A Christmas Story: The Book That Inspired the Hilarious Classic Film
A Christmas Story: The Book That Inspired the Hilarious Classic Film book cover

A Christmas Story: The Book That Inspired the Hilarious Classic Film

Hardcover – October 28, 2003

Price
$9.43
Format
Hardcover
Pages
144
Publisher
Crown
Publication Date
ISBN-13
978-0767916226
Dimensions
5.17 x 0.63 x 7.82 inches
Weight
7.6 ounces

Description

From the Inside Flap A beloved, bestselling classic of humorous and nostalgic Americana?the book that inspired the equally classic Yuletide film. The holiday film A Christmas Story , first released in 1983, has become a bona fide Christmas perennial, gaining in stature and fame with each succeeding year. Its affectionate, wacky, and wryly realistic portrayal of an American family?s typical Christmas joys and travails in small-town Depression-era Indiana has entered our imagination and our hearts with a force equal to It?s a Wonderful Life and Miracle on 34th Street .This edition of A Christmas Story gathers together in one hilarious volume the gems of autobiographical humor that Jean Shepherd drew upon to create this enduring film. Here is young Ralphie Parker?s shocking discovery that his decoder ring is really a device to promote Ovaltine; his mother and father?s pitched battle over the fate of a lascivious leg lamp; the unleashed and unnerving savagery of Ralphie?s duel in the show with the odious bullies Scut Farkas and Grover Dill; and, most crucially, Ralphie?s unstoppable campaign to get Santa?or anyone else?to give him a Red Ryder carbine action 200-shot range model air rifle. Who cares that the whole adult world is telling him, ?You?ll shoot your eye out, kid??The pieces that comprise A Christmas Story , previously published in the larger collections In God We Trust, All Others Pay Cash and Wanda Hickey?s Night of Golden Memories , coalesce in a magical fashion to become an irresistible piece of Americana, quite the equal of the film in its ability to warm the heart and tickle the funny bone. A beloved, bestselling classic of humorous and nostalgic Americana--the book that inspired the equally classic Yuletide film. The holiday film "A Christmas Story, first released in 1983, has become a bona fide Christmas perennial, gaining in stature and fame with each succeeding year. Its affectionate, wacky, and wryly realistic portrayal of an American family's typical Christmas joys and travails in small-town Depression-era Indiana has entered our imagination and our hearts with a force equal to "It's a Wonderful Life and "Miracle on 34th Street. This edition of "A Christmas Story gathers together in one hilarious volume the gems of autobiographical humor that Jean Shepherd drew upon to create this enduring film. Here is young Ralphie Parker's shocking discovery that his decoder ring is really a device to promote Ovaltine; his mother and father's pitched battle over the fate of a lascivious leg lamp; the unleashed and unnerving savagery of Ralphie's duel in the show with the odious bullies Scut Farkas and Grover Dill; and, most crucially, Ralphie's unstoppable campaign to get Santa--or anyone else--to give him a Red Ryder carbine action 200-shot range model air rifle. Who cares that the whole adult world is telling him, "You'll shoot your eye out, kid"? The pieces that comprise "A Christmas Story, previously published in the larger collections "In God We Trust, All Others Pay Cash and "Wanda Hickey's Night of Golden Memories, coalesce in a magical fashion to become an irresistible piece of Americana, quite the equal of the film in its ability to warm the heart and tickle the funny bone. For many years a cult radio and cabaret personality in New York City, Jean Shepherd was the creator of the popular film A Christmas Story , which is based on his novels In God We Trust, All Others Pay Cash and Wanda Hickey’s Night of Golden Memories , and which has become a holiday tradition on the Turner Network. Jean Shepherd passed away in 1999. Excerpt. © Reprinted by permission. All rights reserved. DUEL IN THE SNOW, OR RED RYDER NAILS THE CLEVELAND STREET KIDDISARM THE TOY INDUSTRYPrinted in angry block red letters the slogan gleamed out from the large white button like a neon sign. I carefully reread it to make sure that I had not made a mistake.DISARM THE TOY INDUSTRYThat's what it said. There was no question about it.The button was worn by a tiny Indignant-type little old lady wearing what looked like an upturned flowerpot on her head and, I suspect (viewing it from this later date) a pair of Ked tennis shoes on her feet, which were primly hidden by the Automat table at which we both sat.I, toying moodily with my chicken pot pie, which of course is a specialty of the house, surreptitiously examined my fellow citizen and patron of the Automat. Wiry, lightly powdered, tough as spring steel, the old doll dug with Old Lady gusto into her meal. Succotash, baked beans, creamed corn, side order of Harvard beets. Bad news--a Vegetarian type. No doubt also a dedicated Cat Fancier.Silently we shared our tiny Automat table as the great throng of pre-Christmas quick-lunchers eddied and surged in restless excitement all around us. Of course there were the usual H & H club members spotted here and there in the mob; out-of-work seal trainers, borderline bookies, ex-Opera divas, and panhandlers trying hard to look like Madison Avenue account men just getting out of the cold for a few minutes. It is an Art, the ability to nurse a single cup of coffee through an entire ten-hour day of sitting out of the biting cold of mid-December Manhattan.And so we sat, wordlessly as is the New York custom, for long moments until I could not contain myself any longer."Disarm the Toy Industry?" I tried for openers.She sat unmoved, her bright pink and ivory dental plates working over a mouthful of Harvard beets, attacking them with a venom usually associated with the larger carnivores. The red juice ran down over her powdered chin and stained her white lace bodice. I tried again:"Pardon me, Madam, you're dripping.""Eh?"Her ice-blue eyes flickered angrily for a moment and then glowed as a mother hen's looking upon a stunted, dwarfed offspring. Love shone forth."Thank you, sonny."She dabbed at her chin with a paper napkin and I knew that contact had been made. Her uppers clattered momentarily and in an unmistakably friendly manner."Disarm the Toy Industry?" I asked."It's an outrage!" she barked, causing two elderly gentlemen at the next table to spill soup on their vests. Loud voices are not often heard in the cloistered confines of the H & H."It's an outrage the way the toymakers are forcing the implements of blasphemous War on the innocent children, the Pure in Spirit, the tiny babes who are helpless and know no better!"Her voice at this point rising to an Evangelical quaver, ringing from change booth to coffee urn and back again. Four gnarled atheists three tables over automatically, by reflex action alone, hurled four "Amen's" into the unanswering air. She continued:"It's all a Government plot to prepare the Innocent for evil, Godless War! I know what they're up to! Our Committee is on to them, and we intend to expose this decadent Capitalistic evil!"She spoke in the ringing, anvil-like tones of a True Believer, her whole life obviously an unending fight against They, the plotters. She clawed through her enormous burlap handbag, worn paperback volumes of Dogma spilling out upon the floor as she rummaged frantically until she found what she was searching for."Here, sonny. Read this. You'll see what I mean." She handed me a smudgy pamphlet from some embattled group of Right Thinkers, based--of course--in California, denouncing the U.S. as a citadel of Warmongers, profit-greedy despoilers of the young and promoters of world-wide Capitalistic decadence, all through plastic popguns and Sears Roebuck fatigue suits for tots.She stood hurriedly, scooping her dog-eared library back into her enormous rucksack and hurled her parting shot:"Those who eat meat, the flesh of our fellow creatures, the innocent slaughtered lamb of the field, are doing the work of the Devil!"Her gimlet eyes spitted the remains of my chicken pot pie with naked malevolence. She spun on her left Ked and strode militantly out into the crisp, brilliant Christmas air and back into the fray.I sat rocking slightly in her wake for a few moments, stirring my lukewarm coffee meditatively, thinking over her angry, militant slogan.DISARM THE TOY INDUSTRYA single word floated into my mind's arena for just an instant--"Canal water!"--and then disappeared. I thought on: As if the Toy industry has any control over the insatiable desire of the human spawn to own Weaponry, armaments, and the implements of Warfare. It's the same kind of mind that thought if making whiskey were prohibited people would stop drinking.I began to mull over my own youth, and, of course, its unceasing quest for roscoes, six-shooters, and any sort of blue hardware--simulated or otherwise--that I could lay my hands on. It is no coincidence that the Zip Green was invented by kids. The adolescent human carnivore is infinitely ingenious when confronted with a Peace movement.Outside in the spanking December breeze a Salvation Army Santa Claus listlessly tolled his bell, huddled in a doorway to avoid the direct blast of the wind. I sipped my coffee and remembered another Christmas, in another time, in another place, and . . . a gun.I remember clearly, itchingly, nervously, maddeningly the first time I laid eyes on it, pictured in a three-color, smeared illustration in a full-page back cover ad in Open Road For Boys, a publication which at the time had an iron grip on my aesthetic sensibilities, and the dime that I had to scratch up every month to stay with it. It was actually an early Playboy. It sold dreams, fantasies, incredible adventures, and a way of life. Its center foldouts consisted of gigantic Kodiak bears charging out of the page at the reader, to be gunned down in single hand-to-hand combat by the eleven-year-old Killers armed only with hunting knife and fantastic bravery.Its Christmas issue weighed over seven pounds, its pages crammed with the effluvia of the Good Life of male Juvenalia, until the senses reeled and Avariciousness, the growing desire to own Everything, was almost unbearable. Today there must be millions of ex-subscribers who still can't pass Abercrombie & Fitch without a faint, keening note of desire and the unrequited urge to glom on to all of it. Just to have it, to feel it.Early in the Fall the ad first appeared. It was a magnificent thing of balanced copy and pictures, superb artwork, and subtly contrived catch phrases. I was among the very first hooked, I freely admit it.BOYS! AT LAST YOU CAN OWN AN OFFICIAL RED RYDER CARBINE ACTION TWO-HUNDRED SHOT RANGE MODEL AIR RIFLE!This in block red and black letters surrounded by a large balloon coming out of Red Ryder's own mouth, wearing his enormous ten-gallon Stetson, his jaw squared, staring out at me manfully and speaking directly to me, eye to eye. In his hand was the knurled stock of as beautiful, as coolly deadly-looking a piece of weaponry as I'd ever laid eyes on.YES, FELLOWS. . . .Red Ryder continued under the gun:YES, FELLOWS, THIS TWO-HUNDRED-SHOT CARBINE ACTION AIR RIFLE, JUST LIKE THE ONE I USE IN ALL MY RANGE WARS CHASIN' THEM RUSTLERS AND BAD GUYS CAN BE YOUR VERY OWN! IT HAS A SPECIAL BUILT-IN SECRET COMPASS IN THE STOCK FOR TELLING THE DIRECTION IF YOU'RE LOST ON THE TRAIL, AND ALSO AN OFFICIAL RED RYDER SUNDIAL FOR TELLING TIME OUT IN THE WILDS. YOU JUST LAY YOUR CHEEK 'GAINST THIS STOCK, SIGHT OVER MY OWN SPECIAL DESIGN CLOVERLEAF SIGHT, AND YOU JUST CAN'T MISS. TELL DAD IT'S GREAT FOR TARGET SHOOTING AND VARMINTS, AND IT WILL MAKE A SWELL CHRISTMAS GIFT!!The next issue arrived and Red Ryder was even more insistent, now implying that the supply of Red Ryder BB guns was limited and to order now or See Your Dealer Before It's Too Late!It was the second ad that actually did the trick on me. It was late November and the Christmas fever was well upon me. I thought about a Red Ryder air rifle in all my waking hours, seven days a week, in school and out. I drew pictures of it in my Reader, in my Arithmetic book, on my hand in indelible ink, on Helen Weathers' dress in front of me, in crayon. For the first time in my life the initial symptoms of genuine lunacy, of Mania, set in.I imagined innumerable situations calling for the instant and irrevocable need for a BB gun, great fantasies where I fended off creeping marauders burrowing through the snow toward the kitchen, where only I and I alone stood between our tiny huddled family and insensate Evil. Masked bandits attacking my father, to be mowed down by my trusted cloverleaf-sighted deadly weapon. I seriously mulled over the possibility of an invasion of raccoons, of which there were several in the county. Acts of selfless Chivalry defending Esther Jane Alberry from escaped circus tigers. Time and time again I saw myself a miraculous crack shot, picking off sparrows on the wing to the gasps of admiring girls and envious rivals on Cleveland Street. There was one dream that involved my entire class getting lost on a field trip in the swamps, wherein I led the tired, hungry band back to civilization, using only my Red Ryder compass and sundial. There was no question about it. Not only should I have such a gun, it was an absolute necessity!Early December saw the first of the great blizzards of that year. The wind howling down out of the Canadian wilds a few hundred miles to the north had screamed over frozen Lake Michigan and hit Hohman, laying on the town great drifts of snow and long, story-high icicles, and sub-zero temperatures where the air cracked and sang. Streetcar wires creaked under caked ice and kids plodded to school through forty-five-mile-an-hour gales, tilting forward like tiny furred radiator ornaments, moving stiffly over the barren, clattering ground.Preparing to go to school was about like getting ready for extended Deep-Sea Diving. Longjohns, corduroy knickers, checkered flannel Lumberjack shirt, four sweaters, fleece-lined leatherette sheepskin, helmet, goggles, mittens with leatherette gauntlets and a large red star with an Indian Chief's face in the middle, three pair of sox, high-tops, overshoes, and a sixteen-foot scarf wound spirally from left to right until only the faint glint of two eyes peering out of a mound of moving clothing told you that a kid was in the neighborhood.There was no question of staying home. It never entered anyone's mind. It was a hardier time, and Miss Bodkin was a hardier teacher than the present breed. Cold was something that was accepted, like air, clouds, and parents; a fact of Nature, and as such could not be used in any fraudulent scheme to stay out of school.My mother would simply throw her shoulder against the front door, pushing back the advancing drifts and stone ice, the wind raking the living-room rug with angry fury for an instant, and we would be launched, one after the other, my brother and I, like astronauts into unfriendly Arctic space. The door clanged shut behind us and that was it. It was make school or die!Scattered out over the icy waste around us could be seen other tiny befurred jots of wind-driven humanity. All painfully toiling toward the Warren G. Harding School, miles away over the tundra, waddling under the weight of frost-covered clothing like tiny frozen bowling balls with feet. An occasional piteous whimper would be heard faintly, but lost instantly in the sigh of the eternal wind. All of us were bound for geography lessons involving the exports of Peru, reading lessons dealing with fat cats and dogs named Jack. But over it all like a faint, thin, offstage chorus was the building excitement. Christmas was on its way. Each day was more exciting than the last, because Christmas was one day closer. Lovely, beautiful, glorious Christmas, around which the entire year revolved.Off on the far horizon, beyond the railroad yards and the great refinery tanks, lay our own private mountain range. Dark and mysterious, cold and uninhabited, outlined against the steel-gray skies of Indiana winter, the Mills. It was the Depression, and the natives had been idle so long that they no longer even considered themselves out of work. Work had ceased to exist, so how could you be out of it? A few here and there picked up a day or so a month at the Roundhouse or the Freight yards or the slag heaps at the Mill, but mostly they just spent their time clipping out coupons from the back pages of True Romances magazine, coupons that promised virgin territories for distributing ready-made suits door to door or offering untold riches repairing radios through correspondence courses.Downtown Hohman was prepared for its yearly bacchanalia of peace on earth and good will to men. Across Hohman Avenue and State Street, the gloomy main thoroughfares--drifted with snow that had lain for months and would remain until well into Spring, ice encrusted, frozen drifts along the curbs--were strung strands of green and red Christmas bulbs, and banners that snapped and cracked in the gale. From the streetlights hung plastic ivy wreaths surrounding three-dimensional Santa Claus faces.For several days the windows of Goldblatt's department store had been curtained and dark. Their corner window was traditionally a major high-water mark of the pre-Christmas season. It set the tone, the motif of their giant Yuletide Jubilee. Kids were brought in from miles around just to see the window. Old codgers would recall vintage years when the window had flowered more fulsomely than in ordinary times. This was one of those years. The magnificent display was officially unveiled on a crowded Saturday night. It was an instant smash hit. First Nighters packed earmuff to earmuff, their steamy breath clouding up the sparkling plate glass, jostled in rapt admiration before a golden, tinkling panoply of mechanized, electronic Joy.This was the heyday of the Seven Dwarfs and their virginal den mother, Snow White. Walt Disney's seven cutie-pies hammered and sawed, chiseled and painted while Santa, bouncing Snow White on his mechanical knee, ho-ho-ho'd through eight strategically placed loudspeakers--interspersed by choruses of "Heigh ho, heigh ho, it's off to work we go." Grumpy sat at the controls of a miniature eight-wheel Rock Island Road steam engine and Sleepy played a marimba, while in the background, inexplicably, Mrs. Claus ceaselessly ironed a red shirt. Sparkling artificial snow drifted down on Shirley Temple dolls, Flexible Flyers, and Tinker Toy sets glowing in the golden spotlight. In the foreground a frontier stockade built of Lincoln Logs was manned by a company of kilted lead Highlanders who were doughtily fending off an attack by six U. S. Army medium tanks. (History has always been vague in Indiana.) A few feet away stood an Arthurian cardboard castle with Raggedy Andy sitting on the drawbridge, his feet in the moat, through which a Lionel freight train burping real smoke went round and round. Dopey sat in Amos and Andy's pedal-operated Fresh Air Taxicab beside a stuffed panda holding a lollipop in his paw, bearing the heart-tugging legend, "Hug me." From fluffy cotton clouds above, Dionne quintuplet dolls wearing plaid golf knickers hung from billowing parachutes, having just bailed out of a high-flying balsawood Fokker triplane. All in all, Santa's workshop made Salvador Dali look like Norman Rockwell. It was a good year. Maybe even a great one. Like a swelling Christmas balloon, the excitement mounted until the whole town tossed restlessly in bed--and made plans for the big day. Already my own scheme was well under way, my personal dream. Casually, carefully, calculatingly, I had booby-trapped the house with copies of Open Road For Boys, all opened to Red Ryder's slit-eyed face. My father, a great john reader, found himself for the first time in his life in alien literary waters. My mother, grabbing for her copy of Screen Romances, found herself cleverly euchred into reading a Red Ryder sales pitch; I had stuck a copy of ORFB inside the cover showing Clark Gable clasping Loretta Young to his heaving breast. Read more

Features & Highlights

  • A beloved, bestselling classic of humorous and nostalgic Americana—the book that inspired the equally classic Yuletide film and the live musical on Fox.
  • The holiday film
  • A Christmas Story
  • , first released in 1983, has become a bona fide Christmas perennial, gaining in stature and fame with each succeeding year. Its affectionate, wacky, and wryly realistic portrayal of an American family’s typical Christmas joys and travails in small-town Depression-era Indiana has entered our imagination and our hearts with a force equal to
  • It’s a Wonderful Life
  • and
  • Miracle on 34th Street
  • . This edition of
  • A Christmas Story
  • gathers together in one hilarious volume the gems of autobiographical humor that Jean Shepherd drew upon to create this enduring film. Here is young Ralphie Parker’s shocking discovery that his decoder ring is really a device to promote Ovaltine; his mother and father’s pitched battle over the fate of a lascivious leg lamp; the unleashed and unnerving savagery of Ralphie’s duel in the show with the odious bullies Scut Farkas and Grover Dill; and, most crucially, Ralphie’s unstoppable campaign to get Santa—or anyone else—to give him a Red Ryder carbine action 200-shot range model air rifle. Who cares that the whole adult world is telling him, “You’ll shoot your eye out, kid”? The pieces that comprise
  • A Christmas Story
  • , previously published in the larger collections
  • In God We Trust, All Others Pay Cash
  • and
  • Wanda Hickey’s Night of Golden Memories
  • , coalesce in a magical fashion to become an irresistible piece of Americana, quite the equal of the film in its ability to warm the heart and tickle the funny bone.

Customer Reviews

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Most Helpful Reviews

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You'll Shoot Your Eye Out!

When I think of my favorite Christmas moments, it all pretty much has to do with The Parker Family. Not Natalie Wood sitting on Santa's lap at the mall, or Jimmy Stewart running through his snowy town wishing everyone a Merry Christmas. But giant pink bunny costumes, a scary Santa with a big sled, a father battling the furnace, and of course, a Red Ryder BB gun. We have all come to love and appreciate the Christmas classic, "A Christmas Story", released back in 1983. With little fanfare in the beginning, it has grown over the years to match, and maybe outdo, yearly favorites like "It's A Wonderful Life" and "Miracle On 34th Street". This book, a collection of the works of Jean Shepherd, is what inspired the now beloved movie. I have never read it before, and I was quite surprised with how different it was. I wasn't expecting most of it. All of the little things in the movie we know and love, were not actually part of the original story. They were all seperate stories of their own, and most never even took place during the holidays. The first story, "Duel In The Snow, Or Red Ryder Nails The Cleveland Street Kid", is basically the Red Ryder Christmas tale we all know. There were some surprising differences, but I will let you find those out yourself. The second is, "The Counterfeit Secret Circle Member Gets The Message, Or The Asp Strikes Again", and this short story is all about the Little Orphan Annie and the decoder ring. Something that was put into the actual movie. The third story is, "My Old Man And The Lascivious Special Award That Heralded The Birth Of Pop Art", which is the infamous tale of Mr. Parker and his questioable leg lamp. The fourth is, "Grover Dill And The Tasmanian Devil", which tells the tale of the neighborhood bully, who was renamed Scut Farkas for the movie. The fifth and final story in the book is "The Grandstand Passion Play Of Delbert And The Bumpus Hounds", a story about The Parkers' hillbilly neighbors, and their unruly pack of dogs. The book, and Shepherd's writing and immaculate way of spinning a yarn, is so drenched in Americana and nostalgia, that you can definiltey imagine the whole thing in your head and feel as if you are there. You can actually see Ralphie's eyes, or any other of the characters. He writes with such a sure, warm hand, that it feels as if he is writing directly to you and that you could of been a part of this. If that makes any kind of sense at all. It will surprise many when you read the book and find out that things were not originally written like it is in the movie. Shepherd wrote the script to the movie, and when he did, probably to make it movie length, he incorporated the stories of Little Orphan Annie, the leg lamp, the bully, and The Bumpus hounds, into the script, and wove it into a coherent and sensible script. Thank god he did. Can you imagine the movie today without any of those side stories?. I don't think so. I also find it interesting that the parents are always 'Mom' and 'The Old Man'. Fans might be disappointed with some things that were changed for the movie. And changed for the better. For instance, the pink bunny costume was originally just a pair of slippers. Slippers? funny. Big pink bunny costume?. Very funny!!. And other things. Still, it is a warm and brilliant display of writing that will warm the heart on the coldest, and snowiest, day of the season. Perfect to own, and to be cherished year after year. Same with the movie.
20 people found this helpful
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Nice To Have All Of Jean Shepherd's "A Christmas Story" Tales Gathered In One Book

Note: this is NOT an effort to write up the movie screenplay into book form...which means that the title of the book is a bit misleading (ie: there was no book to inspire the film).

Most people know that the movie "A Christmas Story" is based on the writings of Jean Shepherd. What people may not know is that Shepherd didn't write a book called "A Christmas Story." The movie is based on selected stories from Shepherd's works over the years, with one story here and another there borrowed and adjusted to fit into the narrative of the screenplay as a single entity.

This neat little book gathers together those original stories from Shepherd's various works under a single cover that saves one the effort of searching them all out throughout his works. The stories are presented here as they are in their original form...which is to say that all of the incidents culled for inclusion in the movie were not necessarily Xmas-oriented in their original guise.

Worth having if you love this movie...and the price is certainly right.
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Watch the film, skip the book.

I've had my fill of Christmas and it's only the ninth of December!

The reason is after years of promising myself, I finally read Charles Dicken's A Christmas Carol. And my book club selection was A Christmas Story: The Book That Inspired the Hilarious Classic Film by Jean Shepard. The first created our modern Christmas. The second, well, the second was the basis for a gag-filled, funny movie. Both are touchstones of modern, American Christmases

I'm not a Dickens fan but in reading these two short works almost simultaneously, I was surprised by one thing: even though I'm separated from Dickens by the Atlantic and one-hundred and seventy years and unfamiliarity with the Victorian world and a familiarity with the the settings -- if not the times --- of Shepherd's stories, I so much more preferred Dickens to Shepherd.

I've given some thought to this. It's not like I'm was surprised by the narrative. They're pretty much what I've seen on the TV for decades. It's not that I knew that after Jean Shepherd divorced his second wife, he completely ignored his under seven son and daughter he'd had with her for the rest of his life. Dickens' wasn't a great husband or father either. (Then again, he at least didn't publicly deny their existence and did support his children.)

I finally realized why I liked Scrooge's story over Ralphie's. It's that Dickens is Charles freakin' Dickens and Shepherd is, well, Jean Shepherd.

Dickens can be "a vein of saccharine sentimentalism", true. But it is called A Christmas Carol. People are wanting saccharine sentimentalism. Ayway, it is leavened with rather dark passages that offer great balance. In fact, there's one scene that Dicken's writes that I've never seen touched on the the many films. It's part of the tour that the Second Ghost gives Scrooge.

"Again the Ghost sped on, above the black and heaving sea--on, on--until, being far away, as he told Scrooge, from any shore, they lighted on a ship. They stood beside the helmsman at the wheel, the look-out in the bow, the officers who had the watch; dark, ghostly figures in their several stations; but every man among them hummed a Christmas tune, or had a Christmas thought, or spoke below his breath to his companion of some bygone Christmas Day, with homeward hopes belonging to it. And every man on board, waking or sleeping, good or bad, had had a kinder word for another on that day than on any day in the year; and had shared to some extent in its festivities; and had remember those he cared for at a distance, and had known that they delighted to remember him."

I found that wonderful and joyous. It's Christmas.

Compare that to the moment after the Bumpesses hounds ruined the Christmas turkey. In the short story, it's actually an Easter ham.

"Finally, he [the old man] spoke, in a low, rasping voice: "All right! OK! Get your coats. We're going to the Chinese joint. We're going to have chop suey."

Ordinarily, this would have been a gala of the highest order, going to the chop-suey joint. Today, it had all the gaiety of a funeral procession. The meal was eaten completely in silence."

Not quite a chorus of Chinese Fa-La-La-La-La's of the film, is it? Not very....Christmas-y, really?

In other not-so-obvious ways, you can feel the sharp edge of post-modernism -- or is it nihilism? Well, whatever -ism it is that tells you not to have joy in this world -- creeping it's way into stories.

The final thing that turned me off a bit to Shepherd was, again, the Bumpuses. The family -- not just the dogs -- is detailed in the story. I found it offensive. While Dickens almost beatifies the poor. Shepherd depiction is so full of cultural smears and stereotypes that would be considered very bad taste if applied to another group of people. And Shepherd just keeps going on and on with pilling cliche after cliche on them including a mention of father-daughter incest. It just got tiring.

With A Christmas Story, stick to the movie. With A Christmas Carol, read the book...and watch the 113 movies made of it.
12 people found this helpful
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Ralphie Revisited

Jean Shepherd shared many a humorous account about his childhood during the Great Depression. Some of those stories served as the basis for the holiday film "A Christmas Story." However, the stories were never collected in one book until "A Christmas Story" was released in 2003. The five stories in this book were originally published in Playboy magazine from 1964-66. These stories, however, seldom involved specific ties to the Yuletide. Shepherd protagonist Ralph Parker draws some nostalgic inspiration by the events from his life in mid-sixties New York. For example, when Ralph visits a pop art exhibit, he's reminded of the winter when his father proudly owned a woman's leg lamp. His Red Ryder tale is inspired by a woman who wore a button demanding "DISARM THE TOY INDUSTRY!"

The other stories go directly to the childhood memories. Shepherd tells about Ralphie's devotion to the Little Orphan Annie radio show and his membership in her Secret Circle. Another talks of the day he'd had enough of neighborhood bully Grover Dill. The book ends with the entire saga of the months Ralphie and his family had to deal with the Bumpus family as neighbors. Those not familiar with the writings of Shepherd will not only notice the lack of seasonal ties, but they'll also see how other things changed, such as Grover being the main bully. One of the stories even refers to Ralphie's family as the Shepherds instead of the Parkers. Still, these stories have the essence of what made the movie so successful. Shepherd waxes nostalgic in great detail, but the nostalgia never gets too warm or fuzzy. Ralphie learns that life has at least one hard lesson for every wish that comes true. Even Santa joined in on the chorus of "You'll shoot your eye out" when Ralphie openly wished for a BB gun.

In his writing, Shepherd found ways to make his childhood relate to the general experiences of American childhood. He may have listened to the radio, but kids have the shows they won't miss, whether they're on radio or TV, complete with sponsors who look for a way to get paid. Many adults survived childhood by somehow surviving the Grover Dills in their lives. Even worse than the smell of the steel mills were the sights and smells that emanated from the Bumpus residence, which included outhouses and tired hounds sleeping with the tired rats they chased. Yet, Ralphie uses his young mind to use Red Ryder ads on his parents in the same way Ovaltine used product placement in Little Orphan Annie. Ralphie's lack of subtlety, though, is absolutely hilarious. The leg lamp story shows even adults have their favorite toys, too. Hohman, Indiana, could have been any American city, and Ralphie Parker could have been any kid. Most readers didn't grow up with Ralphie, but it's not hard to laugh with him and to find common bonds as well.

Jean Shepherd wrote four collections of short stories about Ralphie Parker. Five of the best tales became the basis for both the film and the book versions of "A Christmas Story." The works of Jean Shepherd were among the reasons I decided to try my hand at fiction writing (Three of my stories are a part of my Epinions output). Even though I have all four original titles, I was happy to revisit the world Shepherd created in his fiction. Through his humor and his imagery, Jean Shepherd took people to the sort of place they knew in childhood. Dreams get dashed and egos get deflated, but a nice hot supper awaits at the end of the day's travails. No good day ends without savoring some little victory, and Ralphie Parker had plenty of those to savor.

Originally published on Epinions.com.
12 people found this helpful
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Not a very good Christmas Story

Having read this book, I was very disappointed. I was sorry that I bought it. It is not like the other four books authored by Jean Shepherd. It was written after the movie and is just a cheap way to generate more money.
5 people found this helpful
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Different cover than the one pictured

Book came in, packaged well, on time, and in great condition. Only negatives were that the cover was a totally different picture than the one shown in the listing, disappointing. And that the seller stuck a bar code sticker right in the middle of the front cover, maddening! Jesus, pick some corner spot on the back cover if you have to attach those things! They almost always damage the surface of the cover or dust jacket when you try and remove them.
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Too bad....so sad...didn't do anything for me.

I'm sorry but the book didn't do much for me. I've watched the movie many times over the years and the book just jumbled things up. If you use the book just for information about the stray, or movie it's ok. No, I think I'd lose interest even then. I only read a few pages and put it down. I love the story as told by the movie. Sorry about that.
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The movie is better!

I picked up a copy of this book because I love the movie of the same name; it's one of my favourite Christmas films. However, I wasn't all that impressed with the book, which is basically a collection of stories upon which the screenplay was based. I thought perhaps there would be something new that wasn't included in the movie. Only one story (the amusing one about the Bumpus family) really offered anything that wasn't in the movie.

For me, there was also the issue of the tenses in the writing. The narration would skip around from past to present tense, even in the middle of a paragraph, and often for no reason that I could see. I found it annoying and distracting.

Overall, it's not a terrible book, but the movie has a certain magic that I just didn't feel while reading these stories.
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The actual short stories that "A Christmas Story" is based on.

Let me say first off that this is NOT the "Book of the Movie". Nor is it a single work, as the blurb on the cover may lead one to believe. This book is a compilation of the original wryly funny Jean Shephard short stories, that were developed by him into the classic film. These include the saga of the Red Ryder BB gun, naturally, the "Major Award", "Grover Dill" AKA "Scutt Farkus" and the Bumpuses; though one learns more about them, than just their hounds.
The whole book runs to only 130 pages, and is a perfect size for a stocking stuffer, or a gift for those folks one just doesn't know what to buy: work, "Secret Santas" etc. Recommended.
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Excellent Condition

The book came in in such great condition. The book looks brand new. It has no markings in its pages and the cover is pristine. I love the movie and figure to buy the book.
1 people found this helpful