Emperor: The Gates of Rome (The Emperor Series)
Emperor: The Gates of Rome (The Emperor Series) book cover

Emperor: The Gates of Rome (The Emperor Series)

Paperback – February 3, 2004

Price
$6.92
Format
Paperback
Pages
480
Publisher
Dell
Publication Date
ISBN-13
978-0440240945
Dimensions
4.25 x 1 x 6.75 inches
Weight
8 ounces

Description

"Conn Iggulden is a grand storyteller...[he keeps] adults turning pages like enthralled kids."— USA Today "Brilliant."—Bernard Cornwell"Iggulden knows that history derives from 'story'. Don't miss it."— Los Angeles Times "An absorbing portrait of ancient Roman life and history, well written and full of suspense—even for those who know the ending."— Kirkus Reviews From the Hardcover edition. From the Inside Flap Rarely, if ever, does a new writer dazzle us with such a vivid imagination and storytelling, flawlessly capturing the essence of a land, a people, a legend. Conn Iggulden is just such a writer, bringing to vivid life one of the most fascinating eras in human history. In a true masterpiece of historical fiction, Iggulden takes us on a breathtaking journey through ancient Rome, sweeping us into a realm of tyrants and slaves, of dark intrigues and seething passions. What emerges is both a grand romantic tale of coming-of-age in the Roman Empire and a vibrant portrait of the early years of a man who would become the most powerful ruler on earth: Julius Caesar.On the lush Italian peninsula, a new empire is taking shape. At its heart is the city of Rome, a place of glory and decadence, beauty and bloodshed. Against this vivid backdrop, two boys are growing to manhood, dreaming of battles, fame, and glory in service of the mightiest empire the world has ever known. One is the son of a senator, a boy of privilege and ambition to whom much has been given and from whom much is expected. The other is a bastard child, a boy of strength and cunning, whose love for his adoptive family?and his adoptive brother?will be the most powerful force in his life.As young Gaius and Marcus are trained in the art of combat?under the tutelage of one of Rome?s most fearsome gladiators?Rome itself is being rocked by the art of treachery and ambition, caught in a tug-of-war as two rival generals, Marius and Sulla, push the empire toward civil war. For Marcus, a bloody campaign in Greece will become a young soldier?s proving ground. For Gaius, the equally deadly infighting of the Roman Senate will be the battlefield where he hones his courage and skill. And for both, the love of an extraordinary slave girl will be an honor each will covet but only one will win.The two friends are forced to walk different paths, and by the time they meet again everything will have changed. Both will have known love, loss, and violence. And the land where they were once innocent will be thrust into the grip of bitter conflict?a conflict that will set Roman against Roman...and put their friendship to the ultimate test. Brilliantly interweaving history and adventure, Conn Iggulden conjures a stunning array of contrasts?from the bloody stench of a battlefield to the opulence of the greatest city in history, from the tenderness of a lover to the treachery of an assassin. Superbly rendered, grippingly told, Emperor, The Gates of Rome is a work of vaulting imagination from a powerful new voice in historical fiction. From the Hardcover edition. Conn Iggulden is the author of Genghis: Birth of an Empire , the first novel in the series, as well as the Emperor novels, which chronicle the life of Julius Caesar: Emperor: The Gates of Rome, Emperor: The Death of Kings, Emperor: The Field of Swords, and Emperor: The Gods of War , all of which are available in paperback from Dell. He is also the co-author of the bestselling nonfiction work The Dangerous Book for Boys . He lives with his wife and three children in Hertfordshire, England. From the Hardcover edition. Excerpt. © Reprinted by permission. All rights reserved. Chapter One The track in the woods was a wide causeway to the two boys strolling down it. Both were so dirty with thick, black mud as to be almost unrecognizable as human. The taller of the two had blue eyes that seemed unnaturally bright against the cracking, itching mud that plastered him."We're going to be killed for this, Marcus," he said, grinning. In his hand, a sling spun lazily, held taut with the weight of a smooth river pebble."Your fault, Gaius, for pushing me in. I told you the riverbed wasn't dry all the way."As he spoke, the shorter boy laughed and shoved his friend into the bushes that lined the path. He whooped and ran as Gaius scrambled out and set off in pursuit, sling whirring in a disc."Battle!" he shouted in his high, unbroken voice.The beating they would get at home for ruining their tunics was far away, and both boys knew every trick to get out of trouble--all that mattered was charging through the woodland paths at high speed, scaring birds. Both boys were barefoot, already with calluses developing, despite not having seen more than eight summers."This time, I'll catch him," Gaius panted to himself as he ran. It was a mystery to him how Marcus, who had the same number of legs and arms, could yet somehow make them move faster than he could. In fact, as he was shorter, his stride should have been a little less, surely?The leaves whipped by him, stinging his bare arms. He could hear Marcus taunting him up ahead, close. Gaius showed his teeth as his lungs began to hurt.Without warning, he broke into a clearing at full pelt and skidded to a sudden, shocked stop. Marcus was lying on the ground, trying to sit up and holding his head in his right hand. Three men--no, older boys--were standing there, carrying walking staffs.Gaius groaned as he took in his surroundings. The chase had carried the two boys off his father's small estate and into their neighbors' part of the woods. He should have recognized the track that marked the boundary, but he'd been too caught up in catching Marcus for once."What do we have here? A couple of little mudfish, crawled up out of the river!"It was Suetonius who spoke, the eldest son of the neighboring estate. He was fourteen and killing time before he went into the army. He had the sort of trained muscles the two younger boys hadn't begun to develop. He had a mop of blond hair over a face speckled with white-headed eruptions that covered his cheeks and forehead, with a sprinkling of angry-looking red ones disappearing under his praetexta tunic. He also had a long, straight stick, friends to impress, and an afternoon to while away.Gaius was frightened, knowing he was out of his depth. He and Marcus were trespassing--the best they could expect was a few blows, the worst was a beating with broken bones. He glanced at Marcus and saw him try to stagger to his feet. He'd obviously been belted with something as he ran into the older boys."Let us go, Tonius, we're expected back.""Speaking mudfish! We'll make our fortune, boys! Grab hold of them, I have a roll of twine for tying up pigs that will do just as well for mudfish."Gaius didn't consider running, with Marcus unable to get away. This wasn't a game--the cruelty of the boys could be managed if they were treated carefully, talked to like scorpions, ready to strike without warning.The two other boys approached with their staffs held ready. They were both strangers to Gaius. One dragged Marcus to his feet and the other, a hefty, stupid-looking boy, rammed his stick into Gaius's stomach. He doubled up in agony, unable to speak. He could hear the boy laughing as he cramped and groaned, trying to curl into the pain."There's a branch that will do. Tie their legs together and string them up to swing. We can see who's the best shot with javelins and stones.""Your father knows my father," Gaius spat out as the pain in his stomach lessened."True--doesn't like him though. My father is a proper patrician, not like yours. Your whole family could be his servants if he wanted. I'd make that mad mother of yours scrub the tiles."At least he was talking. The thug with the horsehair twine was intent on tying knots at Gaius's feet, ready to hoist him into the air. What could he say to bargain? His father had no real power in the city. His mother's family had produced a couple of consuls--that was it. Uncle Marius was a powerful man, so his mother said."We are nobilitas--my uncle Marius is not a man to cross . . ."There was a sudden high-pitched yelp as the string over the branch went tight and Marcus was swung into the air upside down."Tie the end to that stump. This fish next," Tonius said, laughing gleefully.Gaius noted that the two friends followed his orders without question. It would be pointless trying to appeal to one of them."Let us down, you spot-covered pus-bag!" Marcus shouted as his face darkened with the rush of blood.Gaius groaned. Now they would be killed, he was sure."You idiot, Marcus. Don't mention his spots; you can see he must be sensitive about them."Suetonius raised an eyebrow and his mouth opened in astonishment. The heavyset boy paused in throwing the twine over a second branch."Oh, you have made a mistake, little fish. Finish stringing that one up, Decius, I'm going to make him bleed a little."Suddenly, the world tilted sickeningly and Gaius could hear the twine creak and a low whistle in his ears as his head filled with blood. He rotated slowly and came round to see Marcus in a similar predicament. His nose was a little bloody from being knocked down the first time."I think you've stopped my nosebleed, Tonius. Thanks." Marcus's voice trembled slightly and Gaius smiled at his bravery.When he'd first come to live with them, the little boy had been naturally nervous and a little small for his age. Gaius had shown him around the estate and they'd ended up in the hay barn, right at the top of the stacked sheaves. They had looked down at the loose pile far below and Gaius had seen Marcus's hands tremble."I'll go first and show you how it's done," Gaius had said cheerfully, launching himself feetfirst and whooping.Below, he'd looked up at the edge for a few seconds, waiting to see Marcus appear. Just as he'd thought it would never happen, a small figure shot into the air, leaping high. Gaius had scrambled out of the way as Marcus crashed into the hay, winded and gasping."I thought you were too scared to do it," Gaius had said to the prone figure blinking in the dust."I was," Marcus had replied quietly, "but I won't be afraid. I just won't."The hard voice of Suetonius broke into Gaius's spinning thoughts: "Gentlemen, meat must be tenderized with mallets. Take your stations and begin the technique, like so."He swung his stick at Gaius's head, catching him over the ear. The world went white, then black, and when he next opened his eyes everything was spinning as the string twisted. For a while, he could feel the blows as Suetonius called out, "One-two-three, one-two-three . . ."He thought he could hear Marcus crying and then he passed out to the accompaniment of jeers and laughter.He woke and went back under a couple of times in the daylight, but it was dusk when he was finally able to stay conscious. His right eye was a heavy mass of blood, and his face felt swollen and caked in stickiness. They were still upside down and swinging gently as the evening breeze came in from the hills."Wake up, Marcus--Marcus!"His friend didn't stir. He looked terrible, like some sort of demon. The crust of crumbling river mud had been broken away, and there was now only a gray dust, streaked with red and purple. His jaw was swollen, and a lump stood out on his temple. His left hand was fat and had a bluish tinge in the failing light. Gaius tried to move his own hands, held by the twine. Though painfully stiff, they both worked and he set about wriggling them free. His young frame was supple and the burst of fresh pain was ignored in the wave of worry he felt for his friend. He had to be all right, he had to be. First, though, Gaius had to get down.One hand came free and he reached down to the ground, scrabbling in the dust and dead leaves with his fingertips. Nothing. The other hand came free and he widened his area of search, making his body swing in a slow circle. Yes, a small stone with a sharp edge. Now for the difficult part."Marcus! Can you hear me? I'm going to get us down, don't you worry. Then I'm going to kill Suetonius and his fat friends."Marcus swung gently in silence, his mouth open and slack. Gaius took a deep breath and readied himself for the pain. Under normal circumstances, reaching up to cut through a piece of heavy twine with only a sharp stone would have been difficult, but with his abdomen a mass of bruises, it felt like an impossible task.Go.He heaved himself up, crying out with the pain from his stomach. He jackknifed up to the branch and gripped it with both hands, lungs heaving with the effort. He felt weak and his vision blurred. He thought he would vomit, and could do no more than just hold on for a few moments. Then, inch by inch, he released the hand with the stone and leaned back, giving himself enough room to reach the twine and saw at it, trying not to catch his skin where it had bitten into the flesh.The stone was depressingly blunt and he couldn't hold on for long. Gaius tried to let go before his hands slipped so he could control the fall back, but it was too hard."Still got the stone," he muttered to himself. "Try again, before Suetonius comes back."Another thought ... Read more

Features & Highlights

  • Rarely, if ever, does a new writer dazzle us with such a vivid imagination and storytelling, flawlessly capturing the essence of a land, a people, a legend. Conn Iggulden is just such a writer, bringing to vivid life one of the most fascinating eras in human history. In a true masterpiece of historical fiction, Iggulden takes us on a breathtaking journey through ancient Rome, sweeping us into a realm of tyrants and slaves, of dark intrigues and seething passions. What emerges is both a grand romantic tale of coming-of-age in the Roman Empire and a vibrant portrait of the early years of a man who would become the most powerful ruler on earth: Julius Caesar.On the lush Italian peninsula, a new empire is taking shape. At its heart is the city of Rome, a place of glory and decadence, beauty and bloodshed. Against this vivid backdrop, two boys are growing to manhood, dreaming of battles, fame, and glory in service of the mightiest empire the world has ever known. One is the son of a senator, a boy of privilege and ambition to whom much has been given and from whom much is expected. The other is a bastard child, a boy of strength and cunning, whose love for his adoptive family–and his adoptive brother–will be the most powerful force in his life.As young Gaius and Marcus are trained in the art of combat–under the tutelage of one of Rome’s most fearsome gladiators–Rome itself is being rocked by the art of treachery and ambition, caught in a tug-of-war as two rival generals, Marius and Sulla, push the empire toward civil war. For Marcus, a bloody campaign in Greece will become a young soldier’s proving ground. For Gaius, the equally deadly infighting of the Roman Senate will be the battlefield where he hones his courage and skill. And for both, the love of an extraordinary slave girl will be an honor each will covet but only one will win.The two friends are forced to walk different paths, and by the time they meet again everything will have changed. Both will have known love, loss, and violence. And the land where they were once innocent will be thrust into the grip of bitter conflict–a conflict that will set Roman against Roman...and put their friendship to the ultimate test. Brilliantly interweaving history and adventure, Conn Iggulden conjures a stunning array of contrasts–from the bloody stench of a battlefield to the opulence of the greatest city in history, from the tenderness of a lover to the treachery of an assassin. Superbly rendered, grippingly told,
  • Emperor, The Gates of Rome
  • is a work of vaulting imagination from a powerful new voice in historical fiction.
  • From the Hardcover edition.

Customer Reviews

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Most Helpful Reviews

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This is a difficult book to review

This is an extremely difficult book to review. I try to give fair and impartial reviews, and will endeavor to do so here, but on one level this book infuriates me and that is hard to overcome. So let's deal with that first. I read this book when it first came out several years ago because I love to read novels that cover Roman history. I remember not liking this book very much at the time and being irritated with it. Memory dims over time (especially mine!) so when I saw the fourth book in this series in the airport a few weeks ago I thought, "well, if he is on number four and it is selling well in the airport, maybe I should give the author a second chance." So I jerked my copy of this book out again last week for a second reading. I really wish I hadn't.

The history in this book is so bad I almost feel that this book should have warning stickers pasted all over it. I think it is entirely misleading to call this historical fiction. There is very little even remotely historically accurate within it. I was so cranky by page two with the historical mistakes that I was scribbling in the margins annotating errors. Some will point out that the author admits to making some changes to historical fact for the sake of story-telling. That is an understatement akin to calling a nuclear detonation an "explosion". It simply doesn't do justice to the scale of the historical liberties taken.

Imagine reading a fictional book about American history that tells a story about George Washington and Thomas Jefferson growing up as best friends together, as children in impoverished circumstances in New York city, who are befriended by a wandering Navajo indian with magical powers. Now imagine that this is being read by lots of children and immigrants without a grounding in basic American history. Sure, the story may be entertaining, but it is so far divorced from any actual history that it would frighten you that people might actually place some faith in this version of history. That's exactly what you have with this book. It is so historically inaccurate it makes me shudder. The story is fair-to-middlin' but I can't forgive the historical license being taken and I feel the book actually does a disservice to many readers. If a great many people are reading this, and forming ideas about Roman society and history based upon this book, then they are being grossly misinformed.

Now for the other side of the review. The story is actually mildly entertaining, or at least I can see how it would be for some. I think there may be many readers who might enjoy this novel, and the ones that come after, based upon the story-telling ability of Conn Igguldsen. The story and narrative style reminds me a lot of the adventure books I enjoyed when I was in the 9 to 12 age range, and could still comfortably read through my twenties actually. I think this actually makes a bit of sense as Mr. Igguldsen was apparently an English instructor to boys in the 9 to 12 range before writing this book. So there are elements of high adventure, youths struggling to find their place in an adult world, and a little outright magic to spice up things. As an adult now, I find a prefer an adult outlook in my stories and a grittier realism than what is found here. So will this story be to your taste? Well if you like adventure books aimed at a younger crowd it's not too bad. If you like literature or writing aimed at adults this is just average fare at best. I'd give the overall writing and story-telling three stars, but this is one of those books where personal preferences tell and some may feel the story deserves four or more stars. Fair enough, and that's why we do these reviews to let others know what we liked and didn't, and more importantly why, so they can determine if this will match up to their tastes. So my verdict is three stars for writing, and negative five stars for a dangerous and totally inaccurate historical picture. Overall, I hate the book but think the writing is ok, so I'll settle out at two stars and just say I didn't like it. I can clearly see however where this book could be given anywhere from one to five stars depending upon who the reader is and their knowledge of Roman history.
190 people found this helpful
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Sword Whacking, Little Else

This is a pretend historical novel which will be loved only by male readers who fantasize themselves in sword fights--constant lengthy sword fights, one in virtually every chapter. Lots of gore for those with an appetite for that. And a dwelling on boyhood brutality before that. Yes, Rome was about brute power gained by the sword. But it was so much more, though you won't find it here. The author cheerfully admits in an afterward that he jiggered with [blatantly disregarded] Roman history to accommodate his idea of a story. Never mind that the rivalry between Sulla and Marius didn't go as he depicts it, nor did much else. Readers of historical novels expect actual HISTORY, not some fevered daydream of an adventure writer. Anything in a historical novel should accurately depict the actual events if they are going to be referred to in the story. When writing about boyhood friends, if they were--Julius Caesar and Marcus --not Mark Anthony as readers may be led to believe--he was dealing with history, and ignoring it. It is acceptable to create fictional characters in a historical novel, with their fictional lives center stage. Or to interpret how known figures in history might have felt as they went through the events recorded about their lives. It is not acceptable to distort actual recorded facts about major figures in history because the writer thinks it would be fun. It's like portraying the French Revolution as taking place in 1923, and the Revolutionaries who swept into power as Mongol hordes. Most readers of historical novels are not only entertained by them, but feel they are learning more about history. Shame on the publisher who brought this out, as well as the author who has no respect for the genre he purports to write. Let him write clearly labeled adventure fantasies, and let his readers clearly be advised they are not historical novels. It was not an entertaining book either, too little character development to compensate for its other flaws.
12 people found this helpful
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emperor I

I bought all three of these books. I hope they get better but book one leaves a whole lot to be desired. I can deal with the fact it is not remotely historically accurate, but a little closer would have been nice. Its just really not a particularly well written book in general. Its kind of silly. If you like simple writing and simple characters, this probabaly is not bad, but I normally like a bit more challange to my reading. And Caesar could hardly be thought of as a simple man. Its more like an overly long children's book. It does not make the reader anxious to read on, it just kind of drags. Its not bad, its just not good.
10 people found this helpful
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Not even close.

While this was entertaining fiction it most certainly was in no context historical. Maybe it is the history major in me, but I could not he past how far off almost everything was: The timeline of events, character ages (which are significant), The Social War was not even mentioned. If you are looking for something to read over the weekend this will be great. If you want something to learn from and be entertained read McCoullough.
10 people found this helpful
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embarrassing

I am usually entertained by any competant historical fiction of ancient Rome. This book is shot full of holes in the plotline and in the complete disregard of the known facts in its presentation of Rome and the characters who are purported to be its heroes. Iggulden should have changed the names and the places and presented his tale as fantasy. I put the book down forever after 150 pages.
9 people found this helpful
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Exciting, but historically dubious.

The book is exciting enough as an adventure story, but the historical inaccuracies will be troublesome to readers familiar with this well documented period in Roman history. Julius Caesar and Brutus did not grow up together on a farm and Octavian (the future Augustus) certainly was never a street urchin. These are only the most jarring of the historical liberties. Rewriting Roman history is not quite the same as a new take on the mythical King Arthur - something that's been done again and again, with varying success. Conn Iggulden clearly knows the actual history and has made a deliberate choice to write his story in this way. He even adds a historical after word with a mild apology for the use of literary license and sites Christian Meier's biography of Julius Caesar as one of his sources, lest we doubt his scholarship. That, by the way, is an excellent biography and makes a convincing case for why Caesar's assassination was inevitable. For a more convincing popular, fictionalized account readers will do well to try the last books of Colleen McCullough's Masters of Rome series. Otherwise, the subsequent books in Conn Iggulden's series offer much more of the same as this book.
9 people found this helpful
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Caveat emptor

It's a good thing Iggulden (what an interesting name!) starts the book with his heroes very young, for his style in the first chapters is equally juvenile, prehaps suitable for young readers. It is amusing, sometimes gripping, its scenes well done. The writing does improve as the protagonists mature and become more aware of forces acting around them, and eventually kept me reading right along. It's a nice touch that the author leaves you to guess who Gaius and his friend will become, although this may leave you wondering where this story is going-more like real life! The story is well-plotted, but "the plot" will not come clear until a later book, unless you know your high-school history already. This book is just a set-up, as youth often is.
The author's research is shallow, as are his characters-but then Suetonius records hardly any of his usual scandal for Gaius's youth either, leaving it all up to Iggulden. The time is the late Roman Republic near the middle of the patrician ambitions and plebian pressures that would lead to an emperor. The story takes Gaius as a boy from his father Julius's estate into Rome, where Gaius joins the dangerous household of his uncle, Marius, general and consul of Rome. Although the youthful adventures set up Iggulden's later stories, he takes vast liberties with known history for "dramatic purposes." Unfortunately, the genius of Gaius's character is not well-exposed by all this artificial drama, considering the truly astonishing things he later accomplished. The author's prose does not rise to the occasion. Gaius is left at loose ends in the house of Marius. Iggulden also fabricates for the boys an unnecessary companion who has a Christlike healing touch. I think the English author takes Romans as an excuse for a rousing story rather than an historical novel sensu strictu. (The British seem to think they ARE Romans, Boudica aside.) Unfortunately, I think this story's main failing is not developing the political context for these events: so, Gaius's father is a senator, but what are the burning issues over which his colleagues are falling out, why should we care? For example, we don't get why it was such an extraordinary break to have a legion within the walls of sacred Rome and a hostile legion without. That is just glossed over in favor of tactics and battle, losing what must have been the apocalyptic horror of those years. Only a few Latin terms pop up and are briefly defined before vanishing again. That's bad or good depending how much you want to feel the Roman context.
The writing is straightforward narrative, with dollops of Roman brutality; nothing fancy, well-turned, or particularly insightful. Gaius is certainly an appealing protagonist as a youth, but what must have been his extraordinary charisma is not convincingly developed here, nor its possible sources. Where the story is more effective is in its dash, the outward events of a farm boy suddenly thrust into city politics. If you approach this book as an adventure story rather than an historical novel you'll be less disappointed. The author is one of those who writes minutely on the frequent gore, but is reticent about the rare sex (or why else does Gaius marry Cornelia? Iggulden ignores Gaius's historical role as a priest in this). Overall this author is a notch below McCullough, who is a notch below Graves in skill. Exactly, it's enjoyable leave-behind airline reading, as another reviewer wrote. The next book is Emperor: Death of Kings.
8 people found this helpful
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an utter, inexcusable mess

I'm a strong fan of historic fiction, but this book is the very antithesis of what historic fiction should be: it's not even sloppily researched, but simply not researched at all, making no attempt whatsoever to put the historical figures it uses as characters in anything like a reasonable or believable historical context. To cap it off, it's not wortwhile fiction even if you manage to totally ignore the historical counterparts of its characters -- no credible or interesting character development, no plot to hold any level of sustained interest, sloppy prose. I wish the stars-rating system allowed for negative numbers, because that's what this one would require.
7 people found this helpful
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"Historical" Fiction?

I felt I should read all four books in Iggulden's Emperor series before sitting here and pounding out any reviews... and now I have. So finally I proceed.

The first book in this series explores the early life of Gaius Julius Caesar... which maybe isn't the easiest thing to write about while keeping close to the actual history. As I am only a mere novice in the study of ancient Rome, I may be wrong about this, but it seems that there wasn't much actual documentation from the time period accounting the very early years of Julius Caesar's life. (Again, I would not swear by this, as I have only read Tom Holland's Rubicon, the Historical Note at the end of this book, and dry textbooks to get a sense of the actual history.) But if this is true, I suppose it would allow for a bit of inferring and flat-out fabrication on the author's part when writing this kind of story.

That being said, though, I still must remain very critical of this book. Even allowing the author a bit of, ahem, license, it's just too much to take in, even for someone like me, who has only previously had a taste of the true history of the time. Julius Caesar and Marcus Brutus frolicking together on a sprawling estate? Julius Caesar's mother, Aurelia, a deranged ghost of a woman? And Marius...

Well, as you see, I could go on and on about all the historical flubs Iggulden makes, but I'll stop here. I just found it fair to point out the fact that even someone with only a minor education in the period recognized all of Iggulden's glaring mistakes.

Otherwise... this is a pretty decent read. Iggulden writes clearly and with detail without becoming too long-winded. His characterization is a bit weak, the boys Gaius and Marcus spend a little too much time running around doing random things like arguing and sleeping with slave girls for my tastes, and the appearance of the magical Cabera is totally unnecessary and downright silly, but still. I must admit, I was enthralled by Iggulden's storytelling and went on to read the next three books in his series in quick succession.

A weakness on my part? Maybe so. If you can ignore all the glaring historical errors, you just may enjoy this book.
7 people found this helpful
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Like I was robbed

It's my own fault for not reading any of these reader reviews first. Unfortunately I bought the entire Emperor series at once before opening this first book. By the time I hit Caesar as a teenager during Marius' third term as consul I knew I had garbage in my hands. Marius' third term was about 100BC, the same year Caesar was born. And Marius and Sulla each trying to force the other to march off to fight Mithridates is a complete reversal of the facts. I've never burned a book, but I might have a pile of them to burn now.
6 people found this helpful