Back When We Were Grownups
Back When We Were Grownups book cover

Back When We Were Grownups

Hardcover – May 1, 2001

Price
$10.39
Format
Hardcover
Pages
273
Publisher
Alfred A. Knopf
Publication Date
ISBN-13
978-0375412530
Dimensions
6.58 x 1.13 x 9.53 inches
Weight
1.36 pounds

Description

The first sentence of Anne Tyler's 15th novel sounds like something out of a fairy tale: "Once upon a time, there was a woman who discovered she had turned into the wrong person." Alas, this discovery has less to do with magic than with a late-middle-age crisis, which is visited upon Rebecca Davitch in the opening pages of Back When We Were Grownups . At 53, this perpetually agreeable widow is "wide and soft and dimpled, with two short wings of dry, fair hair flaring almost horizontally from a center part." Given her role as the matriarch of a large family--and the proprietress of a party-and-catering concern, the Open Arms--Rebecca is both personally and professionally inclined toward jollity. But at an engagement bash for one of her multiple stepdaughters, she finds herself questioning everything about her life: "How on earth did I get like this? How? How did I ever become this person who's not really me?" She spends the rest of the novel attempting to answer these questions--and trying to resurrect her older, extinguished self. Should she take up the research she began back in college on Robert E. Lee's motivation for joining the Confederacy? More to the point, should she take up with her college sweetheart, who's now divorced and living within easy striking range? None of these quick fixes pans out exactly as Rebecca imagines. What she emerges with is a kind of radiant resignation, best expressed by 100-year-old Poppy on his birthday: "There is no true life. Your true life is the one you end up with, whatever it may be." A tautology, perhaps, but Tyler's delicate, densely populated novel makes it stick. Yes, Poppy. There are also characters named NoNo, Biddy, and Min Foo--the sort of saccharine roll call that might send many a reader scampering in the opposite direction. But Tyler knows exactly how to mingle the sweet with the sour, and in Back When We Were Grownups she manages this balancing act like the old pro she is. Even the familiar backdrop--shabby-genteel Baltimore, which resembles a virtual game preserve of Tylerian eccentrics--seems freshly observed. Can any human being really resist this novel? It is, to quote Rebecca, "a report on what it was like to be alive," and an appealingly accurate one to boot. --James Marcus From Publishers Weekly On the first page of Tyler's stunning new novel, Rebecca Davitch, the heroine (and heroine is exactly the right word) realizes that she has become the "wrong person." No longer the "serene and dignified young woman" she was at 20, at 53 Rebecca finds she has become family caretaker and cheerleader, a woman with a "style of dress edging dangerously close to Bag Lady." So she tries to do something about it. In the midst of her busy life as mother, grandmother and proprietor of the family business, the Open Arms (she hosts parties in the family's old Baltimore row house), Rebecca attempts to pick up the life she was leading before she married, back when she felt grownup. She visits her hometown in Virginia, locates the boyfriend she jilted and renews her intellectual interests. But as Rebecca ponders the life-that-might-have-been, the reader learns about the life-that-was. At 20, she left college and abandoned her high school sweetheart to marry a man who already had a large family to support. A year later, she had a baby of her own; five years later, her husband died in an auto accident, and she was left to raise four daughters, tend to her aging uncle-in-law and support them all. And a difficult lot they are, seldom crediting Rebecca for holding her rangy family together. Yet like all of Tyler's characters, they are charming in their dysfunction. And much as one feels for Rebecca, much as one wants her to find love, it's difficult to imagine her leaving or upsetting the family order. Tyler (The Accidental Tourist; Breathing Lessons) has a gift for creating endearing characters, but readers should find Rebecca particularly appealing, for despite the blows she takes, she bravely keeps on trying. Tyler also has a gift genius is more like it for unfurling intricate stories effortlessly, as if by whimsy or accident. The ease of her storytelling here is breathtaking, but almost unnoticeable because, rather like Rebecca, Tyler never calls attention to what she does. Late in the novel, Rebecca observes that her younger self had wanted to believe "that there were grander motivations in history than mere family and friends, mere domestic happenstance." Tyler makes it plain: nothing could be more grand. (May 8)Forecast: A 250,000 first printing seems almost modest considering the charms of Tyler's latest and the devotion of her readers. A Random House audiobook and a large-print edition will appear simultaneously, and the book is a BOMC main selection and an alternate selection of QPB, the Literary Guild, the Doubleday Book Club and Doubleday Large Print. Copyright 2001 Cahners Business Information, Inc. From Library Journal After recovering from the shock of becoming a widow in her mid-twenties, Rebecca "Beck" Davitch has spent several busy decades occupied with managing both her quirky clan of in-laws and their party-hosting business. She has become the heart and soul of the extended family and of The Open Arms, the family's historic row house, which is still popular as a rental for special occasions though the surrounding neighborhood is deteriorating. At 53, Beck is feeling a little rundown herself. She wonders what became of the serious college student she once was and whether she took the right path when she followed her heart to the altar at 19. Beck thus embarks on a quixotic interior journey, with results both funny and touching, as she explores the differences between being herself and playing the roles assigned to her by the family. Elements common to Tyler's other fiction are present here: a well-rendered Baltimore setting, a large cast of eccentric characters, and a thoughtful presentation of themes related to marriage, aging, and making difficult choices. Together with Tyler's finely tuned prose, they create a satisfying whole for the enjoyment of the author's many fans. - Starr E. Smith, Fairfax Cty. P.L., VA Copyright 2001 Reed Business Information, Inc. From Booklist The opening scene in Tyler's mellifluous new novel presents a tumble of characters coerced into attending a family picnic to celebrate an unexpected engagement. Everyone has a nickname, and the connections seem complicated, but at the center stands a determinedly cheerful, plushly built, and obliviously unfashionable woman in her early fifties. This is Rebecca, or Beck, who cajoles her grumpy stepdaughters and daughter, as well as their attendant husbands, significant others, and offspring, into playing a game of softball even while she's wondering if perhaps she's "turned into the wrong person." Rebecca has unwittingly embarked on a season of discontent as the last of the girls she raised gets set to marry. The clue to her sudden dismay is found in her nickname, which she dislikes. Rebecca, who throws parties for a living, has always been at everyone's beck and call, and now she wonders if she's accomplished anything of value. What would her life have been like if she'd married her studious college boyfriend, Will, instead of jilting him and abandoning her studies to marry Joe, a sexy, older divorce with a Baltimore row house, three young, skeptical daughters, and a business based on throwing parties for strangers. She and Joe had one daughter and six years together before he died in a car crash, leaving Rebecca at the helm of the fractious family, which includes Joe's widower uncle, Poppy, who's eagerly looking forward to his one-hundredth birthday party. Tyler, who's never written silkier prose or more charming and gently humorous dialogue, spreads out Rebecca's story like a banquet, each scene a delectable repast as her marvelous heroine divines the truth about her radiant life. Donna Seaman Copyright © American Library Association. All rights reserved “You are involved before you even notice you were paying attention . . . Her feel for character is so keen that even hardened metafictionalists [who] would happily fry the whole notion of ‘character’ for breakfast are reduced to the role of helpless gossips, swapping avid hunches about the possible fates of the characters.”–Tom Shone, The New Yorker “Wise, kind, rueful and clear-eyed . . . and her truths are as gritty as earth and as interesting as the world.”–Amy Bloom, Elle “There’s not a flat line in this book . . . not a moment that isn’t tapped for all its glorious possibilities. This is storytelling at its best and most breathtaking.”–Beth Kephart, Book magazine“Tyler’s eye and ear for familial give and take is unerring, her humanity irresistible. You’ll want to turn back to the first chapter the moment you finish the last.”–Linnea Lannon, People From the Inside Flap "Once upon a time, there was a woman who discovered that she had turned into the wrong person." So Anne Tyler opens this irresistible new novel. The woman is Rebecca Davitch, a fifty-three-year-old grandmother. Is she an impostor in her own life? she asks herself. Is it indeed her own life? Or is it someone else's? On the surface, Beck, as she is known to the Davitch clan, is outgoing, joyous, a natural celebrator. Giving parties is, after all, her vocation—something she slipped into even before finishing college, when Joe Davitch spotted her at an engagement party in his family's crumbling nineteenth-century Baltimore row house, where giving parties was the family business. What caught his fancy was that she seemed to be having such a wonderful time. Soon this large-spirited older man, a divorcé with three little girls, swept her into his orbit, and before she knew it she was embracing his extended family plus a child of their own, and hosting endless parties in the ornate, high-ceilinged rooms of The Open Arms. Now, some thirty years later, after presiding over a disastrous family picnic, Rebecca is caught un-awares by the question of who she really is. How she answers it—how she tries to recover her girlhood self, that dignified grownup she had once been—is the story told in this beguiling, funny, and deeply moving novel. As always with Anne Tyler's novels, once we enter her world it is hard to leave. But in Back When We Were Grownups she so sharpens our perceptions and awakens so many untapped feelings that we come away not only refreshed and delighted, but also infinitely wiser. “You are involved before you even notice you were paying attention . . . Her feel for character is so keen that even hardened metafictionalists [who] would happily fry the whole notion of ‘character’ for breakfast are reduced to the role of helpless gossips, swapping avid hunches about the possible fates of the characters.” –Tom Shone, The New Yorker “Wise, kind, rueful and clear-eyed . . . and her truths are as gritty as earth and as interesting as the world.” –Amy Bloom, Elle “There’s not a flat line in this book . . . not a moment that isn’t tapped for all its glorious possibilities. This is storytelling at its best and most breathtaking.” –Beth Kephart, Book magazine“Tyler’s eye and ear for familial give and take is unerring, her humanity irresistible. You’ll want to turn back to the first chapter the moment you finish the last.” –Linnea Lannon, People Anne Tyler was born in Minneapolis in 1941 but grew up in Raleigh, North Carolina. She graduated at nineteen from Duke University and went on to do graduate work in Russian studies at Columbia University. This is Anne Tyler’s fifteenth novel; her eleventh, Breathing Lessons , was awarded the Pulitzer Prize in 1988. She is a member of the American Academy and Institute of Arts and Letters. She lives in Baltimore. Excerpt. © Reprinted by permission. All rights reserved. ONEOnce upon a time, there was a woman who discovered she had turned into the wrong person.She was fifty-three years old by then—a grandmother. Wide and soft and dimpled, with two short wings of dry, fair hair flaring almost horizontally from a center part. Laugh lines at the corners of her eyes. A loose and colorful style of dress edging dangerously close to Bag Lady.Give her credit: most people her age would say it was too late to make any changes. What's done is done, they would say. No use trying to alter things at this late date.It did occur to Rebecca to say that. But she didn't.. . .On the day she made her discovery, she was picnicking on the North Fork River out in Baltimore County. It was a cool, sunny Sunday in early June of 1999, and her family had gathered to celebrate the engagement of Rebecca's youngest stepdaughter, NoNo Davitch.The Davitches' cars circled the meadow like covered wagons braced for attack. Their blankets dotted the grass, and their thermos jugs and ice chests and sports equipment crowded the picnic table. The children were playing beside the river in one noisy, tumbling group, but the adults kept themselves more separate. Alone or in twos they churned about rearranging their belongings, jockeying for spots in the sun, wandering off hither and yon in their moody Davitch manner. One of the stepdaughters was sitting by herself in her minivan. One of the sons-in-law was stretching his hamstrings over by the runners' path. The uncle was stabbing the ground repeatedly with his cane.Goodness, what would Barry think? (Barry, the new fiancé.) He would think they disapproved of his marrying NoNo.And he would be right.Not that they ever behaved much differently under any conditions.Barry had a blanket mostly to himself, because NoNo kept flitting elsewhere. The tiniest and prettiest of the Davitch girls—a little hummingbird of a person—she darted first to one sister and then another, ducking her shiny dark cap of hair and murmuring something urgent.Murmuring, "Like him, please," maybe. Or, "At least make him feel welcome."The first sister grew very busy rummaging through a straw hamper. The second shaded her eyes and pretended to look for the children.Rebecca—who earned her living hosting parties, after all—felt she had no choice but to clap her hands and call, "Okay, folks!"Languidly, they turned. She seized a baseball from the table and held it up. No, it was bigger than a baseball. A softball, then; undoubtedly the property of the son-in-law stretching his hamstrings, who taught phys ed at the local high school. It was all the same to Rebecca; she had never been the sporty type. Still: "Time for a game, everybody!" she called. "Barry? NoNo? Come on, now! We'll say this rock is home plate. Zeb, move that log over to where first base ought to be. The duffel bag can be second, and for third . . . Who's got something we can use for third?"They groaned, but she refused to give up. "Come on, people! Show some life here! We need to exercise off all that food we're about to eat!"In slow motion they began to obey, rising from their blankets and drifting where she pointed. She turned toward the runners' path and, "Yoo-hoo! Jeep!" she called. Jeep stopped hugging one beefy knee and squinted in her direction. "Haul yourself over here!" she ordered. "We're organizing a softball game!""Aw, Beck," he said, "I was hoping to get a run in." But he came plodding toward her.While Jeep set about correcting the placement of the bases, Rebecca went to deal with the stepdaughter in the minivan. Who happened to be Jeep's wife, in fact. Rebecca hoped this wasn't one of their silly quarrels. "Sweetie!" she sang out. She waded through the weeds, scooping up armfuls of her big red bandanna-print skirt. "Patch? Roll down your window, Patch. Can you hear me? Is something the matter?"Patch turned and gazed out at her. You could tell she must be hot. Spikes of her chopped black hair were sticking to her forehead, and her sharp, freckled face was shining with sweat. Still, she made no move to open her window. Rebecca grabbed the door handle and yanked it—luckily, just before Patch thought to push the lock down."Now, then!" Rebecca caroled. "What's all this about?"Patch said, "Can't a person ever get a moment of peace in this family?"She was thirty-seven years old but looked more like fourteen, in her striped T-shirt and skinny jeans. And acted like fourteen, too, Rebecca couldn't help thinking; but all she said was, "Come on out and join us! We're starting up a softball game.""No, thanks.""Pretty please?""For Lord's sake, Beck, don't you know how I hate this?""Hate it!" Rebecca cried merrily, choosing to misunderstand. "But you're wonderful at sports! The rest of us don't even know where the bases go. Poor Jeep is having to do everything."Patch said, "I cannot for the life of me see why we should celebrate my little sister's engagement to a—to a—"Words appeared to fail her. She clamped her arms tight across her flat chest and faced forward again."To a what?" Rebecca asked her. "A nice, decent, well-spoken man. A lawyer.""A corporate lawyer. A man who brings his appointment book to a picnic; did you notice his appointment book? Him and his yacht-looking, country-club-looking clothes; his ridiculous yellow crew cut; his stupid rubber-soled boating shoes. And look at how he was sprung on us! Just sprung on us with no warning! One day it's, oh, poor NoNo, thirty-five years old and never even been kissed so far as anyone knew; and the next day—I swear, the very next day!—she pops up out of the blue and announces an August wedding.""Well, now, I just have a feeling she may have kept him secret out of nervousness," Rebecca said. "She didn't want to look foolish, in case the courtship came to nothing. Also, maybe she worried you girls would be too critical."Not without reason, she didn't add.Patch said, "Hogwash. You know why she kept him secret: he's been married once before. Married and divorced, with a twelve-year-old son to boot.""Well, these things do happen," Rebecca said drily."And such a pathetic son, too. Did you see?" Patch jabbed a thumb toward the children by the river, but Rebecca didn't bother turning. "A puny little runt of a son! And it can't have escaped your notice that Barry has sole custody. He's had to cook for that child and clean house, drive the car pool, help with homework . . . Of course he wants a wife! Unpaid nanny, is more like it.""Now, dearie, that's an insult to NoNo," Rebecca said. "Any man in his right mind would want NoNo for her own sake."Patch merely gave an explosive wheeze that lifted the spikes of hair off her forehead."Just think," Rebecca reminded her. "Didn't I marry a divorced man with three little girls? And see, it worked out fine! I'd be married to him still, if he had lived."All Patch said to this was, "And how you could throw a party for them!""Well, of course I'd throw a party. It's an occasion!" Rebecca said. "Besides: you and Biddy asked for one, if I remember correctly.""We asked if you planned to give one, is all, since you're so fond of engagement parties. Why, Min Foo's had three of them! They seem to be kind of a habit with you."Rebecca opened her mouth to argue, because she was almost positive that Patch and Biddy had requested, in so many words, that she put together a picnic. But then she saw that she might have misinterpreted. Maybe they had just meant that since they knew she would be planning something, they would prefer it to be held outside. (Oh, the Davitch girls were very unsocial. "I guess you're going to insist on some kind of shindig," one of them would sigh, and then they would show up and sit around looking bored, picking at their food while Rebecca tried to jolly things along.)Well, no matter, because Patch was finally unfolding herself from the minivan. She slammed the door behind her and said, "Let's get started, then, if you're so set on this.""Thank you, sweetie," Rebecca said. "I just know we'll have a good time today."Patch said, "Ha!" and marched off toward the others, leaving Rebecca to trail behind.The softball game had begun now, at least in a halfhearted way. People were scattered across the meadow seemingly at random, with Rebecca's brother-in-law and Barry so far off in the outfield that they might not even be playing. The catcher (Biddy) was tying her shoe. The uncle leaned on his cane at an indeterminate spot near third base. Rebecca's daughter was sunbathing on first, lounging in the grass with her face tipped back and her eyes closed.As Patch and then Rebecca came up behind home plate, Jeep was assuming the batter's stance, his barrel-shaped body set sideways to them and his bat wagging cockily. NoNo, on the pitcher's mound, crooked her arm at an awkward angle above her shoulder and released the ball. It traveled in an uncertain arc until Jeep lost patience and took a stride forward and hit a low drive past second. Hakim, Rebecca's son-in-law, watched with interest as it whizzed by. (No surprise there, since Hakim hailed from someplace Arab and had probably never seen a softball in his life.) Jeep dropped his bat and trotted to first, not disturbing Min Foo's sunbath in the least. He rounded second, receiving a beatific smile from Hakim, and headed for third. Third was manned by Biddy's . . . ... Read more

Features & Highlights

  • "Once upon a time, there was a woman who discovered that she had turned into the wrong person." So Anne Tyler opens this irresistible new novel.The woman is Rebecca Davitch, a fifty-three-year-old grandmother. Is she an impostor in her own life? she asks herself. Is it indeed her own life? Or is it someone else’s?On the surface, Beck, as she is known to the Davitch clan, is outgoing, joyous, a natural celebrator. Giving parties is, after all, her vocation—something she slipped into even before finishing college, when Joe Davitch spotted her at an engagement party in his family’s crumbling nineteenth-century Baltimore row house, where giving parties was the family business. What caught his fancy was that she seemed to be having such a wonderful time. Soon this large-spirited older man, a divorcé with three little girls, swept her into his orbit, and before she knew it she was embracing his extended family plus a child of their own, and hosting endless parties in the ornate, high-ceilinged rooms of The Open Arms. Now, some thirty years later, after presiding over a disastrous family picnic, Rebecca is caught un-awares by the question of who she really is. How she answers it—how she tries to recover her girlhood self, that dignified grownup she had once been—is the story told in this beguiling, funny, and deeply moving novel.As always with Anne Tyler’s novels, once we enter her world it is hard to leave. But in
  • Back When We Were Grownups
  • she so sharpens our perceptions and awakens so many untapped feelings that we come away not only refreshed and delighted, but also infinitely wiser.

Customer Reviews

Rating Breakdown

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Most Helpful Reviews

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Anne Tyler's saddest book

Anne Tyler is a private person who never gives interviews, does readings, or signs autographs. For many years, I lived less than a mile away from her home in Northern Baltimore, and occasionally I would drive past in hopes of catching a glimpse of her out in the yard. I never did. However, in her last book, "A Patchwork Planet," she did provide one small window into her personal life: a dedication in memory of her late husband, who must have died while that book was being written.
With that piece of information in mind, it becomes apparent to the reader that "Back When We Were Grownups" is Tyler's first novel as a widow. The main character, Rebecca, is widowed; there are aching descriptions of what it's like to lose a loved one. If this is Tyler's most melancholy work, well, it's understandable, given the circumstances.
Somehow, she manages to make each new family of Baltimore eccentrics seem fresh; the dialogue rings true, and each character's traits are carefully observed (I particularly loved Rebecca's ex-boyfriend's obsession with his home-cooked chili). My only quarrel is that there are SO many characters that at times, I felt like drawing up a family tree just to keep track of all the in-laws and children and ex-husbands (not to mention the many repairmen constantly tending to Rebecca's crumbling old house). This is a bittersweet, beautifully written work.
64 people found this helpful
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Back when we were Anne Tyler fans

This is how I picture it. Ms. Tyler is sitting at a diner in downtown Baltimore and she scribbles the opening line of her new novel, Back When We Were Grownups. She knows it's a great line, in fact, in may be one of the best opening sentences in recent memory. Nobody ever grows up to be what they thought they'd be. But then, oh then, she writes the rest of the book trying to capture the magic of the opening sentence. And it never quite explains anything.
Sure there are quirky Tyler characters with equally quirky names like Poppy and NoNo. But they are not particularly interesting people and you can't ever figure out why Rebecca, the heroine, sticks around to cook, clean, babysit and entertain them. They certainly give nothing back to her. She's not quite a martyr but annoyingly close. She's not quite happy, not quite adventursome and anything would be better than looking up an old boyfriend who is a hopeless nerd. Sigh. If only there was a resolution that worked instead of self examination that leaves the reader and the poor heroine stuck in a boring book/life.
Life doesn't have to be mundane chores if one chooses to see the magic in those chores. Ms. Tyler used to have characters that found something, solace, fun, challenge, within the daily grind. But this heroine only gets points for realizing life passed her by, instead of doing something about it. The only character I ever become remotely interested in was her dead husband Joe. He sounded kinda cool, someone I would like to hang out with. Not Rebecca though. After reading this book, I feel like learning to sky dive or take painting lessons or go on an Outward Bound adventure. ANYTHING is better than wringing my hands and lamenting my life. Rebecca Babe, get a haircut, lose some weight, take a risk, answer an Internet love ad, just do something. Don't let Ms. Tyler stick you in a Baltimore rowhouse waiting to babysit your next grandchild.
42 people found this helpful
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Vintage Tyler

The wonder of Anne Tyler is her ability to hear and capture the sounds and rhythms of the ordinary. Her characters live and talk like real people and she's got an uncanny ability to make everyday relationships and situations fascinating. She is a truly gifted storyteller whose writing never intrudes upon the story she's telling -- a skill some of our flashier, more precious authors would do well to master.
"Back When We Were Grownups" ranks among her best work. The characters are more endearing and memorable than those in "A Patchwork Planet" (with whom it was somewhat difficult to connect). Rebecca Davitch and her world are both comfortingly familiar and pleasantly unexpected. It's what we've come to expect from Ms. Tyler and what sends me to the bookstore every few years to buy her latest release, in hardcover, no questions asked. She is a writer of consistent quality and restraint.
31 people found this helpful
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Don't overlook this quiet book; an enjoyable read

This was my first Anne Tyler book. The first sentence intrigued me, so I bought the book. I first read the readers' reviews of the book and, of course, didn't see a consensus of opinions. I really didn't care `cause I knew I was going to read it anyway. If you're used to reading action, fast-paced, suspenseful books, then this can be a bit of a turn. Ms. Tyler can write about the ordinary with flare. I would say she's the Jerry Seinfeld of writing.
The premise, to those who don't know, is whether Rebecca, the main character, has actually chosen the life that she was meant to live. If we are in our 40's or above, many times we look back on our lives and can see where the path we were taking suddenly changed. It usually occurs in our 20's, but whose to say it can't happen in our 30's, 40's, or whenever. We can be constantly striving to better our lives and, in so doing, our paths can change again.
At a family picnic where her incredibly wacky family are doing their usual wacky stuff, Rebecca muses on that subject. She decides to go home to see her mother (I sure wouldn't want to go home too often if she were MY mother) as well as an old boyfriend. As we get to meet this old boyfriend, I thought, "Oh my God, no. This guy is so bleak, and so lifeless, while Rebecca is too alive to be with him." Thank God she comes to her senses. The cutest character is Poppy, the elderly (nearing 100) uncle of her late husband. At his hilarious 100th birthday party (which he's frequently reminding Rebecca of throughout the book), when he's asked to give a speech, Poppy starts droning on, with great detail, on the events of the day.... what he had for breakfast, etc. Ms. Tyler moves us away from Poppy to a frustrated Rebecca who waits interminably until Poppy delivers the detailed account of his momentous day. "Where is he now?" she asks her brother-in-law. "He's eating lunch," he replies. Rebecca and the reader know we have a while to go. Don't we all have relatives like that??!!
In the end, Rebecca realizes that she, indeed, is living the life she was meant to live. But Ms. Tyler doesn't really state that in so many words. The reader just knows that. At least, I knew it.
Back When We Were Grownups is a quiet book, a book about everyday happenings and how the mundane can have a huge impact on us. Don't look for any stupendous finish, or escalating drama, or some unsolved mystery to occur. It's not in this book. It made me think about my own life and the exact time when the path I was moving toward changed. I know, without a doubt, that if I had followed that original path, I would have become a different person. And, incidentally, a person I would not have liked. 30 years later, I can see that. So, for me, I am definitely leading the life I was supposed to. I hope to always keep changing for the better.
So to those who are hesitating to read this book, give it a try, keep an open mind and I think you'll really enjoy it. I did.
29 people found this helpful
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What's happened to Anne Tyler?

Doesn't anyone remember the Anne Tyler of years past? She wrote books in which things actually happened, things that were funny, meaningful, and poignant all at the same time.
That quality is sadly lacking in "Before We Were Grownups."
Worse yet, the characters are so poorly defined. Perhaps three of them have a distinct identity, but no more. For instance, I never was able to distinguish the lead character's four daughters from each other (apart from a few superficial gimmicky traits: this is the one that gets married a lot, that's the cranky one, etc.).
And just try to compare the stock-issue shy little misfit boy in this book to the richly-drawn timid child in "The Accidental Tourist" and you'll see what I mean.
Such a disappointment.
29 people found this helpful
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Now What?

Given Anne Tyler's gift for exploring the inner natures of her characters, and the opening line of the novel ("Once upon a time, there was a woman who discovered that she had turned into the wrong person.") you naturally expect this novel to shine with insight and catharsis. All sorts of intriguing questions come to mind. If she is the wrong person, who should she be? What is wrong with the person she is? What happened? And of course, what will she do about it? Unfortunately, most of these questions never really get answered. The main character that has had this major insight (53-year old Rebecca Davitch) never gets beyond the vague realization that her decision to marry Joe Davitch rather than her childhood sweetheart Will Allenby changed the way her life unfolded. No big revelation there. Most readers will have figured this out for themselves long ago. What the book promises, and doesn't deliver, is a paring away of the years of role playing, the sharpening of focus that comes when someone finally chooses him or herself over the needs and expectations of others.
Tyler spends hundreds of pages wandering through Rebecca's past, without any real revelations surfacing. In addition, Rebecca is suddenly seized with the desire to find and re-establish a relationship with the childhood sweetheart she dumped. Things become even more muddled when she suddenly decides that the childhood sweetheart, whom she seems to have fallen in love with again and who has graciously forgiven her, really isn't the man for her after all. In a sudden reversal of feeling (in one paragraph she is floating happily about the house and introducing him to her family, and the next can't stand the guy) she announces to him that this relationship really won't work. The poor guy, who has just spent hours at a family dinner, meekly walks away saying, "Oh, okay I guess." There is no mention made or thought given to how this second rejection must have affected the man. He simply walks out of the story and is never heard from again. In a final, puzzling reversal, Rebecca begins to think that marrying her husband had been a smart move after all. What is Tyler saying here? Has Rebecca discovered that she turned into the right person after all? The book closes without any real resolution or change, leaving the reader dissatisfied and annoyed with Rebecca for being vague and indecisive.
Several people have defended the book, saying that Rebecca is a "real" character. There are thousands of women struggling to find themselves once their partners pass away and major family obligations subside. I have no doubt that this is true, but we don't read books simply to see our lives reflected in print. We read them to gain understanding and insight, and in the past Tyler could be counted on to deliver both. Things happen physically and psychologically in most Tyler books (though they don't always resolve), but this novel fails to deliver. In fact, I would say it falls flat. All I could think when I reached the last page was, "is that it?! Now what?"
26 people found this helpful
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Life-Affirming

With her gentle humor and detailed observations, Anne Tyler can paint a family portrait like no other author. The Davitch's -- quarrelsome, moody, and sometimes downright dislikable -- are another of her quirky creations.
Rebecca marries into this difficult family when she falls in love with Joe Davitch. She is just twenty and he is in his thirties. When he dies, she is left to care for four children, including three difficult step-daughters.
We meet Rebecca in the midst of a full-blown midlife crisis. She wonders how she became this jolly, sociable woman, so adept at handling and helping people. Once she was a quiet, studious girl who cared about history, philosophy, great books. Which person is the real Rebecca? What life is her real life?
The feeling of being a stranger in one's own life, of being adrift and off-course in the middle of life, is captured beautifully here. Rebecca is not the most fascinating or brilliant of Anne Tyler's characters, but she is somehow universal.
The book moves with her journey to find her real self and live her real life. It is a book that acknowledges darkness, death, loss and grief, and still affirms the wonder of everyday life.
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GOD BLESS ANNE TYLER

Anne Tyler takes the everyday person, in an everyday life, and creates an exquisite masterpiece of profound wisdom and insight. In this case it is 53 year old Rebecca Davitich, struggling through a midlife crisis while dealing with a circus of eccentric family memebers . What she discovers on this peregrition is relatable to all who face the second half of their lives. It is deeply moving and uproariously funny all on the same page. Tyler is a magician with dialogue, keeping it slightly off kilter to the norm, but always believable and charming. At some point in the book you forget you are reading, transcending paper and space to join Rebecca in her pursuits, her worries, her dilemmas, and her solutions. She isn't a character anymore; she is a best friend and you are rooting for her all the way.
Anne Tyler is on my top 5 list of all time women author's deservedly, with this book providing the evidence of why. Don't hesitate to buy this book; you deserve it!!!
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Real Life Can Be Fascinating

Who, past the age of 40, can say that their life has turned out the way they planned or expected? In Anne Tyler's latest novel "Back When We Were Grownups" our protagonist, Rebecca "Beck", looks around at age 53 and wonders how she landed in the family that surrounds and sometimes suffocates her. What follows is a chronicle of everyday life that is surprisingly interesting, touching, witty and recognizable to many of us.
Anne Tyler never disappoints, and the only sad thing about finishing this wonderful novel is knowing that it will be a long wait until the next one!
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Great People, Great Insights

I have recently become a huge Anne Tyler fan, and this is one of my favorites of hers so far. Anne Tyler writes about the things that should be written about - real people going through real dilemmas and gaining insight from them.
Here, her subject is Rebecca Davitch - a 53-year-old widow with a large, eccentric family. Recently, Rebecca has been going through a little crisis. She is unhappy with her place in the world, and she wonders if she became the wrong person. This thought sparks her search for her true self. She goes back to her roots; she begins dating her high school sweetheart and begins studying her old interests. But her search is also forced to include her family from whom she reaps great insight into how she should really lead her life.
Back When We Were Grownups is an all around wonderful novel. The characterizations are complete. You love the people and hope for them. They make you laugh and they make you think. The book is always entertaining and the final message is both family affirming and life affirming. This is a truly charming and worthwhile story, very worthy of a read by anyone.
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