Pennsyltucky with his wife, son, and red dog. Excerpt. © Reprinted by permission. All rights reserved. Leia startles at the sound of a furious pounding on the door, her knee banging into the table above which a glittering star map is projected. The map flickers, and when the voice comes through the door—“Leia! Leia! ”—she struggles to stand swiftly, almost forgetting the tremendous living weight around her midsection. The child inside her kicks and tumbles as she endeavors to get upright. Calm down, little angel. You’ll be free soon enough. “Mum,” says her protocol droid, T-2LC. “It appears as if someone is at the door.” xa0 “Yes, I hear that, Elsie.” She winces as she moves out from around the couch. That couch was supposed to be comfortable—but all it does is swallow her up like a devouring sarlacc. “It’s just Han.” xa0 “Is he in danger, mum? He sounds like he’s in danger. Should I open the door? I don’t want to let the danger in, but —” xa0 “Leia, damnit, the door,” Han says from the other side. His voice is followed swiftly by more thumps and thuds. He’s kicking the door, she realizes. xa0 “I’m coming!” she yells back. To the droid she says: “I’ll get it.” xa0 “But your condition, mum—”u2028“I’m not dying, I’m pregnant,” she snaps back, then opens the door. Han wastes no time in almost falling through it, his arm cradling a lumpy, uneven bag of something. “Took you long enough,” he says, smirking as he juggles his footing and skirts past her, giving her a quick kiss on the cheek as he does. xa0 “Don’t you know,” she says, shooting T-2LC a dubious look, “I have a condition. ” xa0 “Elsie, I told you, Leia doesn’t have a damn condition.” But then, more seriously and in a lower register, he says to her: “You do need to slow it down a little bit.” He gestures toward the star map. “For instance.” xa0 “I am in command of my own body, thank you very much.” xa0 “Tell that to the little bandit,” he says, dropping the sack of whatever down on the counter in the kitchen. The little bandit is what he’s taken to calling the child currently wrestling inside her belly. xa0 “You mean the little angel. ” She follows him into the kitchen, and T-2LC’s whining servomotors behind her indicate he’s following closely behind because someone (Han) told the droid to keep close to her in case she falls. Never mind the fact the droid stays so close to her, she’s nearly tripped on his metal feet half a dozen times already. “What did you bring?” xa0 Han winks, thrusts his hand down into the bag, and pulls it out gripping a jogan fruit. “Look.” He gives it a lascivious squeeze. xa0 She sighs, crestfallen. “Is that . . . whole bag full of jogan fruit?” xa0 “Yeah. Why?”u2028 xa0 “I cannot possibly eat that much jogan fruit.”u2028 xa0 “Sure you can.” xa0 “Let me rephrase: I don’t want to eat that much jogan fruit.” xa0 xa0“It’s good for you.”u2028 xa0 “Not that good.”u2028 xa0 “The doctors—” xa0 xa0“Dr. Kalonia said to incorporate jogan into my diet, not to replace everything with jogan fruit.” xa0 He sweeps up on her, cradling her face with his rough hand. He strokes her cheek gently. “All right, all right. I’m just trying to do right by you two.” xa0 “I know, Han.” xa0 “If I think I can help, I’ll always help. With whatever you or our son needs. You know that, right?” xa0 She laughs. “I know.” xa0 It’s been hard for Han. He won’t say it out loud, but she can see it on his face. Her husband needs something to do. He’s bored. Chewbacca’s back home, looking for his family. Luke’s searching the galaxy for old Jedi teachings. Han Solo’s got nothing to smuggle, nowhere to gamble, no foolish Rebellion to fight for. xa0 He’s like the Falcon: retired to a hangar somewhere, waiting for something, anything, to happen. xa0 So he buys fruit.u2028 xa0 Lots and lots of fruit.u2028 xa0 And, of course, he worries about her. He turns her toward the table and the star map. “You’re not still on this, are you?” xa0 “What?” “Leia, Kashyyyk was a fluke. We got lucky.”u2028 xa0 “I’m always lucky with you by my side, scoundrel.”u2028 xa0 He shakes his head. “You joke, but this is nuts.”u2028 xa0 “It’s not nuts,” she says, suddenly irritated. “What we did on Kashyyyk was the right thing to do, and you know it. If we could formalize that process, if we could target other worlds that the Senate is too cowardly to liberate, then maybe we could—with the unofficial sanction of our friendly chancellor—find a way to do right by those worlds. Which means not only do we save whole systems, but those systems might swing our way and join the chorus of voices here in the New Republic.” xa0 He sighs. “I dunno. Can’t somebody else handle this? Just for now . . .” xa0 xa0“Look,” she says, heading over to the star map. “Tatooine. Kerev Doi. Demesel. Horuz. All worlds still in thrall either to some Imperial remnant or to criminal syndicates or gangs. Rebellions work. We’ve seen it. We’ve helped make it happen.” xa0 “You know Mon’s not going to go for that.”u2028 xa0 “She already has. In a way.”u2028 xa0 In the aftermath of the attack on Chandrila, the New Republic was left reeling. Already the whispers arose: The New Republic cannot protect itself, how can it protect us? Already the accusations have been aimed at Mon Mothma’s head like turning rifles: She is weak on military presence and now she’s injured, how can she truly lead us? Leia and Han came back bringing a much-needed—if illegal and unexpected— victory for the New Republic at a time when it badly needed it. Yes, Chandrila was attacked. But they saved Kashyyyk. They ran off the Empire and liberated the Wookiees. It was a win. And it stopped the Senate from hemorrhaging loyal senators. xa0 She starts to say, “If we could aid rebels on each of these worlds—” xa0 “Mum,” T-2LC chimes in, literally thrusting his copper-shine protocol droid head in front of her. “You have a call.” xa0 “I’ll take it here.” She settles back down into the couch, then swipes the star map off the projector. A new image replaces it: the face of Norra Wexley. Once a pilot for the Rebellion, and recently the leader of a team of “Imperial hunters,” tracking down the Empire’s many war criminals when they fled to various corners of the galaxy to hide. She had helped Leia in a different capacity, finding her missing husband and helping Han free Chewbacca and his planet from the Empire. Now, though? Norra is out there looking for prey most elusive: Grand Admiral Rae Sloane. Read more

Features & Highlights

  • NEW YORK TIMES
  • BESTSELLER • Following
  • Star Wars: Aftermath
  • and
  • Star Wars: Life Debt,
  • Chuck Wendig delivers the exhilarating conclusion to the
  • New York Times
  • bestselling trilogy set in the years between
  • Return of the Jedi
  • and
  • The Force Awakens
  • .
  • EVERY END IS A NEW BEGINNING.
  • As the final showdown between the New Republic and the Empire draws near, all eyes turn to a once-isolated planet: Jakku.The Battle of Endor shattered the Empire, scattering its remaining forces across the galaxy. But the months following the Rebellion’s victory have not been easy. The fledgling New Republic has suffered a devastating attack from the Imperial remnant, forcing the new democracy to escalate its hunt for the hidden enemy.For her role in the deadly ambush, Grand Admiral Rae Sloane is the most wanted Imperial war criminal—and one-time rebel pilot Norra Wexley, back in service at Leia’s urgent request, is leading the hunt. But more than just loyalty to the New Republic drives Norra forward: Her husband was turned into a murderous pawn in Sloane’s assassination plot, and now she wants vengeance as much as justice.Sloane, too, is on a furious quest: pursuing the treacherous Gallius Rax to the barren planet Jakku. As the true mastermind behind the Empire’s devastating attack, Rax has led the Empire to its defining moment. The cunning strategist has gathered the powerful remnants of the Empire’s war machine, preparing to execute the late Emperor Palpatine’s final plan. As the Imperial fleet orbits Jakku, an armada of Republic fighters closes in to finish what began at Endor. Norra and her crew soar into the heart of an apocalyptic clash that will leave land and sky alike scorched. And the future of the galaxy will finally be decided.
  • Praise for Chuck Wendig’s
  • Aftermath
  • Star Wars: Aftermath
  • [reveals] what happened
  • after
  • the events of 1983’s
  • Return of the Jedi
  • . It turns out, there’s more than just the Empire for the good guys to worry about.”
  • The Hollywood Reporter
  • “The Force is strong with
  • Star Wars: Aftermath
  • .”
  • —Alternative Nation
  • “The
  • Star Wars
  • universe is fresh and new again, and just as rich and mysterious as it always was.”
  • Den of Geek!
  • Aftermath: Life Debt
  • “Compulsively readable, the kind of caramel-corn book you just keep stuffing in your face until it’s gone.”
  • —Tordotcom
  • “Man oh man, this is good stuff. [
  • Life Debt
  • ] reveals what Han and Chewie were up to after
  • Return of the Jedi
  • .”
  • io9
  • “Gripping reading . . . [This novel] hits the ground running.”
  • —New York
  • Daily News

Customer Reviews

Rating Breakdown

★★★★★
30%
(1.3K)
★★★★
25%
(1K)
★★★
15%
(627)
★★
7%
(293)
23%
(962)

Most Helpful Reviews

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... Star Wars canon and I'll can say is too bad is was given to a terrible writer

The Aftermath trilogy is probably the most important story in the new Star Wars canon and I'll can say is too bad is was given to a terrible writer. I don't know who to blame for this fiasco - Jennifer Heddle, Senior Editor for Lucasfilm, the publisher Del Rey, or Chuck Wendig himself. Thin characters that are hard to care about as well as poor characterizations of established characters. Plot lines that would best be suited for young adult books. The space battles are a joke. A writer that was more suited to military sci-fi would have been so much better for this series. If it's the end of the empire you are looking for you'll be better off looking elsewhere. I'm hoping that another writer comes along to tell the story from a different point of view so we can get this important story told properly.
80 people found this helpful
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It's just not good, doesn't even feel like Star Wars

I'm a fan of most of the new canon. I'm enjoying many of the new characters, but this series brings nothing to the Star Wars universe. The characters are extremely weak and seem like a bunch of children on a playground.

All the questions that need answered are left for someone else to answer. There are a lot of random pointless plot points opened up, like reintroducing Jar Jar Binks, that have no bearing on the rest of the story being told. We get teased with the mention of Mandalorian Armor in this book again, but why? It has nothing to do with anything in this series. There are lightsabers mentioned, but nothing else to accompany them.

If this is any indication on where the new EU is going, I'm going to continue to be sorely disappointed in shallow content.

I'm hoping the new Thrawn book can revitalize what Wendig has destroyed. Bring back the essence of Star Wars, and keep Chuck Wendig out of it.
75 people found this helpful
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I survived Aftermath! Chuck Wendig ate my dog and owes me a Life Debt! Empire's End in Your Pants!

Chuck Wendig once again proves his complete incompetence as a writer. His moronic writing style and poor story telling caused me to lose more hair in frustration when considering the potential a series set in this period of time could have possessed. I can only guess that Chuck hates Star Wars and hates their fans, as he attempts to ruin beloved characters and some of the fun mythology that has sprung up recently (nice try Wendig, but I still believe in Darth Jar Jar). His awkward attempt to bring sexuality into Star Wars is bizarre and clumsy. I'm not referring to his introduction of a gay character; aside from being a bit stereotypical, I didn't feel that was misguided. What I mean is he sometimes oddball references to sex in the weirdest places, seeming even more bizarre given how the franchise has steered away from such references in the past. And this is coming from someone who is by no means a puritan; Wendig inserted these sections in like a pre-teen drinking Mad Dawg 20/20 for the first time stumbling into a franchise steeped in tradition with no respect for the general spirit and feel of the series. The new characters he introduces are weak and annoying, he contributes very little to advancing the storylines people cared about. This series will no doubt go down as the worse entries into the new canon; one can only hope the folks at Lucasfilm recognize his absolute failure to produce anything remotely redeeming here and blackball him from any future Star Wars books. My brothers and I have begun using the term "Wendiged" to failing so poorly at what you're attempting to do that the outside observer is completely unable to comprehend what your original mission was. Ugh, and I haven't even mentioned his awful, third person present tense writing style; this book reads like it was written by a 7 year old who skipped first grade and has been robo-tripping for a week straight. Chuck Wendig, I ask that you please stay away from Star Wars, Sci-Fi, and writing in general. May God have mercy on your soul.
46 people found this helpful
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Epic fail!

I’ll start this off by saying that this is NOT a Star Wars novel. Yes, it has Star Wars on the cover and takes place in a galaxy far, far away, but it lacks the heart, excitement, enjoyment, and message that many fans, including myself, have grown to love over the last 40 years. Some of this comes from the lack of key characters that are instrumental to the Star Wars universe, as well as the poor writing style of the author. However, there is one thing that cannot be ignored in this book, which makes this story an epic fail.

The story ends up being a proclamation...dare I say a manifesto...of the author’s alt-left, radical, liberal views and his downright intolerance of any idea that’s different or more middle of the road than what his distorted beliefs represent. He has taken a great opportunity establish the new canon post ROTJ and has completely wasted it (not once, but three times) across the 3 book series.

I firmly believe that over its 40 year history, Star Wars has been one thing that has been able to bring people together. No matter who a person is or where they came from, Star Wars tells a story of hope, sacrifice, struggle and the ability for good to conquer evil. It’s not about conservatives vs liberals, democrats vs republicans, or right vs left - which is what makes it enjoyable to all people no matter what their background. This author completely misses that point and turns this book into something very one-sided, and dare I say, tarnishes a part of what makes Star Wars loved and cherished by many of its fans. Clearly he has an agenda and he uses every opportunity to push his views on to the reader.

It’s very disappointing that the Lucasfilm story group and Disney let this slide through and did nothing to reign in the author. Reading the other more recent Star Wars books that were published, there is much less, if any, of this political and social rhetoric found in those stories. As of the day of this review, I looked on Amazon to see how the reviews of other recent Star Wars novels compare to those of the Aftermath series. The numbers speak for themselves:

5/14/17
Aftermath (Book 1) 5 stars - 18% 1 star - 34%
Aftermath Life Debt 5 stars - 38% 1 star - 15%
Aftermath Empire End 5 stars - 29% 1 star - 17%

Thrawn 5 stars - 76% 1 star - 1%
Ahsoka 5 stars - 64% 1 star - 1%
Catalyst 5 stars - 49% 1 star - 4%
Bloodline 5 stars - 59% 1 star - 2%
Lords of the Sith 5 stars - 46% 1 star - 3%
Battlefront:Twilight 5 stars - 54% 1 star - 1%
Tarkin 5 stars - 46% 1 star - 3%
Dark Disciple 5 stars - 63% 1 star - 2%
A New Dawn 5 stars - 42% 1 star - 4%

Granted this is an unscientific comparison and the numbers will change over time, but a rough estimate is that approximately 50% of readers will give a Star Wars book the full 5 stars and less than 5% will give it 1 star. The Aftermath series doesn’t come close to that in any way. At best, a little over 1/3 give it 5 stars and at least 15% will give it 1 star. In my VERY humble opinion, that is a failure.

The lessons from this: the writer can make or break a good idea. Give the fans an escape that will be enjoyable for all. And most of all, please leave the alt-left AND alt-right views to another form of media and keep it out of Star Wars. I hope the next 3 book series is better than this one.
32 people found this helpful
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Horrible. The entire series might be one of the ...

Horrible. The entire series might be one of the worse Star Wars related things to come out.

What makes it worse, is that it takes place in what should be the most interesting timeframe.
32 people found this helpful
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It does not even feel like a Star Wars novel and ALL the Disney books

I have almost every Star Wars book ever written and this will be the last one I ever read or buy. It does not even feel like a Star Wars novel and ALL the Disney books, except Rouge One, have been politically correct trash. Disney is making it more important to be gay and use gender correct pronouns than to make a good story. I went to see The Force Awakens and I thought it sucked. The Force Awakens was more like a family reunion of old friends who should have stayed long gone. Rouge One should have won the Oscar for best picture but in the PC world we live it most likely some POS movie no one ever heard of probably won. Death to the Mouse (Please KILL MICKEY) and I hope Disney has to sell Lucas arts to some company that can do Star Wars justice. Also 1 star was the least I could give this pile of crap.
31 people found this helpful
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---------Way-To-Many-Dashes-Still------

This-author-loves-dashes! Think-I-will-do-my-review-in-in-this-format! NO!-I-WANT! Tries to be overtly politically correct even a chapter devoted to the pronoun that is non-gender specific zhe, zhey, and zher. There is a long drawn out scene of making out with two characters that completely broke up the flow of the novel. It felt like he added the scene just to have a romantic scene with these two characters. I read a few reviews about the sexuality being an issue for some readers and the author lashed out at those fans, even resorted to hate filled retorts just because some fans do not uphold the beliefs he may feel on the issue. We don't all have to agree with life views but I do believe we should respect each other's opinions. So while I read the novel I felt like those scenes where added out of spite and not for the sake of the story. Just me adding that to the review will almost guarantee I will get negative feed back and hate because my opinion does not matter if it disagrees with what is PC these days.

Just the style was overtly cheesy to me for example..."destiny withers on the vine."
"Black floor so smooth and so dark it's like a mirror cast in obsidian and stained with moral decay."
"Mouth is like rotten piece of bag-cloth with a knife slash cut in the fabric."
Palpatine has the presence of a collapsing star and the consumptive void that results from it. It draws you in. It takes something from you. It is a flensing, frightening force."
"...Palpatine says, a rigor mortis claw summoning him."
That is just in the first two pages.
I never once fear for any of the characters anywhere in the novel. When death does happen in the novel I am not emotionally involved with the characters in any way. They felt like a minor character just killed to have a few deaths in the novel.

The random two or three short stories in-between sections of the novel, with random minor and major people in the Star Wars Galaxy, seem like just fandom that destroy the flow of the story. I liked the Lando one except- his attitude-way he carries himself-silliness-stupidity-other than that it was OK. Jar-Jar one was pointless.

One character gets captured multiple times and I completely stopped caring about how she would escape, because-she-does-over-and-over.

Star Wars universe is supposed to be different from our world but he goes so far as to create a game like chess and instead of letting the reader come to the conclusion that it is in deed like chess just says. "It is like chess." Like we couldn't figure that out ourselves. Took me out of the universe and put me back in to our world. It is why I like to read Sci-Fi I want to escape this world and be in a different galaxy.

One-last-remark-before-I-post-and-let-the-hate begin. So your telling me the final battle with the Empire and Luke, Leia, and Han aren't going to join in. The problem with Disney including The Force Awakens is that they took these major hero's from my childhood and made them washed out. Leia is not a Jedi but a General that still just fights battles. Han is still a child who isn't some awesome General or Dad. Luke is a coward who gives up and does not bring back the Jedi order. So the final battle happens and the author is like lets leave out the hero's. Even Wedge is regulated to a pit mechanic working on X-Wings. In the old EU he was the best pilot and awesome! But lets not step on the toes of Disney and have two awesome pilots Poe and Wedge. Lets not let Luke have a major role in ending the Empire as a matter of fact lets only mention him in passing because he is going to run away and hide anyways. Han, nope lets make him a doting over protective worrier who will loan his Falcon out to anybody with a cause. Lets not forget that in ROTJ Han had a hard time letting his best friend use it in the final Death Star run. But the characters in this novel show up and he's like, "Yeah sure take her into the entire Imperial Navy." Leia, lets just make her a incubator for a fetus and not even have a good story line for her. The book is weak and out of all the Star Wars books I-HATE-This-Trilogy-the-most! They need to hire a few fans of this universe that have actually read Star Wars and have been invested with this franchise since birth.
28 people found this helpful
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A disappointing ending to a disappointing trilogy

A fitting ending for the whole trilogy: disappointing, just as "Aftermath" and "Life Debt"!

Though Wendig's language is not as annoying as in the first book anymore, he still isn't able to write engaging characters. The only motivation anyone seems to have in "Empire's End" is revenge. Especially for Norra and Sloane, nothing else seems to count. Revenge makes them totally blind and dumb. Why plan anything or think ahead? Just run into a dangerous situation without thinking twice! - Don't get me wrong, it's okay for characters to make irrational decisions from time to time. But when the entire book is full of stupid and irrational decisions, I can't sympathize with these characters any more - sorry!

Furthermore, there are still far too many characters in the novel for me to care about all of them. Not including the interludes, which (re)introduce even more characters, we are following Norra, Temmin, Jas, Sinjir, Mr. Bones, Conder, Wedge, Jom, Han, Leia, Mon Mothma, Sloane, Brentin and Rax. That's 14 characters and we're supposed to care about and be emotionally invested in all of them, plus the characters in the interludes! That's just impossible. Some characters don't appear for 100 pages or more and then they suddenly show up again and you've already forgotten they were supposed to be someone you like and care about. It would have been much better for the novel to concentrate only on a few characters and make them really compelling, give them more personality and motivation. I wouldn't miss anything, if half the characters were deleted from the book.

The novel also starts off very slow. As in the first book, for the first 280 pages you have to read a lot of uninteresting and irrelevant scenes about characters getting captured and freed by their friends again and similar mini-adventures. None of this really advances the overall plot. Only when the battle of Jakku starts does the plot become more fast-paced and interesting.

One of the main things I was excited about was Rax' masterplan. I wanted to find out what he is planning and which role he plays in the battle of Jakku. However, Rax' super-secret masterplan is not nearly as intelligent as you might have expected. And, worst of all: He could have executed this plan in book 1 already! Why bother us with two more books by Chuck Wendig? All the revelant plot in the whole trilogy could have compressed into one book! Maybe that book could even have been a good one then...

All in all, I can't recommend this book or the trilogy at all. Not even the ending makes it worth reading. Go and read Claudia Gray's books or any other Star Wars literature instead - you will have a much better time! And please, Disney / Lucasfilm: No more novels by Chuck Wendig! Thank you very much!
24 people found this helpful
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Best of the Aftermath trilogy, but alas unfulfilled potential

Aftermath: Empire's End is probably the best of the Aftermath trilogy. Here are the things I liked about the book:
- Mechanisms of the Contingency: I thought the backstory regarding the Contingency and Palpatine's "blessing" of Gallius Rax to be interesting, and quite nicely explains why the First Order is seemingly the Empire 2.0.
- Rae Sloane: This character continues to be fascinating, and I am glad that Wendig plucked her from A New Dawn by John Jackson Miller. She provides an intriguing perspective, in that the Empire is not faultless for her but overall did good for the galaxy. Her arc has been a good one, from insider to outsider back to insider.
- Battle of Jakku: We finally got to read about the full battle, and the character Agate got good characterization and had a good moment.
- Unknown Regions: More mystery! We know Thrawn is from the Unknown Regions, so it will be fun to see where that goes.
- Justice vs. Revenge: I really liked that this thread followed Norra throughout the book.
Critiques:
- I would have loved to see some Lost Stars integration. Since we know Cienna and Thane were present at Jakku, and the Star Destroyer Inflictor is seen in The Force Awakens, I wish that would have been referenced to bring those stories together.
- The only romance in the book is between Sinjir and Conder, but it feels forced and overdone. There's very little reason for the relationship beyond that it should exist. The same actions would have occurred had they been comrades or the like, so it was not compelling.
- Overall, the story was predictable: Honestly, I wish the first two books (Aftermath and Life Debt) had been condensed into one, Empire's End would then be book two, and a third book would explore the Aftermath of a galaxy without an Empire and more answers to the First Order's beginnings. Wendig keeps the mystery alive, but provides some lackluster answers to other puzzles.
21 people found this helpful
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Best of the Aftermath trilogy, but alas unfulfilled potential

Aftermath: Empire's End is probably the best of the Aftermath trilogy. Here are the things I liked about the book:
- Mechanisms of the Contingency: I thought the backstory regarding the Contingency and Palpatine's "blessing" of Gallius Rax to be interesting, and quite nicely explains why the First Order is seemingly the Empire 2.0.
- Rae Sloane: This character continues to be fascinating, and I am glad that Wendig plucked her from A New Dawn by John Jackson Miller. She provides an intriguing perspective, in that the Empire is not faultless for her but overall did good for the galaxy. Her arc has been a good one, from insider to outsider back to insider.
- Battle of Jakku: We finally got to read about the full battle, and the character Agate got good characterization and had a good moment.
- Unknown Regions: More mystery! We know Thrawn is from the Unknown Regions, so it will be fun to see where that goes.
- Justice vs. Revenge: I really liked that this thread followed Norra throughout the book.
Critiques:
- I would have loved to see some Lost Stars integration. Since we know Cienna and Thane were present at Jakku, and the Star Destroyer Inflictor is seen in The Force Awakens, I wish that would have been referenced to bring those stories together.
- The only romance in the book is between Sinjir and Conder, but it feels forced and overdone. There's very little reason for the relationship beyond that it should exist. The same actions would have occurred had they been comrades or the like, so it was not compelling.
- Overall, the story was predictable: Honestly, I wish the first two books (Aftermath and Life Debt) had been condensed into one, Empire's End would then be book two, and a third book would explore the Aftermath of a galaxy without an Empire and more answers to the First Order's beginnings. Wendig keeps the mystery alive, but provides some lackluster answers to other puzzles.
21 people found this helpful