Ancillary Justice (Imperial Radch, 1)
Ancillary Justice (Imperial Radch, 1) book cover

Ancillary Justice (Imperial Radch, 1)

Paperback – October 1, 2013

Price
$10.70
Format
Paperback
Pages
416
Publisher
Orbit
Publication Date
ISBN-13
978-0316246620
Dimensions
5.5 x 1.25 x 8.25 inches
Weight
12.8 ounces

Description

"Unexpected, compelling and very cool. Ann Leckie nails it...I've never met a heroine like Breq before. I consider this a very good thing indeed."― John Scalzi " Ancillary Justice is the mind-blowing space opera you've been needing...This is a novel that will thrill you like the page-turner it is, but stick with you for a long time afterward."― io9.com (included in 'This Fall's Must-Read Science Fiction and Fantasy Books') "It's not every day a debut novel by an author you'd never heard of before derails your entire afternoon with its brilliance. But when my review copy of Ancillary Justice arrived, that's exactly what it did. In fact, it arrowed upward to reach a pretty high position on my list of best space opera novels ever."― Liz Bourke "Establishes Leckie as an heir to Banks and Cherryh."― Elizabeth Bear "A double-threaded narrative proves seductive, drawing the reader into the naive but determined protagonist's efforts to transform an unjust universe. Leckie uses...an expansionist galaxy-spinning empire [and] a protagonist on a single-minded quest for justice to transcend space-opera conventions in innovative ways. This impressive debut succeeds in making Breq a protagonist readers will invest in, and establishes Leckie as a talent to watch."― Publishers Weekly "By turns thrilling, moving and awe-inspiring."― The Guardian "Leckie does a very good job of setting this complex equation up... This is an altogether promising debut."― Kirkus "Using the format of SF military adventure blended with hints of space opera, Leckie explores the expanded meaning of human nature and the uneasy balance between individuality and membership in a group identity. Leckie is a newcomer to watch as she expands on the history and future of her new and exciting universe."― Library Journal "Leckie's debut gives casual and hardcore sci-fi fans alike a wonderful read."― RT Book Reviews "A sharply written space opera with a richly imagined sense of detail and place, this debut novel from Ann Leckie works as both an evocative science fiction tale and an involving character study...it's also a strongly female-driven piece, tackling ideas about politics and gender in a way that's both engaging and provocative... Ancillary Justice is a gripping read that's well worth a look."― SFX (UK) "It engages, it excites, and it challenges the way the reader views our world. Leckie may be a former Secretary of the Science Fiction Writers of America, but she's the President of this year's crop of debut novelists. Ancillary Justice might be the best science fiction novel of this very young decade."― Justin Landon Staffer's Book Review "Total gamechanger. Get it, read it, wish to hell you'd written it. Ann Leckie's Ancillary Justice may well be the most important book Orbit have published in ages."― Paul Graham Raven "The sort of book that the Clarke Award wishes it had last year ... be prepared to see Ancillary Justice bandied around a lot come awards season. (As it should be)."― Jared Shurin Pornokitsch "If you don't know the Ancillary series by now, you probably should. Ann Leckie's sociopolitical space opera almost singlehandedly breathed new cool into the stereotype of spaceships trundling through far-off systems amid laser battles. ... [ Ancillary Mercy ] earns the credit it's received: As a capstone to a series that shook genre expectations, as our closing installment of an immersively realized world, and as the poignant story of a ship that learned to sing."― NPR Books on Ancillary Mercy "Powerful."― The New York Times on Ancillary Sword Ann Leckie is the author of the Hugo, Nebula, Arthur C. Clarke, and British Science Fiction Award-winning novel Ancillary Justice . She has worked as a waitress, a receptionist, a rodman on a land-surveying crew, and a recording engineer. She lives in St. Louis, Missouri. Excerpt. © Reprinted by permission. All rights reserved. Ancillary Justice By Ann Leckie Orbit Copyright © 2013 Ann LeckieAll rights reserved.ISBN: 978-0-316-24662-0 CHAPTER 1 The body lay naked and facedown, a deathly gray, spatters of blood staining thesnow around it. It was minus fifteen degrees Celsius and a storm had passed justhours before. The snow stretched smooth in the wan sunrise, only a few tracksleading into a nearby ice-block building. A tavern. Or what passed for a tavernin this town. There was something itchingly familiar about that outthrown arm, the line fromshoulder down to hip. But it was hardly possible I knew this person. I didn'tknow anyone here. This was the icy back end of a cold and isolated planet, asfar from Radchaai ideas of civilization as it was possible to be. I was onlyhere, on this planet, in this town, because I had urgent business of my own.Bodies in the street were none of my concern. Sometimes I don't know why I do the things I do. Even after all this time it'sstill a new thing for me not to know, not to have orders to follow from onemoment to the next. So I can't explain to you why I stopped and with one footlifted the naked shoulder so I could see the person's face. Frozen, bruised, and bloody as she was, I knew her. Her name was SeivardenVendaai, and a long time ago she had been one of my officers, a younglieutenant, eventually promoted to her own command, another ship. I had thoughther a thousand years dead, but she was, undeniably, here. I crouched down andfelt for a pulse, for the faintest stir of breath. Still alive. Seivarden Vendaai was no concern of mine anymore, wasn't my responsibility. Andshe had never been one of my favorite officers. I had obeyed her orders, ofcourse, and she had never abused any ancillaries, never harmed any of mysegments (as the occasional officer did). I had no reason to think badly of her.On the contrary, her manners were those of an educated, well-bred person of goodfamily. Not toward me, of course—I wasn't a person, I was a piece ofequipment, a part of the ship. But I had never particularly cared for her. I rose and went into the tavern. The place was dark, the white of the ice wallslong since covered over with grime or worse. The air smelled of alcohol andvomit. A barkeep stood behind a high bench. She was a native—short andfat, pale and wide-eyed. Three patrons sprawled in seats at a dirty table.Despite the cold they wore only trousers and quilted shirts—it was springin this hemisphere of Nilt and they were enjoying the warm spell. They pretendednot to see me, though they had certainly noticed me in the street and knew whatmotivated my entrance. Likely one or more of them had been involved; Seivardenhadn't been out there long, or she'd have been dead. "I'll rent a sledge," I said, "and buy a hypothermia kit." Behind me one of the patrons chuckled and said, voice mocking, "Aren't you atough little girl." I turned to look at her, to study her face. She was taller than most Nilters,but fat and pale as any of them. She out-bulked me, but I was taller, and I wasalso considerably stronger than I looked. She didn't realize what she wasplaying with. She was probably male, to judge from the angular mazelike patternsquilting her shirt. I wasn't entirely certain. It wouldn't have mattered, if Ihad been in Radch space. Radchaai don't care much about gender, and the languagethey speak—my own first language—doesn't mark gender in any way.This language we were speaking now did, and I could make trouble for myself if Iused the wrong forms. It didn't help that cues meant to distinguish genderchanged from place to place, sometimes radically, and rarely made much sense tome. I decided to say nothing. After a couple of seconds she suddenly found somethinginteresting in the tabletop. I could have killed her, right there, without mucheffort. I found the idea attractive. But right now Seivarden was my firstpriority. I turned back to the barkeep. Slouching negligently she said, as though there had been no interruption, "Whatkind of place you think this is?" "The kind of place," I said, still safely in linguistic territory that needed nogender marking, "that will rent me a sledge and sell me a hypothermia kit. Howmuch?" "Two hundred shen." At least twice the going rate, I was sure. "For the sledge.Out back. You'll have to get it yourself. Another hundred for the kit." "Complete," I said. "Not used." She pulled one out from under the bench, and the seal looked undamaged. "Yourbuddy out there had a tab." Maybe a lie. Maybe not. Either way the number would be pure fiction. "How much?" "Three hundred fifty." I could find a way to keep avoiding referring to the barkeep's gender. Or Icould guess. It was, at worst, a fifty-fifty chance. "You're very trusting," Isaid, guessing male , "to let such an indigent"—I knew Seivardenwas male, that one was easy—"run up such a debt." The barkeep saidnothing. "Six hundred and fifty covers all of it?" "Yeah," said the barkeep. "Pretty much." "No, all of it. We will agree now. And if anyone comes after me later demandingmore, or tries to rob me, they die." Silence. Then the sound behind me of someone spitting. "Radchaai scum." "I'm not Radchaai." Which was true. You have to be human to be Radchaai. " He is," said the barkeep, with the smallest shrug toward the door. "Youdon't have the accent but you stink like Radchaai." "That's the swill you serve your customers." Hoots from the patrons behind me. Ireached into a pocket, pulled out a handful of chits, and tossed them on thebench. "Keep the change." I turned to leave. "Your money better be good." "Your sledge had better be out back where you said." And I left. The hypothermia kit first. I rolled Seivarden over. Then I tore the seal on thekit, snapped an internal off the card, and pushed it into her bloody, half-frozen mouth. Once the indicator on the card showed green I unfolded the thinwrap, made sure of the charge, wound it around her, and switched it on. Then Iwent around back for the sledge. No one was waiting for me, which was fortunate. I didn't want to leave bodiesbehind just yet, I hadn't come here to cause trouble. I towed the sledge aroundfront, loaded Seivarden onto it, and considered taking my outer coat off andlaying it on her, but in the end I decided it wouldn't be that much of animprovement over the hypothermia wrap alone. I powered up the sledge and wasoff. I rented a room at the edge of town, one of a dozen two-meter cubes of grimy,gray-green prefab plastic. No bedding, and blankets cost extra, as did heat. Ipaid—I had already wasted a ridiculous amount of money bringing Seivardenout of the snow. I cleaned the blood off her as best I could, checked her pulse (still there) andtemperature (rising). Once I would have known her core temperature without eventhinking, her heart rate, blood oxygen, hormone levels. I would have seen anyand every injury merely by wishing it. Now I was blind. Clearly she'd beenbeaten—her face was swollen, her torso bruised. The hypothermia kit came with a very basic corrective, but only one, and onlysuitable for first aid. Seivarden might have internal injuries or severe headtrauma, and I was only capable of fixing cuts or sprains. With any luck, thecold and the bruises were all I had to deal with. But I didn't have much medicalknowledge, not anymore. Any diagnosis I could make would be of the most basicsort. I pushed another internal down her throat. Another check—her skin was nomore chill than one would expect, considering, and she didn't seem clammy. Hercolor, given the bruises, was returning to a more normal brown. I brought in acontainer of snow to melt, set it in a corner where I hoped she wouldn't kick itover if she woke, and then went out, locking the door behind me. The sun had risen higher in the sky, but the light was hardly any stronger. Bynow more tracks marred the even snow of last night's storm, and one or twoNilters were about. I hauled the sledge back to the tavern, parked it behind. Noone accosted me, no sounds came from the dark doorway. I headed for the centerof town. People were abroad, doing business. Fat, pale children in trousers and quiltedshirts kicked snow at each other, and then stopped and stared with largesurprised-looking eyes when they saw me. The adults pretended I didn't exist,but their eyes turned toward me as they passed. I went into a shop, going fromwhat passed for daylight here to dimness, into a chill just barely five degreeswarmer than outside. A dozen people stood around talking, but instant silence descended as soon as Ientered. I realized that I had no expression on my face, and set my facialmuscles to something pleasant and noncommittal. "What do you want?" growled the shopkeeper. "Surely these others are before me." Hoping as I spoke that it was a mixed-gender group, as my sentence indicated. I received only silence in response. "Iwould like four loaves of bread and a slab of fat. Also two hypothermia kits andtwo general-purpose correctives, if such a thing is available." "I've got tens, twenties, and thirties." "Thirties, please." She stacked my purchases on the counter. "Three hundred seventy-five." There wasa cough from someone behind me—I was being overcharged again. I paid and left. The children were still huddled, laughing, in the street. Theadults still passed me as though I weren't there. I made one morestop—Seivarden would need clothes. Then I returned to the room. Seivarden was still unconscious, and there were still no signs of shock as faras I could see. The snow in the container had mostly melted, and I put half ofone brick-hard loaf of bread in it to soak. A head injury and internal organ damage were the most dangerous possibilities. Ibroke open the two correctives I'd just bought and lifted the blanket to lay oneacross Seivarden's abdomen, watched it puddle and stretch and then harden into aclear shell. The other I held to the side of her face that seemed the mostbruised. When that one had hardened, I took off my outer coat and lay down andslept. Slightly more than seven and a half hours later, Seivarden stirred and I woke."Are you awake?" I asked. The corrective I'd applied held one eye closed, andone half of her mouth, but the bruising and the swelling all over her face wasmuch reduced. I considered for a moment what would be the right facialexpression, and made it. "I found you in the snow, in front of a tavern. Youlooked like you needed help." She gave a faint rasp of breath but didn't turnher head toward me. "Are you hungry?" No answer, just a vacant stare. "Did youhit your head?" "No," she said, quiet, her face relaxed and slack. "Are you hungry?" "No." "When did you eat last?" "I don't know." Her voice was calm, without inflection. I pulled her upright and propped her against the gray-green wall, gingerly, notwanting to cause more injury, wary of her slumping over. She stayed sitting, soI slowly spooned some bread-and-water mush into her mouth, working cautiouslyaround the corrective. "Swallow," I said, and she did. I gave her half of whatwas in the bowl that way and then I ate the rest myself, and brought in anotherpan of snow. She watched me put another half-loaf of hard bread in the pan, but said nothing,her face still placid. "What's your name?" I asked. No answer. She'd taken kef, I guessed. Most people will tell you that kef suppressesemotion, which it does, but that's not all it does. There was a time when Icould have explained exactly what kef does, and how, but I'm not what I oncewas. As far as I knew, people took kef so they could stop feeling something. Orbecause they believed that, emotions out of the way, supreme rationality wouldresult, utter logic, true enlightenment. But it doesn't work that way. Pulling Seivarden out of the snow had cost me time and money that I could illafford, and for what? Left to her own devices she would find herself another hitor three of kef, and she would find her way into another place like that grimytavern and get herself well and truly killed. If that was what she wanted I hadno right to prevent her. But if she had wanted to die, why hadn't she done thething cleanly, registered her intention and gone to the medic as anyone would? Ididn't understand. There was a good deal I didn't understand, and nineteen years pretending to behuman hadn't taught me as much as I'd thought. CHAPTER 2 Nineteen years, three months, and one week before I found Seivarden in the snow,I was a troop carrier orbiting the planet Shis'urna. Troop carriers are the mostmassive of Radchaai ships, sixteen decks stacked one on top of the other.Command, Administrative, Medical, Hydroponics, Engineering, Central Access, anda deck for each decade, living and working space for my officers, whose everybreath, every twitch of every muscle, was known to me. Troop carriers rarely move. I sat, as I had sat for most of my two-thousand-yearexistence in one system or another, feeling the bitter chill of vacuum outsidemy hull, the planet Shis'urna like a blue-and-white glass counter, its orbitingstation coming and going around, a steady stream of ships arriving, docking,undocking, departing toward one or the other of the buoy-and beacon-surroundedgates. From my vantage the boundaries of Shis'urna's various nations andterritories weren't visible, though on its night side the planet's cities glowedbright here and there, and webs of roads between them, where they'd beenrestored since the annexation. I felt and heard—though didn't always see—the presence of mycompanion ships—the smaller, faster Swords and Mercies, and most numerousat that time, the Justices, troop carriers like me. The oldest of us was nearlythree thousand years old. We had known each other for a long time, and by now wehad little to say to each other that had not already been said many times. Wewere, by and large, companionably silent, not counting routine communications. As I still had ancillaries, I could be in more than one place at a time. I wasalso on detached duty in the city of Ors, on the planet Shis'urna, under thecommand of Esk Decade Lieutenant Awn. Ors sat half on waterlogged land, half in marshy lake, the lakeward side builton slabs atop foundations sunk deep in the marsh mud. Green slime grew in thecanals and joints between slabs, along the lower edges of building columns, onanything stationary the water reached, which varied with the season. Theconstant stink of hydrogen sulfide only cleared occasionally, when summer stormsmade the lakeward half of the city tremble and shudder and walkways were knee-deep in water blown in from beyond the barrier islands. Occasionally. Usuallythe storms made the smell worse. They turned the air temporarily cooler, but therelief generally lasted no more than a few days. Otherwise, it was always humidand hot. I couldn't see Ors from orbit. It was more village than city, though it had oncesat at the mouth of a river, and been the capital of a country that stretchedalong the coastline. Trade had come up and down the river, and flat-bottomedboats had plied the coastal marsh, bringing people from one town to the next.The river had shifted away over the centuries, and now Ors was half ruins. Whathad once been miles of rectangular islands within a grid of channels was now amuch smaller place, surrounded by and interspersed with broken, half-sunkenslabs, sometimes with roofs and pillars, that emerged from the muddy green waterin the dry season. It had once been home to millions. Only 6,318 people hadlived here when Radchaai forces annexed Shis'urna five years earlier, and ofcourse the annexation had reduced that number. In Ors less than in some otherplaces: as soon as we had appeared—myself in the form of my Esk cohortsalong with their decade lieutenants lined up in the streets of the town, armedand armored—the head priest of Ikkt had approached the most senior officerpresent—Lieutenant Awn, as I said—and offered immediate surrender.The head priest had told her followers what they needed to do to survive theannexation, and for the most part those followers did indeed survive. Thiswasn't as common as one might think—we always made it clear from thebeginning that even breathing trouble during an annexation could mean death, andfrom the instant an annexation began we made demonstrations of just what thatmeant widely available, but there was always someone who couldn't resist tryingus. (Continues...) Excerpted from Ancillary Justice by Ann Leckie . Copyright © 2013 Ann Leckie. Excerpted by permission of Orbit. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site. Read more

Features & Highlights

  • Winner of the Hugo, Nebula, and Arthur C. Clarke Awards: This record-breaking novel follows a warship trapped in a human body on a quest for revenge. A must read for fans of Ursula K. Le Guin and James S. A. Corey.
  • On a remote, icy planet, the soldier known as Breq is drawing closer to completing her quest. Once, she was the Justice of Toren—a colossal starship with an artificial intelligence linking thousands of soldiers in the service of the Radch, the empire that conquered the galaxy. Now, an act of treachery has ripped it all away, leaving her with one fragile human body, unanswered questions, and a burning desire for vengeance. "MIND-BLOWING." —
  • io9.com
  • "THRILLING, MOVING AND AWE-INSPIRING." —
  • Guardian
  • "UTTER PERFECTION, 10/10." —
  • The Book Smugglers
  • "ASTOUNDINGLY ASSURED AND GRACEFUL." —
  • Strange Horizons
  • "ESTABLISHES LECKIE AS AN HEIR TO BANKS." —Elizabeth Bear The Imperial Radch trilogy begins with
  • Ancillary Justice
  • , continues in
  • Ancillary Sword
  • and concludes with
  • Ancillary Mercy

Customer Reviews

Rating Breakdown

★★★★★
30%
(5.4K)
★★★★
25%
(4.5K)
★★★
15%
(2.7K)
★★
7%
(1.3K)
23%
(4.1K)

Most Helpful Reviews

✓ Verified Purchase

Did I read a different book?

It's been strange to see all the positive reviews for this book, and just today I learned it won the Arthur C Clarke award. I'm beginning to wonder if maybe I read a different book, or maybe my library's copy was missing the parts where there's a story.

And missing it is. The premise is an interesting one: a ship that controls hundreds of ancillaries, which are human bodies implanted with some technological doo-dads and controlled by the ship's AI. Then the main character gets separated and has to deal with things on her own.

If you've read those couple sentences, you've read the book and can save yourself some time. Characterization is non-existent: the main character never changes or learns, and the author only pays lip service to the AI going from hundreds of individuals under its control to one. That could be enough for its own story right there, but it's wasted. Instead, we have the main character taking on two different big goals or quests. Her reasons for the first are totally unexplained, and she even asks herself every so often why she's doing it. But there's never an answer or even any exploration of this. She just asks herself a few times and that's it. It has no effect on the story whatsoever.

The second is literally pointless. We know this because she tells us that completion will make zero difference. So why do we care? I suppose it's just as well since there's no real universe to speak of. The culture of her society is vague and bland, and doesn't really do anything new. Oh, their language doesn't have gender-specific pronouns, meaning the main character uses "he" and "she" interchangeably. It's not done as a way to demonstrate how her own language works, either, as she admits that she can't tell people's genders a lot of the time. We're supposed to believe that an AI that is thousands of years old and capable of carrying on hundreds of conversations simultaneously can't figure out whether a person is male or female? Meanwhile a space station's AI at one point is so sensitive she's afraid it will figure out her motivations just from observing her.

All-in-all the book is one interesting idea that is never fleshed out or made into any remotely interesting story. I kept waiting for the payoff that never came. There were so many interesting ideas that could've come from this but never did. Ultimately the book's a waste: a waste of good underlying ideas and a waste of the reader's time.
119 people found this helpful
✓ Verified Purchase

Did I miss something?

what is going on? It feels like I missed the first book, but this is the first book. I was confused for most of the book and therefore was bored and basically grudge read the whole book.
74 people found this helpful
✓ Verified Purchase

The Most Awarded Book in The History of SF? Can't We Do Better?

If a new book came out and you heard that the plot revolved around a mopey Danish prince and that the ghost of the prince's dead father comes to him one night and tells him that his brother and wife had murdered him and that it was the prince's duty to avenge his death, what would you say? Would you say that the book sounded "startlingly original" and "ground-breaking" or would you say "hmmmm, maybe it's good, but that sounds an awful lot like Hamlet"?

If you answered the latter, then you now know how Sci-fi and Fantasy fans feel just about every time a book receives a lot of attention outside of the genre. "Ancillary Justice" is the latest in a long line of offenders (the most famous, of course, being "Harry Potter"). It's simply baffling to hear such effusive praise heaped upon a work that is not just derivative, but really nothing but a gimmick tied together by a bunch of cliches.

First the plot and setting. Thousands of years in the future the Radch Empire dominates the stars with the help of "ancillaries," human bodies controlled by AI starship pilots thousands of years old. One such AI, Breq, has just acquired a brand new human body and we follow her on her quest for revenge. As stated above, not exactly a bad idea but not ground-breaking either. As a matter of fact, Leckie really should have thanked Iain M. Banks in the acknowledgements. Seriously, Radch is to The Culture as The Monkeys are to The Beatles.

The writing is competent, but nothing to write home about, and Leckie sometimes tells when she should show. The characters are one dimensional and the pacing is atrocious. Proper names are probably Leckie's biggest weakness as far as style goes. She seems to think that stringing a bunch of consonants together or putting them in weird places gives some sort of feeling of the alieness of her future culture, but names like "Breq" (her main character) and "Radch" (her future space Empire) just come off as clunky, unlovely, and a bit lazy.

Now for the really painful part. The real reason that this series has gotten so much attention is not for its story, the strength of its characters, the beauty of its writing, but for a gimmick it employs. This is given testimony from the fact that virtually no review I've read of it so much as gives even cursory attention to the writing, the plot, or the setting. Almost all of them, however, give ample space to tell us how the book "defies gender constraints" or something of the sort. And just so I am perfectly clear: IT IS ONLY A GIMMICK; THERE IS NO DEPTH TO IT AT ALL.

The gimmick is as follows. Since the language of Radch has no gender and its culture places no importance on it, everyone in the book is referred to as "she," even if he is biologically male. This not only distracts from the story, but is often unintentionally hilarious. For example, about a quarter of the way through the book, Breq encounters an old priest, and "her beard was long and gray and she spoke in a deep voice (paraphrase)." I couldn't help but laugh while thinking: "And you want to be the AI captain of my incredibly expensive, faster-than-light starship!? Hah! Fat Chance!"

This wouldn't be all that big a flaw (though it would still be by turns unintentionally hilarious and annoying), if Leckie had really had any sort of intellectual curiosity about the nature of language and gender. Plenty of languages lack gendered pronouns. Even a language close to English like French doesn't distinguish the sex of the possessor in its possessive adjectives (instead they match the grammatical gender of the thing possessed), so there is some ambiguity whether, for example, "sa voiture" means "his car" or "her car." But Leckie doesn't seem to know about any language other than English and doesn't seem to understand the distinction between biological gender and grammatical gender. There is no explanation given as to why everything else about the language can be translated into perfect English except this one thing, a feature that isn't all that uncommon among today's languages. Consistently calling men "she" is about the only thing Leckie has to say about either gender or language. A big fault when that's pretty much what your book is about. The gender gimmick is the absolutely only time anyone has any trouble understanding anybody else. Other than having no masculine pronoun, everything is readily rendered into perfectly idiomatic American English. Not being able to recognize sex is Breq's only problem when dealing with cultures other than her own. This is just lazy.

You may argue that Leckie should be given props for challenging gender roles and how we think about sex, and I would give her some credit for this...if she had written the book about 50 years ago (but I'd still disagree that this book should have gotten a Hugo or a Nebula). For God's sake, "Herland" dates to the first World War and modern Sci-Fi written from a feminist angle dates back to the beginnings of the Sexual Revolution of the 60s. Robert A. Heinlein, who has been dead for 30 years, incorporated similar ideas into "Time Enough for Love" and "To Sail Beyond The Sunset" in the mid-70s. Leckie is decades late.

If you are interested in SF or Fantasy books that portray gender in an in depth and serious way, and are much better written, then I recommend almost anything by Ursula K. Leguin or "The Female Man" by Joanna Russ, a challenging and excellent book. If you're looking for something with meat on it, then give this one a miss.

I like books that challenge me. I like dangerous ideas. This book just doesn't cut it.
51 people found this helpful
✓ Verified Purchase

A novel worthy of being read.

First, ignore the fact I am ranking this three stars. If you love good science fiction then read this book. I think it has the potential to be this generations Dune if the author can perfect the sequels that will follow. The world building is great. Amazing depth and freshness but at the same time full of interesting mysteries left to the imagination. The technology of the novel is kept in the background allowing the plot to develop along the interactions of the characters. The distributed nature of the main character is interesting. I've seen it used in a few recent works; most notably by Peter Hamilton. It is a new enough concept to be interesting and exciting.

The one area the novel could have used a bit of polish is in its reliance on coincidence. In interstellar empires with billions of people to run into someone you know from the past is suspect... once is amazing luck... more is policy. This stretches belief a bit. this plus the comparatively weak ending are why I am giving the novel three stars instead of four or even five. I have no doubt that sequels will only be better.

I am a poor reviewer but I have been reading science fiction for many decades. This one is worth it and I wish nothing but success for the author.
40 people found this helpful
✓ Verified Purchase

Don't believe the hype - very difficult to read, not worth the payoff.

I am going to have to go against the consensus on this one and say that I found this book to be very disappointing. The prose and stream-of-consciousness writing style was very hard to follow, the story dragged and dragged for dozens of pages, and out of all the characters (including the main character) the only one that was likeable in my opinion was Lt. Awn. I made it about half way through before giving up. Based on all the reviews I have read, I really cannot reconcile how this has gotten so many 5 star reviews and so much hype on sites like io9.

The book is written in the 1st person perspective of a fragment of a fragment of a shipmind AI inhabiting the body of a "corpse soldier" (similar to the thrall technology in Neal Asher's Polity books). The perspective is constantly changing between the corpse-soldier fragment, a higher order fragment, and the shipmind itself and is very difficult to follow. Another REALLY annoying idea is that the fragment does not distinguish between genders (refers to everyone as her), but other characters do use gender pronouns, and the kicker is the fragment tries to use them when speaking to normal humans. Trying to keep all this straight is really more work than I'm willing to put into a book like this, especially when none of the characters are described any any sort of detail.

I also didn't find the story very interesting, it spends way too filling in seemingly uninteresting background information and not enough time explaining the actual plot, when it does, the continuous perspective shifts and misuses of gender pronouns makes it all the more difficult to follow. Also it seemed to me like there were some major editing errors, because even despite sorting this all out, some paragraphs just flat out didn't make sense.

Conclusion:
The story being told in the stream-of-consciousness style is just way to hard to follow in my opinion and not worth the payoff. The deliberate misuse of gender pronouns makes it difficult to read, and the story isn't very enjoyable, at least in the couple hundred pages I made it through. I have read many other stories told believably from the perspective of an AI or a fragment thereof ("Alone" by Robert Reed comes to mind) that were much easier to follow and much more enjoyable. I don't think I am going to be able to force myself to finish this one, it is going to the used book store.
36 people found this helpful
✓ Verified Purchase

Interesting concept, but nothing interesting happens.

A waste of money. I re-read the first hundred pages a couple of times, but just could not get into the story. The premise sounds interesting, but nothing really happened. My mind kept wandering. The other one star reviewers were exactly right. How did this book win any awards? The Hugo Awards have been, mostly, a miss lately and this book is an example of that. I highly recommend "Children of Time" or "The Girl With All The Gifts" for a good read.
30 people found this helpful
✓ Verified Purchase

Absolutely Unique Character Draws You In

Have you ever been of two minds about something? Arguing back and forth with yourself. "If I take the job, it’ll be a huge pay hike. BUT, working as drug rep… Can you say "sell out?"

Back and forth the argument goes in your head. Your anxiety ramps up. You can’t sleep. Can’t concentrate on what your spouse just said. Until, finally, one half of your mind overpowers the other.

How conflicted could you possibly be? What if you really had two minds? Two bodies? A dozen bodies? Hundreds of bodies?

Justice of Toren, aka Breq, aka One Esk #19, is not conflicted. She loves three things: Order, music, and Lieutenant Awn. While she could never have a physical relationship with Lt. Awn, she knows she will remain at the Lieutenant’s side, serving the Lieutenant’s every need, until death parts them. In her work, she travels the galaxy collecting samples of music (and bodies) from a myriad of cultures on an endless selection of worlds. Her direction chosen by an artificial intelligence, her path is clear and free of self assessment and moral conflict. Perfect.

Until the tyrant of the galaxy destroys all that is certain, clear and right with her world. For the first time in her life, One Esk has no one to give her direction. Impossibly handicapped and emotionally wounded, she chooses her own direction. With the same single minded determination she completed every mission given to her, she pursues a new mission. Revenge.

Armed with only one advantage, a secret, she pursues her enemy. And now, years after she was presumed dead, she has come back, ready to lay down what is left of her life to destroy the great evil that destroyed her.

What makes this book wonderful is the character. Not a human, but an artificially intelligent hive mind with a personality and a soul. Ann Leckie’s impeccable world building make this unlikely character in an unlikely scenario seem absolutely real.
16 people found this helpful
✓ Verified Purchase

why all the hype ?

Hellstroms hive did this, all, better, 30 years ago
mote in god's eye did the empire conquering thing
plot is full of deus ex machina and unbelievable ideas - as someone else pointed out, you have an AI that can infer thoughts from facial expression but can't figure out genders ?
The Rachch (hard to pronounce names always a sign of poor writing, compare Tolkein) are advanced enough to have a dyson sphere, yet cower over some virtually never described alien race ?
not to mention the gimmick of the all powerful shield...
and the end is so devoid of tension, clearly written by someone whoose only thought is next book, can I do a R Jordon wheel of time here.....
14 people found this helpful
✓ Verified Purchase

Book to Ignore

Kept trying to get into it. Have no idea what this is all about. The most confusing writing I've ever encountered. First book I've ever just tossed in the trash without finishing and I'm 73 years old so that's a lot of books read. Forget this one.
14 people found this helpful
✓ Verified Purchase

Abysmal

Hugo Award Winning?

I got this book on Audible. I was into chapter 3 and wondering when the story was going to start.

The main character walks around a town of some conquered planet forever talking about how she feels like an outsider. Boring. I don't know what the main character's motivations and goals were.

I used the Great Listen Guarantee to return this stinker.
13 people found this helpful