Cop Town
Cop Town book cover

Cop Town

Hardcover – June 24, 2014

Price
$25.99
Format
Hardcover
Pages
416
Publisher
Delacorte Press
Publication Date
ISBN-13
978-0345547491
Dimensions
6.25 x 1.25 x 9.5 inches
Weight
1.4 pounds

Description

From Booklist *Starred Review* In her first stand-alone novel, Slaughter revisits the themes of her best-selling 1970s-set Criminal (2012). In Atlanta in 1974, Kate Murphy shows up for her first day of work at the Atlanta Police Department. Brought up in the genteel section of town, the daughter of a wealthy psychiatrist, Kate is wholly unprepared for the rough-and-tumble atmosphere of a department that is openly hostile to women. Sporting a uniform three sizes too big, she is a ready target for her fellow cops’ emotional and physical hazing. She partners with Maggie Lawson, who has a brother and an uncle on the force, and the two are thrown headlong into a day that sees them dealing with the murder of a fellow police officer. They begin to suspect that the dead cop was the victim of the Shooter, an expert marksman who has already taken out four other officers. Frantically looking for the thread that connects the murders, conducting a harrowing interrogation of a transsexual pimp that erupts in violence, and emotionally bruised from the vitriol directed her way, Kate begins to wonder if she is cut out to be a cop. Slaughter graphically exposes the rampant racism, homophobia, and misogyny of cop culture in the 1970s, made all the more jarring by its contrast with Kate’s cultured upbringing. Winning leads, the retro setting, and a riveting plot make this one of Slaughter’s best.HIGH-DEMAND BACKSTORY: Slaughter has more than 30 million copies of her books in print in 32 languages; the first stand-alone novel by this exceptional crime writer is sure to win her many new fans. --Joanne Wilkinson Review “Karin Slaughter is simply one of the best thriller writers working today, and Cop Town shows the author at the top of her game—relentless pacing, complex characters, and gritty realism, all set against the backdrop of a city on the edge. Slaughter’s eye for detail and truth is unmatched. . . . I’d follow her anywhere.” —Gillian Flynn “ Cop Town proves Karin Slaughter is one of America’s best writers. . . . She pulls her readers into a twisted tale of mystery and keeps them fascinated from start to finish.” — The Huffington Post “Stunning . . . In Karin Slaughter’s first stand-alone novel, she breaks new ground with this riveting story of two young police officers trying to stop a serial killer targeting cops. Her characters, plot, and pacing are unrivaled among thriller writers and if you haven’t yet read her, this is the moment.” —Michael Connelly “Compulsively readable . . . will have your heart racing.” — O: The Oprah Magazine “Intense . . . engrossing . . . evocative . . . [Karin Slaughter’s] first stand-alone novel [has] a gritty, action-packed plot and strong, believable characters.” —Associated Press “Slaughter graphically exposes the rampant racism, homophobia, and misogyny of cop culture in the 1970s. . . . Winning leads, the retro setting, and a riveting plot make this one of Slaughter’s best.” — Booklist (starred review) “Superb . . . explosive . . . [ Cop Town ] is sure to win over readers new to Slaughter’s work while reminding old fans of her enormous talent.” — Library Journal (starred review) “Evocative writing . . . amazing characters . . . with edge-of-your-seat suspense and a riveting plot . . . Slaughter’s first stand-alone book is a knockout.” — RT Book Reviews “Scintillating . . . Slaughter does her usual fine job of exploring intriguingly troubled characters.” — Publishers Weekly “A masterpiece . . . Much more than a thriller . . . Karin Slaughter’s unforgettable female characters and stunning evocation of time and place make Cop Town one of the most powerful and moving reads of recent memory.” —Kathryn Stockett About the Author Karin Slaughter is the New York Times and #1 internationally bestselling author of numerous thrillers, including Cop Town, Unseen, Criminal, Fallen, Broken, Undone, Fractured, Beyond Reach, Triptych, Faithless, and the e-original short stories “Snatched” and “Busted.” She is a native of Georgia. Excerpt. © Reprinted by permission. All rights reserved. November 1974PrologueDawn broke over Peachtree Street. The sun razored open the downtown corridor, slicing past the construction cranes waiting to dip into the earth and pull up skyscrapers, hotels, convention centers. Frost spiderwebbed across the parks. Fog drifted through the streets. Trees slowly straightened their spines. The wet, ripe meat of the city lurched toward the November light.The only sound was footsteps.Heavy slaps echoed between the buildings as Jimmy Lawson’s police-issue boots pounded the pavement. Sweat poured from his skin. His left knee wanted to give. His body was a symphony of pain. Every muscle was a plucked piano wire. His teeth gritted like a sand block. His heart was a snare drum.The black granite Equitable Building cast a square shadow as he crossed Pryor Street. How many blocks had Jimmy gone? How many more did he have to go?Don Wesley was thrown over his shoulder like a sack of flour. Fireman’s carry. Harder than it looked. Jimmy’s shoulder was ablaze. His spine drilled into his tailbone. His arm trembled from the effort of keeping Don’s legs clamped to his chest. The man could already be dead. He wasn’t moving. His head tapped into the small of Jimmy’s back as he barreled down Edgewood faster than he’d ever carried the ball down the field. He didn’t know if it was Don’s blood or his own sweat that was rolling down the back of his legs, pooling into his boots.He wouldn’t survive this. There was no way a man could survive this.The gun had snaked around the corner. Jimmy had watched it slither past the edge of a cinder-block wall. The sharp fangs of the front sights jutted up from the tip of the barrel. Raven MP-25. Six-round detachable box, blowback action, semiauto. The classic Saturday night special. Twenty-five bucks on any ghetto corner.That’s what his partner’s life had come down to. Twenty-five bucks.Jimmy faltered as he ran past First Atlanta Bank. His left knee almost touched the asphalt. Only adrenaline and fear saved him from falling. Quick bursts of recall kept setting off colorful fireworks in his head: Red shirtsleeve bunched up around a yellow-gold wristwatch. Black-gloved hand holding the white pearl grip. The rising sun had bathed the weapon’s dark steel in a bluish light. It didn’t seem right that something black could have a glint to it, but the gun had almost glowed.And then the finger pulled back on the trigger.Jimmy knew the workings of a gun. The 25’s slide was already racked, cartridge in the chamber. The trigger spring engaged the firing pin. The firing pin hit the primer. The primer ignited the gunpowder. The bullet flew from the chamber. The casing popped out of the ejection port.Don’s head exploded.Jimmy’s memory did no work to raise the image. The violence was etched into his corneas, backdropped every time he blinked. Jimmy was looking at Don, then he was looking at the gun, then he was looking at how the side of Don’s face had distorted into the color and texture of a rotten piece of fruit.Click-click.The gun had jammed. Otherwise, Jimmy wouldn’t be running down the street right now. He would be face down in an alley beside Don, condoms and cigarette butts and needles sticking to their skin.Gilmer Street. Courtland. Piedmont. Three more blocks. His knee could hold out for three more blocks.Jimmy had never been on the business end of a firing gun. The flash was an explosion of starlight—millions of pinpricked pieces of sun lighting up the dark alley. His eardrums rang with the sound. His eyes stung from the cordite. At the same time, he felt the splash against his skin, like hot water, only he knew—he knew—it was blood and bone and pieces of flesh hitting his chest, his neck, his face. He tasted it on his tongue. Crunched the bone between his teeth.Don Wesley’s blood. Don Wesley’s bone.He was blinded by it.When Jimmy was a kid, his mother used to make him take his sister to the pool. She was so little back then. Her skinny, pale legs and arms poking out of her tiny suit reminded Jimmy of a baby praying mantis. In the water, he’d cup his hands together, tell her he’d caught a bug. She was a girl, but she loved looking at bugs. She’d paddle over to see, and Jimmy would squeeze his hands together so the water would squirt into her face. She would scream and scream. Sometimes she would cry, but he’d still do it again the next time they were in the pool. Jimmy told himself it was all right because she kept falling for it. The problem wasn’t that he was cruel. The problem was that she was stupid.Where was she now? Safe in bed, he hoped. Fast asleep, he prayed. She was on the job, too. His little sister. It wasn’t safe. Jimmy could end up carrying her through the streets one day. He could be jostling her limp body, careening around the corner, his knee brushing the blacktop as the torn ligaments clashed like cymbals.Jimmy saw a glowing sign up ahead: a white field with a red cross in the center.Grady Hospital.He wanted to weep. He wanted to fall to the ground. But his burden would not lighten. If anything, Don got heavier. The last twenty yards were the hardest of Jimmy’s life.A group of black men were congregating under the sign. They were dressed in bright purples and greens. Their tight pants flared below the knee, showing a touch of white patent leather. Thick sideburns. Pencil mustaches. Gold rings on their fingers. Cadillacs parked a few feet away. The pimps were always in front of the hospital this time of morning. They smoked skinny cigars and watched the sun rise as they waited for their girls to get patched up for the morning rush hour.None of them offered to help the two bloody cops making their way toward the doors. They gawked. Their cigarillos stopped midair.Jimmy fell against the glass doors. Someone had forgotten to lock them. They butterflied open. His knee slued to the side. He fell face-first into the emergency waiting room. The jolt was like a bad tackle. Don’s hipbone knifed into his chest. Jimmy felt the flex of his own ribs kissing his heart.He looked up. At least fifty pairs of eyes stared back. No one said a word. Somewhere in the bowels of the treatment area, a phone was ringing. The sound echoed through the barred doors.The Gradys. Over a decade of civil rights hadn’t done shit. The waiting room was still divided: black on one side, white on the other. Like the pimps under the sign, they all stared at Jimmy. At Don Wesley. At the river of blood flowing beneath them.Jimmy was still on top of Don. It was a lewd scene, one man on top of another. One cop on top of another. Still, Jimmy cradled his hand to Don’s face. Not the side that was blown open—the side that still looked like his partner.“It’s okay,” Jimmy managed, though he knew it wasn’t okay. Would never be okay. “It’s all right.”Don coughed.Jimmy’s gut twisted at the sound. He’d been sure the man was dead. “Get help,” he told the crowd, but it was a whisper, a begging little girl’s voice that came out of his own mouth. “Somebody get help.”Don groaned. He was trying to speak. The flesh of his cheek was gone. Jimmy could see his tongue lolling between shattered bone and teeth.“It’s okay.” Jimmy’s voice was still a high whistle. He looked up again. No one would meet his gaze. There were no nurses. No doctors. No one was going to get help. No one was answering the damn telephone.Don groaned again. His tongue slacked outside of his jaw.“It’s okay,” Jimmy repeated. Tears streamed down his face. He felt sick and dizzy. “It’s gonna be okay.”Don inhaled sharply, like he was surprised. He held the air in his lungs for a few seconds before finally letting out a low, baleful moan. Jimmy felt the sound vibrating in his chest. Don’s breath was sour—the smell of a soul leaving the body. The color of his flesh didn’t drain so much as fill like a pitcher of cold buttermilk. His lips turned an earthy, funereal blue. The fluorescent lights cut white stripes into the flat green of his irises.Jimmy felt a darkness pass through him. It gripped his throat, then slowly reached its icy fingers into his chest. He opened his mouth for air, then forced it closed for fear that Don’s ghost would flow into him.Somewhere, the phone was still ringing.“She-it,” a raspy old woman grumbled. “Doctor ain’t never gone get to me now.”Day OneMonday1Maggie Lawson was upstairs in her bedroom when she heard the phone ringing in the kitchen. She checked her watch. There was nothing good about a phone ringing this early in the morning. Sounds from the kitchen echoed up the back stairs: The click of the receiver being lifted from the cradle. The low murmur of her mother’s voice. The sharp snap of the phone cord slapping the floor as she walked back and forth across the kitchen.The linoleum had been worn away in staggered gray lines from the countless times Delia Lawson had paced the kitchen listening to bad news.The conversation didn’t last long. Delia hung up the phone. The loud click echoed up to the rafters. Maggie knew every sound the old house made. She had spent a lifetime studying its moods. Even from her room, she could follow her mother’s movements through the kitchen: The refrigerator door opening and closing. A cabinet banging shut. Eggs being cracked into a bowl. Thumb flicking her Bic to light a cigarette.Maggie knew how this would go. Delia had been playing Bad-News Blackjack for as long as Maggie could remember. She would hold for a while, but then tonight, tomorrow, or maybe even a week from now, Delia would pick a fight with Maggie and the minute Maggie opened her mouth to respond, her mother would lay down her cards: the electric bill was past due, her shifts at the diner had been cut, the car needed a new transmission, and here Maggie was making things worse by talking back and for the love of God, couldn’t she give her mother a break?Busted. Dealer wins.Maggie screeched the ironing board closed. She stepped carefully around folded stacks of laundry. She’d been up since five that morning doing the family’s ironing. She was Sisyphus in a bathrobe. They all had uniforms of one kind or another. Lilly wore green-and-blue-checkered skirts and yellow button-down tops to school. Jimmy and Maggie had their dark blue pants and long-sleeved shirts from the Atlanta Police Department. Delia had her green polyester smocks from the diner. And then they all came home and changed into regular clothes, which meant that every day, Maggie was washing and ironing for eight people instead of four.She only complained when no one could hear her.There was a scratching sound from Lilly’s room as she dropped the needle on a record. Maggie gritted her teeth. Tapestry. Lilly played the album incessantly.Not too long ago, Maggie helped Lilly get dressed for school every morning. At night, they would page through Brides magazine and clip out pictures for their dream weddings. That was all before Lilly turned thirteen years old and her life, much like Carole King’s, became an everlasting vision of the ever-changing hue.She waited for Jimmy to bang on the wall and tell Lilly to turn that crap off, but then she remembered her brother had picked up a night shift. Maggie looked out the window. Jimmy’s car wasn’t in the driveway. Unusually, the neighbor’s work van was gone. She wondered if he was working the night shift, too. And then she chastened herself for wondering, because it was none of her business what her neighbor was doing.Now seemed as good a time as any to go down for breakfast. Maggie pulled the foam rollers from her hair as she walked down the stairs. She stopped exactly in the middle. The acoustic sweet spot. Tapestry disappeared. There were no sounds from the kitchen. If Maggie timed it right, she could sometimes grab a full minute of silence standing on the stairs. There wouldn’t be another time during her day when she felt so completely alone.She took a deep breath, then slowly let it out before continuing down.The old Victorian had been grand at one point, though the house retained no evidence of its former glory. Pieces of siding were gone. Rotted wood hung like bats from the gables. The windows rattled with the slightest breeze. Rain shot a creek through the basement. There was no outlet in the house that didn’t have a black tattoo ghosted around it from bad fuses and shoddy workmanship.Even though it was winter, the kitchen was humid. No matter the time of year, it always smelled of fried bacon and cigarette smoke. The source of both stood at the stove. Delia’s back was bent as she filled the percolator. When Maggie thought of her mother, she thought of this kitchen—the faded avocado-green appliances, the cracked yellow linoleum on the floor, the burned, black ridges on the laminate countertop where her father rested his cigarettes.As usual, Delia had been up since before Maggie. No one knew what Delia did in the morning hours. Probably curse God that she’d woken up in the same house with the same problems. There was an unwritten rule that you didn’t go downstairs until you heard eggs being whisked in a bowl. Delia always cooked a big breakfast, a holdover from her Depression childhood, when breakfast might be the only meal of the day.“Lilly up?” Delia hadn’t turned around, but she knew Maggie was there.“For now.” Maggie made the same offer she did every morning. “Can I do anything?”“No.” Delia jabbed the bacon with a fork. “Driveway’s empty next door.”Maggie glanced out the window, pretending she didn’t already know Lee Grant’s van was not parked in its usual spot.Delia said, “All we need is for girls to start going in and out of that house at all hours. Again.”Maggie leaned against the counter. Delia looked exhausted. Even her stringy brown hair couldn’t be bothered to stay pinned on the top of her head. They’d all been picking up extra shifts to pay for Lilly to go to a private school. None of them wanted to see her bussed across town to the ghetto. They had four more years of tuition and textbooks and uniforms before Lilly graduated. Maggie wasn’t sure her mother would last that long. 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Features & Highlights

  • An atmospheric nail-biter about a rookie cop making her own way in the boys' club that is the Atlanta Police Department in the 1970s.

Customer Reviews

Rating Breakdown

★★★★★
30%
(4.5K)
★★★★
25%
(3.8K)
★★★
15%
(2.3K)
★★
7%
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23%
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Most Helpful Reviews

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Spine tingling suspense

I loved this story and would be first in line if it was made into a movie.

The story is set in 1974 in Atlanta, Georgia. Kate Murphy has just joined the Atlanta P.D. She's a widow whose husband was killed in Vietnam. However she keeps this to herself as well as her Jewish background and family wealth.

Kate experiences the harassment of the male dominated police department from the start. Black cops and white cops stand apart at roll call and black women police officers must wait until the white women cops finish before they can use the locker rooms. There are no women detectives and the feeling is that the only good thing a women is suited for is typing reports.

The heated intensity of the department arises from a cop killer who has just claimed his fifth victim. It was Jimmy Lawson's partner who was shot. Jimmy carried his partner to the hospital but it was too late.

The department is used to doing things their own way and when a black drug dealer was arrested for murder, the cops staged the evidence to insure a conviction. Instead, the tainted evidence was discovered and the man set free. Now, the feeling is, if they find the cop killer, he won't make it to trial.

Kate is teamed up with Maggie Lawson, Jimmy's younger sister. Maggie tries to show Kate the ropes but feels that Kate is just too pretty and refined to have the guts to make it on the job.

The story is told through the eyes of Kate and Maggie and those of the killer. Maggie is from a blue collar family and accepts the harassment she receives. Her brother doesn't try to protect her but joins with his beer drinking fellow cops in taunting and with sexual innuendos. Much of the action takes place in the slums of Atlanta, dominated by minorities. Whores and pimps are questioned in attempt to learn about the killer. In trying to get these people to talk, cruelty to these people is commonplace.

Maggie and Kate get caught up in their attempts to find the killer, and we observe the killer making moves and beginning to stalk Kate.

The dialogue is intense and the pace burns with speed. Maggie tries to take command but her uncle, is the ring leader of the vigilante police who take the law into their own hands.

Karin Slaughter is a writer at the top of her form with "Cop Town." We feel sympathy for Kate and Maggie and dread that they might become victims of the cop killer or submit to the maniacal philosophy of many of the seasoned cops.
39 people found this helpful
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COP TOWN by Karin Slaughter

Kate Murphy is not quite the typical rookie one would expect at the Atlanta Police Department. She doesn’t fit, in many ways, especially in 1974, when the book takes place. Nonetheless, she is the star of Cop Town, a novel by Karin Slaughter.

At the beginning of the book, Jimmy Lawson’s partner, Don Wesley, is murdered, bringing the total of executed police officers to five in three months. The other murders, however, were executions, with the pair of officers each being shot once in the head while on his knees. According to the old guard at the police department, the issue is racial – it is time, they believe, for the white males to take back the power that is rightfully theirs.

It is into this environment that Kate Murphy begins her job as a police officer. She is an unlikely rookie, performing unlikely actions, and growing into the profession at an unlikely rate.

I did not particularly care for Cop Town. There are, roughly, three reasons for this.

First, in my opinion, the start is very slow. I had a difficult time getting into the book. Although the pace picks up, I almost did not stick with the book long enough to reach that point.

Second, I found the plot to be somewhat predictable. Although I did not correctly select “who-done-it”, I was in the right ballpark.

And, third, I found the book to be weak on character development. In my opinion, but for a few exceptions, the characters are flat – one dimensional. There is not one character with whom I connect, or for whom I feel particularly empathetic, and so many of the characters are simply stereotypes. Perhaps this is what Slaughter intends. But, I think her message would hit harder if she were more subtle. This complaint, however, might be a result of my own preferences. My interests lean more towards drama, not true mysteries or thrillers in which extensive character development is not as important.

Cop Town provides interesting descriptions of the many different areas of Atlanta. The novel does not feel realistic to me. It does not resonate with my own recollections of 1974; however, I am unfamiliar with 1974 Atlanta, Georgia.

If you like straightforward thrillers, you might enjoy Cop Town. It did not, however, appeal to me.

NOT RECOMMENDED
20 people found this helpful
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Give it a shot and prove me wrong!

Everyone has that handful of authors ... the ones that are a sure thing. You know if you pick up one of their novels that you're in for a great read and you don't give it a second thought. Karin Slaughter is one of those authors for me. My mom branched out one time and read one of her novels and then when she suggested it to me, I was hooked. I used to be one of those readers who stuck to the basics: James Patterson, Nicholas Sparks, John Grisham, and Stephen King. These four authors were in my circle of trust and I NEVER read outside the circle. I was too afraid that if I picked up another author, I will have wasted my time on a bad book. I was foolish. All of those reading years, wasted on safe authors!! Well, Slaughter was really my first time betraying my circle. It was so worth it. Karin Slaughter is amazing. Her Grant County series is one of my all-time favorites. She has such a way with words and it completely draws you in. I have re-read that series alone probably ten times and I enjoyed what I've read of the Will Trent series also.

Which makes what I'm about to say so much more difficult. I didn't like this one at all. I tried connecting with Cop Town and it just didn't happen. It was well written, don't get me wrong. But it failed to grab me like all of her other novels. Maybe it was because it was set in the 70's and that decade is just completely foreign to me. That sounds weird since I was born in 1980 but I've had similar issues with reading other novels from that time period.

First of all, it wasn't a bad book. It was just as well written as her previous novels. It was just as well edited, thought out and researched. I found it kind entirely too easy to put down. Cop Town just didn't blow my skirt up. And I wanted to love this book. Who am I kidding, when I saw that Slaughter had a new novel out, it was like my unborn child ... I loved it before I had seen it. But the stork dropped this baby in an ugly tree before it reached its destination.

Remember, this is just my take on it ... you'll probably love it like most of the people who have read it so far. It's highly rated and a ton of authors that I love have really enjoyed it. So I'm probably out of my mind and temporarily delusional ... so give it a shot and prove me wrong!
20 people found this helpful
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Very disappointed in this one-off story from Karin Slaughter

Very disappointed in this one-off story from Karin Slaughter, who is normally one of my favorite authors of this genre. She tries so hard to capture every stereotype of the olden days that everyone is racist, sexist, misogynist, and generally nasty and sarcastic to one another all the time. It is hard to find someone to root for in this story, given that they are all so unpleasant in various ways, or weak, or stupid. Not one of her best by a long shot, and if she continues this series, it is one I will not be buying...
18 people found this helpful
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The Suspense/Thriler Book of the Summer

Karin Slaughter takes the reader to 1974 Atlanta where racial tensions are still high and female police officers are not protected, in her first stand-alone novel, Cop Town. Rookie police officer Kate Murphy is proud to be a female cop, but it is not easy being a female police officer in a male dominated field, even female officers can be hard on the rookies, even her own brother is in on it. Kate’s first day on the job is also one of the most difficult for the Atlanta Police Department; one of their own is gunned down. Kate is eventually partnered up with Maggie Lawson, an officer fighting her own personal struggles within the department, in the citywide hunt for a serial cop killer and Kate and Maggie must decide to tow the line or follow their instincts. Cop Town is an intense, fast paced suspense thriller that does not disappoint. Karin Slaughter has risen to be one of the best in the field of suspense writing and Cop Town is an excellent example as to why Slaughter is so good. I would not hesitate to recommend Cop Town to any suspense fan.
9 people found this helpful
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Disapointed in Karin Slaughter

I have been a huge fan of Karin Slaughter from her first novel. Usually can't wait to get the new one. I quit reading this novel after 4 chapters. I did not like anything at all about this book. I usually I can't wait for down time to pick up my book, but found myself reading a page, then putting it down. I am hugely disappointed with Karin Slaughter's writing for the first time ever. I personally would label it as one of the worst books I have ever attempted to read - and I am an avid reading who rarely doesn't finish a book once I start it.
8 people found this helpful
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1974 in the Atlanta Police Department

I've always enjoyed author Slaughter's work. I haven't read all of her previous work but I've probably read at least half of it. None of her previous work could be considered sunny romances but this particular offering is especially dark.

I lived through the 1970s and saw/experienced a lot of the racism, sex discrimination, homophobia and more that Slaughter puts in this book. And it was definitely there. But this book is overloaded almost to the point of being caricatured. It seems like almost every page of this longish story has another example of man (and woman's) inhumanity to each other highlighted.

And it's too bad because Slaughter is an excellent author and this had the makings of a great period piece. It was just too over the top for me.

There is great character development, especially of the female cops in the story. And Slaughter obviously knows Atlanta very well. She gives the reader a real feel for the town, especially the seedier sections. There is a map included in the front of the book that was useful in keeping track of everyone's location in the story.

There were a lot of positive things about COP TOWN and I read it all the way to the end. Fans of police procedurals, crime stories, tales of the 1970s, and thrillers might be tempted by this offering. It might just be me that thinks it's a bit too much.
7 people found this helpful
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Nicely done.

I've not read this author before but I'll be correcting that shortcoming after reading Cop Town. Some nice characterization and good word pictures of various Atlanta neighborhoods. An interesting story line that did manage to deliver a few minor surprises although some of the situations were a bit trite, although appropriate for the 70s. Still all in all a decent cop thriller that left me wanting to read more of this author.
7 people found this helpful
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... have read every single one of her books and loved them. I have been struggling to read this ...

I am a huge fan of Karin's and have read every single one of her books and loved them. I have been struggling to read this one for weeks and I'm almost to the halfway point, but I give up. This is one of the worst books I've ever read. None of the characters are likeable and the storyline is extremely boring. If this is your first time reading one of Karin's books don't let this one stop you from reading others by her. Her books are usually page turners for me, but this one just stinks. A total waste of $17 and my time!
6 people found this helpful
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Definitely the worst book she's ever written

Started and stopped 3 times, never was able to finish. Definitely the worst book she's ever written, and I say that as someone who was VERY angry at the ending of one of her books, yet still couldn't wait to get my hands on the next one in spite of myself. I guess I grew up in a much less hateful, hatefilled, angry 1970's. I don't think I'd have made it through that era (or any other) if these were the people I was surrounded by. In fact, I don't think I would've WANTED to make it. What a horrible group of characters!

For those who are reading this as their first Karin Slaughter novel, this is not indicative of her writing. I'm not 100% sure this IS Karin's writing, because virtually none of it rings true to her style.
6 people found this helpful