Cuba Libre
Cuba Libre book cover

Cuba Libre

Hardcover – January 12, 1998

Price
$9.48
Format
Hardcover
Pages
352
Publisher
Delacorte Press
Publication Date
ISBN-13
978-0385323833
Dimensions
6.5 x 1.5 x 10 inches
Weight
1.35 pounds

Description

Elmore Leonard has a long track record of creating memorable characters--enough to bring life to many movies, the two most notable being Get Shorty and Jackie Brown (based on Leonard's Rum Punch ). Both are pretty good movies, but the novels are much better. Today Leonard writes mostly "crime" novels, labeled as such because his characters struggle to be good in a world so full of temptation that some kind of crime is always involved. Cuba Libre finds Leonard reaching for a broader audience than those which appreciated either his crime novels or the westerns he once wrote, which he accomplishes by combining elements of both. Ben Tyler is a cowboy who robs banks, but only those that contain money of people who owe but won't pay him--he only takes what they owe. Charlie Burke is a businessman who buys horses cheap in the west, then sells them to exporters, while heroine Amelia Brown is the mistress of one of the truly bad men in the novel and struggles with dilemmas similar to those endured by other cast members. Begining around the time that the Maine is sunk in Havana Harbor and ending when Teddy and others storm San Juan Hill, the story is at its best when its colorful characters are turned loose in one of the novel's colorful settings. If you like Leonard, you'll love Cuba Libre , and if--for some reason--you haven't yet discovered the author, prepare for a real treat. From School Library Journal YA-This book has something to interest almost everyone. Set against the rich and compelling backdrop of Cuba during its struggle for independence, the story includes bank robbery, cattle rustling, love, suspense, and action-packed adventure. Realistic, memorable characters come to life in the scheming twists and turns of a complex plot. Leonard writes in an easy-to-follow style; his bad guys are truly BAD, and readers find themselves rooting for the hero and heroine as they hide, the Spanish Civil guards in hot pursuit. The plot is larded with history, beginning with the sinking of the USS Maine in the harbor of Havana, and ending with Roosevelt and his Rough Riders's charge up San Juan Hill. A rare glimpse of the Spanish-American War and the fight for Cuban independence. Anita Short, W. T. Woodson High School, Fairfax, VA Copyright 1998 Reed Business Information, Inc. From Library Journal The prolific Leonard (Out of Sight, LJ 6/15/96) has written genre Westerns and a long string of successful crime thrillers that transcended genre writing; now, he pulls off a wonderful historical novel, due to be published at the centenary of the onset of the Spanish-American War. Ben Tyler, a cowboy cum bank robber, is recruited by an old partner to assist in a scheme to run guns to insurgent Cubans, under cover of horse trading. When they arrive, they find the U.S.S. Maine's wreckage in the harbor at Havana, and Tyler his partner must cope with a rapidly developing chain of events. Leonard characteristically dispenses with long descriptive passages, but his 1898 Cuba is richly evoked via dialog and action, and the irony of the coming war between the two great powers for custody of this small island is lost neither upon the author nor his characters. Happy to have read such a fine story, one comes away curious to know more about the period and its events. Highly recommended for all collections. -?David Dodd, Santa Cruz Cty. Lib. Sys., Cal. Copyright 1998 Reed Business Information, Inc. From Kirkus Reviews Leonard goes back to his roots, and modern America's, in this rollicking Cuban western/suspenser, to be published on the 100th anniverary of the U.S.S. Maine's explosion. All Ben Tyler is looking for is to make a few fast dollars. Cowpunching in Arizona hasn't worked, or robbing banks either, so he agrees to join his friend Charlie Burke in exporting a string of horses to Cuba, though he just can't see how they stand to make any money on the deal. Unfortunately, Ben and Charlie have picked a historically bad moment for their tropical excursion: They make port just in time to remember the Maine indeed, and suddenly there are more complications than just paying prohibitive import duties, bribing officials and go-betweens, and holding their buyer--impassive, treacherous, polo-playing sugar baron Roland Boudreaux--to the price he's promised them. The US is determined to free Cuba from Spanish rule, but not so completely that the island will be independent--only enough so that American capitalists can step into the breach. In other words, the three-cornered conflict--which Ben & Co. waste no time adding more corners to--is nothing more than a classic Leonard scam writ large, the perfect background for the easygoing hero's lesser chicanery. Before Ben can begin to finger the goodies, though, a little disagreement between him and a Spanish hussar with easily inflamed honor lands him in prison along with a Marine casualty of the Maine who's been spirited out of the hospital, it seems, for the express purpose of rotting in jail. All would be lost if it weren't for Rollie Boudreaux's wide-awake courtesan Amelia Brown, who's got the world's best motive for breaking Ben out of stir. Carbines blazing, horses snorting, battles raging, the heroes drive the villains to a stalemate--and then prepare to battle each other. Top entertainment from the pro's pro (Out of Sight, 1996, etc.): a million greedy schemes with time-outs for war and sex. (Book-of-the-Month Club selection; QPB; author tour) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved. "Explosive...exciting...keeps the reader glued to the pages."-- Chicago Sun-Times "There is so much good storytelling in this novel...there are few writers who can match Leonard when it comes to narrative moves, none who write dialogues that say so little and mean so much."-- San Francisco Chronicle "Elmore Leonard's most exciting book in years."-- The Wall Street Journal The New York Times Bestseller From the Trade Paperback edition. From the Inside Flap ve of the Spanish-American War, Elmore Leonard's electrifying novel takes off like a shot.xa0xa0A spellbinding journey into the heart and soul of the Cuban revolution of a hundred years ago, Cuba Libre is an explosive mix of high adventure, history brought to life, and a honey of a love story--all with the dead-on dialogue and unforgettable characters that mark Elmore Leonard as an American original.Just three days after the sinking of the battleship Maine in Havana harbor, Ben Tyler arrives with a string of horses to sell--cover for a boatload of guns he's running to Cuban insurgents, risking a firing squad if he's caught.This cowboy's first day ashore sets the pace for a wild ride to come.xa0xa0He sells the horses to an American planter, Roland Boudreaux, who's making a killing in Cuba...meets the man's sparkly New Orleans-born mistress, Amelia Brown, and falls in love...makes an enemy of a terrorizing Guardia Civil officer named Tavalera, and a f Elmore Leonard has written thirty-five novels, including such bestsellers as Be Cool , Out of Sight , Rum Punch , Get Shorty , and Maximum Bob , as well as numerous screenplays. He and his wife, Christine, live in a suburb of Detroit. From the Trade Paperback edition. Excerpt. © Reprinted by permission. All rights reserved. Tyler arrived with the horses February eighteenth, three days after the battleship Maine blew up in Havana harbor.xa0xa0He saw buzzards floating in the sky the way they do but couldn't make out what they were after.xa0xa0This was off Morro Castle, the cattle boat streaming black smoke as it came through the narrows.But then pretty soon he saw a ship's mast and a tangle of metal sticking out of the water, gulls resting on it.xa0xa0One of the Mexican deckhands called to the pilot tug bringing them in, wanting to know what the wreckage was.xa0xa0The pilot yelled back it was the Maine. Yeah?xa0xa0The main what?xa0xa0Tyler's border Spanish failed to serve, trying to make out voices raised against the wind.xa0xa0The deckhand told him it was a buque de guerra, a warship.Earlier that month he had left Sweetmary in the Arizona Territory by rail: loaded thirty-one mares aboard Southern Pacific stock cars and rode them all the way to Galveston on the Gulf of Mexico.xa0xa0Here he was met by his partner in this deal, Charlie Burke, Tyler's foreman at one time, years ago.xa0xa0Charlie Burke introduced him to a little Cuban mulatto--"Ben Tyler, Victor Fuentes"--the man appearing to be a good sixty years old, though it was hard to tell, his skin the color of mahogany.Fuentes inspected the mares, none more than six years old or bigger than fifteen hands, checked each one's conformation and teeth, Fuentes wiping his hands on the pants of his white suit, picked twenty-five out of the bunch, all bays, browns and sorrels, and said he was sure they could sell the rest for the same money, one hundred fifty dollars each.xa0xa0He said Mr.xa0xa0Boudreaux was going to like these girls and would give them a check for thirty-seven hundred fifty dollars drawn on the Banco de Comercio before they left Havana.xa0xa0Fuentes said he would expect only five hundred of it for his services.Tyler said to Charlie Burke, later, the deal sounded different than the way he'd originally explained it.Charlie Burke said the way you did business in Cuba was the same as it worked in Mexico, everybody getting their cut.xa0xa0Tyler said, what he meant, he thought they were going directly from here to Matanzas, where Boudreaux's sugar estate was located.xa0xa0Charlie Burke said he thought so too; but Boudreaux happened to be in Havana this week and next.xa0xa0It meant they'd take the string off the boat, put the horses in stock pens for the man to look at, reload them and go on to Matanzas.xa0xa0What Tyler wanted to know, and Charlie Burke didn't have the answer: "Who pays for stopping in Havana?"That evening Charlie Burke and Mr.xa0xa0Fuentes left on a Ward Line steamer bound for Havana.It was late the next day Tyler watched his mares brought aboard the cattle boat, the name Vamoose barely readable on its rusted hull.xa0xa0Next came bales of hay and some oats, one of the stock handlers saying you didn't want a horse to eat much out at sea.xa0xa0Tyler stepped aboard with his saddle and gear to mind the animals himself.xa0xa0That was fine with the stock handlers; they had the cattle to tend.xa0xa0They said the trip would take five days.It was back toward the end of December Charlie Burke had wired: FOUND WAY TO GET RICH WITH HORSES.He came out on the train from East Texas and was waiting for Tyler the first day of the new year, 1898, on the porch of the Congress Hotel in Sweetmary, a town named for a copper mine, LaSalle Street empty going on 10:00 a.m., the mine shut down and the town sleeping off last night.Charlie Burke came out of the rocking chair to watch Tyler walking his dun mare this way past the Gold Dollar, past I.S.xa0xa0Weiss Mercantile, past the Maricopa Bank--Charlie Burke watching him looking hard at the bank as he came along.xa0xa0Tyler brought the dun up to the porch railing and said, "You know what horses are going for in Kansas City?""Tell me," Charlie Burke said."Twenty-five cents a head."They hadn't seen each other in almost four years.Charlie Burke said, "Then we don't want to go to Kansas City, do we?"He watched Tyler chew on that as he stepped down from the dun and came up on the porch.xa0xa0They took time now to hug each other, Charlie Burke's mind going back to the boy who'd come out here dying to work for a cattle outfit and ride horses for pay.xa0xa0Ben Tyler, sixteen years old and done with school, St.xa0xa0Simeon something or other for Boys, in New Orleans, this one quicker than the farm kids who wandered out from Missouri and Tennessee.xa0xa0Charlie Burke, foreman of the Circle-Eye at the time, as many as thirty riders under him spring through fall, put the boy to work chasing mustangs and company stock that had quit the bunch, and watched this kid gentle the green ones with a patience you didn't find in most hands.xa0xa0Watched him trail-boss herds they brought down in Old Mexico and drove to graze.xa0xa0Watched him quit the big spread after seven years to work for a mustanger named Dana Moon, supplying horses to mine companies and stage lines and remounts to the U.S.xa0xa0cavalry.xa0xa0Watched him take over the business after Moon was made Indian agent at White Tanks, a Mimbreno Apache subagency north of town.xa0xa0The next thing he saw of Ben Tyler was his face on a wanted poster above the notice: $500 REWARD DEAD OR ALIVEWhat happened, Tyler's business fell on hard times and he took to robbing banks.xa0xa0So then the next time Charlie Burke actually saw him was out in the far reaches of the territory at Yuma Prison: convicts and their visitors sitting across from one another at tables placed end to end down the center of the mess hall.xa0xa0Mothers, wives, sweethearts all wondering how their loved ones would fare in this stone prison known as the Hell Hole on the Bluff; Charlie Burke wondering why, if Tyler had made up his mind to rob banks, he chose the Maricopa branch in Sweetmary, where he was known.He said on account of it was the closest one.Charlie Burke said, "I come all the way out here to watch you stare past me at the wall?"So then Tyler said, all right, because it was where LaSalle Mining did their banking and LaSalle Mining owed him nine hundred dollars.xa0xa0"Four times I went up the hill to collect," Tyler said in his prison stripes and haircut, looking hard and half starved.xa0xa0"Try and find anybody in charge can cut a check.xa0xa0I went to the Maricopa Bank, showed the teller a .44 and withdrew the nine hundred from the mine company's account.""That's how you do business, huh?""Hatch and Hodges owed me twelve hundred the day they shut down their line.xa0xa0They said don't worry, you'll get your money.xa0xa0I waited another four months, the same as I did with LaSalle, and drew it out of their bank over in Benson.""Who else owed you money?""Nobody.""But you robbed another bank.""Yeah, well, once we had the hang of it...I'm kidding.xa0xa0It wasn't like Red and I got drunk and went out and robbed a bank.xa0xa0Red worked for Dana Moon before he came with me, had all that experience, so I offered him a share, but he'd only work for wages.xa0xa0After we did the two banks I paid Red what he had coming and he bought a suit of clothes cost him ten dollars, and wanted to put the rest in the bank.xa0xa0We're in St.xa0xa0David at the time.xa0xa0We go to the bank to open a savings account and the bank refused him.xa0xa0I asked the manager, was it on account of Red being Warm Springs Apache?xa0xa0The manager become snotty and one thing led to another....""You robbed the bank to teach him manners.""Red was about to shoot him.""Speaking of shooting people," Charlie Burke said, prompting his friend the convict."We were on the dodge by then," Tyler said, "wanted posters out on us.xa0xa0To some people that five hundred reward looked like a year's wages.xa0xa0These fellas I know were horse thieves--they ran my stock more than once--they got after us for the reward, followed our tracks all the way to Nogales and threw down on us in a cantina--smoky place, had a real low ceiling.""The story going around," Charlie Burke said, "they pulled, Ben Tyler pulled and shot all three of them dead.""Maybe, though I doubt it.xa0xa0All the guns going off in there and the smoke, it was hard to tell.xa0xa0We came back across the border, the deputies were waiting there to run us down.""Have you learned anything?""Always have fresh horses with you.""You've become a smart aleck, huh?""Not around here.xa0xa0They put you in leg irons.""What do you need I can get you?""Some books, magazines.xa0xa0Dana Moon sends me the Chicago Times he gets from some fella he knows.""You don't seem to be doing too bad.""Considering I live in a cell with five hot-headed morons and bust rocks into gravel all day.xa0xa0I've started teaching Mr.xa0xa0Rinning's children how to ride the horsey and they like me.xa0xa0Mr.xa0xa0Rinning's the superintendent; he says to me, 'You're no outlaw, you're just stupid--a big educated fella like you robbing banks?'xa0xa0He says if I'm done being stupid I'll be out as soon as I do three years."Charlie Burke said to him that day in the Yuma mess hall, "Are you done?""I was mad is all, those people owing me money I'd worked hard for.... Read more

Features & Highlights

  • Set on the eve of the Spanish-American War, Elmore Leonard's electrifying novel takes off like a shot.  A spellbinding journey into the heart and soul of the Cuban revolution of a hundred years ago,
  • Cuba Libre
  • is an explosive mix of high adventure, history brought to life, and a honey of a love story--all with the dead-on dialogue and unforgettable characters that mark Elmore Leonard as an American original.Just three days after the sinking of the battleship Maine in Havana harbor, Ben Tyler arrives with a string of horses to sell--cover for a boatload of guns he's running to Cuban insurgents, risking a firing squad if he's caught.This cowboy's first day ashore sets the pace for a wild ride to come.  He sells the horses to an American planter, Roland Boudreaux, who's making a killing in Cuba...meets the man's sparkly New Orleans-born mistress, Amelia Brown, and falls in love...makes an enemy of a terrorizing Guardia Civil officer named Tavalera, and a friend of a mysterious old Cuban, Victor Fuentes...is forced into a gunfight and thrown in prison, Tavalera determined to nail him as a spy.  Tyler has done time in the past for robbing banks, but never in a place like Morro Castle.  America is about to declare war on Spain, and if Tyler doesn't manage to get out very soon, he's a dead man.  How his escape comes about, with surprising help, is the high point from which the plot takes off on a train ride across Cuba, with Tyler and Amelia looking for more than love, a lot more--a chance to snatch a bundle of Boudreaux's cash, if they can pull it off.  But who can you trust?  Everyone's a schemer in this one.Leonard breaks new ground in this rip-roaring jaunt into history, packed with all the twists, turns, sly plot, and wicked wit his fans have come to expect of the writer who has redefined the art of the novel.  Elmore Leonard has written thirty-four novels, including such bestsellers as
  • Out of Sight, Riding the Rap, Pronto, Rum Punch,
  • and
  • Get Shorty,
  • and numerous screenplays.  He lives with his wife, Christine, in Bloomfield Village, Michigan.

Customer Reviews

Rating Breakdown

★★★★★
30%
(66)
★★★★
25%
(55)
★★★
15%
(33)
★★
7%
(15)
24%
(52)

Most Helpful Reviews

✓ Verified Purchase

A Fun Western

I had just finished reading a collection of some of Elmore Leonard's older westerns (written in the fifties!) when this book was published. Being a fan of all his writing I bought it right away. I wasn't disappointed in the least.
The plot is typical of a lot of his books but the difference with Mr. Leonard's writing has always been the dialog, the characters and then the action. Even when he is writing the same plot there is always the suspense of who will double cross whom. Although he show's himself to be a romantic at heart and love usually wins out over greed. That's another quality of his work, the heroes, while sometimes a little shady and slightly tarnished, are usually men and women of integrity. Sometimes the villains are just evil, more often then not they have several sides and different motivations as well.
One aspect I liked was the mention of characters and settings from the old westerns that I had just finished reading. A few of the characters pop up here even though the first novels were written about thirty years ago.
I had recently read "The Rough Riders" by Teddy Roosevelt and found Cuba Libre a good companion piece. I enjoyed the mix of history and fiction.
Even though the book went a little long I loved every page and would recommend it.
2 people found this helpful
✓ Verified Purchase

Genre writing at its very best

Genre writers don't get any better than Elmore Leonard, noted for his gritty crime novels, many of which have been made into movies. This one cries out for the young Robert Redford and Katharine Ross (remember Butch Cassidy and The Sundance Kid?)and the big screen. Ben Tyler is the noble cowboy with a bankrobbing past and Amelia Brown is the beautiful woman who is no better than she should be, in this story set against the bombing of the USS Maine and the opening days of the Spanish-American War in Cuba in 1898. Villains you love to hate, appealing lovers, and the stereotypical Elmore Leonard con man who winds up with the loot. Engrossing, fast-moving, action-packed, and a lot of fun.
2 people found this helpful
✓ Verified Purchase

This book was disgustingly bad

I picked this up in a used bookstore (thank god i didnt pay full price) and planned to read it on vacation. After 100 pages, I threw it in the garbage. This dialouge is unrealistic; the characters talk like illiterate third graders. Worse than that it the bland character structure. It was just an annoying piece of dribble. Although i liked the movie get shorty and Jackie brown, I won't subject myself to his writing again.
Leonard could do less damage if he was drunk behind the wheel of an automobile instead of behind a typewriter.
2 people found this helpful
✓ Verified Purchase

No time for a bad Leonard book

Cuba Libre is an interesting change of pace for Elmore Leonard, the master of underworld American crime fiction. After the slick black comedy of such books as Riding The Rap (which I can't wait to see a film adaptation of) and Killshot, he surprises us all with a book which takes it time to get anywhere. Of course, this is no criticism of Leonard, but it's interesting to see how he writes when not able to utilise the street smart dialogue of the last two decades. The story is engrossing, which is always the case with Leonard who won't let you go until you finish the book. The mix-ups over the kidnapping at the end are in the finest tradition of crimes-gone-wrong, although this time it's a little different what with the lack of psychotic Florida-born crooks - which is to be applauded, as Leonard obviously knows how to keep himself from becoming stale, this time by moving the locale to South America. This is his best work for a while, up there with Killshot and Out Of Sight. It doesn't matter what time frame his work is put in, he's still the best there is when it comes to crime and comedy.
1 people found this helpful
✓ Verified Purchase

This one really misses the boat

After reading my first Elmore Leonard book I went in search of everything else he had ever written and have eagerly awaited each new book. Not all of them have satisfied, but enough succeed brilliantly to keep me waiting. Now this. It not only doesn't satisfy, it misses the boat totally. This is something of a departure for Leonard, a historical fiction that melds aspects of his western and crime fiction into a story set against actual historical events. Unfortunately, he doesn't give us enough of either the history - which should be really interesting - or his fiction - which in this case seems flat and unsatisfying. The plot wanders and the conclusion is not solid and doesn't please in the way that his books frequently do.
In sum, this book is lacking in both the humor and the bite that make his best work a joy to read. I was really let down.
1 people found this helpful
✓ Verified Purchase

Leonard misses the mark.

Leonard's greatest strength has always been his ability to breath life into those on the fringes of modern society. He has always understood their rythmns and their patois. These strengths are completely wasted in this tale of Cuba 100 years ago.
1 people found this helpful
✓ Verified Purchase

beautiful novel weakened by a silly plot

The first 2/3 of CUBRA LIBRE reads like a grand historical novel, in the vein of Hemingway or Marquez. The characters and the blind forces which compel them are so masterfully depicted that, at times, you swear Leonard could win the Nobel. The author is very sensitive to the issues that fed into the Spanish-American war and does not make lightly of them. This is not escapist fiction. Unfortunately, the last third turns into RUM PUNCH and everyone is running around trying to grab a bag of money. This cheapens the novel to such a degree that it ought to pulled from the shelf and Leonard should be made to complete his original artistic intent.
1 people found this helpful
✓ Verified Purchase

Not one of Leonard's bests

If his name wasn't on the cover, I'd suspect someone else wrote this book. Missing was Leonard's usual snappy dialogue such as was in "Get Shorty". The large number of characters was rather confusing to keep up with and none of them really came through as interesting. Sorry, I'm a real Elmore Leonard fan, but if this had been the first book of his I'd read, it would have been the only one.
1 people found this helpful
✓ Verified Purchase

Clearly Defined Characters

No one does characterization better than Elmore Leonard.

The author took his time developing the story, but it turned out to be a good story.
✓ Verified Purchase

I enjoyed this book

I enjoyed this book, as I do most of his books. Another EL classic, set mostly in Cuba in 1898, during the Cuban revolution and at the beginning of the Spanish-American War. Arizona cowboy Ben Tyler arrives with horses he figures on selling for a quick profit to white plantation owners, only to become entangled not only in the conflict, but romantically. He pairs up with Virgil Webster, a marine who survived the explosion of the battleship Maine.

The story offers a different perspective not only of the legend of Teddy Roosevelt and the Rough Riders, but the cause and purpose of the war — the centerpiece being the explosion of the battleship Maine — as a backdrop to Leonard’s trademark character studies and plot twists. And, as usual, he serves up a pleasant surprise at the end.

However, Leonard should have followed his own rule #10 (as defined in his oft-quoted Ten Rules for Good Writing): “Try to leave out the part that readers tend to skip.” Thus, the four stars rather than five. I enjoy history, but I found too much repetition of Cuba’s history in the early chapters of the book. I ended up skipping whole pages to get back to the action. We get it. Don’t beat the proverbial dead horse. Nor do I care for his persistent use of passive voice when active voice would be more powerful, or his needless, intrusive, overuse of the word “now.” But I’m learning to live with it because his stories and characters are so good.