Bulfinch's Mythology: Includes The Age of Fable, The Age of Chivalry & Legends of Charlemagne (Modern Library)

From the Publisher This book is in Electronic Paperback Format. If you view this book on any of the computer systems below, it will look like a book. Simple to run, no program to install. Just put the CD in your CDROM drive and start reading. The simple easy to use interface is child tested at pre-school levels. Windows 3.11, Windows/95, Windows/98, OS/2 and MacIntosh and Linux with Windows Emulation. Includes Quiet Vision's Dynamic Index. the abilty to build a index for any set of characters or words. --This text refers to an alternate kindle_edition edition. Please be aware that there are many editions of this book. The original text dates to 1855. The only volume with which I have been involved--and which, naturally, I consider the best--is the 1991 HarperCollins hardback for which I provided a long introduction and scholarly notes. Apparently many reviewers on this site have been sold inferior editions by earlier editors, still circulating. --This text refers to an alternate kindle_edition edition. From the Inside Flap For almost a century and a half, Bulfinch's Mythology has been the text by which the great tales of the gods and goddesses, Greek and Roman antiquity; Scandinavian, Celtic, and Oriental fables and myths; and the age of chivalry have been known. The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement." Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. Assuch, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch. --This text refers to an alternate kindle_edition edition. For almost a century and a half, Bulfinch's Mythology has been the text by which the great tales of the gods and goddesses, Greek and Roman antiquity; Scandinavian, Celtic, and Oriental fables and myths; and the age of chivalry have been known. The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement." Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. Assuch, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch. --This text refers to an alternate kindle_edition edition. Thomas Bulfinch (1796–1867) was an American writer, Latinist, and banker who wrote and collected the first popular English-language retellings of Greek, Roman, Eastern, Scandinavian, Arthurian, and medieval myths in his famous three-volume compilation, Bulfinch’s Mythology . "Without a knowledge of mythology," he wrote, "much of the elegant literature of our own language cannot be understood or appreciated." He added: "We trust our young readers will find it a source of entertainment," and his trust seems to have been justified, judging from the many generations who have found his books an enthralling and loving introduction to the worlds of classical and medieval myth and legend. Alberto Manguel is an internationally acclaimed anthologist, translator, editor, and bestselling writer of several award-winning books, including A Dictionary of Imaginary Places and A History of Reading . He was born in Buenos Aires, moved to Canada in 1982, and now lives in France, where he has been named an Officer of the Order of Arts and Letters. --This text refers to an alternate kindle_edition edition. Read more