Call Me by Your Name: A Novel
Call Me by Your Name: A Novel book cover

Call Me by Your Name: A Novel

Hardcover – January 23, 2007

Price
$18.50
Format
Hardcover
Pages
256
Publisher
Farrar, Straus and Giroux
Publication Date
ISBN-13
978-0374299217
Dimensions
6.21 x 0.93 x 8.02 inches
Weight
14.4 ounces

Description

From Publishers Weekly Egyptian-born Aciman is the author of the acclaimed memoir Out of Egypt and of the essay collection False Papers . His first novel poignantly probes a boy's erotic coming-of-age at his family's Italian Mediterranean home. Elio—17, extremely well-read, sensitive and the son of a prominent expatriate professor—finds himself troublingly attracted to this year's visiting resident scholar, recruited by his father from an American university. Oliver is 24, breezy and spontaneous, and at work on a book about Heraclitus. The young men loll about in bathing suits, play tennis, jog along the Italian Riviera and flirt. Both also flirt (and more) with women among their circle of friends, but Elio, who narrates, yearns for Oliver. Their shared literary interests and Jewishness help impart a sense of intimacy, and when they do consummate their passion in Oliver's room, they call each other by the other's name. A trip to Rome, sanctioned by Elio's prescient father, ushers Elio fully into first love's joy and pain, and his travails set up a well-managed look into Elio's future. Aciman overcomes an occasionally awkward structure with elegant writing in Elio's sweet and sanguine voice. (Feb.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From School Library Journal Adult/High School—Seventeen-year-old Elio faces yet another lazy summer at his parents' home on the Italian coast. As in years past, his family will host a young scholar for six weeks, someone to help Elio's father with his research. Oliver, the handsome American visitor, charms everyone he meets with his cavalier manner. Elio's narrative dwells on the minutiae of his meandering thoughts and growing desire for Oliver. What begins as a casual friendship develops into a passionate yet clandestine affair, and the last chapters fast-forward through Elio's life to a reunion with Oliver decades later. Elio recalls the events of that summer and the years that follow in a voice that is by turns impatient and tender. He expresses his feelings with utter candor, sharing with readers his most private hopes, urges, and insecurities. The intimacy Elio experiences with Oliver is unparalleled and awakens in the protagonist an intensity that dances on the brink of obsession. [...] His longing creates a tension that is present from the first sentence to the last.— Heidi Dolamore, San Mateo County Library, CA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Bookmarks Magazine Beautifully rendered, evocative, and sexually charged, Call Me by Your Name is the Egyptian-born, Sephardic Jew André Aciman's first novel. His previous two books, the essay collection False Papers and his memoir Out of Egypt , focused on memory and exile. Herex97to critical acclaimx97he explores a love affair between an adolescent and a young, seductive man. Critics universally praised Aciman's bold account of obsession and lust and his elegant, sensuous prose. Like few other writers, Aciman evokes a time and place exquisitelyx97the sunny Italian countryside with its summer heat, the pungent blooms, the sprawling vistas. The Seattle Times sums up general opinion about this must-read: "Every phrase, every ache, every giddy rush of sensation in this beautiful novel rings true." Copyright © 2004 Phillips & Nelson Media, Inc. From Booklist *Starred Review* This first novel is a meditation on sexual longing as well as an exploration of the selfishness that such longing engenders. The author's beautiful articulation of the thrill and dismay of unspoken desire underscores the misunderstandings inherent in such a state. A first novel is usually judged by its "sophistication" level: by how much or how little the author sounds like a beginner. Aciman's debut is nimble, poised, perceptive, and intelligent. Its emphasis on psychology over plot does not leave it lacking in drive and movement. The novel depicts a male teenager who, although practiced in having to accept his parents' summer guests at their Italian seaside villa, is slammed by an unexpected provocation when, in the summer of his seventeenth year, a male graduate student arrives, and his obvious intelligence and charm are matched by an undisguised sexiness. What is disguised, at least initially, is the attraction the boy and the graduate student feel for each other. Once the games are stopped, however, and once their mutual desire is acknowledged, a torrid summer ensues--one that will live in the teenager's memory forever. Brad Hooper Copyright © American Library Association. All rights reserved " Call Me by Your Name is a beautiful and wise book, written with both lightness and concentrated care for the precise truth of every moment in its drama. It will rest artfully on the shelves between James Baldwin's Giovanni's Room and Edmund White's A Boy's Own Story . It is also a superb novel about the sensuous light of the Mediterranean summer, the languorous days and nights filled with desire. It has always been clear from Aciman's non-fiction that he would, when the time came, write a wonderful novel, but this is a miracle."xa0 --Colm Toíbín, author of The Master "If you are prepared to take a hard punch in your gut, and like brave, acute, elated, naked, brutal, tender, humane, and beautiful prose,xa0then you've come to the right place. If you can't handle the violence of the regret it willxa0awaken in you, or the agony of remembering wanting someone more than you wanted anything in your life, or the exquisite suffering that comes with the gain, and loss, of something that neared perfect understanding, then don't read this book. Ditto if you like your literature censored.xa0Otherwise, open the cover and let Aciman pull the pin from the grenade."xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 --Nicole Krauss, author of The History of Love André Aciman is the author of Out of Egypt (FSG, 1995) and False Papers (FSG, 2000), and the editor of The Proust Project (FSG, 2004). He teaches comparative literature at the Graduate Center of the City University of New York. He lives with his family in Manhattan. Excerpt. © Reprinted by permission. All rights reserved. Part Onexa0If Not Later, When?xa0"Later!" The word, the voice, the attitude.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 I'd never heard anyone use "later" to say goodbye before. It sounded harsh, curt, and dismissive, spoken with the veiled indifference of people who may not care to see or hear from you again.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 It is the first thing I remember about him, and I can hear it still today. Later!xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 I shut my eyes, say the word, and I'm back in Italy, so many years ago, walking down the tree-lined driveway, watching him step out of the cab, billowy blue shirt, wide-open collar, sunglasses, straw hat, skin everywhere. Suddenly he's shaking my hand, handing me his backpack, removing his suitcase from the trunk of the cab, asking if my father is home.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 It might have started right there and then: the shirt, the rolled-up sleeves, the rounded balls of his heels slipping in and out of his frayed espadrilles, eager to test the hot gravel path that led to our house, every stride already asking, Which way to the beach?xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 This summer's houseguest. Another bore.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 Then, almost without thinking, and with his back already turned to the car, he waves the back of his free hand and utters a careless Later! to another passenger in the car who has probably split the fare from the station. No name added, no jest to smooth out the ruffled leave-taking, nothing. His one-word send-off: brisk, bold, and blunted--take your pick, he couldn't be bothered which.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 You watch, I thought, this is how he'll say goodbye to us when the time comes. With a gruff, slapdash Later!xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 Meanwhile, we'd have to put up with him for six long weeks.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 I was thoroughly intimidated. The unapproachable sort.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 I could grow to like him, though. From rounded chin to rounded heel. Then, within days, I would learn to hate him.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 This, the very person whose photo on the application form months earlier had leapt out with promises of instant affinities.xa0xa0Taking in summer guests was my parents' way of helping young academics revise a manuscript before publication. For six weeks each summer I'd have to vacate my bedroom and move one room down the corridor into a much smaller room that had once belonged to my grandfather. During the winter months, when we were away in the city, it became a part-time toolshed, storage room, and attic where rumor had it my grandfather, my namesake, still ground his teeth in his eternal sleep. Summer residents didn't have to pay anything, were given the full run of the house, and could basically do anything they pleased, provided they spent an hour or so a day helping my father with his correspondence and assorted paperwork. They became part of the family, and after about fifteen years of doing this, we had gotten used to a shower of postcards and gift packages not only around Christmastime but all year long from people who were now totally devoted to our family and would go out of their way when they were in Europe to drop by B. for a day or two with their family and take a nostalgic tour of their old digs.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 At meals there were frequently two or three other guests, sometimes neighbors or relatives, sometimes colleagues, lawyers, doctors, the rich and famous who'd drop by to see my father on their way to their own summer houses. Sometimes we'd even open our dining room to the occasional tourist couple who'd heard of the old villa and simply wanted to come by and take a peek and were totally enchanted when asked to eat with us and tell us all about themselves, while Mafalda, informed at the last minute, dished out her usual fare. My father, who was reserved and shy in private, loved nothing better than to have some precocious rising expert in a field keep the conversation going in a few languages while the hot summer sun, after a few glasses of rosatello, ushered in the unavoidable afternoon torpor. We named the task dinner drudgery--and, after a while, so did most of our six-week guests.xa0xa0Maybe it started soon after his arrival during one of those grinding lunches when he sat next to me and it finally dawned on me that, despite a light tan acquired during his brief stay in Sicily earlier that summer, the color on the palms of his hands was the same as the pale, soft skin of his soles, of his throat, of the bottom of his forearms, which hadn't really been exposed to much sun. Almost a light pink, as glistening and smooth as the underside of a lizard's belly. Private, chaste, unfledged, like a blush on an athlete's face or an instance of dawn on a stormy night. It told me things about him I never knew to ask.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 It may have started during those endless hours after lunch when everybody lounged about in bathing suits inside and outside the house, bodies sprawled everywhere, killing time before someone finally suggested we head down to the rocks for a swim. Relatives, cousins, neighbors, friends, friends of friends, colleagues, or just about anyone who cared to knock at our gate and ask if they could use our tennis court--everyone was welcome to lounge and swim and eat and, if they stayed long enough, use the guesthouse.xa0xa0Or perhaps it started on the beach. Or at the tennis court. Or during our first walk together on his very first day when I was asked to show him the house and its surrounding area and, one thing leading to the other, managed to take him past the very old forged-iron metal gate as far back as the endless empty lot in the hinterland toward the abandoned train tracks that used to connect B. to N. "Is there an abandoned station house somewhere?" he asked, looking through the trees under the scalding sun, probably trying to ask the right question of the owner's son. "No, there was never a station house. The train simply stopped when you asked." He was curious about the train; the rails seemed so narrow. It was a two-wagon train bearing the royal insignia, I explained. Gypsies lived in it now. They'd been living there ever since my mother used to summer here as a girl. The gypsies had hauled the two derailed cars farther inland. Did he want to see them? "Later. Maybe." Polite indifference, as if he'd spotted my misplaced zeal to play up to him and was summarily pushing me away.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 But it stung me.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 Instead, he said he wanted to open an account in one of the banks in B., then pay a visit to his Italian translator, whom his Italian publisher had engaged for his book.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 I decided to take him there by bike.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 The conversation was no better on wheels than on foot. Along the way, we stopped for something to drink. The bar-tabaccheria was totally dark and empty. The owner was mopping the floor with a powerful ammonia solution. We stepped outside as soon as we could. A lonely blackbird, sitting in a Mediterranean pine, sang a few notes that were immediately drowned out by the rattle of the cicadas.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 I took a long swill from a large bottle of mineral water, passed it to him, then drank from it again. I spilled some on my hand and rubbed my face with it, running my wet fingers through my hair. The water was insufficiently cold, not fizzy enough, leaving behind an unslaked likeness of thirst.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 What did one do around here?xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 Nothing. Wait for summer to end.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 What did one do in the winter, then?xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 I smiled at the answer I was about to give. He got the gist and said, "Don't tell me: wait for summer to come, right?"xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 I liked having my mind read. He'd pick up on dinner drudgery sooner than those before him.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 "Actually, in the winter the place gets very gray and dark. We come for Christmas. Otherwise it's a ghost town."xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 "And what else do you do here at Christmas besides roast chestnuts and drink eggnog?"xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 He was teasing. I offered the same smile as before. He understood, said nothing, we laughed.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 He asked what I did. I played tennis. Swam. Went out at night. Jogged. Transcribed music. Read.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 He said he jogged too. Early in the morning. Where did one jog around here? Along the promenade, mostly. I could show him if he wanted.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 It hit me in the face just when I was starting to like him again: "Later, maybe."xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 I had put reading last on my list, thinking that, with the willful, brazen attitude he'd displayed so far, reading would figure last on his. A few hours later, when I remembered that he had just finished writing a book on Heraclitus and that "reading" was probably not an insignificant part of his life, I realized that I needed to perform some clever backpedaling and let him know that my real interests lay right alongside his. What unsettled me, though, was not the fancy footwork needed to redeem myself. It was the unwelcome misgivings with which it finally dawned on me, both then and during our casual conversation by the train tracks, that I had all along, without seeming to, without even admitting it, already been trying--and failing--to win him over.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 When I did offer--because all visitors loved the idea--to take him to San Giacomo and walk up to the very top of the belfry we nicknamed To-die-for, I should have known better than to just stand there without a comeback. I thought I'd bring him around simply by taking him up there and letting him take in the view of the town, the sea, eternity. But no. Later!xa0xa0But it might have started way later than I think without my noticing anything at all. You see someone, but you don't really see him, he's in the wings. Or you notice him, but nothing clicks, nothing "catches," and before you're even aware of a presence, or of something troubling you, the six weeks that were offered you have almost passed and he's either already gone or just about to leave, and you're basically scrambling to come to terms with something, which, unbeknownst to you, has been brewing for weeks under your very nose and bears all the symptoms of what you're forced to call I want. How couldn't I have known, you ask? I know desire when I see it--and yet, this time, it slipped by completely. I was going for the devious smile that would suddenly light up his face each time he'd read my mind, when all I really wanted was skin, just skin.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 At dinner on his third evening, I sensed that he was staring at me as I was explaining Haydn's Seven Last Words of Christ, which I'd been transcribing. I was seventeen that year and, being the youngest at the table and the least likely to be listened to, I had developed the habit of smuggling as much information into the fewest possible words. I spoke fast, which gave people the impression that I was always flustered and muffling my words. After I had finished explaining my transcription, I became aware of the keenest glance coming from my left. It thrilled and flattered me; he was obviously interested--he liked me. It hadn't been as difficult as all that, then. But when, after taking my time, I finally turned to face him and take in his glance, I met a cold and icy glare--something at once hostile and vitrified that bordered on cruelty.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 It undid me completely. What had I done to deserve this? I wanted him to be kind to me again, to laugh with me as he had done just a few days earlier on the abandoned train tracks, or when I'd explained to him that same afternoon that B. was the only town in Italy where the corriera, the regional bus line, carrying Christ, whisked by without ever stopping. He had immediately laughed and recognized the veiled allusion to Carlo Levi's book. I liked how our minds seemed to travel in parallel, how we instantly inferred what words the other was toying with but at the last moment held back.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 He was going to be a difficult neighbor. Better stay away from him, I thought. To think that I had almost fallen for the skin of his hands, his chest, his feet that had never touched a rough surface in their existence--and his eyes, which, when their other, kinder gaze fell on you, came like the miracle of the Resurrection. You could never stare long enough but needed to keep staring to find out why you couldn't.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 I must have shot him a similarly wicked glance.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 For two days our conversations came to a sudden halt.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 On the long balcony that both our bedrooms shared, total avoidance: just a makeshift hello, good morning, nice weather, shallow chitchat.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 Then, without explanation, things resumed.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 Did I want to go jogging this morning? No, not really. Well, let's swim, then.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 Today, the pain, the stoking, the thrill of someone new, the promise of so much bliss hovering a fingertip away, the fumbling around people I might misread and don't want to lose and must second-guess at every turn, the desperate cunning I bring to everyone I want and crave to be wanted by, the screens I put up as though between me and the world there were not just one but layers of rice-paper sliding doors, the urge to scramble and unscramble what was never really coded in the first place--all these started the summer Oliver came into our house. They are embossed on every song that was a hit that summer, in every novel I read during and after his stay, on anything from the smell of rosemary on hot days to the frantic rattle of the cicadas in the afternoon--smells and sounds I'd grown up with and known every year of my life until then but that had suddenly turned on me and acquired an inflection forever colored by the events of that summer.xa0xa0Or perhaps it started after his first week, when I was thrilled to see he still remembered who I was, that he didn't ignore me, and that, therefore, I could allow myself the luxury of passing him on my way to the garden and not having to pretend I was unaware of him. We jogged early on the first morning--all the way up to B. and back. Early the next morning we swam. Then, the day after, we jogged again. I liked racing by the milk delivery van when it was far from done with its rounds, or by the grocer and the baker as they were just getting ready for business, liked to run along the shore and the promenade when there wasn't a soul about yet and our house seemed a distant mirage. I liked it when our feet were aligned, left with left, and struck the ground at the same time, leaving footprints on the shore that I wished to return to and, in secret, place my foot where his had left its mark.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 This alternation of running and swimming was simply his "routine" in graduate school. Did he run on the Sabbath? I joked. He always exercised, even when he was sick; he'd exercise in bed if he had to. Even when he'd slept with someone new the night before, he said, he'd still head out for a jog early in the morning. The only time he didn't exercise was when they operated on him. When I asked him what for, the answer I had promised never to incite in him came at me like the thwack of a jack-in-the-box wearing a baleful smirk. "Later."xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 Perhaps he was out of breath and didn't want to talk too much or just wanted to concentrate on his swimming or his running. Or perhaps it was his way of spurring me to do the same--totally harmless.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 But there was something at once chilling and off-putting in the sudden distance that crept between us in the most unexpected moments. It was almost as though he were doing it on purpose; feeding me slack, and more slack, and then yanking away any semblance of fellowship.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 The steely gaze always returned. One day, while I was practicing my guitar at what had become "my table" in the back garden by the pool and he was lying nearby on the grass, I recognized the gaze right away. He had been staring at me while I was focusing on the fingerboard, and when I suddenly raised my face to see if he liked what I was playing, there it was: cutting, cruel, like a glistening blade instantly retracted the moment its victim caught sight of it. He gave me a bland smile, as though to say, No point hiding it now.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 Stay away from him.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 He must have noticed I was shaken and in an effort to make it up to me began asking me questions about the guitar. I was too much on my guard to answer him with candor. Meanwhile, hearing me scramble for answers made him suspect that perhaps more was amiss than I was showing. "Don't bother explaining. Just play it again." But I thought you hated it. Hated it? Whatever gave you that idea? We argued back and forth. "Just play it, will you?" "The same one?" "The same one."xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 I stood up and walked into the living room, leaving the large French windows open so that he might hear me play it on the piano. He followed me halfway and, leaning on the windows' wooden frame, listened for a while.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 "You changed it. It's not the same. What did you do to it?"xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 "I just played it the way Liszt would have played it had he jimmied around with it."xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 "Just play it again, please!"xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 I liked the way he feigned exasperation. So I started playing the piece again.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 After a while: "I can't believe you changed it again."xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 "Well, not by much. This is just how Busoni would have played it if he had altered Liszt's version."xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 "Can't you just play the Bach the way Bach wrote it?"xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 "But Bach never wrote it for guitar. He may not even have written it for the harpsichord. In fact, we're not even sure it's by Bach at all."xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 "Forget I asked."xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 "Okay, okay. No need to get so worked up," I said. It was my turn to feign grudging acquiescence. "This is the Bach as transcribed by me without Busoni and Liszt. It's a very young Bach and it's dedicated to his brother."xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 I knew exactly what phrase in the piece must have stirred him the first time, and each time I played it, I was sending it to him as a little gift, because it was really dedicated to him, as a token of something very beautiful in me that would take no genius to figure out and that urged me to throw in an extended cadenza. Just for him.xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0xa0 We were--and he must have recognized the signs long before I did--flirting.xa0Excerpted from Call Me By Your Name by André Aciman. Copyright © 2007 by André Aciman. Published in January 2007 by Farrar, Straus and Giroux, LLC. All rights reserved. Read more

Features & Highlights

  • Call Me by Your Name
  • is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents' cliff-side mansion on the Italian Riviera. Unprepared for the consequences of their attraction, at first each feigns indifference. But during the restless summer weeks that follow, unrelenting buried currents of obsession and fear, fascination and desire, intensify their passion as they test the charged ground between them. What grows from the depths of their spirits is a romance of scarcely six weeks' duration and an experience that marks them for a lifetime. For what the two discover on the Riviera and during a sultry evening in Rome is the one thing both already fear they may never truly find again: total intimacy.  The psychological maneuvers that accompany attraction have seldom been more shrewdly captured than in André Aciman's frank, unsentimental, heartrending elegy to human passion.
  • Call Me by Your
  • Name
  • is clear-eyed, bare-knuckled, and ultimately unforgettable.

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Buon Giorno, Tristesse

I read this extraordinary novel after seeing several good reviews, notably the one in the NY Times. It is a story of first love involving two men, but it can't really be classified as specialty literature. Here is a funny, harrowing, heartbreaking coming-of-age tale that everyone will instantly recognize.

A 17-year-old Italian boy discovers the joy and anguish of adult emotions one summer on the Italian Riviera. The lyrical prose, frank sexuality, and clear-eyed tone of the novel remind me of another instant classic, Francoise Sagan's BONJOUR TRISTESSE. I recently reread that personal favorite, and I had it in mind as I read this. Like Sagan, Aciman places us inside the mind of an uncannily precocious teenager, showing us everything through his eyes. His total fixation on the object of his passion--an older American post-grad scholar who's visiting for the summer--is overwhelming, and some of the scenes between the two are so intimate that reading them actually feels like an intrusion. But Aciman insists on telling the truth of every single moment of the affair, and his young hero has an unblinking gaze.

The rocky road to adulthood never changes--but every now and then we get a voice like this to tell us the story. I recommend CALL ME BY YOUR NAME to everyone who was ever 17.
64 people found this helpful
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Nothing Is Duller

While our own private sexual obsessions always seem fascinating, nothing is duller than a minute-by-minute account of someone else's. I read and enjoyed Aciman's Out of Egypt, but this book is talky, histrionic and embarrassing.
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The whole is less than the sum of its parts

I read Andre Aciman's Call Me by Your Name with high expectations. It has received wide praise, both from critics and from the general readership. I must say that I was disappointed. While reading this book, I kept asking myself, "Am I actually reading the same book everyone else is praising so highly?" I was also asking myself how this book could have been better. I believe that there is (maybe) a good story lurking here, but then there is really nothing new here. All this has been done before, and been done better.

There are several problems with this book. The first is general lack of consistency. There is much made about the apricot orchard on the family land--the care of the trees and the careful grafting done by the gardener, as well as the squeezing of apricot juice each morning by the cook. Later, Elio masturbates into a peach from the same orchard. Now, is apricots or peaches that are grown on the family land? At one point, Oliver asks Elio why he knows so much. Elio states that he reads a great deal, because there is no television. Soon after, the whole family--including Elio, the cook, and house gues Oliver spend an evening watching television. At one point, during an excursion into town, there is a passage in which Oliver has started to smoke Gauloise, and Elio smokes one as well. Later, just prior to their first sexual encounter, on entering Oliver's room, Elio states, "I didn't know you smoked." There are several more instances of this. While this is not necessarily a fatal flaw, it does show that this book really needed some more editing. This is just general sloppiness.

There are other things wrong with this book that I consider to be more troublesome. In several instances, some ideas that may or may not work are mentioned and then dropped. One is the shared Jewish identity between Oliver and Elio and his family. Oliver seems much more open about this, wearing a Star of David around his neck, while Elio and his family have a tendency to hide this fact. Nothing more is made of this, however. I think this might have made for some interesting discussion. A minor character names Vimini is brought in early, and we find out she has leukemia. I'm not sure why Aciman brings this into the story--was it some sort of carpe diem theme--get on with things before it's too late? It is unclear, since really nothing more is mentioned of it until the very end. Both of these could have been dropped without disrupting the flow of the story. They are completely unnecessary to the plot or themes. Again, more careful editing probably would have helped.

I had problems with Elio as a narrator of this story. I really didn't "buy" his voice as authentic adolescent. Edmund White was so much more successful with the adolescent narrator in A Boy's Own Story, a book which is so much more successful. And even Elio's narration is not consistent. "It might have started right there and then," or "Maybe is started after his arrival," or "Or perhaps is started on the beach. Or at the tennis court. Or during our first walk together..." while at the same time calling Oliver "This summer's houseguest. Another bore." But at the end of the book, we find out that Elio had deliberately picked out Oliver, based on his photo, from a number of other candidates. "I wanted it to be you. I made sure they picked you." And actually this might have made this a better book, if the tone of unreliability had been more consistent throughout.

Making Elio an unreliable narrator may have made the book more successful and more enjoyable. Other ways this material may have worked better include having several different narrators. I think I would have preferred having alternation chapters, from Elio's point of view, and then from Oliver's point of view. Including some of the other characters--seeing things from Elio's father's point of view, or the cook's point of view, etc. Making one of the characters flawed in some spectular way would have made this more interesting, such as Gary Indiana's Horse Crazy. In Horse Crazy, the person of the narrator's obsession--a waiter named Gregory Burgess--is bisexual, addicted to heroine, and unstable. (Horse Crazy is a much more successful book than Call Me by Your Name.)

Having an omniscient narrator telling the story from the outside may have lead to a more interesting and successful book. A good example of this would be James Salter's A Sport and a Pastime.

Much is made of the "flirting" between Elio and Olver, but then there are the moments of doubt. Was he actually flirting or not? But then the line is crossed. Elio enters Oliver's room, going through his things, trying on his clothes, masturbating on his bed. We have crossed the line from flirting to stalking. But nothing is ever mentioned about this again, another one of the inconsistencies. Though actually, having one of the men be more predatory (though again nothing new) may have made this material more interesting. Examples of novels with sexual predators include John Fowles' The Collector and Cormac McCarthy's Child of God. Both of these are so much more interesting.

A nice contrast is David Plante's The Catholic. The Catholic is very similar in theme, but is a much more successful book. Again, we have a man who is looking back at his late adolescence. But being Catholic is important here, as he struggles with the ideas of guilt and sin, and attempting to break free from the shelter of his family and church to a wider world (themes that seem to be at the heart of Call Me by Your Name, but are not dealt with as successfully). Here is Dan Francoeur: "I often thought, in my teens, that I would like to distance myself so far from myself that I would see the dark, angular-faced, blue-eyed person I was as someone apart from me, and I would try to account for someone altogether different. Though I would use the first person, I would be thinking always in terms of the third person, so "I" would think "he" and he would have nothing to do with me.

"I believed that a person shouldn't think about himself. I though about myself all the time. Other people thought about themselves a lot, and did so with pleasure. I imagined this was because of what they had to think about in themselves. What I was helplessly drawn to thinking about in myself gave me great displeasure. If only I were able to consider myself as someone different from myself, he would maybe give me something else to think about.

"This someone became my college room-mate.

"Sitting at my desk in our room, I heard shouting from the shower room, and I went in. Charlie was in one of a line of occupied cubicles, the plastic curtains drawn back, and he and other dorm-mates showering were shouting and lauhging. I associated this image of Charlie, not in retrospect but at the moment it occurred, with everything that was outside me. Though we were both male, I imagined I was so different from Charlie that we didn't share a sex....I knew Charlie, but, suddenly, I didn't know him."

The cracking of the shell continues, with late night conversations and reading the poetry of Walt Whitman. Here, the mention of Walt Whitman is important to Dan's sudden awakening conscience, not name-dropping, as seems to occur in Call Me by Your Name (Heraclitus, Shelley, Haydn, Monet, others).

To reiterate, I do not see Call Me by Your Name as a successful effort. It certainly shows that Andre Aciman has talent. But I would say that this book really was not finished. It is in need of some serious rewriting and careful editing. The other books I mentioned--A Boy's Own Story, Child of God, The Catholic, Horse Crazy, A Sport and a Pastime--are worth reading and so much more successful. Read any of these. Pass on Call Me by Your Name.
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NOTHING SHORT OF A MIRACLE

Many of the books I've read in the past have had glowing excerpts that stuck out as unparalleled pieces of prose that have stuck with me since I read them. The first page of Thomas Wolfe's LOOK HOMEWARD ANGEL is one of them. Another example is the excerpt on "Joey" in James Baldwin's GIOVANNI'S ROOM. There are parts of Patricia Nell Warren's THE FRONT RUNNER that still make me ache when I read them or even think about them; like the first time Harlan shows Billy that he loves him rather than hates him. But, up until now I've never read a complete book that held me spellbound from the opening sentence to the last.

CALL ME BY YOUR NAME by Andre Aciman is the story of a seventeen year old lad who falls hard for a twenty-four year old man who is rooming for the summer at his parents' home in Italy. Elio, the seventeen year old is the narrator and the tale that he tells is so alive and vivid. From the day to day pain of not knowing what is going on in the mind of the older man to the joy he feels when Oliver feeds him glimmers of hope. Elio tells the reader, almost in diary form, hiding nothing, how he feels as each moment passes.

Much like the way I felt when I was watching the movie BROKEBACK MOUNTAIN, I was so enthralled with the passion that Elio felt for Oliver, I wanted the boy's love to be reciprocated even if it ended badly. The sensuousness of the prose might offend some but not this reader. I found it refreshing to hear in the voice of a seventeen year old male how sex is always on his mind and how he would do almost anything to make his desires come to pass. Aciman also manages to get across in his prose the terror of a seventeen year old in the event his wishes do come true.

I agree with Colm Toibin, author of THE MASTER, that Andre Aciman has not only written a wonderful novel; he has perfomed a miracle.
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Call Me By Your Name

I started this book on Friday afternoon--you could say I took the weekend off, traveled to Italy, fell in love,and can't seem to believe it's a weekday again and that life is back to where it was before I met the two lovers in this novel. I only wish their story had been twice as long. The story couldn't be simpler, the style couldn't be more beautiful. And as for the sadness, I never want it to go away, because it came with passion and love.
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A hauntingly beautiful study of regret

What can be said about the place of regret in the healing process? And what can we do with the feelings that regret awaken in us, once love and its attendant gifts are no longer a part of our present day? Carl Jung has said that the heart remembers the great things that span the whole of our lives, including the experiences which we do nothing to arrange, but which we ourselves suffer. Once gone from us, do we return to these past experiences as forgotten sorrows, hungry but hopeful that our memories will leave us sated and complete? Or do we walk past the well of our memories with little interest in the sweet taste of love that once left us thirsty with longing?

In his debut novel, Call Me By Your Name, Andre' Aciman considers, with elegant and brutal reflection, the damage that the passage of time invokes on a relationship that lives on as memory only, long after the goodbyes have been spoken. A precocious teenager and an open-minded graduate student share a type of intimacy that will forever alter the course of their lives. And it will also mark the summer of their short time together with feelings of regret and sadness. Does either find their way to happier, or more fulfilling relationships? Aciman never reveals. What he does offer is something more of an invitation to the reader; an invitation to explore the regret that is stirred in each of us upon remembering a love which never fully reached its honest conclusion.
In life, as in Aciman's beautiful book, it is the words that are never spoken that haunt us and keep us connected to our sorrow and our regret. And in wrestling with our regret we learn that, it is only once we dignify our goodbyes with honesty that we can fully allow love to transform us, even as it carries us farther away from who we were once were.
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Probably the most moving novel I've encountered...

...in years. This book moved me, deeply. The articulation and description of intimacy and growing passion, the slow realization and understanding of what love can be, the reliving of the feelings of complete surrender to passion that only comes, early in life, and the pain that can be a part of that... Crystalline evocation of the Italian culture and landscape and the lives of these two men, within it... When I finished this book, I simply put my hands over my face and sobbed myself to sleep...
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Be So Careful

Reading this novel can unleash so many memories both wanted and unwanted. For many of us our great love is not the person we spend our life with. We usually make the better choice of choosing someone less consuming, but the "what if" will always be there. Aciman has written something so true that at moments the intimacy is almost embarrassing. The story, which is basically commonplace, is told with such intensity that you can't put it down. The only recent fiction I can compare it too is Matthew Sadler's "Landscape: Memory".
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Heartbreakingly gorgeous

Dang, what a book this is! I could not put it down. Upon reading this I ached, it is so true to the human experience, never once artificial or lacking in accuracy. This must be, other than The Awakening (Chopin, K.) the finest fiction I've ever read.

What you may have heard about peaches...yes, an absolute treat, yet the story goes so far beyond that, so deep, so inward. You cannot help but see your own life in seeing these lives so beautifully presented. It is a jewel of a novel, it achieves perfection in capturing what it is to yearn, to ache for someone. I applaud Aciman for finding the heart's core, an astounding (and rare) accomplishment. It did my soul good, much good, to have read this novel of wistful, painful longing, for which there can be no words...how to capture what cannot be captured? But he did. It is a gift to cherish.
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A gripping novel written in elegant, crystalline, glittering prose

A novel as magnificent and gripping as this gets published only once in a blue moon.

This novel will grip your mind at the very beginning, and the witty, charming voice of its narrator, seventeen years old Elio, will lead you through the wondrous tunnel of human emotions such as desire, passion and lust, in search of the elusive and slippery love.

The story is about young Elio's intense infatuation with the handsome American, twenty-four years old Oliver, a post-doctoral scholar and author, who comes as a house guest to stay at Elio's villa in the Italian Riviera for six weeks. Elio is well-read and talented; he can sing, and play guitar and piano too. Both men like to jog and love to swim; and they flirt on the beach and indulge in witty dialogue. The author, Andre Acimen succeeds in creating an illusion that the two young men make a perfect pair - a match made in heaven. But nothing in this world is perfect, of course. And there lies the tension, and the aches and pains a reader feels while reading this novel.

If you ever had crush on someone when you were a teenager, reading this novel will bring out the long dormant memories to the surface, and you will feel the sweet aches again, like new. You will be astonished to find yourself reading some passages again and again to marvel at the glittering prose, at sentences as elegant as this: "I liked it when our feet were aligned, left with left, and struck the ground at the same time, leaving footprints on the shore that I wished to return to and, in secret, place my foot where his had left its mark."

If you are young at heart, you will easily empathize with Elio and feel all his emotions; and if you are old at heart, and thought your heart petrified so long ago that it was incapable of feeling desire, passion, lust and love, you will be utterly astonished to hear your heart begin to sing a few notes again. And you most certainly will witness the alchemy of Andre Aciman's poetic prose slowly transmuting the baser emotions of passion and lust into precious love.
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