Billy Bathgate: A Novel (Random House Reader's Circle)
Billy Bathgate: A Novel (Random House Reader's Circle) book cover

Billy Bathgate: A Novel (Random House Reader's Circle)

Paperback – June 29, 2010

Price
$17.00
Format
Paperback
Pages
336
Publisher
Random House Trade Paperbacks
Publication Date
ISBN-13
978-0812981179
Dimensions
5.22 x 0.74 x 7.96 inches
Weight
8.6 ounces

Description

“A wonderful addition to the ranks of American boy heroes . . . Huck Finn and Tom Sawyer with more poetry, Holden Caulfield with more zest and spirit . . . The kind of book you find yourself finishing at three in the morning after promising at midnight that you’ll stop at the next page.”— New York Times Book Review “A modern American masterpiece . . . Doctorow takes up the legacies of Fitzgerald and Cheever and adds to them a savage and erotic splendor of his own.”—John le Carré“Indelible in its fierce energy, its relentless irony, its rawness.”— Philadelphia Inquirer “Riveting . . . mesmerizing . . . unforgettable.”— Time “Enthralling.”— Los Angeles Times E. L. Doctorow ’s works of fiction include Welcome to Hard Times, The Book of Daniel, Ragtime, Loon Lake, World’s Fair, Billy Bathgate, The Waterworks, City of God, The March, Homer & Langley, and Andrew’s Brain. Among his honors are the National Book Award, three National Book Critics Circle awards, two PEN/Faulkner awards, and the presidentially conferred National Humanities Medal. In 2009 he was shortlisted for the Man Booker International Prize, honoring a writer’s lifetime achievement in fiction, and in 2012 he won the PEN/ Saul Bellow Award for Achievement in American Fiction, given to an author whose “scale of achievement over a sustained career places him in the highest rank of American literature.” In 2013 the American Academy of Arts and Letters awarded him the Gold Medal for Fiction. In 2014 he was honored with the Library of Congress Prize for American Fiction. Excerpt. © Reprinted by permission. All rights reserved. ONE xa0 He had to have planned it because when we drove onto the dock the boat was there and the engine was running and you could see the water churning up phosphorescence in the river, which was the only light there was because there was no moon, nor no electric light either in the shack where the dockmaster should have been sitting, nor on the boat itself, and certainly not from the car, yet everyone knew where everything was, and when the big Packard came down the ramp Mickey the driver braked it so that the wheels hardly rattled the boards, and when he pulled up alongside the gangway the doors were already open and they hustled Bo and the girl upside before they even made a shadow in all that darkness. And there was no resistance, I saw a movement of black bulk, that was all, and all I heard was maybe the sound someone makes who is frightened and has a hand not his own over his mouth, the doors slammed and the car was humming and gone and the boat was already opening up water between itself and the slip before a thin minute had passed. Nobody said not to so I jumped aboard and stood at the rail, frightened as you might expect, but a capable boy, he had said that himself, a capable boy capable of learning, and I see now capable of adoring worshiping that rudeness of power of which he was a greater student than anybody, oh and that menace of him where it might all be over for anyone in his sight from one instant to the next, that was what it all turned on, it was why I was there, it was why I was thrilled to be judged so by him as a capable boy, the danger he was really a maniac. xa0 Besides, I had that self-assurance of the very young, which was in this case the simple presumption I could get away when I would, anytime I wanted, I could outrun him, outrun his rage or the range of his understanding and the reach of his domain, because I could climb fences and hustle down alleys and jump fire escapes and dance along the roof parapets of all the tenements of the world if it came to that. I was capable, I knew it before he did, although he gave me more than confirmation when he said it, he made me his. But anyway I wasn’t thinking of any of this at the time, it was just something I had in me I could use if I had to, not even an idea but an instinct waiting in my brain in case I ever needed it, or else why would I have leapt lightly over the rail as the phosphorescent water widened under me, to stand and watch from the deck as the land withdrew and a wind from the black night of water blew across my eyes and the island of lights rose up before me as if it were a giant ocean liner sailing past and leaving me stranded with the big murdering gangsters of my life and times? xa0 My instructions were simple, when I was not doing something I was specifically told to do, to pay attention, to miss nothing, and though he wouldn’t have put it in so many words, to become the person who would always be watching and always be listening no matter what state I was in, love or danger or humiliation or deathly misery—to lose nothing of any fraction of a moment even if it happened to be my last. xa0 So I knew this had to have been planned, though smeared with his characteristic rage that made you think it was just something that he had thought of the moment before he did it as for instance the time he throttled and then for good measure stove in the skull of the fire safety inspector a moment after smiling at him in appreciation for his entrepreneurial flair. I had never seen anything like that, and I suppose there are ways more deft, but however you do it, it is a difficult thing to do: his technique was to have none, he sort of jumped forward screaming with his arms raised and brought his whole weight of assault on the poor fuck, and carried him down in a kind of smothering tackle, landing on top of him with a crash that probably broke his back, who knows? and then with his knees pinning down the outstretched arms, simply grabbing the throat and pressing the balls of his thumbs down on the windpipe, and when the tongue came out and eyes rolled up walloping the head two three times on the floor like it was a coconut he wanted to crack open. xa0 And they were all in dinner clothes too, I had to remember that, black tie and black coat with the persian lamb collar, white silk scarf and his pearl gray homburg blocked down the center of the crown just like the president’s, in Mr. Schultz’s case. Bo’s hat and coat were still in the hatcheck in his case. There had been an anniversary dinner at the Embassy Club, five years of their association in the beer business, so it was all planned, even the menu, but the only thing was Bo had misunderstood the sentiment of the occasion and brought along his latest pretty girl, and I had felt, without even knowing what was going on when the two of them were hustled into the big Packard, that she was not part of the plan. Now she was here on the tugboat and it was entirely dark from the outside, they had curtains over the portholes and I couldn’t see what was going on but I could hear the sound of Mr. Schultz’s voice and although I couldn’t make out the words I could tell he was not happy, and I supposed they would rather not have her witness what was going to happen to a man she might possibly have come to be fond of, and then I heard or felt the sounds of steps on a steel ladder, and I turned my back to the cabin and leaned over the railing just in time to see a lighted pucker of green angry water and then a curtain must have been drawn across a porthole because the water disappeared. A few moments later I heard one returning set of footsteps. xa0 Under these circumstances I could not hold to the conviction that I had done the smart thing by coming aboard without his telling me to. I lived, as we all did, by his moods, I was forever trying to think of ways to elicit the good ones, the impulse to placate was something he brought out in people, and when I was engaged in doing something at his instruction I pressed hard to do my urgent best while at the same time preparing in my mind the things I would say in my defense in any unforeseen event of his displeasure. Not that I believed there was an appeals process. So I rode as a secret rider there at the cold railing through several minutes of my irresolution, and the strings of lights on the bridges behind me made me sentimental for my past. But by then we were coming downriver into the heavier swells of the open water, and the boat began to pitch and roll and I found I had to widen my stance to keep my balance. The wind was picking up too, and spray was flying up from the prow and wetting my face, I was holding the rail and pressing my back against the side of the cabin and beginning to feel the light head that comes with the realization that water is a beast of another planet, and with each passing moment it was drawing in my imagination a portrait of its mysterious powerful and endlessly vast animacy right there under the boat I was riding, and all the other boats of the world as well, which if they lashed themselves together wouldn’t cover an inch of its undulant and heaving hide. xa0 So I went in, opening the door a crack and slipping through shoulder first, on the theory that if I was going to die I had rather die indoors. Read more

Features & Highlights

  • To open this book is to enter the perilous, thrilling world of
  • Billy Bathgate
  • , the brazen boy who is accepted into the inner circle of the notorious Dutch Schultz gang. Like an urban Tom Sawyer, Billy takes us along on his fateful adventures as he becomes good-luck charm, apprentice, and finally protégé to one of the great murdering gangsters of the Depression-era underworld in New York City. The luminous transformation of fact into fiction that is E. L. Doctorow’s trademark comes to triumphant fruition in
  • Billy Bathgate
  • ,
  • a peerless coming-of-age tale and one of Doctorow’s boldest and most beloved bestsellers.

Customer Reviews

Rating Breakdown

★★★★★
30%
(231)
★★★★
25%
(193)
★★★
15%
(116)
★★
7%
(54)
23%
(177)

Most Helpful Reviews

✓ Verified Purchase

Master at Work

I am sure it has all been said elsewhere but Doctorow was a superb story teller and writer. Having read nearly all his books, I have never been disappointed and this particular book is a great take on a historical event. The story never falters and your interest never slips. If you read just one of his books, this is a perfect one with which to become familiar.
4 people found this helpful
✓ Verified Purchase

A feast for anyone who likes the written word

I just re-read E.L. Doctorow's brilliant novel Billy Bathgate, and it's even better than I remembered. Told from the viewpoint of a poverty-stricken teenager in 1935 who catches the eye of the notorious Dutch Schultz mob and is with them until their demise, it's a tremendous experience.

Part coming-of-age, part dance-with-the-devil, part homage to a departed era, and part action novel, this one's a feast for people who like the written word. Doctorow accomplishes a lot in this book, but one thing he does especially well is make deft references to events and thoughts and observations that happened earlier in the story. At the end of the novel you realize just how important it was to pay attention to the little things all the way through.

He also brings real people back to life as unforgettable characters. From Schultz's brilliant right-hand man Otto "Abbadabba" Berman to his most talented hitman Bo Weinberg, from the deadly and unnamed nemesis who is unquestionably Charles "Lucky" Luciano to the volatile, crafty, and self-destructive Dutchman himself, they walk, talk, and rampage again in this story. I strongly recommend it.
2 people found this helpful
✓ Verified Purchase

You handle Saratoga, kid, I believe you can handle anything

A capable boy catches the attention of head of the local rackets around Bathgate Avenue in the Bronx by juggling, and becomes affiliated with the mob as a good-luck charm--and years later tells his story in the novel Billy Bathgate.

His job was “to pay attention, to miss nothing,” and take care of other specific tasks that were assigned to him. The fruits of the meticulous memory of Billy Bathgate become a great story for the reader, and a magical windfall for the title character at the conclusion of the novel.

The racket deals in beer, unions, policy, and ‘runs it like a candy store.’ But it also deals in death, beginning with the murder of Bo Weinberg at the start of the novel, with his feet stuck into a bucket of cement until it sufficiently hardened, then the body dumped in the East River.

There is also the murder of Julie Martin, up in Onondaga County, where Dutch Schultz and his associates spend a summer preparing for the income tax evasion trial of the boss. They spend money around town like it’s candy, make donations to local causes, and essentially buy the goodwill of the community. Schultz even has a highly publicized conversion to the Roman Catholic religion, sponsored by ‘a man with the bad skin. The one he respects so.’ A portion of that community becomes the jury for the trial in Onondaga County, the one which concludes with the judge saying “in all my years on the bench I have never witnessed such disdain of truth and evidence as you have manifested today.”

“I promise, I tell him in the first act of mercy in my life” to take care of his girl, says Billy, as Bo Weinberg is facing his sentence. This promise nearly becomes his undoing. Bo’s girl becomes Dutch’s girl--what choice does she have after being a witness to Bo’s execution? In Onondaga, Bo’s girl Drew is introduced as Billy’s governess, and the two spend plenty of time together keeping up appearances. By the time she becomes expendable, Billy has fallen for Miss Drew, and when the two are dispatched to Saratoga, it may be a trip to their own funeral.

Yet Billy is also resourceful, and lucky, he’s the kind of guy who makes his own luck, so the reader has the feeling that Billy can change the script. He was trying to catch on, but had to navigate the tricky boundaries of making himself available without being pushy. He seemed in a pickle when he went to the numbers house with his paper bag of cupcakes, but the incident became his opportunity. “You handle Saratoga, kid, I’ll believe you can handle anything,” said numbers man Addadabba Berman. But Billy was so nuts about Miss Drew that he couldn’t see straight, and that kinda nuts can get your own nuts in a bind.

As spellbinding as Ragtime was, or The March, or World’s Fair, or Waterworks were, Billy Bathgate might be E.L. Doctorow’s best novel.
2 people found this helpful
✓ Verified Purchase

R.I.P Doctrow

Doctrow is brilliant. The way he could combined real history with fiction and make you wonder which was which was proof of his genius.
2 people found this helpful
✓ Verified Purchase

An important book about a very Capable Boy

I felt very strongly about this book. I'd seen the film, thought it trite - a knock off of Godfather or some other early 1930's gangster story - but the book....after reading this book - they should change the name of the movie, because the movie is merely a skeleton of this great, deep novel.

I've now read this book three times. Something I've never done before. I do so because each time I go looking for something I missed, only to find a different and interesting layer I hadn't notice before.

I have found this even better than Ragtime, perhaps because it seems more possible as a story. And having gone back an done some research on Dutch Schultz, I've found Doctrow really did a great job staying close to the facts of Schultz, his mob and the other characters of the underworld from that times.

If you at all enjoy movies like, Public Enemy (the Cagney version), the Godfather, Once Upon a Time in America or Goodfellas - do yourself a great favor - read this book
2 people found this helpful
✓ Verified Purchase

A boy's coming of age story set in 1930's gangland New York, told in marvelously engaging prose but marred by flabby ending

In 1935 New York City, Billy Bathgate is fifteen years old, living with his mother in a rough part of the East Bronx where local mobsters were the role models, the foremost in Billy's neighborhood being Arthur Flegenheimer, the notorious Dutch Schultz of gangland fame. A chance crossing of paths gives Billy the chance to attract Schultz's notice with his impromptu juggling, prompting Schultz to pronounce him "a very capable boy" and hand him a twenty dollar bill. Intrigued, Billy acts again on impulse and manages to attract the gangster's notice a second time, this time inside of one of Schultz's operations, enabling him to attach himself to the gang's inner circle as a combination go-fer and good-luck charm, becoming an observer to the events that occurred in the last year of the gangster's life.

The plot, however, is almost secondary to Doctorow's prose, for that is where the true pleasure of the book lies. It is really difficult to describe, but Doctorow's style manages to immerse the reader in the immediacy of the moment, flowing in seemingly endless passages where the sentences just seem to meld together, dripping with sensorial detail such that nothing escapes being noticed or felt. It is an incredibly intimate style that pulls you beneath the surface of the page and into the book's depths.

The problem with the novel - and it's not a minor one - is the way in which it ends. Everything up to the ending has a lyrical but believable feel to it, even with the artistic flourishes of prose enhancing things beyond what we would ourselves experience, and we buy into it wholly. But then Doctorow seems to just suddenly run out of steam, as if he's taken us along a well thought-out path only to find that he himself doesn't know where to go next, and then decides to tack on a Hollywood ending that you'd swear the writer spent no more than twenty minutes thinking out, completely ruining the intimate feeling of attachment and connection that you'd built up with the narrating character over the previous 306 pages.

Highly recommended overall, even if the ending just doesn't measure up to the thoroughly engaging prose that leads up to it.
2 people found this helpful
✓ Verified Purchase

Summer reading

As described. Bought for summer reading for school.
1 people found this helpful
✓ Verified Purchase

I truly enjoyed the development of the story

Before begin reading it I thought tha t it was going to be another novel full of crime and gory details. As a progressed on my reading i found it exceptionally detailed about life in New York during the 1930's. I truly enjoyed the development of the story.
1 people found this helpful
✓ Verified Purchase

Mesmerizing Prose

The novel's first one hundred pages are truly spell-binding. The language is so richly detailed and lyrical that it's mesmerizing. But as one delves deeper into Doctorow's romantic world of 1930s Depression-era gangsterism, one slowly becomes trapped in the sinking sensation that everything is at the end of the day pure drivel and nonsense, no matter how beautiful and idyllic the world. In his trademark style, E.L. Doctorow takes an established historical narrative -- the last days of Dutch Schultz -- and adds in fictional elements. In this case, E.L. Doctorow injects a fifteen-year old brash and resourceful narrator whom Dutch Schultz takes a liking to with as much rhyme and reason as he does for an aristocratic blonde who's addicted to flirting with danger. Nothing in this world really makes sense. The characters are merely caricatures, and don't seem driven by any motivation other than to just move the plot along, and finish the story.
1 people found this helpful
✓ Verified Purchase

A fiction based on fact: the last days of "Dutch Schultz"

Another book from E. L. Doctorow which is set vividly in historic times (New York in the 30’s) brings to life the last days of gangster Dutch Schultz, as seen through the eyes of a teenage boy from the Brooklyn slums who sees the career of the gang as a way out of poverty. Billy’s point of view is wide-eyed and neutral as he witnesses murders both planned and inmpulsive, while falling in love with Schultz’s moll of the moment.
I had trouble keeping some of the gang members straight, although Doctorow did his best to distinguish each one with a unique style of dress, posture, and responsibility. The protagonist, Billy Behan (from Bathgate) is a bit too neutral, too wide-eyed, and though he tells us he is terrified, we don't quite believe it as he continues right on.
The conclusion is a bit too pat, but as a reconstruction of what might have happened during the last months of Schultz’s violent career, “Billy Bathgate” is an admirable creation built on a foundation of what we think of as facts.