A Portrait of the Artist as a Young Man (Modern Library)
A Portrait of the Artist as a Young Man (Modern Library) book cover

A Portrait of the Artist as a Young Man (Modern Library)

Price
$8.22
Format
Hardcover
Pages
368
Publisher
Modern Library
Publication Date
ISBN-13
978-0679602323
Dimensions
5 x 1 x 7.75 inches
Weight
12 ounces

Description

“ A Portrait of the Artist as a Young Man is in fact the gestation of a soul.” –Richard Ellmann“One believes in Stephen Dedalus as one believes in few characters in fiction.” –H. G. Wells“[Mr. Joyce is] concerned at all costs to reveal the flickerings of that innermost flame which flashes its myriad message through the brain, he disregards with complete courage whatever seems to him adventitious, though it be probability or coherence or any other of the handrails to which we cling for support when we set our imaginations free.” –Virginia Woolf“[ A Portrait of the Artist as a Young Man will] remain a permanent part of English literature.” –Ezra PoundWith an Introduction by Richard Brown From the Inside Flap Published in 1916 to immediate acclaim, James Joyce's semi-autobiographical tale of his alterego, Stephen Dedalus, is a coming-of-age story like no other. A bold, innovative experiment with both language and structure, the work has exerted a lasting influence on the contemporary novel. James Joyce, the twentieth century’s most influential novelist, was born in Dublin on February 2, 1882. The oldest of ten children, he grew up in a family that went from prosperity to penury because of his father’s wastrel behavior. After receiving a rigorous Jesuit education, twenty-year-old Joyce renounced his Catholicism and left Dublin in 1902 to spend most of his life as a writer in exile in Paris, Trieste, Rome, and Zurich. On one trip back to Ireland, he fell in love with the now famous Nora Barnacle on June 16, the day he later chose as “Bloomsday” in his novel Ulysses. Nara was an uneducated Galway girl who became his lifelong companion an the mother of his two children. In debt and drinking heavily, Joyce lived for thirty-six years on the Continent, supporting himself first by teaching jobs, then trough the patronage of Mrs. Harold McCormick (Edith Rockerfeller) and the English feminist and editor Harriet Shaw Weaver. His writings include Chamber music (1907), Dubliners (1914), A Portrait of the Artist as a Young Man (1916), Exiles (1918), Ulysses (1922), Poems Penyeach (1927), Finnegans Wake (1939), and an early draft of A Portrait of a Young Man, Stephan Hero (1944). Ulysses required seven years to complete, and his masterpiece, Finnegans Wake, took seventeen. Both works revolutionized the form, structure, and content of the novel. Joyce died in Zurich in 1941. From the Paperback edition. Excerpt. © Reprinted by permission. All rights reserved. Chapter One "Et ignotas animum dimittit in artes."ovid, metamorphoses, viii., 18.ONCE UPON a time and a very good time it was there was a moocow coming down along the road and this moocow that was down along the road met a nicens little boy named baby tuckoo. . . . His father told him that story: his father looked at him through a glass: he had a hairy face.He was baby tuckoo. The moocow came down the road where Betty Byrne lived: she sold lemon platt.O, the wild rose blossomsOn the little green place.He sang that song. That was his song.O, the green wothe botheth.When you wet the bed, first it is warm then it gets cold. His mother put on the oilsheet. That had the queer smell.His mother had a nicer smell than his father. She played on the piano the sailor's hornpipe for him to dance. He danced:xa0 Tralala lala,Tralala tralaladdy,xa0 Tralala lala,xa0 Tralala lala.Uncle Charles and Dante clapped. They were older than his father and mother but Uncle Charles was older than Dante.Dante had two brushes in her press. The brush with the maroon velvet back was for Michael Davitt and the brush with the green velvet back was for Parnell. Dante gave him a cachou every time he brought her a piece of tissue paper.The Vances lived in number seven. They had a different father and mother. They were Eileen's father and mother. When they were grown up he was going to marry Eileen. He hid under the table. His mother said:—O, Stephen will apologise.Dante said:—O, if not, the eagles will come and pull out his eyes—Pull out his eyes,xa0 Apologise,xa0 Apologise,Pull out his eyes.xa0 Apologise,Pull out his eyes,Pull out his eyes,xa0 Apologise.The wide playgrounds were swarming with boys. All were shouting and the prefects urged them on with strong cries. The evening air was pale and chilly and after every charge and thud of the foot-ballers the greasy leather orb flew like a heavy bird through the grey light. He kept on the fringe of his line, out of sight of his prefect, out of the reach of the rude feet, feigning to run now and then. He felt his body small and weak amid the throng of players and his eyes were weak and watery. Rody Kickham was not like that: he would be captain of the third line all the fellows said.Rody Kickham was a decent fellow but Nasty Roche was a stink. Rody Kickham had greaves in his number and a hamper in the refectory. Nasty Roche had big hands. He called the Friday pudding dog-in-the-blanket. And one day he had asked:—What is your name?Stephen had answered: Stephen Dedalus.Then Nasty Roche had said:—What kind of a name is that?And when Stephen had not been able to answer Nasty Roche had asked:—What is your father?Stephen had answered:—A gentleman.Then Nasty Roche had asked:—Is he a magistrate?He crept about from point to point on the fringe of his line, making little runs now and then. But his hands were bluish with cold. He kept his hands in the side pockets of his belted grey suit. That was a belt round his pocket. And belt was also to give a fellow a belt. One day a fellow had said to Cantwell:—I'd give you such a belt in a second.Cantwell had answered:—Go and fight your match. Give Cecil Thunder a belt. I'd like to see you. He'd give you a toe in the rump for yourself.That was not a nice expression. His mother had told him not to speak with the rough boys in the college. Nice mother! The first day in the hall of the castle when she had said goodbye she had put up her veil double to her nose to kiss him: and her nose and eyes were red. But he had pretended not to see that she was going to cry. She was a nice mother but she was not so nice when she cried. And his father had given him two five-shilling pieces for pocket money. And his father had told him if he wanted anything to write home to him and, whatever he did, never to peach on a fellow. Then at the door of the castle the rector had shaken hands with his father and mother, his soutane fluttering in the breeze, and the car had driven off with his father and mother on it. They had cried to him from the car, waving their hands:—Good-bye, Stephen, goodbye!—Good-bye, Stephen, goodbye!He was caught in the whirl of a scrimmage and, fearful of the flashing eyes and muddy boots, bent down to look through the legs. The fellows were struggling and groaning and their legs were rubbing and kicking and stamping. Then Jack Lawton's yellow boots dodged out the ball and all the other boots and legs ran after. He ran after them a little way and then stopped. It was useless to run on. Soon they would be going home for the holidays. After supper in the study hall he would change the number pasted up inside his desk from seventyseven to seventysix.It would be better to be in the study hall than out there in the cold. The sky was pale and cold but there were lights in the castle. He wondered from which window Hamilton Rowan had thrown his hat on the haha and had there been flowerbeds at that time under the windows. One day when he had been called to the castle the butler had shown him the marks of the soldiers' slugs in the wood of the door and had given him a piece of shortbread that the community ate. It was nice and warm to see the lights in the castle. It was like something in a book. Perhaps Leicester Abbey was like that. And there were nice sentences in Doctor Cornwell's Spelling Book. They were like poetry but they were only sentences to learn the spelling from.Wolsey died in Leicester AbbeyWhere the abbots buried him.Canker is a disease of plants,Cancer one of animals.It would be nice to lie on the hearthrug before the fire, leaning his head upon his hands, and think on those sentences. He shivered as if he had cold slimy water next his skin. That was mean of Wells to shoulder him into the square ditch because he would not swop his little snuffbox for Wells's seasoned hacking chestnut, the conqueror of forty. How cold and slimy the water had been! A fellow had once seen a big rat jump into the scum. Mother was sitting at the fire with Dante waiting for Brigid to bring in the tea. She had her feet on the fender and her jewelly slippers were so hot and they had such a lovely warm smell! Dante knew a lot of things. She had taught him where the Mozambique Channel was and what was the longest river in America and what was the name of the highest mountain in the moon. Father Arnall knew more than Dante because he was a priest but both his father and Uncle Charles said that Dante was a clever woman and a wellread woman. And when Dante made that noise after dinner and then put up her hand to her mouth: that was heartburn.A voice cried far out on the playground:—All in!Then other voices cried from the lower and third lines:—All in! All in!The players closed around, flushed and muddy, and he went among them, glad to go in. Rody Kickham held the ball by its greasy lace. A fellow asked him to give it one last: but he walked on without even answering the fellow. Simon Moonan told him not to because the prefect was looking. The fellow turned to Simon Moonan and said:—We all know why you speak. You are McGlade's suck.Suck was a queer word. The fellow called Simon Moonan that name because Simon Moonan used to tie the prefect's false sleeves behind his back and the prefect used to let on to be angry. But the sound was ugly. Once he had washed his hands in the lavatory of the Wicklow Hotel and his father pulled the stopper up by the chain after and the dirty water went down through the hole in the basin. And when it had all gone down slowly the hole in the basin had made a sound like that: suck. Only louder.To remember that and the white look of the lavatory made him feel cold and then hot. There were two cocks that you turned and water came out: cold and hot. He felt cold and then a little hot: and he could see the names printed on the cocks. That was a very queer thing.And the air in the corridor chilled him too. It was queer and wettish. But soon the gas would be lit and in burning it made a light noise like a little song. Always the same: and when the fellows stopped talking in the playroom you could hear it.It was the hour for sums. Father Arnall wrote a hard sum on the board and then said:—Now then, who will win? Go ahead, York! Go ahead, Lancaster!Stephen tried his best but the sum was too hard and he felt confused. The little silk badge with the white rose on it that was pinned on the breast of his jacket began to flutter. He was no good at sums but he tried his best so that York might not lose. Father Arnall's face looked very black but he was not in a wax: he was laughing. Then Jack Lawton cracked his fingers and Father Arnall looked at his copybook and said:—Right. Bravo Lancaster! The red rose wins. Come on now, York! Forge ahead!Jack Lawton looked over from his side. The little silk badge with the red rose on it looked very rich because he had a blue sailor top on. Stephen felt his own face red too, thinking of all the bets about who would get first place in Elements, Jack Lawton or he. Some weeks Jack Lawton got the card for first and some weeks he got the card for first. His white silk badge fluttered and fluttered as he worked at the next sum and heard Father Arnall's voice. Then all his eagerness passed away and he felt his face quite cool. He thought his face must be white because it felt so cool. He could not get out the answer for the sum but it did not matter. White roses and red roses: those were beautiful colours to think of. And the cards for first place and third place were beautiful colours too: pink and cream and lavender. Lave... Read more

Features & Highlights

  • Published in 1916 to immediate acclaim, James Joyce's semi-autobiographical tale of his alterego, Stephen Dedalus, is a coming-of-age story like no other. A bold, innovative experiment with both language and structure, the work has exerted a lasting influence on the contemporary novel.

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Most Helpful Reviews

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The Flight of the Author from Dublin

This book is one that has stayed with me and continues to infiltrate my thoughts and ideas daily. I often find myself mulling over the path of Stephen Dedalus through this book. He begins as an innocent child mired in the sins of his family, country, and religion. He finishes by breaking the bonds that chain him to the earth to soar from Dublin as a great "artificer."
The painful, glorious growth of a soul reaching for truth and beauty is chronicled here in sharp intensity. When Stephen is castigated unfairly by Father Dolan he bravely reports the breach to the rector. This bravery is soon rewarded with sneering jibes by his father who relays to Stephan that he has had a good laugh about the incident with Father Dolan. "'You better mind yourself, Father Dolan,' said I,'or young Dedalus will send you up for twice nine.' We had a famous laugh together over it. Ha! Ha! Ha!" The betrayal by both his father and the church is very intense and painful, a slap in the face.
During his adolesence Stephen endures overwhelming sexual desire coupled with a contrary and all consuming reverance for the teachings of the Catholic church. These two opposing compulsions come to a crisis with the retreat in honor of Saint Francis Xavier. During this retreat, Father Arnell gives sermons on the four last things: death, judgement, hell and heaven. This is an intense odyssey into the nature of eternal damnation. I am not Catholic nor Christian, but I must admit that this section did make me squirm at times. The depth and breadth of the torment of hell is communicated herein with excruciating detail by Father Arnell. In mortal terror Stephan confesses his sins and attempts to lead a pure and devotional life. The life of devotion ends when he is later offered the priesthood. He realizes at that moment that he must renounce the church and choose to "learn the wisdom of others himself wandering among the snares of the world." Free of the church and father, Stephen finally must confront the bonds that his friends, mother, and country claim on him in the final section. One by one through discusions and encounters with his classmates he slips these bonds and resolves to go away from Dublin and all that keeps him earthbound. This is a beautiful novel of growth and deliverance. It will be one of my cherished books always. As a final note I want to let readers know that the edition I am reviewing, The Modern Library Hardcover 1996 edition, has several misspellings and punctuation errors. It almost seemed as if the publisher had used a spell check type of program to proof read the book instead of a person. This is extremely irritating in that I bought the Modern Library edition so as to always have a sturdy, well made edition of this beautiful book. I find it insulting to the author and the reader that more care was not taken in the publication of this edition.
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Being James Joyce

Several years ago a movie came out called "Being John Malkovich." I didn't see the movie, but the title was always intriguing to me. Essentially, this book is as close as one could come to "being" James Joyce as a young man.

As other reviewers have noted, the book starts slowly. I did not find the storyline to be particularly compelling, but the revolutionary "stream of consciousness" style introduced by Joyce to the literary world in this book was quite compelling. While I could not call this book a "page turner," make no mistake: it is well worth the effort to persevere to the end. There is a reason why some books are considered "literature." This is one of them.

My Viking Press edition contained no notes or explanations...just the simple, unadorned manuscript without someone's notes telling me what I should extract from the book, what I should think, why it was great literature, etc. Nothing to "coach" me in a particular direction. Now that I have finished reading it, I would enjoy exposing myself to notes and essays on this work, to compare my own impressions with those of others.

The plot of the book is simple enough: a semi-autobiographical coming-of-age story featuring Stephen Daedelus, Joyce's alter ego - hence, the title of the book. We follow Daedelus through his formative years, first as the young son of a wealthy family sent off to boarding school, then as the adolescent whose family has fallen from political grace and is now struggling to make ends meet as young Stephen changes to another school that while different, is still as much about religious instruction (Catholicism) as about secular topics. Then, we find him in his mid-teens undergoing a stage in which he abandons himself to lust and then swings the pendulum to the other extreme by attempting something approaching mortal perfection in his religious devotion and briefly even considers entering the priesthood. At the close of the book we find Daedelus in college demonstrating his clearly formidable intellect as he ponders and debates subjects with his professors and peers such as the meaning of beauty and the responsibility of the artist. Ultimately, Daedelus gives us his conclusion on how he intends to live his life that is at once both profound and cliché: to express himself through his art (his writing) as freely and wholly as he can, even if it means being spurned by society and making mistakes. In today's vernacular, it would probably come out as something like, "I gotta be me." But of course Joyce leads us to this conclusion not as some airhead MTV-generation pronouncement, but as the result of his coming-of-age experiences and his deep philosophical ponderings about the meaning of life, the role of religion, and his purpose on this earth.

The stream-of-consciousness style pioneered by Joyce in this book is remarkable, both in its originality to the literary world, and in its ability to give us the events of the story not just through the eyes of Daedelus, but almost through his subconscious. If you have ever wondered what it would be like to read someone's thoughts, right down to the sometimes erratic ways in which one thought leads to another or the impressions that occur somewhat randomly, this is what Joyce delivers. In these pages, he delivers not what it would be like to observe James Joyce, but what it would be like to actually be James Joyce.

The language throughout is beautiful, many times a form of prose poetry. Often described as a novella rather than a novel, the rather sparse page count is rather deceptive: this is a dense book and will take as long for most people to read as a book three times its length. One thing in my edition of the book that was unconventional was Joyce's refusal to use quotation marks to distinguish dialog. He set off dialog with elongated dashes at the beginning of dialog sentences instead. Occasionally, I had to read passages several times to understand who was speaking because Joyce depars entirely from the convention we are all used to.

All in all, this is an excellent starting place for those new to Joyce such as myself, both because it gives insight into the author, and because it introduces the character Daedelus who apparently figures prominently in other books by Joyce such as "Ulysses."
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Fly Away, Dedalus!

In A Portrait of the Artist as a Young Man, Joyce succeeds in presenting to the reader his true feelings about art. Stephen Dedalus, the protagonist in the work, struggles against himself to find the true purpose of his life. Throughout the novel, Stephen encounters many hardships: prostitutes, heresy, gluttony, pride. In his struggle, Stephen decides his feelings about God, women, and family. Joyce describes Stephen's education throughout school and college; Stephen has many changes of heart throughout this semi-autobiographical novel, and, as Stephen's attitude changes, Joyce's writing style changes. Overall, A Portrait stands as a literary masterpiece and should be read before reading Joyce's greatest novel, Ulysses.
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Nothing Like It

the first page! a miracle. and it never lets up
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A Portrait of Life

I'll be the first to admit it, I hated this book when I first read it. It was required reading for my high school AP English class, and the first time I read it, I couldn't understand how anyone could believe that it was "Literature with a capital 'L'"; however, after all was said and done, I began to think about the story, and how much of it could be applied to my own life. Knowing that if I was willing to think about a book in response to my own life I needed to give it a second chance, I went out and bought a copy. Sure enough, upon a second reading, the novel seemed all the more enjoyable to me. Granted, it's not the world's easiest read, but to anyone who is willing to look, you'll find a great deal of merit to this book.