A Piece of the World: A Novel
A Piece of the World: A Novel book cover

A Piece of the World: A Novel

Hardcover – Deckle Edge, February 21, 2017

Price
$9.98
Format
Hardcover
Pages
320
Publisher
William Morrow
Publication Date
ISBN-13
978-0062356260
Dimensions
1 x 5.2 x 7.5 inches
Weight
1.3 pounds

Description

From School Library Journal Applying her research from writing her best seller Orphan Train as well as her own experiences growing up in Maine, Kline has created an authentic portrayal of Christina Olson, the real-life inspiration for Christina's World, one of Andrew Wyeth's most iconic paintings. Wyeth and his young wife summered near the Olson homestead between the 1930s and 1960s, and he often used Olson and her brother as models in his work. In this novel, Christina's story is told in first person and includes flashbacks to help readers better understand how differently her life might have turned out if not for her circumstances. Christina and her brother Al sacrifice chances of finding true love and, in her case, the opportunity to become a teacher, because they have to keep the family farm running and care for their ailing parents. Day-to-day survival with no electricity in rural Maine is described in vivid detail. Such an unforgiving environment would be challenging enough for someone able-bodied but was far more difficult for Christina, who had a painful degenerative disease that eventually made it impossible for her to walk. Her struggles are portrayed in Christina's World, where she is shown dragging herself across a field. Thoughtful teens who appreciate literary fiction will find Christina's pragmatism and pride admirable. VERDICT Fans of historical fiction or those wanting to know more about this period of Andrew Wyeth's life will not want to miss this inspirational slice of history.—Sherry Mills, Hazelwood East High School, St. Louis “The novel evokes the somber grace of [Wyeth’s] paintings … Christina’s yearning, her determination, her will to dream, occupy the emotional center in both the novel and the painting. A Piece of the World is a story for those who want the mysterious made real.” — New York Times Book Review “Another winner from the author of Orphan Train . In this beautifully observed fictional memoir, Kline uses Andrew Wyeths’ iconic painting Christina’s World as the taking-off point for a moving portrait of the artist’s real-life muse. Book of the week .” — People “Fans of Kline’s phenomenal 2013 best seller Orphan Train will recognize the way the new novel...brings to vivid life a little-known corner of history...Avoiding sentimental uplift, A Piece of the World offers unsparing insight into the real woman behind the painting.” — USA Today “The novel provides gorgeous, complicated answers to all the questions the painting stirs, beginning with the day a young painter appears on her porch. Kline has created a memorable and unforgettable voice for Anna Christina Olson, the girl in the field.” — Portland Tribune (Oregon) “Kline herself is an artist, drawing on the real history of Christina Olson and Andrew Wyeth to conjure up her own haunting portrait.... Kline’s deep research into characters, place, and time period provides the outlines of a compelling story, which she then expertly brings into three dimensions.” — Christian Science Monitor “Like Wyeth’s paintings, this is a vivid novel about hardscrabble lives and prairie grit and the seemingly small but significant beauties found there.” — Minneapolis Star Tribune “Artfully (pun intended) inspired by the Andrew Wyeth painting Christina’s World.” — Marie Claire “Absorbing...A portrait of Maine farm life, of an iron-willed spinster with polio and the accidental friendship that changes everything...Kline has a graceful, arresting style that lifts the narrative, and her portrayal of Andy leavens the entire story.” — Portland Press Herald “With beautiful and stunning prose, the novel explores the sensitive and complex bond between artist and muse against the beauty of the rural American landscape.” — Daily Beast “Christina Baker Kline’s remarkable novel, A PIECE OF THE WORLD, is the perfect book club pick.xa0 An evocative, beautifully written, exquisitely researched historical novel that will both teach and enthrall the reader.xa0 A must read for anyone who love history and art. ” — Kristin Hannah “Kline’s portrait of her main character is moving in an unsentimental way as she evokes the New England landscape, the torment of crippling disease, and the piece of history embodied in Olson’s story.” — Sydney Morning Herald “With delicate palette, stark images, subtle tones, nuanced brushstrokes, and consummate craftsmanship, Christina Baker Kline has written this novel the way Andrew Wyeth painted the canvas. It is a masterpiece.” — Historical Novel Society “A novel about not just art, but family and home ― things that last, and what it takes for them to do so.” — San Diego Union-Tribune “[Kline’s] insightful, evocative prose brings Christina’s singular perspective and indomitable spirit to life.” — Publishers Weekly “Superb...The beauty of Kline’s writing and her grasp of her characters is such that at first you want to sink into this book like a warm bath....Gentle and profound, A Piece of the World shows the healing power of simple, unexpected friendship.” — BookPage “Baker Kline clearly has done her research on the Olson family, but it is her empathy and imagination that make this book sing....Like the woman in the Wyeth painting, the Christina Olson of this novel is unbowed, confounding, and ultimately inspiring.”xa0 — Providence Journal “A gorgeous read.” — Real Simple “Kline’s gift is to dispense with the fustiness and fact-clogged drama that can weigh down some historical novels to tell a pure, powerful story of suffering met with a fight. In fiction, in her quiet way, Christina triumphs - and so does this novel.” — O, the Oprah Magazine “Skillfully interweaving fact and fiction, Kline creates a starkly lovely, intricately layered portrait...By turns profoundly sad and deeply hopeful.” — First for Women “Epic.” — Cosmopolitan With remarkable precision and compassion, A PIECE OF THE WORLD transports us to a mid-century farmhouse on the coast of Maine. But just like the painting that inspired it, this gorgeous novel is about so much more. Heartbreaking and life-affirming.” — Nathan Hill, author of The Nix “Andrew Wyeth’s celebrated painting Christina’s World has her back to the viewer, but Kline turns her to face the reader, simultaneously equipping her with a back story and a lyrical voice...A character portrait that is painterly, sensuous, and sympathetic.” — Kirkus Reviews “A graceful, moving and powerful demonstration of what can happen when a fearless literary imagination combines with an inexhaustible curiosity about the past and the human heart.” — Michael Chabon “The inscrutable figure in the foreground of Wyeth’s Christina’s World is our American Mona Lisa, and Christina Baker Kline has pulled back the veil to imagine her rich story. Tender [and] tragic.” — Lily King, author of Euphoria “A brilliantly imagined fictional memoir of the woman in the famed Wyeth painting ‘Christina’s World,’ so detailed, moving, and utterly transportive that I’ll never be able to look at the painting again without thinking of this book and the characters who populate its pages.” — Erik Larson “Kline expertly captures the essence of Wyeth’s iconic masterpiece and its real-life subject, crafting a moving work of historical fiction — Library Journal (starred review) “Readers will savor the quotidian details that compose Christina’s ‘quiet country life.’ Orphan Train was a best-seller and popular book-discussion choice, so expect demand.”- — Booklist “Fantastic and touching.” — Library Reads “Who has not gazed on Wyeth’s picture and wondered, why does that girl have so very far to go?... A pure, powerful story of suffering met with a fight. In fiction, in her quiet way, Christina triumphs--and so does this novel.” — O, the Oprah Magazine “Later he told me that he’d been afraid to show me the painting. He thought I wouldn’t like the way he portrayed me: dragging myself across the field, fingers clutching dirt, my legs twisted behind. The arid moonscape of wheatgrass and timothy. That dilapidated house in the distance, looming up like a secret that won’t stay hidden.” To Christina Olson, the entire world was her family’s remote farm in the small coastal town of Cushing, Maine. Born in the home her family had lived in for generations, and increasingly incapacitated by illness, Christina seemed destined for a small life. Instead, for more than twenty years, she was host and inspiration for the artist Andrew Wyeth, and became the subject of one of the best-known paintings of the twentieth century, Christina’s World. As she did in her beloved bestseller Orphan Train , Christina Baker Kline interweaves fact and fiction in a powerful novel that illuminates a little-known part of America’s history. Bringing into focus the flesh-and-blood woman behind the portrait, Kline vividly imagines her life—with her complicated relationship to her family and her past, and her special bond with one of our greatest modern artists. Told in evocative and lucid prose, A Piece of the World is a story about the burdens and blessings of family history, and how artist and muse can come together to forge a new and timeless legacy. Christina Baker Kline is the author of six novels, including the #1 New York Times bestseller Orphan Train as well as A Piece of the World . She lives outside New York City and spends as much time as possible on the coast of Maine. Learn more about Christina at www.christinabakerkline.com. Read more

Features & Highlights

  • INSTANT NEW YORK TIMES BESTSELLER
  • "Exquisite. A must-read.”
  • --Kristin Hannah
  • From the #1
  • New York Times
  • bestselling author of the smash bestseller
  • Orphan Train,
  • a stunning and atmospheric novel of friendship, passion, and art, inspired by Andrew Wyeth’s mysterious and iconic painting
  • Christina’s World.
  • "Later he told me that he’d been afraid to show me the painting. He thought I wouldn’t like the way he portrayed me: dragging myself across the field, fingers clutching dirt, my legs twisted behind. The arid moonscape of wheatgrass and timothy. That dilapidated house in the distance, looming up like a secret that won’t stay hidden."
  • To Christina Olson, the entire world was her family’s remote farm in the small coastal town of Cushing, Maine. Born in the home her family had lived in for generations, and increasingly incapacitated by illness, Christina seemed destined for a small life. Instead, for more than twenty years, she was host and inspiration for the artist Andrew Wyeth, and became the subject of one of the best known American paintings of the twentieth century.
  • As she did in her beloved smash bestseller
  • Orphan Train
  • , Christina Baker Kline interweaves fact and fiction in a powerful novel that illuminates a little-known part of America’s history. Bringing into focus the flesh-and-blood woman behind the portrait, she vividly imagines the life of a woman with a complicated relationship to her family and her past, and a special bond with one of our greatest modern artists.
  • Told in evocative and lucid prose,
  • A Piece of the World
  • is a story about the burdens and blessings of family history, and how artist and muse can come together to forge a new and timeless legacy.
  • This edition includes a four-color reproduction of Andrew Wyeth's
  • Christina's World.

Customer Reviews

Rating Breakdown

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Most Helpful Reviews

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and her seemingly sad existence were her choices (or lack thereof) that led ...

At our book club meeting last night, a question was posed about how we view ourselves through other people's eyes. I once wrote about labels and how obsessed our society is about confining us to our assumed roles and identities. We even put ourselves in debt trying to fit into these assumptions by driving the "best" cars, and making sure we were in a "better" neighborhood, and ensuring our children have the "best" education by enrolling them only in the "highly esteemed" private schools. Labels follow us where we are in life.
Christina Olson had labels following her: a sick child, the dutiful daughter, the spinster. I'm sure there are other "colorful" labels that I can put on her but one thing about this woman, and her seemingly sad existence were her choices (or lack thereof) that led up to a fateful meeting with artist Andrew Wyeth.
In our life, we demand a few things, and one of them is to be known. It doesn't necessarily have to be to the world, but to be known to the people around us. In our everyday, we put up fences around ourselves, and pretend we're better than we believe, and cast on different roles to change the labels people already had assigned us. What if someone takes all of our pretentiousness, or looks past at our ordinary and sees us. Sees us the way we can only hope to be. And in Andrew, Christina becomes one thing - a story; a painting with layers of wisdom, hurts, regrets, suffering. Her life isn't a blank canvas as much as it's a history lesson.
I've never read any of Christina Baker Kline's work but after this, I'm going to pick up a few more. This was moving, and in her descriptions, I was there at the farm, looking on at the sky, the dilapidated house, the sea, the woman with her back turned to me. In her words, I walk into the Olson home, see the lessons written in pictures, in old chests, in seashells, and forget about the labels I put on this woman in the famous painting, but take in all that is her. Through both Kline and Wyeth's eyes, Christina is not only seen and known, but we, the reader and art patrons, are given a glimpse and a piece of (her) world.
252 people found this helpful
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“It would be nice to have a normal life

A Piece of the World by Christina Baker Kline was chosen for reading and discussion by our book club at my church. The pretext for Kline’s seventh novel is absolutely fascinating. You may be familiar with the painting by Andrew Wyeth entitled “Christina’s World”
A Piece of the World is the absorbing fictionalized backstory of Christina Olson, the subject of the painting. Kline is not the first novelist to base his/her novel on an actual painting or work of art. Tracy Chevalier, for example, based her novel Girl with a Pearl Earring on the painting of the same name by Vermeer, and Donna Tartt centered her murder mystery The Goldfinch on Carel Fabritius’ work with the identical title.

Christina Olson has resigned herself to living with her bachelor brother Alvaro in a dilapidated farmhouse on a hill in Cushing, ME that has been in the family for many generations. She is a 46-year-old spinster when her longtime friend and neighbor Betsy knocks on her door in 1939 and introduces her to a new friend she has met who spends his summers nearby. The artist, of course, is the young Andrew Wyeth. Christina knows of his father, N.C. Wyeth, having seen his illustration in her edition of Treasure Island.

Andrew is immediately drawn to the desolation and isolation of the farmhouse and its surroundings, as well as to the simple lives of Christina and her brother. Boldly and almost unapologetically, Andrew makes himself completely at home in the house, using a room (or several) on the second floor as a studio. Some of Wyeth’s actual iconic paintings, such as “Mending Fences” and “Winter 1946” were created during the time he spent upstairs in Christina’s house. Alvaro sometimes sat as Wyeth’s model.
Wyeth carefully observes the Christina’s simple but painfully difficult existence which is as bleak as the farmhouse and its austere surroundings. She developed an undiagnosed bone disease in her childhood that left her with extreme difficulty walking and keeping her balance. Because the disease was progressive, its negative effects on her daily life became more debilitating. Yet, because she had, in effect, been assigned by her parents the role of being a farmwife (even though she never marries), she was apparently indomitable in performing difficult household and farm chores in a house that had no electricity or indoor plumbing.

“It would be nice to have a normal life. I’m tired of pretending to be strong, of hiding the fact that even the smallest chores exhaust me. I’m tired of the bruises and scrapes and the pitying looks of people on the street.”

This was the life which she chose in one regard, but at the same time to which she was fated. On the one hand, Christina yearns for a fuller life. Yet on the other, when she if offered her late father’s wheelchair, for example, she refuses it out of perverse pride. Christina is stubborn and in her own way unattractive, just like any other human being, whole or disabled—which, of course, is Kline’s point.

By the same token, she is a product of her unfortunate circumstances. She had been a bright student and was encouraged by her teacher to pursue further education and return to Cushing to replace her when she retired. This same teacher gifted Christina with a copy of Emily Dickinson’s poems (another woman who lived a circumscribed life in Amherst, MA). However, the notion of becoming a teacher was quickly dismissed by her parents, and she remained on the farm relatively uneducated.

This proved to be a deficit for her when the dashing Harvard undergraduate Walton enters Christina’s life every summer for four years. Walton’s true feelings for Christina remain shrouded in the novel. Christina, however, dares and allows herself for the first time in her life to fall in love. The couple even discusses marriage. The relationship is ended, however, when Walton’s parents object to his “marrying down”. That is merely the formal end of their relationship, though. When Walton invites her to Boston so that she can see a doctor about her illness, Christina knows in her bones that there is no future in the relationship. “I feel a surge of anger,” she tells the reader. “This was exactly what I feared…That Walton’s feelings for me were conditional. That he was telling me to get better, or else.”

Kline described Christina’s burdened existence vividly and beautifully, almost to a fault. She develops a host of minor characters from Cushing who serve as foils for Christina. As a reader, I felt that there were more than enough foils to get the point early on in the volume: that people see Christina, but do not really notice her; they meet her in various settings, but never really have an encounter of any depth with her, it seems. They have culturally-conditioned preconceived assumptions that as a “cripple” she has no depth or real personhood.

Andy, however, is different. Ever the artist, he sees beneath the surface of her life in the same way that he discerns beauty and dignity in the cracked white teapot that is the subject of one of his Maine paintings.

She nervously simultaneously both anticipates and dreads seeing the painting for which Wyeth invited her to pose by sitting, almost crawling, in a pink dress in the field in front of her house. The painting Wyeth’s wife Betsy entitles “Christina’s World” is a revelation to her. “The girl is low to the ground but almost appears to float in space. She is larger than everything around her. She is part one thing and part another: my dress, my hair, my frail arms, but the years on my body have been erased. The girl in the painting is lithe and young… he truth is, this place—this house, this field, this sky—may only be a small piece of the world. But Betsy’s right: It is the entire world to me.”

Andy explains. “I wanted to show…both the desire and the hesitation.”

Only the artist was able to see both. “You showed me what no one else could see,” she responds by way of gratitude to him.

Reading a well-written novel such as this brings about change in the reader. On a strictly artistic level, as a person who writes historical fiction, I was fascinated by the deft way in which Kline interweaves fact and imaginative fiction. The story is grounded thoroughly in history. Wyeth really did use Christina’s house as a studio. He actually did picture Christina in the painting “Christina’s World”, even though the actual model was his wife Betsy. But Kline invents colorful concrete details in her imagination to enhance history and tell a deeper truth.

I only hope I can come near to doing so in Accidental Saviors, which I am working on now and which will be released later in the spring or early summer.

On a human level, the novel brought to mind various persons I know or have known in my life who may appear uninteresting or unattractive to me for some reason. Kline made me think of how I have often discounted such persons, seen them but not really noticed them, judged them to have no depth, and thus failed to discern the inner beauty and dignity of every human life. Though Kline may not use this language, her novel is a call to repentance for me, a challenge to stop and really notice people and their worth as a brother or sister.

This is a very good read. But beware, reader, you may be transformed in the reading.
94 people found this helpful
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A work of art about a work of art

Christina Baker Kline has accomplished something very difficult to achieve in storytelling. A Piece of the World is both spare and beautiful, enigmatic and human, and takes no easy paths in a difficult story—short on hope or Hollywood happy endings—but is visceral and true about the human condition and about what art is. Carefully researched and beautifully imagined, this work of historical fiction makes you want to learn all you can about the work of artist Andrew Wyeth and the life of Christina Olson. I've loved Christina's other work, but A Piece of the World sets itself apart as a work of art about a work of art.
36 people found this helpful
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A rare, delicate, one-of-a-kind love story

Christina Baker Kline had published four novels — literary fiction, the deadliest of categories — when she handed “Orphan Train” to her publisher. The topic was niche: homeless children transported from eastern cities to the rural west from 1854 to 1929. The main characters were a 91-year-old woman and a troubled teen. Not a story or a cast that cries best-seller.

Kline’s last book had produced modest sales. If “Orphan Train” didn’t find a larger audience, the next stop for Kline could easily be self-publishing. And how’s this for unhelpful: Her publisher suggested putting it out as a paperback. An original paperback is born with every possible disadvantage: no reviews, minimal marketing and modest expectations. Reluctantly, Kline gave her approval, fearful that “Ghost Train” could disappear without a trace.

But early readers loved it, and they told their friends, and soon the book had a four-star review in People and was featured on NPR’s “Weekend Edition,” and then it became a New York Times bestseller, with sales topping two million in 35 countries. Target printed 30,000 separate “book club” copies and had Kline sign 10,000 of them. Twenty-five communities chose it as a common reading experience. If you’re in a book club, no way you didn’t read it.

Now, four years later, comes what is, for most readers, Christina Baker Kline’s second novel, “A Piece of the World.” The immediate inspiration is “Christina’s World,” Andrew Wyeth’s 1948 painting, on display at the Museum of Modern Art in New York. You’ve surely seen it — the 32’ by 48” painting shows a woman lying in the grass on a hillside. We share her point-of-view. And because we too are looking at a gray house and a barn at the top of the hill, we may not notice how thin her arm is.

Anna Christina Olson (1893 -1968) is the woman in the painting. She suffered from a degenerative muscular disorder that made walking impossible. But she refused to use a wheelchair. She crawled. Over the years, Wyeth made 300 pictures at her house in Maine, but it was the image of her crawling to pick blueberries that made him spend months on this painting. “The challenge was to do justice to her extraordinary conquest of a life which most people would consider hopeless,” he wrote. “If in some small way I have been able in paint to make the viewer sense that her world may be limited physically but by no means spiritually, then I have achieved what I set out to do.”

Christina Baker Kline had a different challenge: to tell Christina’s story in Christina’s voice. It’s an interior story: Christina’s actual world was, for most of her life, her house. For a writer to tackle a story with so little movement — hat’s off to Christina Baker Kline just for courage. I would not have attempted this book.

The early pages of the novel aren’t riveting. We meet young Andrew Wyeth and his bride. We learn the ancient history behind the family’s move to Maine. We get a postcard version of Christina’s childhood. It isn’t until page 32 that the young girl is confronted with her infirmity.

Wyeth had an infirmity of his own. A “twisted right leg and a faulty hip” made him gimpy as a child. “You’re like me,” he tells Christina. He confesses: “I am always painting myself.” And you get that Kline has written a love story — a rare, delicate, one-of-a-kind love story — and you’re hooked.

There are other characters — father, mother, brother, a suitor — but the major character in Christina’s world is Christina. Though she’s locked in to her body and her house lacks every modern convenience, including plumbing, she’s exceptionally present. This is not a memory book. Or a self-pitying fictional memoir. If anything, it’s a kind of thriller. How much can she take before she breaks? And although she does break down — for a very good reason — she comes back, fiercely. “It’s painful to hold out hope for the things that once brought you joy,” she says. “You have to find ways to make yourself forget.” Who has not been there?

I’ve never liked Maine — it’s too cool in summer, bleak in winter. Too elemental for me, too… flinty. Christina is that. But also wise. The ultimate kindness is acceptance, she says. There are many ways to love and be loved. Long before the end — when Wyeth finally shows her the famous picture — I had reached for my pen and was underlining. In a story without much traditional drama, I found not just pleasure and passion, but one teachable moment after another.
24 people found this helpful
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Mesmerizing

I finished this 2 days ago, and I am still moved by the story. I wish there were more. Christina Baker Kline tells the story of Christina Olson, the subject of Andrew Wyeth's most famous painting, Christina's World. This tale of Christina and her quiet effort to live in her small world (even while her friend Andy Wyeth made her home famous) was gripping, realistic, and moving. She portrays New England country life in the early 1900s with exquisite beauty, while her detailed characterizations compel me to find myself in several of them and learn with them about the human spirit. I loved Orphan Train so tremendously, I was doubtful that I would love this book of hers as much. I am glad that I was wrong. She is an outstanding writer and researcher--this is a gorgeous, seamless blend of history and fiction. I feel as though I know them, know their pain, and in doing so, understand myself better. I feel I must go to New York and see the painting in person. This was outstanding!
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Pretentious and Pedestrian

The only reason I read this novel is because it was chosen for our book group. I found the prose to be that of a writer who thinks she's very good but is not. Maybe it's unfair to judge her writing after just recently finishing the wonderful A Gentleman in Moscow by Amir Towles, who truly is a gifted writer, yet I could not help making the comparison. I have always loved the painting Christina's World since my college roommate hung up a poster of it in our dorm room--and then made it my business to go see it at MOMA in New York the first chance I got. Through the years I've visited it many times. So it's really too bad that this attempt to tell Christina's story falls flat. But it does.
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I would choose another book

I know some people have given this good reviews and I loved The Orphan Train
but this book was unrelentingly sad and I didn't even like the characters.
I'm sure it was true to the information available about Christina's relationship
with Andrew Wythe and I know a person with crippling arthritis similar to hers
so that was factual but I didn't come away from this story a better person in any way,
just a sadder one with a little understanding of the hard lives they lead
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The painting Christina's World comes alive

A Piece of this World is inspired by Andrew Wyeth’s painting, Christina’s World. I am a fan of both Andrew and N.C. Wyeth’s paintings and was therefore very eager to read this book. While I love the painting Christina’s World and have seen it on display a number of times at MoMA, I never realized that Wyeth based the painting on someone he knew.

The story goes back and forth through time slowly imagining Christina’s sad story and how Andrew Wyeth came to know and paint her. Christina spent her entire life living in her family’s dilapidated farm house in the small coastal town of Cushing, Maine. As a young child, she developed a debilitating disease that was never diagnosed but slowly robbed her of the ability to walk and use her limbs effectively. While she was quite intelligent, her father made her leave school after eighth grade and tend to household items. She never fully got over having to abandon her education. Between the school issue, her illness, and an unhappy romance, Christina developed into a complicated and sometimes bitter woman making choices that demonstrated her acrimony. I found it hard to like her but enjoyed learning her story.

Wyeth met Christina one summer when his family was visiting Maine. They went on to develop a relationship that lasted many years. Andrew Wyeth brought out a more sympathetic side of Christina, which he immortalized in his painting. The portions of the story where Wyeth appears and interacts with both Christina and her brother Al were my favorites.

Christina Baker Kline writes a character driven novel that brings Christina’s World vividly to life. Thanks to BookBrowse and William Morrow for the chance to read this ARC in exchange for an honest review.
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From the painting to the book

This is the second book I have read by Christina Baker Kline; the first was Orphan Train, which I absolutely loved. After that runaway bestseller, Baker Kline was in search of her next project. According to the author, “As with Orphan Train, I liked the idea of taking a real historical moment of some significance and, blending fiction and nonfiction, filling in the details, illuminating a story that has been unnoticed or obscured…a writer friend that she’d seen the painting at the Museum of Modern Art in New York and thought of me. I instantly knew I’d found my subject.”

The painting the author refers to is Andrew Wyeth’s Christina’s World, and Baker Kline chose the woman in the picture, Christina Olson, as her subject. She spent two year researching Christina, Wyeth, and life in rural Maine in the late 1930s to late 1940s. There is a comprehensive summary of what she learned about the Olson family in the Author’s Notes that is fascinating reading.

The subject of this book is Christina Olson. A woman with a disability who could barely get around. And on top of that, there was no running water or electricity in their rural Maine home. My heart broke for Christina, her life was so hard, yet her resilience is amazing.

The Andrew Wyeth showed up on her doorstep and wanted to paint the surrounding countryside. I can’t say that the two drew close, I never got that impression, but Wyeth accepted her for her. Eventually he paints a picture of the house, the barn, and the waving grasslands, adds Christina in the foreground and calls it Christina’s World.

One of the things that the author does that confuses me is the jumping around. The novel opens in 1939, then it jumps to the late 1800s into 1900, then 1940, then 1911-12 so on. I’m not sure that the story couldn’t have been told chronologically, but it is what it is. I had hoped to give it 6 stars like Orphan Train, but the jumping around forces me to give A Piece of the World 5 out of 5 stars in Julie’s world.
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Well written and somber

Christina's World, and iconic American Art painting by Andrew Wyeth depicted a girl crawling towards a dilapidated house. Who is that girl and why is she crawling? New York Times bestselling author of Orphan Train, Christina Baker Kline answered those questions in her latest release, A Piece of the World. I had enjoyed Orphan Train and thought it well written. So I was looking forward to A Piece of the World, especially since I'm familiar with the painting that inspired it.

Somber and melancholic throughout, you may not even like the main character, Christina nor will you fall particularly in love with any of the characters for that matter. However, you won't be able to deny the story's intensity or the message of being fully attached to something or someone. Christina's paralysis is not only physical, though that is the reason, but it's emotional and even mental. She's anchored to her home, to the only place she knows, but to all, at least to her brother, Al, "it's become a prison..." and they're "inmates." (278) Maybe we can relate. Is there something or some place or even some one that you're attached to, and no matter what, that something or some place or someone is a reason for many of your decisions? However it is, I may not find A Piece of the World my cup of tea, or the type of story that satisfy my reading habits, but it is indeed well written. And if you're a fan of character driven fiction or you're a fan of art and its many reasons for how an artist depicts a subject, A Piece of the World is a story you should check out.

Disclaimer: I received an ARC of this book from the author/publisher. I was not required to write a positive review, and have not been compensated for this. This is my honest opinion.
7 people found this helpful