Dark Rivers of the Heart
Dark Rivers of the Heart book cover

Dark Rivers of the Heart

Paperback – September 27, 1995

Price
$6.20
Format
Paperback
Pages
592
Publisher
Ballantine Books
Publication Date
ISBN-13
978-0345396570
Dimensions
4.5 x 1.5 x 7 inches
Weight
9.6 ounces

Description

From Publishers Weekly Koontz's tale of a man, a woman and a dog on the run from a high-tech rogue government agency was a PW bestseller for nine weeks. Copyright 1995 Reed Business Information, Inc. "As usual, Koontz's writing is flawless.... Dark Rivers of the Heart is exciting, entertaining, and thoughtful."— Denver Post "A believable high-tech thriller."— The New York Times "A humdinger of a chase novel... Dark Rivers of the Heart deserves to go to no.1 on the bestseller list."— Entertainment Weekly "A fresh surprise on virtually every page...and a pyrotechnic denouement full of marvelous mayhem."— Washington Post "Viscerally exciting...An extended, tense tour de force...An expertly crafted, ornate suspenser...Koontz fans will love it."— Publishers Weekly , starred review From the Inside Flap ARK RIVERS OF THE HEART"A humdinger of a chase novel [that] explodes with all the giddy excitement of a half-dozen James Cameron pictures. DARK RIVERS OF THE HEART deserves to go to No. 1 on the bestseller list."--Entertainment Weekly"A fresh surprise on virtually every page . . . and a pyrotechnic denouement full of marvelous mayhem."--The Washington Post"Mr. Koontz has succeeded where many genre writers have failed: He has switched gears . . . and written a believable high-tech thriller."--The New York Times"As usual, Koontz's writing is flawless: clean, clear exposition, colorful description, precise narration, and realistic dialogue. DARK RIVERS OF THE HEART is exciting, entertaining, and thoughtful."--The Denver Post"It is difficult to imagine a reader who won't be hooked by this thriller about government power run amok and a man and woman on the run from the madman who wields that power. U Dean Koontz, the author of many bestsellers, lives with his wife, Gerda, in California. From the Trade Paperback edition. Excerpt. © Reprinted by permission. All rights reserved. Chapter One With the woman on his mind and a deep uneasiness in his heart, Spencer Grant drove through the glistening night, searching for the red door. The vigilant dog sat silently beside him. Rain ticked on the roof of the truck.Without thunder or lightning, without wind, the storm had come in from the Pacific at the end of a somber February twilight. More than a drizzle but less than a downpour, it sluiced all the energy out of the city. Los Angeles and environs became a metropolis without sharp edges, urgency, or spirit. Buildings blurred into one another, traffic flowed sluggishly, and streets deliquesced into gray mists.In Santa Monica, with the beaches and the black ocean to his right, Spencer stopped at a traffic light.Rocky, a mixed breed not quite as large as a Labrador, studied the road ahead with interest. When they were in the truck–a Ford Explorer–Rocky sometimes peered out the side windows at the passing scene, though he was more interested in what lay before them.Even when he was riding in the cargo area behind the front seats, the mutt rarely glanced out the rear window. He was skittish about watching the scenery recede. Maybe the motion made him dizzy in a way that oncoming scenery did not.Or perhaps Rocky associated the dwindling highway behind them with the past. He had good reason not to dwell on the past.So did Spencer.Waiting for the traffic signal, he raised one hand to his face. He had a habit of meditatively stroking his scar when troubled, as another man might finger a strand of worry beads. The feel of it soothed him, perhaps because it was a reminder that he'd survived the worst terror he would ever know, that life could have no more surprises dark enough to destroy him.The scar defined Spencer. He was a damaged man.Pale, slightly glossy, extending from his right ear to his chin, the mark varied between one quarter and one half an inch in width. Extremes of cold and heat bleached it whiter than usual. In wintry air, though the thin ribbon of connective tissue contained no nerve endings, it felt like a hot wire laid on his face. In summer sun, the scar was cold.The traffic signal changed from red to green.The dog stretched his furry head forward in anticipation.Spencer drove slowly southward along the dark coast, both hands on the wheel again. He nervously searched for the red door on the eastern side of the street, among the many shops and restaurants.Though no longer touched the fault line in his face, he remained conscious of it. He was never unaware that he was branded. If he smiled or frowned, he would feel the scar cinching one half of his countenance. If he laughed, his amusement would be tempered by the tension in that inelastic tissue.The metronomic windshield wipers timed the rhythm of the rain.Spencer's mouth was dry, but the palms of his hands were camp. The tightness in his chest arose as much from anxiety as from the pleasant anticipation of seeing Valerie again.He was of half a mind to go home. The new hope he harbored was surely the emotional equivalent of fool's gold. He was alone, and he was always going to be alone, except for Rocky. He was ashamed of this fresh glimmer of optimism, of the naivete it revealed, the secret need, the quiet desperation. But he kept driving.Ricky couldn't know what they were searching for, but he chuffed softly when the red landmark appeared. No doubt he was responding to a subtle change in Spencer's mood at the sight of the door.The cocktail lounge was between a Thai restaurant with steam-streaked windows and an empty storefront that had once been an art gallery. The windows of the gallery were boarded over, and squares of travertine were missing from the once elegant facade, as if the enterprise had not merely failed but been bombed out of business. Through the silver rain, a downfall of light at the lounge entrance revealed the red door that he remembered from the previous night.Spencer hadn't been able to recall the name of the place. That lapse of memory now seemed willful, considering the scarlet neon above the entrance: THE RED DOOR. A humorless laugh escaped him.After haunting so many barrooms over the years, he had ceased to notice enough differences, one from another, to be able to attach names to them. In scores of towns, those countless taverns were, in their essence, the same church confessional; sitting on a barstool instead of kneeling on a prie-dieu, he murmured the same admissions to strangers who were not priests and could not give him absolution.His confessors were drunkards, spiritual guides as lost as he was. They could never tell him the appropriate penance he must do to find peace. Discussing the meaning of life, they were incoherent.Unlike those strangers to whom he often quietly revealed his soul, Spencer had never been drunk. Inebriation was as dreadful for him to contemplate as was suicide. To be drunk was to relinquish control. Intolerable. Control was the only thing he had.At the end of the block, Spencer turned left and parked on the secondary street.He went to bars not to drink but to avoid being alone–and to tell his story to someone who would not remember it in the morning. He often nursed a beer or two through a long evening. Later, in his bedroom, after staring toward the hidden heavens, he would finally close his eyes only when the patterns of shadows on the ceiling inevitably reminded him of things he preferred to forget.When he switched off the engine, the rain drummed louder than before–a cold sound, as chilling as the voices of dead children that sometimes called him with wordless urgency in his worst dreams.The yellowish glow of a nearby streetlamp bathed the interior of the truck, so Rocky was clearly visible. His large and expressive eyes solemnly regarded Spencer."Maybe this is a bad idea," Spencer said.The dog craned his head forward to lick his master's right hand, which was still clenched around the wheel. He seemed to be saying that Spencer should relax and just do what he had come there to do.As Spencer moved his hand to pet the mutt, Rocky bowed his head, not to make the backs of his ears or his neck more accessible to stroking fingers, but to indicate that he was subservient and harmless. "How long have we been together?" Spencer asked the dog.Rocky kept his head down, huddling warily but not actually trembling under his master's gentle hand."Almost two years," Spencer said, answering his own question. "Two years of kindness, long walks, chasing Frisbees on the beach, regular meals . . . and still sometimes you think I'm going to hit you."Ricky remained in a humble posture on the passenger seat.Spencer slipped one hand under the dog's chin, forced his head up. After briefly trying to pull away, Rocky ceased all resistance.When they were eye-to-eye, Spencer said, "Do you trust me?"The dog self-consciously looked away, down and to the left.Spencer shook the mutt gently by the muzzle, commanding his attention again. "We keep our heads up, okay? Always proud, okay? Confident. Keep our heads up, look people in the eye. You got that?"Rocky slipped his tongue between his half-clenched teeth and licked the fingers with which Spender was gripping his muzzle."I'll interpret that as 'yes.'" He let go of the dog. "This cocktail lounge isn't a place I can take you. No offense."In certain taverns, though Rocky was not a guide dog, he could lie at Spencer's feet, even sit on a stool, and no one would object to the violation of health laws. Usually a dog was the least of the infractions for which the joint would be cited if a city inspector happened to visit. The Red Door, however, still had pretensions to class, and Rocky wouldn't be welcome.Spencer got out of the truck, slammed the door. He engaged the locks and security system with the remote control on his key chain.He could not count on Rocky to protect the Explorer. This was one dog who would never scare off a determined car thief–unless the would-be thief suffered an extreme phobic aversion to having his hand licked.After sprinting through the cold rain to the shelter of an awning that skirted the corner building, Spencer paused to look back.Having moved onto the driver's seat, the dog stared out, nose pressed to the side window, one ear pricked, one ear dropping. His breath was fogging the glass, but he wasn't barking. Rocky never barked. He just stared, waited. He was seventy pounds of pure love and patience.Spencer turned away from the truck and the side street, rounded the corner, and hunched his shoulders against the chilly air.Judging by the liquid sounds of the night, the coast and all the works of civilization that stood upon it might have been merely ramparts of ice melting into the black Pacific maw. Rain drizzled off the awning, gurgled in gutters, and splashed beneath the tires of passing cars. At the threshold of audibility, more sensed than heard, the ceaseless rumble of surf announced the steady erosion of beaches and bluffs.As Spencer was passing the boarded-up art gallery, someone spoke from the shadows in the deeply recessed entrance. The voice was as dry as the night was damp, hoarse and grating: "I know what you are."Halting, Spencer squinted into the gloom. A man sat in the entryway, legs splayed, back against the gallery door. Unwashed and unbarbered, he seemed less a man than a heap of black rags saturated with so much organic filth that malignant life had arisen in it by spontaneous generation."I know what you are," the vagrant repeated softly but clearly.A miasma of body odor and urine and the fumes of cheap wine rose out of the doorway.The number of shambling, drug-addicted, psychotic denizens of the streets ha... Read more

Features & Highlights

  • Praise for DARK RIVERS OF THE HEART"A humdinger of a chase novel [that] explodes with all the giddy excitement of a half-dozen James Cameron pictures. DARK RIVERS OF THE HEART deserves to go to No. 1 on the bestseller list."--Entertainment Weekly"A fresh surprise on virtually every page . . . and a pyrotechnic denouement full of marvelous mayhem."--The Washington Post"Mr. Koontz has succeeded where many genre writers have failed: He has switched gears . . . and written a believable high-tech thriller."--The New York Times"As usual, Koontz's writing is flawless: clean, clear exposition, colorful description, precise narration, and realistic dialogue. DARK RIVERS OF THE HEART is exciting, entertaining, and thoughtful."--The Denver Post"It is difficult to imagine a reader who won't be hooked by this thriller about government power run amok and a man and woman on the run from the madman who wields that power. Unrelenting excitement, truly memorable characters, and ample food for thought."--Kirkus Reviews

Customer Reviews

Rating Breakdown

★★★★★
60%
(1.7K)
★★★★
25%
(712)
★★★
15%
(427)
★★
7%
(199)
-7%
(-199)

Most Helpful Reviews

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The Koontz formula at its best

Here's the typical Dean Koontz novel*: (1) an emotionally tortured, often widowed ex-military or ex-law enforcement guy (2) meets an equally emotionally damaged, often divorced or widowed woman (3) who together encounter Something Unusual (could be teleportation, alien encounters, time travel, or genetically engineered animals), and (4) in the course of understanding/unraveling the Something Unusual, heal each other.
The two best variations on this formula are "Watchers" and "Dark Rivers of the Heart." To give away the Something Unusual here would take away too much fun, but suffice it to say that there's a psychotic government (?) assassin running loose with a license to kill, more or less.
What distinguishes "Dark Rivers" is that the paranoid atmosphere Koontz generates is palpable, and exists even when you are reading chapters devoted to the assassin. Second, Koontz's writing really shines at parts; the first chapter -- go ahead, read it -- resonates with emotional depth; you really feel the loneliness and desperate hope of the hero. The sequence set in Utah with the assassin's ruminations on how to fit in with the Mormon police officers is unexpectedly (but no doubt intentionally) funny.
While the book is not as explicitly violent as some of his other works ("Phantoms" and "Hideaway" come to mind), there are some disturbingly nasty scenes, particularly near the conclusion, so readers with weak stomachs should proceed cautiously.
* Admittedly, the Moonlight Bay novels ("Fear Nothing" and "Seize the Night") have diverged a bit from this.
86 people found this helpful
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Another good one

Hmmm, reading through some of the reviews, I'm surprised at what people have had to say about Koontz and his writing. Sure, he's not for everybody, but he still has talent, and there are few writers that draw me in quite as completely as he does. Okay, enough of my ranting. I think Rivers is one of his better works. The characters achieve a greater depth than some in previous work, the flashbacks are well done, the government conspiracy is handled very well. Dean admits that the hacking in the book is not accurate, in a disclaimer at the end of the book, he says he shortened a lot of procedure for the sake of readability. Some of you are already complaining about the length...would you like him to add the detail back in so you have your accuracy and the rest of us end up bored silly? I would definitely recommend Dark Rivers to anyone who likes suspense or conspiracy stories. There's enough in here to keep you wondering for a while, and quite a few very unexpected surprises thrown in. (Just wait 'til you meet Godzilla!) While I wouldn't put Rivers in my top 5 Koontz novels of all time, it's pretty close, at least in the top 10.
4 people found this helpful
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My First Dean Koontz Book

Believe it or not, red-blooded American male over 40 that I am, this is the first book by Dean Koontz that I've read. Because of this gap in my higher education, I am able to approach my review with no preconceived attitudes about what Mr. Koontz writes or how this book compares to his others.
Koontz doesn't paint a pretty picture of our super secret agencies and their methods and motivations. He also has a couple of bones to pick with real agencies and about which he gets a bit preachy. The first bone has to do with the attack on The Branch Davidian compound in 1982. The second has to do with the serious injustice of a great number of the questionably valid seizures of assets resulting from frequently unfounded accusations of criminal activities. (I've got a lot of adjectives in that sentence, but I really think that "injustice" {not an adjective}, "questionably," and "unfounded" are appropriate to the discussion.)
My reading elsewhere, of fact based reports, supports Koontz's accusations. I wonder, however, if he didn't go a bit overboard in this novel.
We start with a super secret government agency that seems almost omnipotent. This agency knows, or can find out, who you are, where you are, what you're doing, and how to destroy you. The head of this agency, Roy Miro, is a psychotic madman who, among other things, believes himself to be some sort of angel of death who has been placed on this planet to put unhappy people out of their misery. It seems that those he kills are much better off than those whom he believes deserve punishment of his making.
His nemesis, our protagonist, Spencer, or Grant, or one of several other aliases, just wants to be left alone and live in absolute anonymity. Only his accidental involvement with a woman who knows too much about Roy's operation turns Spencer into Roy's target and obsession.
Most of the novel is a series of chases where Roy seemingly holds all the trump cards. (Mixed Metaphor - Yeah, I know.) Spencer, at first alone, and later in the company of his mystery woman, through, skill, ingenuity, and an awful lot of luck and improbable coincidence, survives everything Roy can throw his way and seems to have a new lease on life as the sun sets in the west. But wait! Roy, the indefatigable, has teamed up with a female counterpart who is at least as evil and dangerous as Roy, himself. As our book draws to a close, we find Roy and his new help-mate doing their best to reshape the world to suit themselves.
Is there another encounter looming just over the horizon? Who knows? Knowledge of how they all got to this point, at what costs, and where they are going next, will be your reward for reading this novel.
3 people found this helpful
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A Chase, A Momma, Mr. Eugenics, and Nannette Narcisist

I picked up this novel because one of my students is a Dean Koontz fanatic and billed this as his best. I preface by saying I'm not usually a reader of thrillers, and I found Koontz's psychological and philosophical depth here to be shallow at best.
However, Koontz has written a thriller, not a study of the human psyche or soul. The novel's core is an extended chase: the bad guys pursue the good guys with all the creepy technology at their disposal. It's thrilling! It's scary! It keeps you turning the pages!
I found some of the values implicit in the text a little scary (libertarianism veering toward anarchy; conformist, homophobic views of human sexuality; etc.); but I love Koontz's reverence for the novels of Philip K. Dick!!
I suspect that if you like Koontz's other work, you'll like this novel.
3 people found this helpful
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I wish it was better

I'm regreted of buying this book. I still gave it 2 stars because of the begining, which was interesting and thrilling. Only if you are a big fan of Koontz you should buy it. Otherwise, if you 're only curious, just get it borrowed.
3 people found this helpful
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Dark Rivers has it all!

I had to read a book for my English class. Now normally I would ignore books with 300 plus pages, but I made an exception with this book. I had never heard of the author so I didn't really know what to expect, the backpage wasn't much help either, although it showed a fairly good photo of mr. Koontz.
I didn't expect much of it, but when I had read the first pages it got me hooked. Spencer Grant is the kind of character I like most, he's a loner in the style of Indiana Jones and a cowboy, a guy of the old ways. So the character was O.K. and the story, well, it was awsome! When I had read the book I decided that I had to read more books of the 300-plus-kind. 'Caus with a lot of pages you can really get to know the main character and really get into the story. I think that mr. Koontz did a really good job on the story, the way everything's connected with eachother and the way in evolves, it's fantastic! If you like the X-files and the way it is about the scret shadow side of the US government, then you will love this story. As I said it has everything: adventure, carchases, romance, sex (check out Roy Miro's babe), thrills and horror. Just ignore the 300 plus pages, grab the book, start reading and you'll wish that it had even more pages!
2 people found this helpful
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Very Good!

I never read any of Koontz's novels until I heard about this one and I heartily recommend it! Spencer Grant is a former cop with the LAPD who takes a liking to a waitress he meets in a bar who turns out to be on the run from a secret government agency. He tries to find her along with his dog "Rocky" while being pursued by agents of the same organization. The whole book is non stop action from start to finish. I learned of this novel after wanting to read a book with a similar plot to the movie "Enemy of the State" and BOY did I find it! If you liked "Enemy of the State", you'll LOVE "Dark Rivers of the Heart." I hope this book is made into a movie because I think it deserves to be put on film!
2 people found this helpful
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The one and only good Koontz book.

I normally don't like Dean Koontz, but I have to admit that this one was a pretty good read.
The flashbacks really drew me into this book at first and kept my curiosity alive through the whole book, otherwise I might not have made it.
The characters were above average by Koontz standards, although they still occasionally do some amazingly stupid things (which seems to be a Koontz trademark). In the very beginning of the book, the girl doesn't show up for the second date so Spencer decides to go break into her house??? Come on!!
Koontz doesn't hold back at all on trying to make the government look bad. When talking about rebel groups that oppose the "Evil" US government, I couldn't help but think of those militia groups and cults that seem to be so popular these days.
For anyone who knows a bit about computers, the technology and "hacking" in this book is not realistic at all, but then again it is a fiction book so I am not going to fault Koontz too much.
The ending was very unrealistic. That would have really bothered me, but the flashbacks kept the book from fizzling out.
Overall, a pretty enjoyable read.
2 people found this helpful
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Top of the line Koontz

Ok, Koontz isn't a literary master of our time. His work is more for an entertaining read, and for those of us who just like to be scared silly.
One of my favorite themes is government cover-ups, and Koontz can always be counted on to offer these a-plenty. This was the best I've read to date. He includes interesting technology details which support the plot well, and convey a real sense of insecurity, which is necessary for a good thriller.
1 people found this helpful
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Truly frightening

"Dark Rivers of the Heart" is one of Koontz' best books to date. Most of the story centers around the protagonist, Spencer Grant's, efforts to locate a mysterious woman named Valerie Keene and their attempts to evade capture/death by a psychotic government agent working for an extremely corrupt First Deputy Attorney General. There's a great deal of tension and suspense every time the two are located by the government, and some of the chase scenes are very intense. Like most of Koontz'"~ heroes/heroines, Grant is a loner with a troubled past. His past adds some mystery to the story, and it is gradually revealed over the later parts of the novel. Also, Valerie Keene is one of the best heroines Koontz has created. She's smart, witty, tough, and resourceful, and she adds much to the story. What scared me about this book was how much power the government is portrayed as having in our society. The agents use high-tech, sophisticated technology such as an EPA satellite to hunt Grant and Keene, and a subplot of the story deals with a friend of Grant's whose life is systematically and maliciously ruined by the psychotic government agent and the government itself. Throughout the book, Koontz slips in some frightening bits of info about how our supposedly "free" government is"~ really anything but.
1 people found this helpful