Before he began to remap the geography of the crime novel and venture out into the darkest noir night of them all with L.A. Confidential , The Black Dahlia , White Jazz , and American Tabloid , James Ellroy started his career with this powerful but basically straightforward book about Los Angeles private eye Fritz Brown. At first glance, the story of an investigation into a crooked golf tournament that opens up to include arson and murder could be just another work by any one of the dozens of good writers who have used Southern California as a metaphor for the decline and fall of civilization. But behind the terse prose, astute readers will soon begin to hear something else--the increasingly loud clamor of a cry of pain that will eventually become the barely manageable madness of Ellroy's later books. --Dick Adler "Crime, corruption, and obsessive sex...the most acclaimed noir writer of the past twenty years." -- -- Mystery News "Hard-bitten...ingenious...Ellroy segues into political intrigue without missing a beat." -- -- The New York Times James Ellroy was born in Los Angeles in 1948. His L.A. quartet -- The Black Dahlia , The Big Nowhere , L.A. Confidential and White Jazz -- were international bestsellers. American Tabloid was Time 's Novel of the Year in 1995; his memoir My Dark Places was Time 's Best Book and a New York Times Notable book for 1996. His novel The Cold Six Thousand was a New York Times Notable Book and Los Angeles Times Best Book for 2001. He lives on the coast of California. Read more
Features & Highlights
Fritz Brown's L.A.--and his life--are masses of contradictions, like stirring chorales sung for the dead. A less-than-spotless former cop with a drinking problem--a private eye-cum-repo man with a taste for great music--he has been known to wallow in the grime beneath the Hollywood glitter. But Fritz Brown's life is about to change, thanks to the appearance of a racist psycho who flashes too much cash for a golf caddie and who walked away clean from a multiple murder rap. Reopening this cas could be Fritz's redemption; his welcome back to a moral world and his path to a pure and perfect love. But to get there, he must make it through a grim, lightless place where evil has no national borders; where lies beget lies and death begets death; where there's little tolerance for Bach or Beethoven and deadly arson is a lesser mortal sin; and where a p.i.'s unhealthy interest in the past can turn beautiful music into funeral dirge.
Customer Reviews
Rating Breakdown
★★★★★
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★★★★
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★★★
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★★
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Most Helpful Reviews
★★★★★
5.0
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Great P.I. Fiction
I am not a James Ellroy fan. In fact, "Brown's Requiem" is the only novel of his that I have read, because it is the only one of his books I've found that is a straight private detective story. And as an example of the that genre, this books stands among the best. Ellroy's hero, Fritz Brown, is everything a good P.I. should be; world weary, cynical, alcoholic and carrying heavy baggage from his past. He also has plenty of good character eccentricities, like a fascination for classical music. He is also prone to make that classic P.I. mistake, to fall in love with a woman he knows he probably shouldn't fall in love with.
All of this said the book takes some unexpected twists and turns. Brown ends up investigating his own client, his romantic interest turns out to have a VERY complicated past and his case turns out to be far more elaboarate than it first appears. All of this leads to a violent and satisfying climax, like any good P.I. novel should. Fans of P.I. masters such Andrew Vachss, George Pellecanos and yes, Raymond Chandler, out to be right at home with Fritz Brown.
33 people found this helpful
★★★★★
3.0
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solid crime novel but not his best
This was Ellroy's first published novel. It's a good, solid crime novel. It's mostly in the tradition of his predecessors like Chandler and Hammett, but some of his future trademarks are there, like the seedy anti-hero who eventually discovers and follows his own moral imperative. It's a bit bumpy in spots, and sometimes the plot falls into place a bit too neatly, but it's a good read. It's not nearly as amazing as the L.A. Quartet or American Tabloid, all brilliant books for which he has become justifiably famous. I read this after reading those (as well as My Dark Places and Crime Wave). Had I read this first, I would have been shocked by his later work. Maybe The Black Dahlia is a better place to start for the Ellroy novice.. This one seems almost quaint in comparison.
32 people found this helpful
★★★★★
2.0
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Disappointing and careless.
Ellroy's first novel, and it shows. Not a bad book when compared with other writers, it's definitely below par for Ellroy. As a former caddie we can presume that Ellroy handles the sections of the book dealing with "loopers" and their lives accurately but other than this the plot of the book falls into place ridiculously easily. Is it really so simple to impersonate a police officer on the telephone every time you need some information? The book is also careless. A character is described is "slim and athletic" and then twenty pages later as "fat and strong". If you read this one, read it before you read any other Ellroy then maybe you won't be so disappointed.
7 people found this helpful
★★★★★
5.0
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One of Elroy's Best
Hits like a freight train with his earlier "bang bang" style that still moves well before his more recent scratchy, staccato style that's much more difficult. Think of this as right on the edge stopping just short of a work like Bukowski's hard boiled "Pulp" ... absolutely one of the very best hard boiled detective stories.
3 people found this helpful
★★★★★
4.0
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A lively, engrossing story
Not to use a cliche or anything, but it was a book I was not able to put down. I started reading the book at midnight, and if it weren't for my eyes, I no doubt would have read it the whole way through that night. Anyway, it is a very entertaining novel that keeps you intrigued throughout thanks to new devolpments and twists in the story. Ellroy does an excellent job of devoloping the main character, Fritz Brown as well. I have not read any of Ellroy's other books, but after reading this one, I am certainly going to try another one of his novels.
3 people found this helpful
★★★★★
3.0
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good, but not great, Ellroy
Ellroy's first novel is a decent PI novel that is slightly better than the usual entry, revealing little of the genius to come. A good read, no more.
2 people found this helpful
★★★★★
4.0
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An early Ellroy novel, quite likeable
A good example of early Ellroy, enjoyable though not his best. I'd just finished reading AMERICAN TABLOID, so I missed his dead-on rendition of the '50s and '60s and all their sleazy flaws. This book is set in the '70s, and is less tightly-written than other Ellroy work, but is still a great P.I. novel and very much a pulp crime novel about a washed up alcoholic who gets involved with bizarre characters surrounding the golf caddy scene in L.A. Worth a read if you like later Ellroy.
1 people found this helpful
★★★★★
5.0
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Ellroy is master of crime novels
Excellent
★★★★★
4.0
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A Powerhouse Los Angeles Crime Story
Finally got a chance to read this one. Ellroy's work takes the old detective story and makes Raymond Chandler proud with this one. It's a solid Los Angeles detective story, but not without the tropes that you'd expect, and with a few moments of what you would expect from Gonzo. Ellroy does a fine job in putting you in a first person narrative, and explains the vivid nature of crime, violence, and even a little steam for good measure. This is not a "warm" and "fuzzy" tale, it's a hard hitting story that features an unlikely Repo Man, a golf caddy, and crime that stuns at every page turn. I'm from Los Angeles, and loved the call outs to streets, neighborhoods, and the violence that has been entrenched in the cities from the past.
Ellroy is straight forward here, not exactly the greatest of tales, but strong enough to get me to give it a 4 star review. It's violent, it's hectic at times, and our anti-hero Fritz Brown details redemption, through a tightening tourniquet. I loved it. You may love it, I don't know. I thought it was good writing, well paced, and unlike a lot of the stories I've read from popular writers in this genre.
★★★★★
4.0
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A Tough Guy Who Weeps at Bruckner
I’ve always been a fan of detective fiction. And having lived in Los Angeles my whole life, I especially appreciate dark stories that take place here. There’s something sad about LA. Sure, we have lots of distractions—the movie industry, great bars, hamburgers. But underneath all that, there’s something melancholy and deadly—unsavory people operating at a whole other level. Even on golf courses. And this is the tawdry world the author introduces us to.
Fritz Brown is an enigma. He’s an ex-cop, a repo man and a drunk. Then there’s his love of classical music, indicating a softer side. His narrative is taut and mean, and as he makes his way through the detritus of a possibly once-great civilization looking for the love of a woman, he edges ever closer to destruction. Forget redemption. The question in this story—the only question—is whether he will survive the madness.
Read this book. Learn about corrupt cops, insane caddies, bookies, prostitutes, alcoholics and overbearing mothers. Then look at your life and thank God you are not Fritz Brown.