Description
The first sentence of Anne Tyler's 15th novel sounds like something out of a fairy tale: "Once upon a time, there was a woman who discovered she had turned into the wrong person." Alas, this discovery has less to do with magic than with a late-middle-age crisis, which is visited upon Rebecca Davitch in the opening pages of Back When We Were Grownups . At 53, this perpetually agreeable widow is "wide and soft and dimpled, with two short wings of dry, fair hair flaring almost horizontally from a center part." Given her role as the matriarch of a large family--and the proprietress of a party-and-catering concern, the Open Arms--Rebecca is both personally and professionally inclined toward jollity. But at an engagement bash for one of her multiple stepdaughters, she finds herself questioning everything about her life: "How on earth did I get like this? How? How did I ever become this person who's not really me?" She spends the rest of the novel attempting to answer these questions--and trying to resurrect her older, extinguished self. Should she take up the research she began back in college on Robert E. Lee's motivation for joining the Confederacy? More to the point, should she take up with her college sweetheart, who's now divorced and living within easy striking range? None of these quick fixes pans out exactly as Rebecca imagines. What she emerges with is a kind of radiant resignation, best expressed by 100-year-old Poppy on his birthday: "There is no true life. Your true life is the one you end up with, whatever it may be." A tautology, perhaps, but Tyler's delicate, densely populated novel makes it stick. Yes, Poppy. There are also characters named NoNo, Biddy, and Min Foo--the sort of saccharine roll call that might send many a reader scampering in the opposite direction. But Tyler knows exactly how to mingle the sweet with the sour, and in Back When We Were Grownups she manages this balancing act like the old pro she is. Even the familiar backdrop--shabby-genteel Baltimore, which resembles a virtual game preserve of Tylerian eccentrics--seems freshly observed. Can any human being really resist this novel? It is, to quote Rebecca, "a report on what it was like to be alive," and an appealingly accurate one to boot. --James Marcus From Publishers Weekly On the first page of Tyler's stunning new novel, Rebecca Davitch, the heroine (and heroine is exactly the right word) realizes that she has become the "wrong person." No longer the "serene and dignified young woman" she was at 20, at 53 Rebecca finds she has become family caretaker and cheerleader, a woman with a "style of dress edging dangerously close to Bag Lady." So she tries to do something about it. In the midst of her busy life as mother, grandmother and proprietor of the family business, the Open Arms (she hosts parties in the family's old Baltimore row house), Rebecca attempts to pick up the life she was leading before she married, back when she felt grownup. She visits her hometown in Virginia, locates the boyfriend she jilted and renews her intellectual interests. But as Rebecca ponders the life-that-might-have-been, the reader learns about the life-that-was. At 20, she left college and abandoned her high school sweetheart to marry a man who already had a large family to support. A year later, she had a baby of her own; five years later, her husband died in an auto accident, and she was left to raise four daughters, tend to her aging uncle-in-law and support them all. And a difficult lot they are, seldom crediting Rebecca for holding her rangy family together. Yet like all of Tyler's characters, they are charming in their dysfunction. And much as one feels for Rebecca, much as one wants her to find love, it's difficult to imagine her leaving or upsetting the family order. Tyler (The Accidental Tourist; Breathing Lessons) has a gift for creating endearing characters, but readers should find Rebecca particularly appealing, for despite the blows she takes, she bravely keeps on trying. Tyler also has a gift genius is more like it for unfurling intricate stories effortlessly, as if by whimsy or accident. The ease of her storytelling here is breathtaking, but almost unnoticeable because, rather like Rebecca, Tyler never calls attention to what she does. Late in the novel, Rebecca observes that her younger self had wanted to believe "that there were grander motivations in history than mere family and friends, mere domestic happenstance." Tyler makes it plain: nothing could be more grand. (May 8)Forecast: A 250,000 first printing seems almost modest considering the charms of Tyler's latest and the devotion of her readers. A Random House audiobook and a large-print edition will appear simultaneously, and the book is a BOMC main selection and an alternate selection of QPB, the Literary Guild, the Doubleday Book Club and Doubleday Large Print. Copyright 2001 Cahners Business Information, Inc. From Library Journal After recovering from the shock of becoming a widow in her mid-twenties, Rebecca "Beck" Davitch has spent several busy decades occupied with managing both her quirky clan of in-laws and their party-hosting business. She has become the heart and soul of the extended family and of The Open Arms, the family's historic row house, which is still popular as a rental for special occasions though the surrounding neighborhood is deteriorating. At 53, Beck is feeling a little rundown herself. She wonders what became of the serious college student she once was and whether she took the right path when she followed her heart to the altar at 19. Beck thus embarks on a quixotic interior journey, with results both funny and touching, as she explores the differences between being herself and playing the roles assigned to her by the family. Elements common to Tyler's other fiction are present here: a well-rendered Baltimore setting, a large cast of eccentric characters, and a thoughtful presentation of themes related to marriage, aging, and making difficult choices. Together with Tyler's finely tuned prose, they create a satisfying whole for the enjoyment of the author's many fans. - Starr E. Smith, Fairfax Cty. P.L., VA Copyright 2001 Reed Business Information, Inc. From Booklist The opening scene in Tyler's mellifluous new novel presents a tumble of characters coerced into attending a family picnic to celebrate an unexpected engagement. Everyone has a nickname, and the connections seem complicated, but at the center stands a determinedly cheerful, plushly built, and obliviously unfashionable woman in her early fifties. This is Rebecca, or Beck, who cajoles her grumpy stepdaughters and daughter, as well as their attendant husbands, significant others, and offspring, into playing a game of softball even while she's wondering if perhaps she's "turned into the wrong person." Rebecca has unwittingly embarked on a season of discontent as the last of the girls she raised gets set to marry. The clue to her sudden dismay is found in her nickname, which she dislikes. Rebecca, who throws parties for a living, has always been at everyone's beck and call, and now she wonders if she's accomplished anything of value. What would her life have been like if she'd married her studious college boyfriend, Will, instead of jilting him and abandoning her studies to marry Joe, a sexy, older divorce with a Baltimore row house, three young, skeptical daughters, and a business based on throwing parties for strangers. She and Joe had one daughter and six years together before he died in a car crash, leaving Rebecca at the helm of the fractious family, which includes Joe's widower uncle, Poppy, who's eagerly looking forward to his one-hundredth birthday party. Tyler, who's never written silkier prose or more charming and gently humorous dialogue, spreads out Rebecca's story like a banquet, each scene a delectable repast as her marvelous heroine divines the truth about her radiant life. Donna Seaman Copyright © American Library Association. All rights reserved “You are involved before you even notice you were paying attention . . . Her feel for character is so keen that even hardened metafictionalists [who] would happily fry the whole notion of ‘character’ for breakfast are reduced to the role of helpless gossips, swapping avid hunches about the possible fates of the characters.”–Tom Shone, The New Yorker “Wise, kind, rueful and clear-eyed . . . and her truths are as gritty as earth and as interesting as the world.”–Amy Bloom, Elle “There’s not a flat line in this book . . . not a moment that isn’t tapped for all its glorious possibilities. This is storytelling at its best and most breathtaking.”–Beth Kephart, Book magazine“Tyler’s eye and ear for familial give and take is unerring, her humanity irresistible. You’ll want to turn back to the first chapter the moment you finish the last.”–Linnea Lannon, People From the Inside Flap "Once upon a time, there was a woman who discovered that she had turned into the wrong person." So Anne Tyler opens this irresistible new novel. The woman is Rebecca Davitch, a fifty-three-year-old grandmother. Is she an impostor in her own life? she asks herself. Is it indeed her own life? Or is it someone else's? On the surface, Beck, as she is known to the Davitch clan, is outgoing, joyous, a natural celebrator. Giving parties is, after all, her vocation—something she slipped into even before finishing college, when Joe Davitch spotted her at an engagement party in his family's crumbling nineteenth-century Baltimore row house, where giving parties was the family business. What caught his fancy was that she seemed to be having such a wonderful time. Soon this large-spirited older man, a divorcé with three little girls, swept her into his orbit, and before she knew it she was embracing his extended family plus a child of their own, and hosting endless parties in the ornate, high-ceilinged rooms of The Open Arms. Now, some thirty years later, after presiding over a disastrous family picnic, Rebecca is caught un-awares by the question of who she really is. How she answers it—how she tries to recover her girlhood self, that dignified grownup she had once been—is the story told in this beguiling, funny, and deeply moving novel. As always with Anne Tyler's novels, once we enter her world it is hard to leave. But in Back When We Were Grownups she so sharpens our perceptions and awakens so many untapped feelings that we come away not only refreshed and delighted, but also infinitely wiser. “You are involved before you even notice you were paying attention . . . Her feel for character is so keen that even hardened metafictionalists [who] would happily fry the whole notion of ‘character’ for breakfast are reduced to the role of helpless gossips, swapping avid hunches about the possible fates of the characters.” –Tom Shone, The New Yorker “Wise, kind, rueful and clear-eyed . . . and her truths are as gritty as earth and as interesting as the world.” –Amy Bloom, Elle “There’s not a flat line in this book . . . not a moment that isn’t tapped for all its glorious possibilities. This is storytelling at its best and most breathtaking.” –Beth Kephart, Book magazine“Tyler’s eye and ear for familial give and take is unerring, her humanity irresistible. You’ll want to turn back to the first chapter the moment you finish the last.” –Linnea Lannon, People Anne Tyler was born in Minneapolis in 1941 but grew up in Raleigh, North Carolina. She graduated at nineteen from Duke University and went on to do graduate work in Russian studies at Columbia University. This is Anne Tyler’s fifteenth novel; her eleventh, Breathing Lessons , was awarded the Pulitzer Prize in 1988. She is a member of the American Academy and Institute of Arts and Letters. She lives in Baltimore. Excerpt. © Reprinted by permission. All rights reserved. ONEOnce upon a time, there was a woman who discovered she had turned into the wrong person.She was fifty-three years old by then—a grandmother. Wide and soft and dimpled, with two short wings of dry, fair hair flaring almost horizontally from a center part. Laugh lines at the corners of her eyes. A loose and colorful style of dress edging dangerously close to Bag Lady.Give her credit: most people her age would say it was too late to make any changes. What's done is done, they would say. No use trying to alter things at this late date.It did occur to Rebecca to say that. But she didn't.. . .On the day she made her discovery, she was picnicking on the North Fork River out in Baltimore County. It was a cool, sunny Sunday in early June of 1999, and her family had gathered to celebrate the engagement of Rebecca's youngest stepdaughter, NoNo Davitch.The Davitches' cars circled the meadow like covered wagons braced for attack. Their blankets dotted the grass, and their thermos jugs and ice chests and sports equipment crowded the picnic table. The children were playing beside the river in one noisy, tumbling group, but the adults kept themselves more separate. Alone or in twos they churned about rearranging their belongings, jockeying for spots in the sun, wandering off hither and yon in their moody Davitch manner. One of the stepdaughters was sitting by herself in her minivan. One of the sons-in-law was stretching his hamstrings over by the runners' path. The uncle was stabbing the ground repeatedly with his cane.Goodness, what would Barry think? (Barry, the new fiancé.) He would think they disapproved of his marrying NoNo.And he would be right.Not that they ever behaved much differently under any conditions.Barry had a blanket mostly to himself, because NoNo kept flitting elsewhere. The tiniest and prettiest of the Davitch girls—a little hummingbird of a person—she darted first to one sister and then another, ducking her shiny dark cap of hair and murmuring something urgent.Murmuring, "Like him, please," maybe. Or, "At least make him feel welcome."The first sister grew very busy rummaging through a straw hamper. The second shaded her eyes and pretended to look for the children.Rebecca—who earned her living hosting parties, after all—felt she had no choice but to clap her hands and call, "Okay, folks!"Languidly, they turned. She seized a baseball from the table and held it up. No, it was bigger than a baseball. A softball, then; undoubtedly the property of the son-in-law stretching his hamstrings, who taught phys ed at the local high school. It was all the same to Rebecca; she had never been the sporty type. Still: "Time for a game, everybody!" she called. "Barry? NoNo? Come on, now! We'll say this rock is home plate. Zeb, move that log over to where first base ought to be. The duffel bag can be second, and for third . . . Who's got something we can use for third?"They groaned, but she refused to give up. "Come on, people! Show some life here! We need to exercise off all that food we're about to eat!"In slow motion they began to obey, rising from their blankets and drifting where she pointed. She turned toward the runners' path and, "Yoo-hoo! Jeep!" she called. Jeep stopped hugging one beefy knee and squinted in her direction. "Haul yourself over here!" she ordered. "We're organizing a softball game!""Aw, Beck," he said, "I was hoping to get a run in." But he came plodding toward her.While Jeep set about correcting the placement of the bases, Rebecca went to deal with the stepdaughter in the minivan. Who happened to be Jeep's wife, in fact. Rebecca hoped this wasn't one of their silly quarrels. "Sweetie!" she sang out. She waded through the weeds, scooping up armfuls of her big red bandanna-print skirt. "Patch? Roll down your window, Patch. Can you hear me? Is something the matter?"Patch turned and gazed out at her. You could tell she must be hot. Spikes of her chopped black hair were sticking to her forehead, and her sharp, freckled face was shining with sweat. Still, she made no move to open her window. Rebecca grabbed the door handle and yanked it—luckily, just before Patch thought to push the lock down."Now, then!" Rebecca caroled. "What's all this about?"Patch said, "Can't a person ever get a moment of peace in this family?"She was thirty-seven years old but looked more like fourteen, in her striped T-shirt and skinny jeans. And acted like fourteen, too, Rebecca couldn't help thinking; but all she said was, "Come on out and join us! We're starting up a softball game.""No, thanks.""Pretty please?""For Lord's sake, Beck, don't you know how I hate this?""Hate it!" Rebecca cried merrily, choosing to misunderstand. "But you're wonderful at sports! The rest of us don't even know where the bases go. Poor Jeep is having to do everything."Patch said, "I cannot for the life of me see why we should celebrate my little sister's engagement to a—to a—"Words appeared to fail her. She clamped her arms tight across her flat chest and faced forward again."To a what?" Rebecca asked her. "A nice, decent, well-spoken man. A lawyer.""A corporate lawyer. A man who brings his appointment book to a picnic; did you notice his appointment book? Him and his yacht-looking, country-club-looking clothes; his ridiculous yellow crew cut; his stupid rubber-soled boating shoes. And look at how he was sprung on us! Just sprung on us with no warning! One day it's, oh, poor NoNo, thirty-five years old and never even been kissed so far as anyone knew; and the next day—I swear, the very next day!—she pops up out of the blue and announces an August wedding.""Well, now, I just have a feeling she may have kept him secret out of nervousness," Rebecca said. "She didn't want to look foolish, in case the courtship came to nothing. Also, maybe she worried you girls would be too critical."Not without reason, she didn't add.Patch said, "Hogwash. You know why she kept him secret: he's been married once before. Married and divorced, with a twelve-year-old son to boot.""Well, these things do happen," Rebecca said drily."And such a pathetic son, too. Did you see?" Patch jabbed a thumb toward the children by the river, but Rebecca didn't bother turning. "A puny little runt of a son! And it can't have escaped your notice that Barry has sole custody. He's had to cook for that child and clean house, drive the car pool, help with homework . . . Of course he wants a wife! Unpaid nanny, is more like it.""Now, dearie, that's an insult to NoNo," Rebecca said. "Any man in his right mind would want NoNo for her own sake."Patch merely gave an explosive wheeze that lifted the spikes of hair off her forehead."Just think," Rebecca reminded her. "Didn't I marry a divorced man with three little girls? And see, it worked out fine! I'd be married to him still, if he had lived."All Patch said to this was, "And how you could throw a party for them!""Well, of course I'd throw a party. It's an occasion!" Rebecca said. "Besides: you and Biddy asked for one, if I remember correctly.""We asked if you planned to give one, is all, since you're so fond of engagement parties. Why, Min Foo's had three of them! They seem to be kind of a habit with you."Rebecca opened her mouth to argue, because she was almost positive that Patch and Biddy had requested, in so many words, that she put together a picnic. But then she saw that she might have misinterpreted. Maybe they had just meant that since they knew she would be planning something, they would prefer it to be held outside. (Oh, the Davitch girls were very unsocial. "I guess you're going to insist on some kind of shindig," one of them would sigh, and then they would show up and sit around looking bored, picking at their food while Rebecca tried to jolly things along.)Well, no matter, because Patch was finally unfolding herself from the minivan. She slammed the door behind her and said, "Let's get started, then, if you're so set on this.""Thank you, sweetie," Rebecca said. "I just know we'll have a good time today."Patch said, "Ha!" and marched off toward the others, leaving Rebecca to trail behind.The softball game had begun now, at least in a halfhearted way. People were scattered across the meadow seemingly at random, with Rebecca's brother-in-law and Barry so far off in the outfield that they might not even be playing. The catcher (Biddy) was tying her shoe. The uncle leaned on his cane at an indeterminate spot near third base. Rebecca's daughter was sunbathing on first, lounging in the grass with her face tipped back and her eyes closed.As Patch and then Rebecca came up behind home plate, Jeep was assuming the batter's stance, his barrel-shaped body set sideways to them and his bat wagging cockily. NoNo, on the pitcher's mound, crooked her arm at an awkward angle above her shoulder and released the ball. It traveled in an uncertain arc until Jeep lost patience and took a stride forward and hit a low drive past second. Hakim, Rebecca's son-in-law, watched with interest as it whizzed by. (No surprise there, since Hakim hailed from someplace Arab and had probably never seen a softball in his life.) Jeep dropped his bat and trotted to first, not disturbing Min Foo's sunbath in the least. He rounded second, receiving a beatific smile from Hakim, and headed for third. Third was manned by Biddy's . . . ... Read more
Features & Highlights
- "Once upon a time, there was a woman who discovered that she had turned into the wrong person." So Anne Tyler opens this irresistible new novel.The woman is Rebecca Davitch, a fifty-three-year-old grandmother. Is she an impostor in her own life? she asks herself. Is it indeed her own life? Or is it someone else’s?On the surface, Beck, as she is known to the Davitch clan, is outgoing, joyous, a natural celebrator. Giving parties is, after all, her vocation—something she slipped into even before finishing college, when Joe Davitch spotted her at an engagement party in his family’s crumbling nineteenth-century Baltimore row house, where giving parties was the family business. What caught his fancy was that she seemed to be having such a wonderful time. Soon this large-spirited older man, a divorcé with three little girls, swept her into his orbit, and before she knew it she was embracing his extended family plus a child of their own, and hosting endless parties in the ornate, high-ceilinged rooms of The Open Arms. Now, some thirty years later, after presiding over a disastrous family picnic, Rebecca is caught un-awares by the question of who she really is. How she answers it—how she tries to recover her girlhood self, that dignified grownup she had once been—is the story told in this beguiling, funny, and deeply moving novel.As always with Anne Tyler’s novels, once we enter her world it is hard to leave. But in
- Back When We Were Grownups
- she so sharpens our perceptions and awakens so many untapped feelings that we come away not only refreshed and delighted, but also infinitely wiser.





