City of Stairs: A Novel (The Divine Cities)
City of Stairs: A Novel (The Divine Cities) book cover

City of Stairs: A Novel (The Divine Cities)

Paperback – September 9, 2014

Price
$15.99
Format
Paperback
Pages
464
Publisher
Del Rey
Publication Date
ISBN-13
978-0804137171
Dimensions
5.15 x 0.95 x 8 inches
Weight
12.2 ounces

Description

"A memorably surreal urbanscape...readers seeking a truly refreshing fantasy milieu should travel to Bulikov, and welcome its conquest.”-- New York Times Book Review "A delightful urban fantasy that travels through a city full of Escher-like staircases and alternate realities...A diverse and entertaining cast of old gods fleshes out the ruins of this mysterious city, and Shara’s hit-man secretary delivers nonstop action."-- Washington Post "Entertaining yet thought-provoking...Entrancing characters, exciting descriptions and piercingly clear action keep the story moving swiftly and surely to a satisfying conclusion.”-- Seattle Times [An] incredible journey through a wondrously weird and surprising world...I found myself both delighted and fascinated as every layer was slowly unpacked. Just the right mix of awesome."--Tor.com“Suddenly, the pages are whipping by, 50 at a clip as mysteries are uncovered, miracles happen and assassins begin scaling the walls. … Bennett is plainly a writer in love with the world he has built — and with good cause. It's a great world, original and unique, with a scent and a texture, a sense of deep, bloody history, and a naturally-blended magic living in the stones.”xa0--NPR.org"Robert Jackson Bennett deserves a huge audience. This is the book that will earn it for him. A story that draws you in, brilliant world building, and oh my God, Sigrud. You guys are going to love Sigrud."xa0--Brent Weeks, New York Times bestselling author of The Way of Shadows "Smart and sardonic, with wry echoes from classic tales mixed up in an inventive, winning narrative. [Bennett is] a master of the genre."-- Kirkus "An excellent spy story wrapped in a vivid imaginary world."-- Library Journal (starred)A rich, layered, thoughtful story, full of gods and magic and characters that feel unflinchingly true …every once in a while I read a book that’s so well done, I find myself wanting to punch the author in the face out of pure envy. Congratulations, Mr. Bennett – you just made the face-punching list!xa0--Jim C. Hines, Hugo Award winning author of Libriomancer "Alien and human at the same time, Bennett's world is engrossing and fascinating. The pacing kept me reading far later than was healthy."--Mur Lafferty, Campbell Award winning author of Playing for Keeps ROBERT JACKSON BENNETT is the author of American Elsewhere, The Troupe, The Company Man , and Mr. Shivers . His books have been awarded the Edgar Award, the Shirley Jackson, and the Philip K. Dick Citation of Excellence. He lives in Austin with his wife and son. Excerpt. © Reprinted by permission. All rights reserved. And Olvos said to them: “Why have you done this, my children? Why is the sky wreathed with smoke? Why have you made war in far places, and shed blood in strange lands?”And they said to Her: “You blessed us as Your people, and we rejoiced, and were happy. But we found those who were not Your people, and they would not become Your people, and they were willful and ignorant of You. They would not open their ears to Your songs, or lay Your words upon their tongues. So we dashed them upon the rocks and threw down their houses and shed their blood and scattered them to the winds, and we were right to do so. For we are Your people. We carry Your blessings. We are Yours, and so we are right. Is this not what You said?”And Olvos was silent.--BOOK OF THE RED LOTUS, PART IV, 13.51–13.59Someone Even WorseI believe the question, then,” says Vasily Yaroslav, “is one of intent. I am aware that the court might disagree with me--this court has always ruled on the side of effect rather than intent--but you cannot seriously fine an honest, modest businessman such a hefty fee for an unintentional damage, can you? Especially when the damage is, well, one of abstraction?”A cough echoes in the courtroom, dashing the pregnant pause. Through the window the shadows of drifting clouds race across the walls of Bulikov.Governor Turyin Mulaghesh suppresses a sigh and checks her watch. If he goes on for six more minutes, she thinks, we’ll have a new record.“And you have heard testimony from my friends,” says Yaroslav, “my neighbors, my employees, my family, my .u2008.u2008. my bankers. People who know me well, people who have no reason to lie! They have told you again and again that this is all just an unfortunate coincidence!”Mulaghesh glances to her right along the high court bench. Prosecutor Jindash, his face the very picture of concern, is doodling a picture of his own hand on the official Ministry of Foreign Affairs letterhead. To her left, Chief Diplomat Troonyi is staring with unabashed interest at the well-endowed girl in the first row of the courtroom seats. Next to Troonyi, at the end of the high court bench, is an empty chair normally occupied by the visiting professor Dr. Efrem Pangyui, who has been more and more absent from these proceedings lately. But frankly, Mulaghesh is only too happy for his absence: his presence in the courtroom, let alone in this whole damn country, has caused enough headaches for her.“The court”--Yaroslav pounds on the table twice--“must see reason!”I must find someone else, thinks Mulaghesh, to come to these things in my place. But this is wishful thinking: as the polis governor of Bulikov, the capital city of the Continent, it is her duty to preside over all trials, no matter how frivolous.“So you all have heard, and you must understand, that I never intended the sign that stood outside of my business to be .u2008.u2008. to be of the nature that it was!”The crowd in the courtroom mutters as Yaroslav skirts this sensitive subject. Troonyi strokes his beard and leans forward as the girl in the front row crosses her legs. Jindash is coloring in the fingernails on his sketch. Mulaghesh casts an eye over the crowd, cataloging the various ailments and diseases: the boy with the crutches, rickets; the woman with the scabbed face, pox; and she can’t tell what’s wrong with the man in the corner, though she dearly hopes what he’s covered in is mud. Yaroslav and a few others, as mildly successful Continentals, can afford running water, and thus in their examples one can observe the Continental specimen free of filth: pale, heavy-featured, dark-eyed, and in the case of the men, sporting untamed mountains of beards. Mulaghesh and the other Saypuris, by stark contrast, are short, slender, and dark-skinned, with somewhat long noses and narrow chins, and as Troonyi’s ridiculous bearskin coat attests, they are much more accustomed to warm Saypuri climates, far across the South Seas.To a distant extent--very distant--Mulaghesh can understand Troonyi and Jindash’s disinterest: the Continent is steadfastly, defiantly, stubbornly backward, to the degree that one sometimes forgets the many unsettling reasons why Saypur bothers occupying such a miserable nation. (Though can we really call ourselves occupiers, thinks Mulaghesh, if we’ve been here for nearly seventy-five years? When do we graduate to residents?) If Mulaghesh were to offer everyone in the courtroom money right now and say, “Here, here is something to get you the medicine you need, to buy you fresh water,” it’s all too likely the Continentals would spit in her hand before accepting a single red cent.Mulaghesh understands why they resent them so. For though they may look like no more than paupers and beggars, these people were once the most powerful and dangerous human beings alive. Which they remember, of course, Mulaghesh thinks as she watches one man stare at her with naked rage. Hence why they hate us so .u2008.u2008. Yaroslav summons up his nerve.Here it comes, thinks Mulaghesh.“I never intended,” he says clearly, “for my sign to reference any Divinity, any trace of the celestial, nor any god!”A quiet hum as the courtroom fills with whispers. Mulaghesh and the rest of the Saypuris on the bench remain unimpressed by the dramatic nature of this claim. “How do they not know,” mutters Jindash, “that this happens at every single Worldly Regulations trial?”“Quiet,” whispers Mulaghesh.This public breach of the law emboldens Yaroslav. “Yes, I .u2008.u2008. I never intended to show fealty to any Divinity! I know nothing of the Divinities, of what they were or who they were .u2008.u2008.”Mulaghesh barely stops herself from rolling her eyes. Every Continental knows something about the Divinities: to claim otherwise would be akin to claiming ignorance that rain is wet.“.u2008.u2008. and thus I could not have known that the sign I posted outside of my millinery unfortunately, coincidentally, mimicked a Divinity’s sigil!”A pause. Mulaghesh glances up, realizing Yaroslav has stopped speaking. “Are you finished, Mr. Yaroslav?” she asks.Yaroslav hesitates. “Yes? Yes. Yes, I believe so, yes.”“Thank you. You may take your seat.”Prosecutor Jindash stands, takes the floor, and produces a large photograph of a painted sign that reads: YAROSLAV HATS. Below the letters on the sign is a largish symbol--a straight line ending in a curlicue pointing down that has been altered slightly to suggest the outline of the brim of a hat.Jindash swivels on his heels to face the crowd. “Would this be your sign, Mr. Yaroslav?” Jindash mispronounces the man’s name. Mulaghesh can’t quite tell if this is intentional: Continental names are so teeming with slavs and -ilyas and -ulyas and whatnot that navigating introductions is nigh impossible for anyone who hasn’t lived here for more than a decade, as Mulaghesh has.“Y-yes,” says Yaroslav.“Thank you.” Jindash flourishes the photograph before the bench, the crowd, everyone. “Let the court please see that Mr. Yaroslav has confirmed this sign--yes, this sign--as his own.”CD Troonyi nods as if having gained deeply perceptive insight. The crowd of Continentals mutters anxiously. Jindash walks to his briefcase with the air of a magician before a trick--How I hate, Mulaghesh thinks, that this theatrical little shit got assigned to Bulikov--and produces a large engraving of a similar symbol: a straight line ending in a curlicue. But in this instance, the symbol has been rendered to look like it is made of dense, twisting vines, even sporting tiny leaves at the curlicue.The crowd gasps at the reveal of this sign. Some move to make holy gestures, but stop themselves when they realize where they are. Yaroslav himself flinches.Troonyi snorts. “Know nothing of the Divinities indeed .u2008.u2008.”“Were the estimable Dr. Efrem Pangyui here”--Jindash gestures to the empty chair beside Troonyi--“I have no doubt that he would quickly identify this as the holy sigil of the Divinity .u2008.u2008. I apologize, the deceased Divinity .u2008.u2008.”The crowd mutters in outrage; Mulaghesh makes a note to reward Jindash’s arrogance with a transfer to someplace cold and inhospitable, with plenty of rats.Jindash finishes: “.u2008.u2008. known as Ahanas. This sigil, specifically, was believed by Continentals to imbue great fecundity, fertility, and vigor. For a milliner it would suggest, however peripherally, that his hats imbued their wearers with these same properties. Though Mr. Yaroslav may protest it, we have heard from Mr. Yaroslav’s financiers that his business experienced a robust uptick after installing this sign outside of his property! In fact, his quarterly revenue increased by twenty-three percent.” Jindash sets down the engraving, and makes a two with the fingers of one hand and a three with the other. “Twenty. Three. Percent.”“Oh my goodness,” says Troonyi.Mulaghesh covers her eyes in embarrassment.“How did you .u2008.u2008. ?” says Yaroslav.“I’m sorry, Mr. Yaroslav,” says Jindash. “I believe I have the floor? Thank you. I will continue. The Worldly Regulations were passed by the Saypuri Parliament in 1650, outlawing any public acknowledgment of the Divine on the Continent, however peripheral. One may no more mutter the name of a Divinity on the Continent than fall to their knees in the street shrieking prayers. One need only make any acknowledgment--any acknowledgment--of the Divine to be in violation of the Worldly Regulations, and thus incur punishment. The significant financial gain does suggest that Mr. Yaroslav installed the sign with both knowledge and intent--”“That’s a lie!” cries Yaroslav.“--of its Divine nature. It does not matter that the Divinity the sigil referenced is dead, and the sigil could not have bestowed any properties on anyone or anything. The acknowledgment is made. As such, Mr. Yaroslav’s actions incur the formal punishment of a fine of”--Jindash consults a note--“fifteen thousand drekels.”The crowd shifts and mutters until it is a low roar.Yaroslav sputters. “You can’t .u2008.u2008. You can’t possibly .u2008.u2008.”Jindash retakes his seat at the bench. He gives Mulaghesh a proud smile; Mulaghesh strongly considers smashing it with her fist.She wishes she could somehow bypass all this pomp and pageantry. Worldly Regulations cases usually only go to court every five months or so: the vast majority of all WR infractions are settled out of court, between Mulaghesh’s office and the defendant. Very, very rarely does anyone feel confident or righteous enough to bring their case to court; and when they do, it’s always a dramatic, ridiculous affair.Mulaghesh looks out over the packed courthouse; there are people standing at the back, as if this dull municipal trial were grand theater. But they are not here to see the trial, she thinks. She glances down the high court bench to Dr. Efrem Pangyui’s empty chair. They’re here to see the man who’s caused me so many problems.u2008.u2008. . However, whenever a WR case does go to trial, it’s almost always a conviction. In fact, Mulaghesh believes she has acquitted only three people in her two decades as polis governor. And we convict almost every case, she thinks, because the law requires us to prosecute them for living their way of life.She clears her throat. “The prosecution has finished its case. You may now make your rebuttal, Mr. Yaroslav.”“But .u2008.u2008. But this isn’t fair!” says Yaroslav. “Why do you get to bandy about our sigils, our holy signs, but we can’t?”“The polis governor’s quarters”--Jindash waves a hand at the walls--“are technically Saypuri soil. We are not under the jurisdiction of the Worldly Regulations, which apply only to the Continent.”“That’s .u2008.u2008. That’s ridiculous! No, it’s not just ridiculous, it’s .u2008.u2008. it’s heretical!” He stands to his feet.The courtroom is dead silent. Everyone stares at Yaroslav.Oh, excellent, thinks Mulaghesh. We have another protest. “You have no right to do these things to us,” says Yaroslav. “You strip our buildings of their holy art, loot and pillage our libraries, arrest people for mentioning a name. .u2008.u2008.”“We are not here,” says Jindash, “to debate the law, or history.”“But we are! The Worldly Regulations deny us our history! I .u2008.u2008. I have never been able to see that sign you showed me, the sign of, of .u2008.u2008.”“Of your Divinity,” says Jindash. “Ahanas.”Mulaghesh can see two City Fathers of Bulikov--their version of elected councilmen--staring at Jindash with cold rage.“Yes!” says Yaroslav. “I was never allowed such a thing! And she was our god! Ours!”The crowd looks back at the court guards, expecting them to charge forward and hack down Yaroslav where he stands.“This is not exactly a rebuttal, is it?” asks Troonyi.“And you .u2008.u2008. you let that man”--Yaroslav points a finger at Dr. Efrem Pangyui’s empty seat--“come into our country, and read all of our histories, all of our stories, all of our legends that we ourselves do not know! That we ourselves are not allowed to know!”Mulaghesh winces. She knew this would come up eventually.Mulaghesh is sensitive to the fact that, in the full scope of history, Saypur’s global hegemony is minutes old. For many hundreds of years before the Great War, Saypur was the Continent’s colony--established and enforced, naturally, by the Continent’s Divinities--and few have forgotten this in Bulikov: why else would the City Fathers call the current arrangement “the masters serving the servants”? In private only, of course.So it was a show of enormous negligence and stupidity on the part of the Ministry of Foreign Affairs to ignore these tensions and allow the esteemed Dr. Pangyui to travel here, to Bulikov, to study all the history of the Continent: history that the Continentals are legally prevented from studying themselves. Mulaghesh warned the Ministry it’d wreak havoc in Bulikov, and as she predicted, Dr. Pangyui’s time in Bulikov has not exemplified the mission of peace and understanding he supposedly arrived under: she has had to deal with protests, threats, and once, assault, when someone threw a stone at Dr. Pangyui but accidentally struck a police officer on the chin.“That man,” says Yaroslav, still pointing at the empty chair, “is an insult to Bulikov and the entire Continent! That man is .u2008.u2008. is the manifestation of the utter contempt Saypur holds for the Continent!”“Oh, now,” says Troonyi, “that’s a bit much, isn’t it?”“He gets to read the things no one else can read!” says Yaroslav. “He gets to read things written by our fathers, our grandfathers!”“He is allowed to do so,” says Jindash, “by the Ministry of Foreign Affairs. His mission here is of an ambassadorial nature. And this is not part of your tria--”“Just because you won the War doesn’t mean you can do whatever you like!” says Yaroslav. “And just because we lost it doesn’t mean you can strip us of everything we value!”“You tell them, Vasily!” shouts someone at the back of the room.Mulaghesh taps her gavel; immediately, the room falls silent. Read more

Features & Highlights

  • An atmospheric and intrigue-filled novel of dead gods, buried histories, and a mysterious, protean city--from one of America's most acclaimed young science fiction writers.
  • The city of Bulikov once wielded the powers of the gods to conquer the world, enslaving and brutalizing millions—until its divine protectors were killed. Now Bulikov has become just another colonial outpost of the world's new geopolitical power, but the surreal landscape of the city itself—first shaped, now shattered, by the thousands of miracles its guardians once worked upon it—stands as a constant, haunting reminder of its former supremacy. Into this broken city steps Shara Thivani. Officially, the unassuming young woman is just another junior diplomat sent by Bulikov's oppressors. Unofficially, she is one of her country's most accomplished spies, dispatched to catch a murderer. But as Shara pursues the killer, she starts to suspect that the beings who ruled this terrible place may not be as dead as they seem—and that Bulikov's cruel reign may not yet be over.

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Most Helpful Reviews

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The seeds of an intriguing story not yet ready for publication

Historical Bulikov was the city of the gods. The various Divinities of the Continent had their own geographical areas where their mythology was literally true (creation, afterlife, etc.). Historical Saypur was a land without any god. Consequently, its people were persecuted by the Continentals (i.e., Bulikov). Eventually, the people of Saypur were pushed too far. They rose up against their oppressors and, according to their lore, killed all the Divinities of the Continent. When the gods died, there was a period of limbo as the physical world adapted to their absence. Bulikov's landscape still shows the ravages of that event. As the novel begins, in something of a role-reversal, Saypur has colonized the Continent. Lacking gods and religion, Saypur focused instead on science and technology. They now aspire to modernize the Continent (there are obvious parallels to colonialism as it relates to the Middle East). They've prohibited religion and any acknowledgement of the people's religious history. Bulikov traditionalists have risen in opposition and their rhetoric threatens the tenuous relationship between the occupiers and the occupied. Against this backdrop of unrest, a Saypuri scholar who was sent to Bulikov to study the history of the Continent (the very thing Continentals aren't permitted to do) is murdered. Shara Thivani, a secret operative disguised as a diplomat, is sent to investigate the murder. She too has a keen interest in history and greatly admired the slain scholar. As she investigates his death, she's confronted with a harrowing possibility. What if all the gods aren't dead?

The first half of "City of Stairs" is a clunky affair. The author constantly relies on exposition to establish the setting. Precious little is actually cultivated organically. So even if the reader is intrigued by the world, he can't genuinely be impressed with the author's "world-building." There's an almost unnecessary subplot that focuses on a years earlier college romance of the protagonist. The author goes back in time (to a setting completely unfamiliar to the reader) to establish their relationship. In these scenes, the dialogue is conspicuously awkward and ridiculously contrived. The relationship is never well-established which handicaps any emotional resonance relating to a number of events to come. Robert Jackson Bennett also incorporates a device fairly common in modern fantasy fiction. Each chapter is preceded by an excerpt from some fictional text or scripture. Rarely has its use been so pedestrian. The excerpts don't register as authentic religious or wisdom literature; they appear quite blatantly as fabrications of the author to advance his agenda. The prose lacks the classical and cryptic tone necessary to be convincing.

The latter half of the novel focuses more on action and mystery resolution, so it does generate some momentum. However, the author still relies heavily on exposition throughout. Many of the plot developments are silly or contrived. The protagonist needs to enter a door - presto, she remembers some obscure scripture and forces an awkward riddle-like interpretation onto it. Another character faces a beast in battle - luckily he has an as yet untold backstory that will prove instrumental to his success. In a failed attempt to be clever, the author has the protagonist ask in all seriousness whether she has permission to kill a monster wreaking havoc on the population. This is supposed to be a demonstration of cultural sensitivity (and butt-covering) but it's actually laughable. It's also surprising that any editor would allow the inclusion of the "Unmentionable Warehouse." In name and function, it screams unceremonious rip off from a Syfy television series. Finally, the climax has no grounding. Absent any established constructs governing the action, the powers at play are ultimately unrelatable, just the random imaginings of the author.

The novel's underlying issue is that it simply isn't very smartly written. This is unfortunate because it is creative and explores some really interesting themes relating to religion, faith, god, and humanity. "City of Stairs" definitely possesses the makings of a good story. Sadly it would require extensive editing to reach its potential.
26 people found this helpful
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Curioser and ... not curioser

The gods are dead... buried, perhaps, under the author's relentless info dumps.

City of Stairs by Robert Jackson Bennett takes a fascinating premise and runs it – repeatedly – into the ground. The story does somehow skip along, lagging for dozens of pages at a time before rising up into a gripping action sequence or plot twist, then sagging back down into a series of info dumps that seem to repeat themselves rather than build anywhere. The effect is not unlike the book's titular city, except that the stairs circle around and around before going nowhere.

Still, there is enough grandeur in the ruins that you'll keep coming back to finish the book – even if you have to take a long break or two to become interested again. The characters, for all their pointless conversations, are likable and compelling. The world of the story is, if anything, over-imagined. And the gods of the Continent really do take on a life of their own by the end of the book.

All in all, I like the way the author wrote, I liked his characters, and I liked his story. Honestly, I'm rooting for Mr. Bennett. I only wish he had trimmed the story down before publishing, because as it is, it reads like a great first draft.
12 people found this helpful
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Immensely satisfying read about a city whose gods were killed

Disclosure: I've never met Robert Jackson Bennett, but I work for another fantasy writer, Brandon Sanderson, so I'm biased toward fantasy in general.

I first read City of Stairs back in November 2013 when an early copy was sent to Brandon by the publisher. Ever since then, I've been trying to think of the best way to describe it.

As I usually prefer, I read this book completely cold, without reading any description. And I loved it. I then recommended it to Brandon's other assistant Isaac to see what he thought. Here's what Isaac says:

"If Peter Ahlstrom tells me I should read a book, I listen because he hasn't yet steered me wrong. He's consistently handed me books that I absolutely love. I don't know if that's because our reading tastes overlap quite a bit, or if he's got some kind of Sandersonian magic system at his disposal that allows him to crumble the pages of old texts in order to peer into my reader's heart and find books that meet all my fondest dreams. I suspect it's the latter, especially when it comes to City of Stairs. He recommended I read the book, and I loved it. I've read very few books that feel engineered specifically for me (Brandon's books qualify, and I assure you that I'm not obligated to say that), but City of Stairs also stands in this group. 99% of it was made just for me. If Peter has the magic to find the books that speak to my reader's heart, then Robert Jackson Bennett has the magic to look into my heart and write the book I want to read. The characters, the world, the gods, the city, the horrors--this is my kind of book! I can't wait to read the sequel. Heck, I can't wait to re-read the book when it's released on Tuesday! When Hugo nomination time comes around, I'm putting City of Stairs on my list."

Yeah. Honestly, it's that good. If that's enough for you, go and read it now. Here are the caveats. After them I'll try to describe the book (but won't give too much away).

Sexual content: There's nothing onscreen except perhaps one vague scene. The aftermath of and leadup to sexual content appears a couple of times. This is a minor aspect of the book as far as screen time goes.
Language: There's some profanity, particularly in a few scenes. There is also language of a sexual nature. One particular scene has some of this, and it's one of the most powerful scenes in the book. Thus it's not gratuitous at all, though it's something some readers may not want to see, so I'm mentioning that here.
Writing style: This book is written in present tense. I know that annoys some readers. For me, while I'm more used to books written in past tense and present tense can be a bit jarring at first, it quickly becomes transparent and I stop noticing it.

Although I loved the book, and I also love Brandon's writing, I'm not saying this book is like one of Brandon's, not like Brent Weeks' Lightbringer books I recommended two weeks ago. People have different tastes, and not everyone will agree with me on this book. I hope many of you will.

A few years ago at the World Fantasy convention in I forget what city, I picked up a copy of China Miéville's Perdido Street Station. I didn't read it immediately, but eventually I got around to it, and it was quite an experience. The imagination that China put on display in that book was surprising, and the mystery plot was fascinating. However, the ending of that book left me cold and depressed. (I'm pretty sure that's what China wanted.)

Reading City of Stairs was a bit like reading Perdido Street Station--but not quite as weird (there aren't any beetle-headed people, though there is a sort of Lovecraftesque monster that gets loose at one point). The writing style is easier to get into. And most importantly for me, the book is satisfying rather than depressing.

Like Perdido, City of Stairs runs on a mystery plot. And like in Perdido, the city itself becomes a character of sorts. The eponymous City of Stairs, Bulikov, was once ruled by a handful of gods who walked among their worshippers--and the worshippers intermingled, even though each god's tenets disagreed with the others'. The divine nature of the city once allowed its citizens to rule the known world.

Now, the city has been conquered and the gods are dead. And, what I find most interesting, worship of those gods--even their public acknowledgment--is illegal. What happens when your gods are defeated in battle and you can't worship them anymore or even admit that they once existed? What does that do to a society?

The city itself is also broken. Built on divine power, when those divinities fell, many areas of the city simply vanished. Other parts became a shadow of their former glory. Other parts seem to be not quite right when you look at them closely.

Into this situation comes Shara Thivani, of the conquering nation, investigating the murder of a former mentor. And her investigation leads to greater questions. For the conquering nation hails as a hero the man who killed the gods--but no one really knows how he did it. And some of the outlawed divine magic still works--and why is that, if all the gods are dead?

This is not a grimdark book. The characters are good people trying to do good things, though they often fight with impulses to do otherwise. There are antagonists who are not nice, but they are not evil--they are trying to do what they think is right, in their own way. And that's the best type of antagonist as far as I'm concerned.

One more thing I want to say is that I'm happy there's going to be at least one sequel. But the story in this volume is very satisfyingly complete. The next volume, I'm pretty sure, takes place in a different part of the world. I do like continuous epics, but from time to time I also like reading books that stand on their own very well. City of Stairs does that, and it was such a joy to read.

So, once again, this recommendation has meandered quite a bit. The best thing I can say is simply to read the book. You can read chapter 1 and part of chapter 2 in the preview here on Amazon, and Tor dot com has the rest of chapter 2.

Enjoy.
9 people found this helpful
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Nothing memorable here

This book did not grab my attention and therefore this is not going to be favorable.

The biggest problem for me is that I didn't connect with any main characters until over halfway through. Halfway. That's far too much writing about people I don't want to win. They were so underdeveloped that the people I was connecting with were the fanatics that were supposed to be the enemy. Not good.

I don't like having long passages at the beginning of chapters from "ancient writings" in my fiction. It breaks the story for me. I read so fast that I see a continual movie in my mind (sort of). Having breaks only ruins the momentum. I also don't like chapter titles. I like to have a cohesive story without outside hints or nudges as to what's important.

The writing was technically quite good. Aside from sketchy character development, the plot wasn't bad. It's being billed as a spy novel. I thought there would be twists or something but I don't remember any strong twists that turned the story.

That's my big problem here: nothing about this book was memorable. I have no desire to read it again. I don't really even care what happened. I didn't get any strong enough impressions to even remember.

As a personal gripe, I don't usually like books written in the present tense (e.g., "She says...") for the same reason I don't usually like first-person narrative: it feels like I'm being manipulated. The author is telling me how to feel, how to react, how to be right now. When I already don't connect, that feels cheap.

I was disappointed. I hope this author will do better in the future.
7 people found this helpful
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The nicest 3 stars I could possibly give it.

City of Stairs deserves most of the praise it gets for inventiveness. It isn't the first book to tackle the question of what a world with real, tangible gods would be like, or the first to examine the consequences of their disappearance, but it is probably the first to take that premise and genre blend it with fantasy, mystery, and a turn of the 20th century aesthetic successfully. I wasn't always surprised with where this book was going, but it was never because I had been there before. It was this originality, more than anything, that kept me coming back for more. The fact that the setting was itself a novelty meant that I had no reason to discount the possibility that the world-shaking events of the novel could change it even further, whereas a more stereotypical mired-in-time fantasy adventure following similar themes would have kept me in considerably less suspense.

Most seem to give the author serious props for the cast of characters he assembled, and I'll agree with them insofar as I found them to be believable and distinct. None of them caught on with me, though, probably because there was very little mystery between the lot of them. A character is introduced as one thing and never turns out to be anything else, or to have any additional layers, and while I would call any of them Mary Sues, they rarely ever fail. I was not rooting for the heroine to succeed nearly as much as I was rooting for the plot to take an interesting turn as the story reached its climax, and honestly, I was let down.

Though the story goes on beyond City of Stairs, I don't plan to continue reading it, because while it was an interesting trip to an interesting place, I don't care at all what happens to it.
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Keep moving, better books to be found.

The book is cliche and poorly executed. I didn't find any of the characters particularly engaging or interesting, and the story is just ridiculous and insulting. Don't waste your time.
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An accessible yet mysterious yarn about human nature and free will

Reading the first chapter of Bennett's latest, I thought I was in for something along the lines of a China Miéville or Jeff VanderMeer "weird fiction". And I kind of was. As other reviewers point out, the world building is impressive, and it doesn't take long to get sucked into the conflict between Saypur and the Continent.

The events that drive the plot for the first half or more of the book surround a murder mystery, except when they're a coming of age love story. By the time we're fully sucked in for a political thriller (with a brief side trip into an epic hero's battle with a kaiju), the surroundings feel like somewhere you know. It's a marvel that the author is able to craft such a cohesive narrative from such disparate parts. That he draws characters that feel real, and that he causes you to connect and relate to, is even more impressive.

I almost drew back from a five star rating because some of the concluding beats were a little _too_ familiar. But then the aftermath manages to say important things about what it means to be human, without sounding trite (at least to me), and I decided the whole thing was one of my favorite things I'd read this year.

It's not often I devour a book in a matter of days because the story drives me to AND it causes me meditate on the state of society and the meaning of life. But City of Stairs did that for me, and I highly recommend it as a result.
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Sci Fi and Mystery

“The City of Stairs” is the first book that I have read by this author. It starts off a little slow but picks up momentum very quickly. I stayed up late several nights in a row just to see what happens next. Shara Thivani (not her real last name as she is a spy) is from the ruling country of Saypur and has been sent as a diplomat to the continent to find a murderer. She has read and studied a number of texts regarding the old religions and their associated miracles. It is against the law for the Continentals to know of or study their previous religions. Shara finds the city of Bulikov very interesting and wonders if all of the old gods are really dead. Strange things continue to happen and there are those stairs all over the city that appear to go nowhere; but do they? Her personal companion or bodyguard is a man named Sigrud, which sounds as if he is of Viking decent. He is truly an unstoppable force of nature.

The story has a number of magical happenings of which not all are pleasant. Shara in her attempt to find the murder discovers secrets regarding her past. Is her aunt a friend or foe, is her former continental lover from college a friend or foe, and can she trust the Saypur governor Turyin Mulaghesh.

I loved following Shara on a jorunery to meet some of the old gods and witness some of the magical miracles. Not all gods are nice. The story is filled with a lot of action, adventure and mystery. A perfect book for a long weekend.
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Rich and Mysterious

I have heard about RJB for several years now. All his novels have earned excellent reviews from the blogs I follow and all of them have ended up on my to-read list, but this is the first of his novels I've read and I can safely say it will not be the last.

This novel is rich with history that feels very real, perhaps because the setting is one that mirrors the world we know in many ways. It could almost be our world ... except for the divinities. The big questions of national identity, historical censorship, faith, belief, and the treacherous waters of international relations are couched in a story that is part Indiana Jones, part James Bond, and part Dresden Files, while remaining wholly original and marvelous.

The characters are believable and enjoyable--especially Sigrud. For those of you familiar with Suvudu's Cage Matches, I expect to see Sigrud show up in one of those some day soon and I expect him to beat down just about everyone. For a character who says so little to be so utterly enjoyable to read is somewhat astounding, but he is certainly a stand-out in a book filled with likable and enjoyable characters.

So pick it up. Read it. Enjoy it. And marvel at the world RJB has created.
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Full of grandiose ideas that the book can't quite make proper use of

The setting for the book is a fictional world were once real. In the past, different civilizations, each with their own gods, united in one grand city called Bulikov. The gods created an incredible civilization for the faithful, who then proceeded to enslave those without such a boon. The reign of terror ended when a man from an enslaved people developed a weapon capable of killing the gods and their divine creatures. Each time a god was killed, their miracles ceased to work and the parts of Bulikov they had helped create were erased. This event was called the Blink.

The book starts several decades after the Blink, where formerly oppressed people of Saypur now rule over the impoverished and primitive citizens of Bulikov. What society like in the new Bulikov? What is Saypur like? What even is the level of technology outside of Bulikov? Frankly, I have no idea because the book doesn't bother to explain much of anything about the setting. A bigger question is how the citizens of Bulikov lived when the gods were alive, because most of the leftover "miracles" we see in the book are horrifying abominations that are utterly incompatible with life. Each god had its own separate slice of reality, complete with a different history and afterlife, and nothing that we see of these is compatible with one another. The gods came together to create Bulikov ultimately because their followers wanted it, but why would they want it? One god was basically a cosmic engineer that made machines, and another had made a living city and seemed to eschew all machines. What do these have in common? Another god favored whimsy and free love; another endless laws, torture, and the hacking off of limbs (it got so bad the others had to seal him away). What do they have in common? A fourth god produced what basically amount to selfless Buddhist monks, which is again a contrast to the final god who was a god of war. How did so many opposites converge to form a harmonious society capable of ruling the world? This is neither explained nor explored in the book.

The reveal of the nature of the relationship between the gods and their believers was lame, something you've seen a thousand times before if you read fantasy. There isn't an answer to the question of where the gods came from either. The author developed rich mythologies and clever ideas that deserved to be expressed in a different and ultimately better book than what we got.
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