A Suitable Vengeance (Inspector Lynley)
A Suitable Vengeance (Inspector Lynley) book cover

A Suitable Vengeance (Inspector Lynley)

Paperback – May 1, 2007

Price
$13.59
Format
Paperback
Pages
464
Publisher
Bantam
Publication Date
ISBN-13
978-0553384826
Dimensions
5.2 x 1 x 8.3 inches
Weight
12.8 ounces

Description

“George is a master . . . an outstanding practitioner of the modern English mystery.” — Chicago Tribune “Ms. George proves that the classiest crime writers are true novelists.” — The New York Times “Ms. George can do it all, with style to spare.” — The Wall Street Journal “A master of the modern English mystery.” — Entertainment Weekly Elizabeth George’s first novel, A Great Deliverance , was honored with the Anthony and Agatha Best First Novel Awards and received the Grand Prix de Littérature Policière. Her third novel, Well-Schooled in Murder , was awarded the prestigious German prize for suspense fiction, the MIMI. A Suitable Vengeance, For the Sake of Elena, Missing Joseph, Playing for the Ashes, In the Presence of the Enemy, Deception on His Mind, In Pursuit of the Proper Sinner, A Traitor to Memory , and I, Richard were international bestsellers. Elizabeth George divides her time between Huntington Beach, California, and London. Her novels are currently being dramatized by the BBC. Excerpt. © Reprinted by permission. All rights reserved. PROLOGUETina Cogin knew how to make the most of what little she had. She liked to believe it was a natural talent.Some floors above the rumble of nighttime traffic, her naked silhouette gargoyled against the wall of her half-darkened room, and she smiled as her movements made the shadow shift, creating ever new forms of black upon white like a Rorschach test. And what a test, she thought, practicing a gesture of come-hither quality. What a sight for some psycho!Chuckling at her talent for self-deprecation, she went to the chest of drawers and affectionately appraised her collection of underwear. She pretended hesitation to prolong her enjoyment before reaching for an appealing arrangement of black silk and lace. Bra and briefs, they'd been made in France, cleverly designed with unobtrusive padding. She donned them both. Her fingers felt clumsy, largely unused to such delicate clothing.She began to hum quietly, a throaty sound without identifiable melody. It served as a paean to the evening, to three days and nights of unrestricted freedom, to the excitement of venturing out into the streets of London without knowing precisely what would come of the night's mild summertime promise. She slid a long, painted fingernail under the sealed flap of a package of stockings, but when she shook them out, they caught against skin that was more work-hardened than she liked to admit. The material snagged. She allowed herself a single-word curse, freed the stocking from her skin, and examined the damage, an incipient ladder high on the inner thigh. She would have to be more careful.As she pulled on the stockings, her eyelids lowered, and she sighed with pleasure. The material slid so easily against her skin. She savored the sensation--it felt just like a lover's caress--and heightened her own pleasure by running her hands from ankles to calves to thighs to hips. Firm, she thought, nice. And she paused to admire her shape in the cheval glass before removing a black silk petticoat from the chest of drawers.The gown that she took from the wardrobe was black. The neck high, the sleeves long, she had purchased it solely for the manner in which it clung to her body like a midnight liquid. A belt cinched in its waist; a profusion of jet beadwork decorated its bodice. It was a Knightsbridge creation whose cost--mounting on all the other calls upon her finances--had finally precluded the indulgence of travel by taxi for the rest of the summer. But that inconvenience was no matter, really. Tina knew that some things ultimately pay for themselves.She slid her feet into black high-heeled pumps before finally switching on the lamp next to the daybed to illuminate a simple bed-sitting-room with the sole delicious luxury of a private bath. On her first trip to London all those months ago--newly married and looking for a haven of escape--she had made the mistake of taking a room in the Edgware Road where she'd shared the bath with a floor of smiling Greeks, all eager to observe the ins and outs of her personal hygiene. After that experience, sharing so much as a wash basin with another human being had been inconceivable to her, and although the additional cost of a private bath had presented something of a challenge at first, she had managed to surmount it in a competent fashion.She made a final assessment of her makeup and gave approval to eyes correctly shadowed in order to accentuate their color and correct their shape, to brows darkened and brushed into an arch, to cheekbones shaded artfully to soften what would otherwise be a rectangular face, to lips defined by both pencil and color to express sensuality and invite attention. She shook back her hair--as black as her dress--and fingered the wispy fringe that fell across her brow. She smiled. She would do. By God, she would do.With a final glance round the room, she picked up the black handbag she had tossed on the bed, checking to make sure she carried only money, her keys, and two small plastic bags which contained the drug. That done, her preparations complete, she left.A few moments in the lift and she was out of the building, breathing in the mixed perfumes of the city night, that teeming blend of machinery and humanity peculiar to this corner of London. As always, before heading towards Praed Street, she glanced fondly at the smooth stone exterior of her own building, her eyes gliding over the words Shrewsbury Court Apartments which served as epigraph above the double front doors. They opened upon her hideaway and harbor, the only place on earth where she could be herself.She turned away, walking towards the lights of Paddington Station where she took the District line to Nottinghill Gate, and from there the Central Tottenham Court Road with its heady miasma of exhaust fumes and its pushing crowds of a Friday night.She made her way quickly to Soho Square. Here, the patrons of nearby peepshows were milling about, their voices ringing with every possible accent as they exchanged lewd evaluations of the titillating sights they'd had of breasts and thighs and more. They were a surging mass of prurient thrill seekers, and Tina knew that on another night she might have considered one or more of them as possibilities for an amusing encounter of her own. But tonight was different. Everything was in place.On Bateman Street, a short distance from the square, she saw the sign she was looking for, swinging above a malodorous Italian restaurant. Kat's Kradle, it announced, with an arrow pointing into an unlit alleyway next door. The spelling was absurd, an attempt to be clever that Tina always found especially repellent. But she had not been the one to select the rendezvous, so she made her way to the door and descended the stairs which, like the alley in which the club was housed, were gritty and smelled of liquor and vomit and plumbing gone bad.In nightclub hours, it was early yet, so the crowd in Kat's Kradle was small, confined to a scattering of tables that surrounded a postage stamp dance floor. At one side of this, musicians were taking up a melancholy piece of jazz on saxophone, piano, and drums while their singer leaned against a wooden stool, smoking moodily and looking largely bored as she waited for the appropriate moment to make some sort of noise into a nearby microphone.The room was quite dark, lit by one weak, bluish spotlight on the band, candles on the tables, and a light at the bar. Tina made her way to this, slid onto a stool, ordered a gin and tonic from the barman, and admitted to herself that, for all its grime, the location was truly inspired, the best Soho had to offer for a liaison meant to go unobserved.Drink in hand, she began to survey the crowd, a first viewing that gleaned nothing but an impression of bodies, a heavy cloud of cigarette smoke, the occasional glitter of jewelry, the flash of a lighter or a match. Conversation, laughter, the exchange of money, couples swaying on a dance floor. And then she saw him, a young man seated alone at the table farthest from the light. She smiled at the sight.It was so like Peter to select this sort of place where he would be safe from the mischance of being seen by his family or any of his posh friends. He ran no risk of condemnation in Kat's Kradle. He faced no fear of trouble, of being misunderstood. He had chosen well.Tina watched him. Anticipation curled in her stomach as she waited for the moment when he would see her through the smoke and the dancers. Oblivious of her presence, however, he looked only at the door, running his fingers through close-cropped blond hair in nervous agitation. For several minutes Tina studied him with interest, seeing him order and down two drinks in rapid succession, noting how his mouth became harder as he glanced at his watch and his need expanded. From what she could see, he was dressed quite badly for the brother of an earl, wearing a tattered leather jacket, jeans, and a T-shirt bearing the faded inscription Hard Rock Cafe. A gold earring dangled from one pierced earlobe, and from time to time he reached for this as if it were a talisman. He gnawed continually at the fingers of his left hand. His right fist jumped in spasms against his hip.He stood abruptly as a group of boisterous Germans entered the club, but he fell back into his chair when it became apparent that the person he sought was not with them. Shaking a cigarette from a pack that he removed from his jacket, he felt in his pockets but brought forth neither lighter nor matches. A moment later, he shoved back his chair, stood, and approached the bar.Right to mama, Tina thought with an inward smile. Some things in life are absolutely meant to be.By the time her companion nosed the Triumph into a parking space in Soho Square, Sidney St. James could see for herself how finely strung his nerves had become. His whole body was taut. Even his hands gripped the steering wheel with a telling control which was inches short of snapping altogether. He was trying to hide it from her, however. Admitting need would be a step towards admitting addiction. And he wasn't addicted. Not Justin Brooke, scientist, bon vivant, director of projects, writer of proposals, recipient of awards."You've left the lights on," Sidney said to him stonily. He didn't respond. "I said the lights, Justin."He switched them off. Sidney sensed--rather than saw--him turn in her direction, and a moment later she felt his fingers on her cheek. She wanted to move away as they slid down her neck to trace the small swell of her breasts. But instead she felt her body's quick response to his touch, readying itself for him as if it were a creature beyond her control.Then a slight tremor in his hand, child of anxiety, told her that his caress was spurious, an instant's placation of her feelings prior to making his nasty little purchase. She pushed him away."Sid." Justin managed a respectable degree of sensual provocation, but Sidney knew that his mind and body were taken up with the ill-lit alleyway at the south end of the square. He would want to be careful to hide that from her. Even now he leaned towards her as if to demonstrate that foremost in his life at the moment was not his need for the drug but his desire to have her. She steeled herself to his touch.His lips, then his tongue moved on her neck and shoulders. His hand cupped her breast. His thumb brushed her nipple in deliberate strokes. His voice murmured her name. He turned her to him. And as always, it was like fire, like loss, like searing abdication of all common sense. Sidney wanted his kiss. Her mouth opened to receive it.He groaned and pressed closer to her, touching her, kissing her. She snaked her hand up his thigh to caress him in turn. And then she knew.It was an abrupt descent to reality. She pushed herself away, glaring at him in the dim light from the street lamps."That's wonderful, Justin. Or did you think I wouldn't notice?"He looked away. Her wrath increased."Just go buy your bloody dope. That's why we've come, isn't it? Or was I supposed to think it was for something else?""You want me to go to this party, don't you?" Justin demanded.It was an age-old attempt to shift blame and responsibility, but this time Sidney refused to play along. "Don't you hit me with that. I can go alone.""Then why don't you? Why did you phone me, Sid? Or wasn't that you on the line this afternoon, honey-tongued and hot to get yourself laid at the evening's end?"She let his words hang there, knowing they were true. Time after time, when she swore she'd had enough of him, she went back for more, hating him, despising herself, yet returning all the same. It was as if she had no will that was not tied to his.And for God's sake, what was he? Not warm. Not handsome. Not easy to know. Not anything she once dreamed she'd be taking into her bed. He was merely an interesting face on which every single feature seemed to argue with all the others to dominate the bony skull beneath it. He was dark, olive skin. He was hooded eyes. He was a thin scar running along the line of his jaw. He was nothing, nothing . . . except a way of looking at her, of touching her, of making her thin boyish body sensual and beautiful and flaming with life.She felt defeated. The air in the car seemed stiflingly hot."Sometimes I think of telling them," she said. "They say that's the only way to cure it, you know.""What the hell are you talking about?" She saw his fingers curl."Important people in the user's life find out. His family. His employers. So he bottoms out. Then he--"Justin's hand flashed, caught her wrist, twisted her hand. "Don't even think of telling anyone. Don't even think of it. I swear if you do, Sid . . . if you do . . .""Stop it. Look, you can't go on like this. What are you spending on it now? Fifty pounds a day? One hundred? More? Justin, we can't even go to a party without you--"He dropped her wrist abruptly. "Then get out. Find someone else. Leave me bloody well alone."It was the only answer. But Sidney knew she couldn't do it and she hated the fact that she probably never would."I only want to help.""Then shut up, all right? Let me go down that sodding alley, make the buy and get out of here." He shoved open the door and slammed it behind him.Sidney watched him walk halfway across the square before she opened her own door. "Justin--""Stay there." He sounded calmer, not so much because he was feeling any calmer, she knew, but because the square was peopled with Soho's usual Friday night throng and Justin Brooke was not a man who generally cared for making public scenes.She ignored his admonition, striding to join him, disregarding the certain knowledge that the last thing she ought to be doing was helping him get more supplies for his habit. She told herself instead that if she weren't there, sharply on the lookout, he might be arrested or duped or worse."I'm coming," she said when she reached him.The whipcord of tension in his features told her he had moved beyond caring."As you like." He headed towards the gaping darkness of the alley across the square.Construction was underway there, making the alley mouth darker and narrower than usual. Sidney made a moue of distaste at the smell of urine. It was worse than she had expected it to be.Buildings loomed up on either side, unlit and unmarked. Grills covered their windows and their entryways housed shrouded, moaning figures who conducted the sort of illicit business which the nightclubs of the district seemed eager to promote."Justin, where're you planning to--"Brooke raised a cautionary hand. Up ahead, a man's hoarse cursing had begun to fill the air. It came from the far end of the alley where a brick wall curved round the side of a night-club to form a sheltered alcove. Two figures writhed upon the ground there. But this was no love tryst. This was assault, and the bottom figure was a black-clad woman who appeared to be no match in either size or strength for her furious assailant."You filthy . . ." The man--blond by the appearance of him and wildly angry by the sound of his voice--pounded his fists against the woman's face, ground them into her arms, slammed them into her stomach.At this Sidney moved, and when Brooke tried to stop her, she cried out, "No it's a woman," and ran towards the alley's end.She heard Justin's sharp oath behind her. He overtook her less than three yards away from the couple on the ground. "Keep back. Let me see to it," he said roughly.Brooke grabbed the man by his shoulders, digging into the leather jacket he wore. The action of pulling him upward freed his victim's arms, and she instinctively brought them up to protect her face. Brooke flung the man backwards."You idiots! Do you want the police after you?"Sidney pushed past him. "Peter! she cried. "Justin, it's Peter Lynley!"Brooke looked from the young man to the woman who lay on her side, her dress dishevelled and her stockings in tatters. He squatted and grabbed her face as if to examine the extent of her injuries."My God," he muttered. Releasing her, he stood, shook his head, and gave a short bark of laughter.Below him, the woman drew herself to her knees. She reached for her handbag, retching momentarily.Then--most oddly--she began to laugh as well. Read more

Features & Highlights

  • “Ms. George proves that the classiest crime writers are true novelists.”—
  • The New York Times
  • Award-winning author Elizabeth George gives us an early glimpse into the lives of Detective Inspector Thomas Lynley, forensic scientist Simon Allcourt-St. James, and Lady Helen Clyde in a superlative mystery that is also a fascinating inquiry into the crimes of the heart. Lynley, the eighth earl of Asherton, has brought to Howenstow, his family home, the young woman he has asked to be his bride. But the savage murder of a local journalist is the catalyst for a lethal series of events that shatters the calm of a picturesque Cornwall village and embroils Lynley and St. James in a case far outside their jurisdiction—and a little too close to home. When a second death follows closely on the heels of the first, Lynley finds he can't help taking the investigation personally—because the evidence points to a killer within his own family.
  • Praise for
  • A Suitable Vengeance
  • “Elizabeth George reigns as queen of the mystery genre. The Lynley books constitute the smartest, most gratifying complex and impassioned mystery series now being published.”
  • Entertainment Weekly
  • “Ms. George can do it all, with style to spare.”
  • The
  • Wall Street Journal
  • “George goes to the head of the genre, with class.”
  • People

Customer Reviews

Rating Breakdown

★★★★★
30%
(986)
★★★★
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(822)
★★★
15%
(493)
★★
7%
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23%
(756)

Most Helpful Reviews

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DOWNTOWN ABBEY meets WHAT’S LOVE GOT TO DO WITH IT on the LIFETIME MOVIE NETWORK!!!!!!!

Okay what’s up with this book? This is my first Elizabeth George novel & to tell ya the truth – I am not impressed. I mean what is this? A Lifetime movie or something? The first few pages are very confusing. I was having trouble getting the first two female characters straight! I first thought that Sidney (who is female) was also Tina operating under another name. And then, like the occupants of a clown car, more characters keep coming. Have a flow chart handy while you read this thing! There is a lot of drama going on. It seems like forever before someone gets murdered. By the time someone does get knocked off, I was pulling for just about everyone to get killed - They are all that annoying. I felt like shouting “Kill someone for crying out loud!”

The characters are all real winners. There are at least 3 dysfunctional couples. The guys all seem to be vying for the Ike Turner Partner of the Year Award. While the females are trying to be Tori Spelling – I kept wondering if one was going to be pushed down a flight of stairs. No such luck! Even the minor characters are annoying. You’ll really enjoy that Mrs. Swann (or whatever her name is) shrew!!!

The basic plot is kinda/sorta - Main character, Thomas Lynley, gets engaged & wants to take fiancée, Deborah, home to meet mumsy who is Lady whoever. Dad (Lord Whoever) wisely died a few years beforehand & is missing out on this psycho circus. Lucky him. Lynley brings along his whole gang of merry pranksters for a weekend at the country estate. Mumsy seems to know most of them anyway.

The fun really starts when Lynley’s bad seed brother shows up with some grimy little crackhead gal named Sascha. Then people start snorting coke. Then men start beating up women. I was waiting for a scene during a meal where they serve cake (you know - Anna Mae – you eat dat cake!) The Lynleys Bros carry on a sort of psycho Smothers Bros routine throughout the book you know – “Mom always liked you best!”

If I was Lady whoever I would have ordered them off my property. Oh yeah there is another Lady whose name is Lady Helen. I kept expecting Mick Jagger to pop up singing “MAH DEAH LAAAAAADY HELLLLLENNNNN” In fact, the weekend sorta turns into Altamont for the privileged set. In fact this book is the literary equivalent of the Stones’ DIRTY WORK album. The plot of the Bowie/Jagger DANCING IN THE STREET video is better paced than this entire book! Yes, someone finally does get murdered but the investigation is so botched it looks like Andy & Barney could of done a better job. Our hero Lynley is out of his jurisdiction so he’s kinda useless. Hercule Poirot he DEFINITELY AIN’T!

Once there is one murder, Ms George suddenly realizes she is writing a MURDER MYSTERY & not an episode of Jerry Springer & knocks off a few more characters.

Oh yeah, just about every character has some sordid backstory. Even Deborah has some skeletons in her closet – something with one of the other males in the story. She also has a scene where she acts like a whiny teenager & throws her precious porcelain swan at the poor guy. Gee, Lynley, ya might want to keep her away from your fancy doodads once ya’ll get hitched. Clueless Deborah even accepts a drink from her prostitute neighbor whom she has never met. Uh Deborah ever heard of roofies?? Ever see “Rosemary’s Baby”?

Towards the end Ms. George goes all Hallmark Channel on us & starts to tie up all the messy, psychotic relational issues between various characters. Ya know “Hey sorry I’ve hated you for the last 20 years. Let’s kiss & make up!”

Anyway… I understand E George is normally better than this so I may give her one more chance. Martha Grimes is a much better author of murder mysteries. I understand George fans & Grimes fans have a sort of sharks/jets thing going. Whatever!
9 people found this helpful
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A ridiculous soap opera

This was my first EG novel, and it was a great disappointment. An over the top storyline, with more incredulous plots and subplots on every page. Cocaine addicts, cross-dressing, sinking boats, and a cancer med scam, all in one messy pot. Add to that a ridiculous love triangle featuring a dull young lady who refers to one suitor as a "brother" figure who helped raise her! Throwing in this incestuous relationship was perhaps more disturbing than the murders. All in all a tiresome, ridiculous book.
3 people found this helpful
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Reading this is like watching paint dry

I couldn't get into this book at all. I kept waiting for the mystery and all I got was slow-going personal information.

I was also very confused in the beginning as to who was whom. I enjoy brief physical descriptions of characters and there was not much of that. My imagination couldn't get a grasp of these characters at all and I just couldn't relate to or identify with any of them.

I had to put it down after 100 pages. I didn't want to waste my time.
3 people found this helpful
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A Romance with an embedded mystery

BACKGROUND
This is my first EG novel--it was recommended to me by a female cousin who knows I like mysteries. I'm unsure if I'll read another one though other reviews indicate that this particular book is a prequel and differs significantly from EG's other books.

THE GOOD
There is a complex mystery embedded in this book which, as with many good mystery books, slowly unravels to reveal the culprit (s). The supporting character of Lady Helen Clyde, while not extensively utilized, is fun and intelligent and produces some fine observations and quotations (for my collection):
p. 237: Lady Helen Clyde--"If one's going to do anything incognita, one ought to do it well."
p. 355: Lady Helen Clyde--"This moves the definition of tedium beyond my wildest dreams."

THE BAD
Unfortunately, the latter quote also applies to most of the book, particularly the beginning. The book is a long 371 pages, if you get my meaning, as opposed to a Robert B. Parker book which are shorter than the number of pages, so to speak--i.e. this one's a SLOW read. The writing style is generally pretty good, but there are a number of annoying errors such as not indicating who the speaker is, using incognita incorrectly (it's for women, incognito is for men), etc. but these were minor distractions. Strangely, the author doesn't really describe the physical characteristics of the characters very much. She leaves me wondering how beautiful Deborah is that two technical professionals fall madly in love with her when she's a teenager and why the delightful Lady Helen is romantically ignored.

THE UGLY
I believed this was to be a mystery, but in truth, it's more a cross between a gothic or Harlequin romance and a mystery with emphasis on the former. But, even worse, most of the characters are pitiful and/or pathetic--making them difficult to impossible to sympathize (let alone empathize) with. The worst of this is the supposedly main character who describes himself so very well:
p. 236: Tommy Lynley--"I'm supposed to be a professional...I should have..."
p. 363: Tommy Lynley--"I feel like a fool. I should be stronger than this."

Indeed, as a Detective Inspector with London CID you might think he'd have some objectivity and at least SOME ability to deal with his plethora of emotional problems--and childish hangups (he sure hasn't "put away childish things). Interestingly, Simon St. James does the detective work far more than Lynley. It's a bit easier to sympathize with St. James who is a physical cripple than with the many psychological cripples peppering this novel. While St. James has his own internal demons, at least he has some insights (which apply to most of the other characters as well):
p. 251: Simon St. James--"He thought about the energy people expend in seeking to avoid what they most need to face. They fill their lives with distraction and denial, only to find at an unexpected 11th hour that there is in reality no absolute escape." Indeed, the main characters appear to be so self-absorbed that they take their assumptions as facts and make decisions for other people based on those (wrong) assumptions, disallowing the other person to make his/her own decisions. This could be accepted for young Deborah but not for professionals like Lynley and St. James.

They seem more like a female Feeler's (a la the Myers-Briggs Types) interpretation of men--maybe EG should read [[ASIN:0060574216 Men Are from Mars, Women Are from Venus: The Classic Guide to Understanding the Opposite Sex]] and Deborah Tannen's significant contributions to male-female communications are relationships: [[ASIN:0060959622 You Just Don't Understand: Women and Men in Conversation]] and [[ASIN:0062062999 That's Not What I Meant!: How Conversational Style Makes or Breaks Relationships]]; not that a female author cannot produce a good mystery starring a male detective--just read P. D. James, Margery Allingham, Dorothy Sayers, etc. And, of course, there are some great, current female mystery writers with female detectives such as Marcia Muller and Sue Grafton.

OVERALL
The is basically a melodrama full of psychological cripples with mystery as a subplot or background. It might, however, be useful to read it if you intended to read the Lynley series later as it provides some background for what (I presume) comes later.
2 people found this helpful
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Another Inspector Lynley book

Well, I'm reading these, in what I thought was order, but I wonder now if Elizabeth George ever wrote anything chronologically. This was touted as Book 4, but seems to come before even book 1. Nevertheless, I'm enjoying it, and I love the characters. And there is a good mystery involved. Won't say what--spoilers!
1 people found this helpful
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I could not put this book down!

This paperback was easy to handle, easy to read and oh so engrossing. It is an intriguing mystery that unravels with new suspects and relevant details at every turn. Wonderful reading!
1 people found this helpful
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Love Barbara Havers

She's rated as one of the top English mystery writers and she consists earns the title. Have read almost all of her Inspector Lynley series. Love Barbara Havers. Quite a character. As long as she writes them I'll buy them.
1 people found this helpful
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Not my favorite type of Elizabeth George book

I much prefer the tried and true formula of the Inspector Lynley books where there is a murder somewhere and he and Havers, bless her untidy heart, work together to solve it. I did enjoy the background story of Lynley, St. James, Deborah and Helen but it just took up too much of the book. Throw in the disgusting drug addict relatives and the adulterous mother and you might as well be reading a novel. The mystery was all over the place and when the book finally limped to an end you weren't quite sure who did what and why. I do like my characters to be at least somewhat likeable. Most of these you just want to slap most of the time. Big mistake to leave out Havers and throw in all the unpleasant relatives. I'm afraid I just don't recommend this book.
1 people found this helpful
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Inspector Linley _ a role model ?

Inspector Thomas Linley ,aka 8th Earl of Asherton ,Eton and Oxford , an English gentleman (he always rises to his feet when a lady - or even a woman - enters a room ) , serial womaniser ( " I enjoy taking women to bed " ) , grooms and seduces a vulnerable 17 yearold virgin , the protégée of his best friend using unprotected sex , makes her pregnant and leaves her ( literally ) to deal with it on her own 6000 miles from her home , family and friends because to acknowledge his responsibility would adversely affect his career in the Met
1 people found this helpful
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Start at the beginning and buy her books in sequence otherwise it can be a little confusing to the storyline.

You have to start with book 1 then 2 and so on - the characters develop and interact with each new book. New characters are introduced but it is confusing to start with book 2 without starting from the beginning. All in all I like her style. Cleaver of her to make you have to buy all of her books but I buy them used so it's not so bad. Besides her style and characters are well thought out.
1 people found this helpful