Celestial Bodies
Celestial Bodies book cover

Celestial Bodies

Paperback – October 8, 2019

Price
$9.99
Format
Paperback
Pages
256
Publisher
Catapult
Publication Date
ISBN-13
978-1948226943
Dimensions
5.5 x 0.75 x 8 inches
Weight
9.6 ounces

Description

Winner of the 2019 Man Booker International Prize A New York Times Book Review Editor’s Choice A Kirkus Reviews Best Book of the Year in Fiction "In her novel Celestial Bodies , the Omani author Jokha Alharthi inhabits this liminal space between memory and forgetting: the dark tension between the stories we tell and the stories we know . . . Booth’s translation honors the elliptical rhythms of Arabic and the language’s rich literary heritage. She imbues the book’s numerous poetic extracts with lyricism and devotedly preserves the rhymes and cadences of its proverbs. ('The feet walk fast for the loving heart’s sake, but when you feel no longing, your feet drag and ache.') Yet there is no doubt that this is a contemporary novel, insistent and alive . . . Celestial Bodies is itself a treasure house: an intricately calibrated chaos of familial orbits and conjunctions, of the gravitational pull of secrets." ―Beejay Silcox, T he New York Times Book Review "Bright and illuminating." ―Sam Sacks, The Wall Street Journal "The form’s remarkable adaptability is on brilliant display in Celestial Bodies (Catapult), a searching work of fiction by Jokha Alharthi, an Omani writer and academic . . . Within all the chapters, the stories float like this, lightly tethered to what the French call récit―the moment in which the story is being told, the narrative present. The result is a beautifully wavering, always mobile set of temporalities, the way starlight seems to flicker when we gaze at distant and nearer celestial bodies . . . Indeed, the great pleasure of reading Celestial Bodies is witnessing a novel argue, through the achieved perfection of its form, for a kind of inquiry that only the novel can really conduct." ―James Wood, The New Yorker "Arab women, therefore, face twin obstacles: the West’s own gender biases, and the reductive narrative of the Arab woman. This is why it was such a victory when the International Booker Prize jury chose an Arab novel―one written by a woman―to receive the award for the first time in the prize’s history. The Omani novelist Jokha al-Harthi’s breathtaking, layered, multigenerational novel Celestial Bodies , which was beautifully translated into English, follows the lives of three sisters from a small village at a time of rapid social and economic change in Oman. The tale is replete with history, poetry, and philosophy, but also slavery, broken marriages, passion, and not-so-secret lovers." ―Kim Gattas, The Atlantic "Rich, dense . . . The variety of perspectives is effective in offering a window into a country that few Western readers will know intimately . . . Celestial Bodies is strongest in its exploration of how the changes in Oman affect women: within one generation, they are exposed to ideas from abroad and start moving away from cloistered, rural life. But Alharthi . . . pushes past stereotypical narratives of Muslim women defying patriarchy, instead illustrating the difficulties of balancing tradition and newfound freedoms. It’s a tale that perhaps could have been written only in a strange new place itself." ―Naina Bajekal, Time "A rich, dense web of a novel . . . Alharthi constructs a tapestry of interlocking lives, some seen over the course of decades, others at just a single pungent moment. Rarely have I encountered a work of fiction in which form and idea were so inseparably, and appropriately, fused . . . Marilyn Booth, the translator, has done a wonderful job of conveying a lyricism I can only assume is present in Alharthi’s original." —Ruth Franklin, The New York Review of Books Jokha Alharthi is the first Omani woman to have a novel translated into English, and Celestial Bodies is the first book translated from Arabic to win the Man Booker International Prize. She is the author of two previous collections of short fiction, a children’s book, and three novels in Arabic. Fluent in English, she completed a PhD in Classical Arabic Poetry in Edinburgh, and teaches at Sultan Qaboos University in Muscat. She has been shortlisted for the Sahikh Zayed Award for Young Writers and her short stories have been published in English, German, Italian, Korean, and Serbian. Marilyn Booth holds the Khalid bin Abdullah Al Saud Chair for the Study of the Contemporary Arab World, Oriental Institute and Magdalen College, Oxford University. In addition to her academic publications, she has translated many works of fiction from the Arabic, most recently The Penguin’s Song and No Road to Paradise , both by Lebanese novelist Hassan Daoud.

Features & Highlights

  • This winner of the 2019 Man Booker International Prize and national bestseller is “an innovative reimagining of the family saga . . .
  • Celestial Bodies
  • is itself a treasure house: an intricately calibrated chaos of familial orbits and conjunctions, of the gravitational pull of secrets" (
  • The New York Times Book Review
  • ).
  • In the village of al-Awafi in Oman, we encounter three sisters: Mayya, who marries after a heartbreak; Asma, who marries from a sense of duty; and Khawla, who chooses to refuse all offers and await a reunion with the man she loves, who has emigrated to Canada.These three women and their families, their losses and loves, unspool beautifully against a backdrop of a rapidly changing Oman, a country evolving from a traditional, slave-owning society into its complex present. Through the sisters, we glimpse a society in all its degrees, from the very poorest of the local slave families to those making money through the advent of new wealth.The first novel originally written in Arabic to ever win the Man Booker International Prize, and the first book by a female Omani author to be translated into English,
  • Celestial Bodies
  • marks the arrival in the United States of a major international writer.

Customer Reviews

Rating Breakdown

★★★★★
30%
(730)
★★★★
20%
(487)
★★★
15%
(365)
★★
7%
(170)
28%
(682)

Most Helpful Reviews

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A Deep Dive into Modern Oman

A deep dive into the intertwined lives of the people of a small Omani village, spanning a good (non-linear) chunk of the 20th century.

A blurb on the back cover calls the writing ‘elliptical’, though in the early going it might be better described as confusing, or ever frustrating. But stick with it; before long it evens out and the intent of the style becomes clear. The unfolding themes, recurring imagery, and slow teasing out of the various stories come together to give this novel a power it would not have had if it had been written in a more traditional or linear fashion. Switching character focus with each chapter, and jumping around in time, the narrative is built to allow later chapters to inform earlier ones, and to slowly reveal the truth of the people who populate this story. Celestial Bodies isn’t an easy read, but it is a good introduction to a place and a culture that are both fascinating and underrepresented in world literature.
3 people found this helpful
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An insightful portrait of Omani society

[3,5/5 stars]

CELESTIAL BODIES centers around three sisters in the village of al-Awafi in Oman - Mayya, Asma and Khawla - which each one has different points of view about love, marriage and future.

WHAT I ENJOYED:
- It was the first time that I read about Oman and I enjoyed learning about its culture, especially the traditions, "slavery" (which was very eye-opening and infuriating) and external influences.
- Alharthi examines important and thoughtful issues of motherhood, lack of freedom, marriage, family, grief, gender and religion. The motherhood (in addition to the post-partum experiences) resonated most with me.
- I was transported into Oman by author's beautiful writing plus the translation was flowing.
- It is a dense storyline even though the book is a little bit more than 200 pages - I read it slowly in order to absorb all its idea.
- The development of the characters is rich: they were depth and complex in layers.

WHAT DIDN'T WORK FOR ME:
- Despite the family tree in the beginning of the book, I was constantly confused about the characters' names and I had to go back several times to situate myself in the story.
- The plot sometimes felt disjointed - the non-chronological timelines made it hard to connect with the plot. The organisation was quite confusing.
- While the different perspectives of multiple characters gave us multi-faceted stories component of a wider story, I was much more interested in some characters than others. Knowing that this book is mainly about the three sisters, I felt surprised and somehow frustrated that I preferred Abdallah's voice.

I recommend CELESTIAL BODIES for readers interested in a different culture and those who enjoy a multi-generational family saga. CELESTIAL BODIES is an insightful portrait of Omani society in transition.

[ I received a review copy from the publisher in exchange for an honest review ]
3 people found this helpful
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FAcinrion novel of women in Oman.

Very impressed by form of novel. Lives of women in Oman was fascinating.... each character was well drawn. History of country ... going from slave trade to oil rich was unknown to me so am now reading of its transformation, I have highly recommended it.
2 people found this helpful
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Mood book

A "mood" book. The book follows the lives of a handful of characters living in Oman. Whilst their individual narratives are well developed touching on a range of issues from love, slavery, friendship, marriage, the thread between their tales is weak at best.
1 people found this helpful
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Oman

I picked up a copy of Kokha Alharthi’s novel titled, Celestial Bodies, after it won the Man Booker International Prize. This finely written novel draws readers into the Omani culture and the changes to that society over recent decades, through the lens of three sisters. Oman’s history of slavery can be disturbing, but Alharthi uses that history to explore the many ways in which people are bound and constrained. The women in this novel are complex and interesting characters and the society in which they live demands change and extracts love and loss as time passes.

Rating: Four-star (I like it)
1 people found this helpful
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An interesting book

I see the low reviews and I think part of that is the way the book is marketed as a saga (or epic) story about three sisters and their very different marriages. There ARE three sisters in the book, but they (in my opinion) are not the focus of the book. They're more like the scenery. In chapter one we meet the unattractive seamstress "Mayya." At 20 she's developed an intense crush on a boy she has not so much as spoken to - - so I thought, "Oh, this will be a book about unrequited love." But it's not.

Mayya is quickly married off within the first few chapters of the book, to the only child of a man who might have been the wealthiest person in their village. Her husband is pretty nice to her - although she apparently can never forgive him for not being the guy she had a childish crush on. I found this inexplicable. I mean I had childish crushes too as a young person, but once I went through motherhood, Cancer, deaths and adult stuff, my puppy love for the childhood crush evaporated. We're never given any insight into why Mayya wants to name her kid "London." IF there was gonna be a character who insisted on Westernization and modernization I would have guessed it would be the second, bookish sister and not the "seamstress" because the bookish sister yearns to be educated.

But anyway, ultimately that's not what the story is about - them - so forget about the 3 sisters for a moment. Consider them framing devices. The book is really about slavery. How it happens. Who it happens to. How it effects people. How it effects a society. Much as we'd like to believe the free people would be OUTRAGED by slavery, they're not. Not at all. Slavery with brutal whippings and private incarcerations is treated by the free people with the same glib acceptance that minimum wage is treated here. I mean a lot of people act like "If you want better than a minimum wage job that's all on you! Figure out the transportation by yourself, the education requirements by yourself, and never mind that your public school education didn't prepare you for Harvard" etc etc. It's bad. But nowhere near as bad as feeling this blase' about real true slavery. The author pulls no punches. I think she does a fine job of displaying how little people care without coming off as a snowflake.
This book really made me think
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Rich in detail, idea, and story

"Celestial Bodies" by Omani author Jokha Alharthi is a book so rich with characters that I was required to consult the family tree or dramatis personae frequently. This impeded my enjoyment of a novel that was otherwise dense with detail, idea, and story.

The book follows the divergent stories of three daughters born in a village without electricity to their lives in the oil-rich capital. Along the way, we meet their love interests, husbands, children, and extended family going far back in history, as well as the former slaves associated with their families. Readers learn about the contrast between Bedouin versus urban life, poverty versus wealth, poetry versus actuality, amorous expectations versus reality, and harsh fatherhood versus tender parenthood. Alharthi really did a lovely job juggling these themes.

The book uses changing points of view but the changes are signalled by the titles of each chapter. It is not confusing to the point of frustration, but the only first-person points of view are from a man who marries into the family. Most of all, I enjoyed the points of view that were in the past, as Oman was moving from a tribal society to a modern state.

Marilyn Booth translated the book to English and it didn't lose anything in the process, as far as I know. Everything read smoothly.

Really, if it weren't my own problems with remembering which character was which, this would an A+ novel for me.
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Good book

A little confusing when you start but a great book nonetheless.
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very good

The author’s craft sets Abdalla as the thread. Through the sections of his narrative we learn about a traditional Muslim society hurtling into modernity and almost incidentally some of the history of Oman.
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I LOVED THIS BOOK!

I LOVED this book! Gripped me from beginning to end, narratively and critically. 100% fresh and original in structure and (translated) voice. Culturally informative, emotionally devastating. Recommended for book clubs! I wished for a more helpful timeline and cast of characters. But—so we’ll-deserving of all its positive attention. A WONDERFUL BOOK!